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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
And I Can Sing
Non classifié
1 289
Piano & claviers
Piano, Voix et Guitare
721
Piano seul
716
Piano, Voix
360
Instruments en Do
200
Piano Facile
176
Orgue
57
1 Piano, 4 mains
19
Piano grosses notes
12
Piano Trio: piano, violon, violoncelle
10
2 Pianos, 4 mains
8
Accordéon
6
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Accompagnement Piano
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Orgue, Trompette (duo)
1
Piano (partie séparée)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 12 instrumentations
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Guitares
Basse electrique
306
Guitare notes et tablatures
97
Ligne De Mélodie, (Paroles) et Accords
62
Guitare
57
Ukulele
27
4 Guitares (Quatuor)
9
Paroles et Accords
8
3 Guitares (trio)
4
Mandoline
3
Ensemble de guitares
3
Ukulele Baryton
3
Dulcimer
3
Banjo
2
2 Guitares (duo)
2
Piano, Guitare (duo)
2
Guitare (partie séparée)
1
+ 11 instrumentations
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Voix
Chorale SATB
502
Voix seule
283
Chorale 3 parties
203
Chorale 2 parties
118
Chorale TTBB
60
Chorale Unison
54
Chorale SSAA
51
Voix duo, Piano
45
Pack Instrumental pour Chorale
34
Voix Soprano, Piano
12
Voix duo
12
Chorale
7
Voix Baryton, Piano
7
Voix Alto, Piano
7
Voix moyenne, Piano
6
Voix basse, Piano
4
Voix haute
4
Voix Tenor
3
Voix Tenor, Piano
2
Chorale SSATTB
2
Chorale SAATB A Cappella
1
Chorale SSAB, Piano
1
Chorale SSAB a cappella
1
+ 18 instrumentations
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Vents
Flûte traversière et Piano
53
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
51
Hautbois, Piano (duo)
38
Saxophone Alto et Piano
37
Flûte traversière
37
Clarinette
35
Saxophone Alto
30
Flûte, Hautbois, Clarinette, Basson
30
Clarinette et Piano
30
Saxophone Tenor
29
Quatuor de Clarinettes: 4 clarinettes
28
2 Saxophones (duo)
25
Hautbois (partie séparée)
25
Saxophone Tenor et Piano
25
Quatuor de Saxophones: 4 saxophones
23
Ensemble de Clarinettes
20
2 Clarinettes (duo)
19
Flûte à bec Soprano
19
2 Flûtes traversières (duo)
17
Saxophone (partie séparée)
17
Flûte et Guitare
16
Quintette de Saxophone: 5 saxophones
16
Flûte, Clarinette (duo)
11
Ensemble de saxophones
10
Saxophone
9
Clarinette, Guitare (duo)
9
Clarinette et Alto
8
Saxophone Soprano et Piano
8
Hautbois, Basson (duo)
7
Saxophone, Clarinette (duo)
7
Saxophone Baryton, Piano
7
Flûte, Violoncelle
7
Flûte, Alto (duo)
7
Flute (partie séparée)
7
Ensemble de Flûtes
7
Quatuor de Flûtes : 4 flûtes
7
Flûte à Bec
7
Cor Anglais
6
Quintette de Clarinettes: 5 clarinettes
6
Clarinette, Trompette (duo)
5
Flûte à bec Alto
5
3 Clarinettes (trio)
5
Trio de Flûtes: 3 flûtes
5
Flûte irlandaise
5
Hautbois, Guitare (duo)
4
Flûte à bec Tenor
4
Cor anglais, Guitare (duo)
4
Quatuor de Flûtes à bec
4
Hautbois, Clarinette (duo)
4
Saxophone Soprano
4
Clarinette Basse, Piano
4
3 Saxophones (trio)
3
Hautbois, Flûte
3
Quintette de Flûte : 5 flûtes
3
Flute, harpe et violon
3
Clarinette, Violon (duo)
3
Clarinette, Harpe (duo)
2
Saxophone et Guitare
2
Flûte, Violon, Piano
2
Cor anglais, Piano
2
Flûte, Saxophone (duo)
2
Flûte, Clarinette, Piano (trio)
2
Flûte à bec Soprano, Piano
2
Flûte, Violon
2
Flûte, Hautbois (duo)
2
2 Clarinettes, Piano
1
2 Hautbois (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Violon et Violoncelle
1
Flûte, Hautbois, Clarinette (trio)
1
Hautbois, Harpe
1
Piccolo
1
Saxophone Baryton
1
Clarinette, Basson (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Hautbois
1
Ocarina
1
Piccolo, Piano
1
Flûte, Clarinette et Basson
1
3 Flûtes à bec (trio)
1
Flûte, Hautbois, Piano (trio)
1
2 Flûtes traversières, Piano
1
Clarinette, Violoncelle (duo)
1
+ 78 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
57
Trompette
42
Trombone et Piano
30
Quatuor de Cuivres : 2 trompettes, trombone, tuba
28
Trombone
26
Trompette, Piano
25
Cor et Piano
22
Trompette (partie séparée)
18
Cor
18
Quatuor de Cuivres
14
Trombone (partie séparée)
12
Tuba
12
Quatuor de cuivres: 4 trombones
12
Tuba et Piano
9
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Euphonium, Piano (duo)
7
2 Trombones (duo)
7
2 Trompettes (duo)
7
Trompette, Saxophone (duo)
6
Cor Anglais
6
Euphonium
5
Cor anglais, Guitare (duo)
4
Ensemble de Trombones
4
Ensemble de Trompettes
3
2 Cors (duo)
3
2 Tubas (duo)
2
Instruments en Sib
2
2 Euphoniums et 2 Tubas
2
Trompette, Trombone (duo)
2
Cor anglais, Piano
2
Ensemble de Tubas
1
Trompette, Euphonium (duo)
1
Quatuor de cuivres: 4 cors
1
Trompette, Tuba (duo)
1
Trombone et orchestre
1
2 Trompettes, Clavier (piano ou orgue)
1
Cor (partie séparée)
1
2 Euphoniums (duo)
1
+ 33 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
211
Violon
72
Violon et Piano
64
Violoncelle
48
2 Harpes (duo)
45
Harpe
42
Violon, Violoncelle (duo)
35
Violoncelle, Piano
33
Alto, Piano
32
Trio à Cordes: violon, alto, violoncelle
26
2 Violons (duo)
25
Violon, Alto (duo)
24
Alto seul
22
Trio à Cordes: 2 violons, violoncelle
18
2 Altos (duo)
16
Contre Basse
12
Violon, Guitare (duo)
11
Violoncelle , Guitare (duo)
9
2 Violoncelles (duo)
6
Violoncelle, Contrebasse (duo)
6
Contrebasse, Piano (duo)
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Alto (partie séparée)
5
Violon (partie séparée)
4
Quatuor à cordes: 4 violons
4
Flûte, Contrebasse (duo)
4
Harpe, Flûte (duo)
4
Alto, Violoncelle (duo)
3
Contrebasse (partie séparée)
3
Trio à cordes: 3 violins
3
Ensemble de Violons
3
Trio à Cordes: 2 violons, alto
3
Trio à Cordes: 3 violoncelles
3
Alto, Guitare (duo)
2
Piano Trio: Violon, Alto, Piano
2
2 Violons, Piano
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
4 Violoncelles
2
Harpe, Voix
1
3 Harpes
1
Violoncelle (partie séparée)
1
Violon, Tuba (duo)
1
Ensemble d'Altos
1
Violon, Clarinette, Piano (trio)
1
Harpe, Violon (duo)
1
+ 40 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
186
Orchestre
99
Orchestre à Cordes
70
Cloches
58
Orchestre de chambre
50
Ensemble Jazz
47
Ensemble de cuivres
43
Jazz combo
23
Ensemble de Percussions
13
Fanfare
8
Batterie
4
Xylophone, Piano
4
Percussion (partie séparée)
2
Percussion
1
Xylophone
1
Batterie (partie séparée)
1
Instrumentation Flexible
1
Piano et Orchestre
1
Orchestre, Violon
1
+ 14 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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CHORALE - CHAN…
CITHARE
CLAIRON
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Vous avez sélectionné:
And I Can Sing
Quintette de Saxophone: 5 saxophones
Partitions à imprimer
16 partitions trouvées
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1
(Everything I Do) I Do It For You
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
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Rock
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Bryan Adams
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Diego Marani
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(Everything I Do) I Do It For
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Diego Marani
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.527784 By Bryan Adams. By Bry...
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Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.527784 By Bryan Adams. By Bryan Adams, Michael Kamen, and Robert John Mutt Lange. Arranged by Diego Marani. Contemporary,Film/TV,Instructional,Pop,Standards. 13 pages. Diego Marani #3458647. Published by Diego Marani (A0.527784). (Everything I Do) I Do It for You is a song by Canadian singer-songwriter Bryan Adams. Written by Adams, Michael Kamen and Robert John Mutt Lange, featured on two albums simultaneously on its release, the soundtrack album from the 1991 film Robin Hood: Prince of Thieves and on Adams' sixth album Waking Up the Neighbours (1991). The song was an enormous chart success internationally, particularly in the United Kingdom, where it spent sixteen consecutive weeks at number one on the UK Singles Chart (the longest in British chart history). It went on to sell more than 15 million copies worldwide, making it Adams' most successful song and one of the best-selling singles of all time. Subsequently, the song has been covered by hundreds of singers and artists around the world.This arrangement for sax quintet includes the following parts: Bb Soprano, Eb Alto, Bb Tenor 1 or Eb Alto 2, Bb Tenor 2, Eb Baritone.It is suitable for repertoire, classroom, recital and wedding.
$22.99
I Was Made For Lovin' You
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
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Rock
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Kiss
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Thomas Graf
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I Was Made For Lovin' You
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1231310 By Ki...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1231310 By Kiss. By Desmond Child, Paul Stanley, and Vini Poncia. Arranged by Thomas Graf. Pop,Rock. 27 pages. Thomas Graf - the-hit-factory.com #826994. Published by Thomas Graf - the-hit-factory.com (A0.1231310). I Was Made for Lovin' You is a song by American hard rock band Kiss, originally released on their 1979 album, Dynasty. It was released as the A-side of their first single from the album, with Hard Times as the B-side.About this arrangement:Â Composed by: By Paul Stanley, Vini Poncia, Desmond ChildArranged by: Thomas H. GrafInstrumentation:Â Full Score and Parts as listed below:Part I Soprano SaxophonePart I Alto SaxophonePart II Alto SaxophonePart III Alto SaxophonePart III Tenor SaxophonePart IV Tenor SaxophonePart V Baritone SaxophonePart V Bass SaxophoneDrum SetAny individual arrangement and substitute parts are available on request.Call +49 (0) 172 2515987 Â E-Mail: info@the-hit-factory.com. Â www.the-hit-factory.comfacebook: https://www.facebook.com/hitfactorymusic
$20.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Saxophone Quintet - 2 Alto, 2 Tenor, 1 Ba
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.813832 Composed by Antonin Dvorak. Arranged by...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.813832 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 19 pages. Regis Bookshar #6533927. Published by Regis Bookshar (A0.813832). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Saxophone Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (19 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Saxophone Quintet, consisting of 2 Alto Saxophones, 2 Tenor Saxophones and 1 Baritone Saxophone, he has made quite a few other arrangements.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Tenor Saxophone Quintet)
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
#
Largo
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Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 3 - SKU: A0.813836 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk...
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Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 3 - SKU: A0.813836 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 19 pages. Regis Bookshar #6533941. Published by Regis Bookshar (A0.813836). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Tenor Saxophone Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (19 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Tenor Saxophone Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Alto Saxophone Quintet)
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
#
Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 3 - SKU: A0.813820 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 3 - SKU: A0.813820 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533331. Published by Regis Bookshar (A0.813820). Largo (from Symphony No. 9 in E minor) (From the New World) (Alto Saxophone Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for an Alto Saxophone Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety o.
$15.00
Silent Night (Bb) (Saxophone Quintet - 2 Alto, 3 Tenor)
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
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Noël
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the 1840's, the song was well
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Franz Xaver Gruber
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Regis Bookshar
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Silent Night
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Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Tenor Saxophone - Level 3 - SKU: A0.813971 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Tenor Saxophone - Level 3 - SKU: A0.813971 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Instructional,Multicultural,World. 7 pages. Regis Bookshar #6635861. Published by Regis Bookshar (A0.813971). Saxophone Quintet - Intermediate - . This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Saxophone Quintet, consisting of 2 Alto Saxophones and 3 Tenor Saxophones, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$5.00
Silent Night (Bb) (Saxophone Quintet - 2 Alto, 2 Tenor, 1 Bari)
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
#
Noël
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the 1840's, the song was well
#
Franz Xaver Gruber
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Regis Bookshar
#
Silent Night
#
Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.813969 Composed by Franz Xaver Gruber. Arrange...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.813969 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. 7 pages. Regis Bookshar #6635859. Published by Regis Bookshar (A0.813969). Saxophone Quintet - Intermediate - . This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Saxophone Quintet, consisting of 2 Alto Saxophones, 2 Tenor Saxophones and 1 Baritone Saxophone, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$5.00
Silent Night (Bb) (Tenor Saxophone Quintet)
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
#
Noël
#
the 1840's, the song was well
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Franz Xaver Gruber
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Regis Bookshar
#
Silent Night
#
Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 3 - SKU: A0.813973 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Ins...
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Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 3 - SKU: A0.813973 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. 7 pages. Regis Bookshar #6635871. Published by Regis Bookshar (A0.813973). Tenor Saxophone Quintet - Intermediate - . This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Tenor Saxophone Quintet, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$5.00
Silent Night (Bb) (Alto Saxophone Quintet)
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
#
Noël
#
the 1840's, the song was well
#
Franz Xaver Gruber
#
Regis Bookshar
#
Silent Night
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Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 3 - SKU: A0.813959 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Inst...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 3 - SKU: A0.813959 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. 7 pages. Regis Bookshar #6632957. Published by Regis Bookshar (A0.813959). Alto Saxophone Quintet - Intermediate - . This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for an Alto Saxophone Quintet, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$5.00
Honesty
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
#
Film/TV
#
Rock
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Billy Joel
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Thomas Graf
#
Honesty
#
Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1460997 By Bi...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1460997 By Billy Joel. By Billy Joel. Arranged by Thomas Graf. Film/TV,Pop,Rock. 23 pages. Thomas Graf - the-hit-factory.com #1039906. Published by Thomas Graf - the-hit-factory.com (A0.1460997). Honesty is a great song by American singer and songwriter Billy Joel. Columbia Records released the song as the third single from his sixth studio album 52nd Street (1978) in 1979. A wonderful Ballad, melody goes through allparts. Have fun!About this arrangement: Composed by: By Billy JoelArranged by: Thomas H. Graf for Saxophone QuintetInstrumentation: Full Score and Parts as listed below:Part I Soprano SaxophonePart II Alto SaxophonePart III Alto SaxophonePart IV Tenor SaxophonePart V Baritone SaxophonePart I Alto SaxophonePart III Tenor SaxophonePart V Bass SaxophoneAny individual arrangement and substitute parts are available on request.Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.comfacebook: https://www.facebook.com/hitfactorymusic
$20.00
Honesty
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Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE
#
Billy Joel
#
Thomas Graf
#
Honesty
#
Thomas Graf - the-hit-factory.com
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1252011 By Bi...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1252011 By Billy Joel. By Billy Joel. Arranged by Thomas Graf. 20th Century,Pop. 23 pages. Thomas Graf - the-hit-factory.com #846136. Published by Thomas Graf - the-hit-factory.com (A0.1252011). Honesty is a great song by American singer and songwriter Billy Joel. Columbia Records released the song as the third single from his sixth studio album 52nd Street (1978) in 1979. A wonderful Ballad, melody goes through allparts. Have fun!About this arrangement:Â Composed by: By Billy JoelArranged by: Thomas H. GrafInstrumentation:Â Full Score and Parts as listed below:Part I Soprano SaxophonePart II Alto SaxophonePart III Alto SaxophonePart IV Tenor SaxophonePart V Baritone SaxophonePart I Alto SaxophonePart III Tenor SaxophonePart V Bass SaxophoneAny individual arrangement and substitute parts are available on request.Call +49 (0) 172 2515987 Â E-Mail: info@the-hit-factory.com. Â www.the-hit-factory.comfacebook: https://www.facebook.com/hitfactorymusic
$20.00
Wedding March - Bridal chorus Lohengrin - Saxophone Quintet
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
#
Classique
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Richard Wagner
#
Thomas Graf
#
#
Wedding March - Bridal chorus
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Thomas Graf - the-hit-factory.com
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.568170 Composed by Richard W...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.568170 Composed by Richard Wagner. Arranged by Thomas Graf. Opera,Romantic Period,Wedding. 11 pages. Thomas Graf - the-hit-factory.com #2887433. Published by Thomas Graf - the-hit-factory.com (A0.568170). Out of the box, easy to play - arrangement for your next wedding service. Piano/Organ is optional. Missing voices aren’t that critical. Piano/Organ part can be played solo or with the first part only. Instrumentation: Part I (Soprano), Part II (Alto), Part III (Alto/Tenor), Part IV (Tenor), Part V(Baritone/Bass Sax) Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N.... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/iWBNDf_OqzA
$9.99
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And I Can Sing
