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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Can Can - Accordion Version
Non classifié
3 722
Piano & claviers
Piano seul
2 324
Piano Facile
1 149
Piano, Voix
706
Piano, Voix et Guitare
324
Instruments en Do
171
1 Piano, 4 mains
76
Orgue
56
Accompagnement Piano
51
Piano Trio: piano, violon, violoncelle
18
Piano Quatuor: piano, violon, alto, violoncelle
16
2 Pianos, 4 mains
13
Piano Quintette: piano, 2 violons, alto, violoncelle
11
Piano grosses notes
8
Orgue, Piano (duo)
7
Piano Quatuor: piano, 2 violons, violoncelle
6
Orgue, Trompette (duo)
4
Clavecin
2
Piano (partie séparée)
1
2 Pianos, 8 mains
1
+ 14 instrumentations
Retracter
Guitares
Basse electrique
1 229
Guitare notes et tablatures
400
Guitare
263
Piano, Guitare (duo)
120
Ligne De Mélodie, (Paroles) et Accords
67
Ukulele
55
Mandoline, Piano (duo)
10
2 Guitares (duo)
10
4 Guitares (Quatuor)
10
Banjo
8
Mandoline
8
Paroles et Accords
7
3 Guitares (trio)
4
2 Mandolines (duo)
2
Ensemble de guitares
2
Guitare (partie séparée)
2
Dulcimer
2
+ 12 instrumentations
Retracter
Voix
Chorale SATB
560
Chorale 3 parties
236
Chorale 2 parties
175
Chorale TTBB
114
Chorale SSAA
74
Chorale Unison
72
Voix duo, Piano
65
Voix duo
42
Voix seule
30
Voix Soprano, Piano
21
Voix haute
20
Voix Alto, Piano
8
Voix Tenor, Piano
8
Voix Baryton, Piano
6
Voix moyenne, Piano
4
Chorale SSATTB
2
Voix Tenor
2
Chorale SSATB
1
Chorale
1
Voix Mezzo-Soprano, Piano
1
Voix basse, Piano
1
Chorale SSAB a cappella
1
Voix basse
1
Soli, choeur mixte et accompagnement
1
+ 19 instrumentations
Retracter
Vents
2 Saxophones (duo)
478
Flûte traversière et Piano
361
Clarinette et Piano
352
Hautbois, Piano (duo)
348
Saxophone Alto et Piano
275
Clarinette
240
Saxophone Tenor et Piano
239
Flûte traversière
234
Saxophone, Clarinette (duo)
210
2 Clarinettes (duo)
199
2 Flûtes traversières (duo)
183
Quatuor de Saxophones: 4 saxophones
161
Clarinette, Violon (duo)
140
Saxophone
140
Clarinette, Trompette (duo)
127
Saxophone Alto
122
2 Flûte à bec (duo)
117
Saxophone Tenor
113
Saxophone (partie séparée)
112
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
108
Flûte, Hautbois, Clarinette, Basson
102
Flûte à bec Soprano
93
Hautbois, Basson (duo)
93
Quatuor de Clarinettes: 4 clarinettes
91
Flûte, Clarinette (duo)
90
2 Hautbois (duo)
89
Quintette de Saxophone: 5 saxophones
87
Saxophone Soprano et Piano
80
Hautbois, Clarinette (duo)
78
Flûte, Saxophone (duo)
74
Hautbois (partie séparée)
73
Flûte, Violon
71
Clarinette et Alto
68
Hautbois, Flûte
67
Flûte, Alto (duo)
61
Saxophone Baryton, Piano
61
Flûte, Trompette (duo)
53
3 Saxophones (trio)
45
Quatuor de Flûtes : 4 flûtes
39
3 Clarinettes (trio)
37
Ensemble de saxophones
36
Cor anglais, Piano
34
Trio de Flûtes: 3 flûtes
33
Flûte et Guitare
27
Hautbois
26
Cor Anglais
25
Ensemble de Clarinettes
25
Ensemble de Flûtes
23
Flûte à Bec
19
Clarinette, Guitare (duo)
19
Quintette de Flûte : 5 flûtes
18
Clarinette Basse, Piano
17
Quintette de Clarinettes: 5 clarinettes
17
Quatuor de Flûtes à bec
14
Flûte à bec Alto
13
Saxophone Soprano
11
Clarinette, Trombone (duo)
10
3 Flûtes à bec (trio)
8
Flûte, Hautbois (duo)
7
Flûte à bec Tenor
7
Clarinette, Basson (duo)
7
Harmonica
7
Hautbois, Clarinette, Basson (trio d'anches)
6
Cor anglais, Guitare (duo)
6
Flûte, Hautbois, Piano (trio)
5
Flûte à bec Soprano, Piano
5
5 Flûtes à bec
4
Ensemble De Flûte à bec
4
Flûte, Violon, Piano
4
Flûte, Clarinette et Basson
4
Ocarina
4
Saxophone Baryton
3
2 Flûtes traversières, Piano
3
4 Hautbois
3
Piccolo, Piano
3
Clarinette, Harpe (duo)
3
2 Clarinettes, Piano
3
Flute, harpe et violon
3
Flûte, Violon et Violoncelle
3
Flûte, Hautbois, Basson
3
Hautbois, Guitare (duo)
2
Saxophone et Guitare
2
Flûte à bec Alto, Piano
2
Instruments en Mib
2
3 Hautbois
2
Hautbois, Basson et Piano
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Flûte, Clarinette, Piano (trio)
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte, Trombone (duo)
1
Clarinette, Contrebasse (duo)
1
Piccolo
1
Hautbois, Clarinette et Piano (Trio)
1
Ensemble à vent
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte, Violoncelle, Guitare
1
Clarinette, Tuba
1
Saxophone et Orgue
1
2 Saxophones, Piano
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Violoncelle
1
2 Hautbois, Piano
1
Flûte et Quatuor à Cordes
1
Flûte à bec Alto, Basse continue
1
Flûte, Violoncelle, Piano (trio)
1
Flûte et Trio à cordes
1
Clarinette, Violoncelle (duo)
1
+ 102 instrumentations
Retracter
Cuivres
Trompette
283
Trombone et Piano
269
Trompette, Piano
214
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
194
Trombone
190
Trompette, Saxophone (duo)
147
Cor et Piano
122
2 Trombones (duo)
116
Trompette, Trombone (duo)
106
2 Trompettes (duo)
103
Quatuor de Cuivres : 2 trompettes, trombone, tuba
95
Cor
78
Tuba et Piano
71
Tuba
64
Ensemble de Trompettes
43
Trompette (partie séparée)
41
Quatuor de cuivres: 4 trombones
39
Ensemble de Trombones
38
Cor anglais, Piano
34
Quatuor de Cuivres: 2 trompettes, Cor, trombone
30
Euphonium
30
Euphonium, Piano (duo)
25
Cor Anglais
25
2 Cors (duo)
24
Quatuor de Cuivres
16
Quatuor de cuivres: 4 cors
15
2 Euphoniums et 2 Tubas
14
Trombone (partie séparée)
13
2 Euphoniums (duo)
10
Trompette, Cor (duo)
10
2 Tubas (duo)
10
Quatuor de cuivres: 4 trompettes
10
Euphonium, Tuba (duo)
8
Quatuor de cuivres: 2 trompettes, 2 trombones
7
Trombone, Cor (duo)
6
Cor anglais, Guitare (duo)
6
Ensemble de Cors
5
3 Trompettes (trio)
5
Trio de Cuivres
4
Trombone basse
3
3 Trombones (trio)
3
Instruments en Sib
2
Cor, Tuba (duo)
2
Bass Clef Instruments
2
Tuba et Orgue
2
4 Tubas
2
Trompette, Euphonium (duo)
1
Ensemble de Tubas
1
4 Euphoniums
1
Trompette, Tuba (duo)
1
3 Tubas (trio)
1
2 Trombones, Piano
1
Cor, Violoncelle et Piano
1
+ 48 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
615
Violon et Piano
434
Violon
413
Violon, Violoncelle (duo)
391
Alto, Piano
325
Violoncelle, Piano
313
Harpe
253
Trio à Cordes: violon, alto, violoncelle
252
Violoncelle
206
2 Violons (duo)
135
2 Violoncelles (duo)
132
Violon, Alto (duo)
125
Quintette à cordes: 2 violons, alto, violoncelle, basse
124
Alto seul
112
2 Altos (duo)
96
Contrebasse, Piano (duo)
67
Contre Basse
48
Alto (partie séparée)
38
Trio à Cordes: 2 violons, violoncelle
35
Alto, Violoncelle (duo)
24
4 Violoncelles
21
2 Harpes (duo)
18
2 Contrebasses (duo)
13
Trio à Cordes: 3 violoncelles
13
Harpe et mandoline
10
Trio à cordes: 3 violins
10
Harpe, Violoncelle (duo)
8
Piano Trio: Violon, Alto, Piano
8
Violoncelle , Guitare (duo)
8
Alto et Harpe
7
Ensemble de Violons
7
Harpe, Violon (duo)
7
Quatuor à cordes: 4 violons
6
Flûte, Contrebasse (duo)
6
Trio à cordes: 3 altos
6
Violon, Guitare (duo)
6
2 Violons, Piano
6
Harpe, Flûte (duo)
6
Violon (partie séparée)
5
Ensemble d'Altos
5
Contrebasse (partie séparée)
5
Harpe, Voix
5
Quatuor à cordes : 4 altos
5
2 Violoncelles, Piano
4
Violoncelle, Contrebasse (duo)
4
Trio à Cordes: 2 violons, alto
4
Violon, Orgue
4
2 Altos, Piano
3
Ensemble de Violoncelles
2
Alto, Guitare (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Violon, Clarinette, Piano (trio)
2
Harpe, Violon, Violoncelle
1
4 Contrebasses
1
Violoncelle (partie séparée)
1
4 Harpes
1
Violoncelle, Basse continue
1
+ 52 instrumentations
Retracter
Orchestre & Percussions
Batterie
1 011
Orchestre à Cordes
223
Orchestre d'harmonie
209
Orchestre
192
Cloches
137
Orchestre de chambre
135
Ensemble Jazz
100
Ensemble de cuivres
92
Fanfare
28
Ensemble de Percussions
28
Vibraphone
27
Jazz combo
26
Marimba
23
Percussion
21
Xylophone
6
Xylophone, Piano
4
Percussion (partie séparée)
3
Piano et Orchestre
3
3 Marimbas
3
Vibraphone (partie séparée)
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Batterie (partie séparée)
1
+ 17 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
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VIOLON
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XYLOPHONE
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ASIE
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CELTIQUE - IRISH - S…
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MEDIEVAL - RENAISSAN…
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Can Can - Accordion Version
Quintette de Saxophone: 5 saxophones
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Canon in D (Pachelbel) (D) (Saxophone Quintet - 2 Alto, 2 Tenor, 1 Bari)
#
Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Pachelbel
#
Regis Bookshar
#
Canon in D
#
Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 4 - SKU: A0.813470 Composed by Johann Pachelbel. Arranged ...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 4 - SKU: A0.813470 Composed by Johann Pachelbel. Arranged by Regis Bookshar. Baroque,Multicultural,Standards,Wedding,World. 27 pages. Regis Bookshar #6264859. Published by Regis Bookshar (A0.813470). Canon in D (Pachelbel) (D) (Saxophone Quintet - 2 Alto, 2 Tenor, 1 Baritone) - Advanced/Intermediate - . This selection, Johann Pachelbel's celebrated Canon in D, is perhaps the most famous canon ever written and has been one of my favorite compositions to arrange. A canon is a polyphonic device in which several voices play the same music, entering in sequence. Pachelbel's Canon in D, was originally written in the key of D Major and was scored for three violins arranged in canon, accompanied by a basso continuo which repeats the same harmonic progression throughout the entire piece. The common musical term for this is ostinato or ground bass. Regis Bookshar has now arranged this music for a Saxophone Quintet consisting of 2 Alto Saxophones, 2 Tenor Saxophones and 1 Baritone Saxophone. The two Alto Saxophones and one Tenor Saxophone play the melody in canon while the ostinato accompaniment is played by the other Tenor Saxophone and Baritone Saxophone. This arrangement is suitable for high school and college students but could also be performed by professional performers. It is perfect for concerts and church services, especially for Weddings, but could be performed for any occasion. Included are a score and a complete set of parts (27 pages). This version is written in the key of D Major, as is the original version, but, if you prefer, another version, written in the key of Bb Major, to make it a little easier for some younger performers, is also available. Other versions of Pachelbel's Canon in D have also been arranged by Regis Bookshar and are available for a wide variety of instrumental Quintets and Octets, in both the keys of D Major and Bb Major. I think that String players would probably prefer to play the versions in the key of D Major while the Brass and Woodwind musicians might prefer to play the Bb Major versions. I hope you take the time to compare the different versions to find the right version for you. To help you decide which version, or versions, you may want to choose, I have included several musical samples for you to listen to and to hear what these arrangements may sound like and so that you may compare the various arrangements. Also, just to let you know, the Octets written in the key of Bb Major have full-length recordings while the Octets in D Major and all Quintets have only the first 25 measures, or so, available to hear. Please feel free to search for other arrangements by Regis Bookshar which are also available. There are quite a few other arrangements in a variety of styles and I'm certain you will find something else which might interest you as well. Please keep checking because I plan to continue to add new arrangements as often as I can. I'm certain that this exciting arrangement of Pachelbel's Canon in D will be a challenge to some performers but will continue to entertain both performers and audiences alike for years to come.
$20.00
Canon in D (Pachelbel) (D) (Tenor Saxophone Quintet)
#
Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Pachelbel
#
Regis Bookshar
#
Canon in D
#
Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 4 - SKU: A0.813473 Composed by Johann Pachelbel. Arranged by Regis Bookshar. Baroque,Multicu...
(+)
Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 4 - SKU: A0.813473 Composed by Johann Pachelbel. Arranged by Regis Bookshar. Baroque,Multicultural,Standards,Wedding,World. 27 pages. Regis Bookshar #6264887. Published by Regis Bookshar (A0.813473). Canon in D (Pachelbel) (D) (Tenor Saxophone Quintet) - Advanced/Intermediate - . This selection, Johann Pachelbel's celebrated Canon in D, is perhaps the most famous canon ever written and has been one of my favorite compositions to arrange. A canon is a polyphonic device in which several voices play the same music, entering in sequence. Pachelbel's Canon in D, was originally written in the key of D Major and was scored for three violins arranged in canon, accompanied by a basso continuo which repeats the same harmonic progression throughout the entire piece. The common musical term for this is ostinato or ground bass. Regis Bookshar has now arranged this music for a Tenor Saxophone Quintet. Three Tenor Saxophones play the melody in canon while the ostinato accompaniment is played by the other two Tenor Saxophones. This arrangement is suitable for high school and college students but could also be performed by professional performers. It is perfect for concerts and church services, especially for Weddings, but could be performed for any occasion. Included are a score and a complete set of parts (27 pages). This version is written in the key of D Major, as is the original version, but, if you prefer, another version, written in the key of Bb Major, to make it a little easier for some younger performers, is also available. Other versions of Pachelbel's Canon in D have also been arranged by Regis Bookshar and are available for a wide variety of instrumental Quintets and Octets, in both the keys of D Major and Bb Major. I think that String players would probably prefer to play the versions in the key of D Major while the Brass and Woodwind musicians might prefer to play the Bb Major versions. I hope you take the time to compare the different versions to find the right version for you. To help you decide which version, or versions, you may want to choose, I have included several musical samples for you to listen to and to hear what these arrangements may sound like and so that you may compare the various arrangements. Also, just to let you know, the Octets written in the key of Bb Major have full-length recordings while the Octets in D Major and all Quintets have only the first 25 measures, or so, available to hear. Please feel free to search for other arrangements by Regis Bookshar which are also available. There are quite a few other arrangements in a variety of styles and I'm certain you will find something else which might interest you as well. Please keep checking because I plan to continue to add new arrangements as often as I can. I'm certain that this exciting arrangement of Pachelbel's Canon in D will be a challenge to some performers but will continue to entertain both performers and audiences alike for years to come.
$20.00
Canon (Pachelbel) (Bb) (Saxophone Quintet - 2 Alto, 2 Tenor, 1 Baritone)
#
Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Pachelbel
#
Regis Bookshar
#
Canon
#
Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 4 - SKU: A0.813423 Composed by Johann Pachelbel. Arranged ...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 4 - SKU: A0.813423 Composed by Johann Pachelbel. Arranged by Regis Bookshar. Baroque,Multicultural,Standards,Wedding,World. 27 pages. Regis Bookshar #6259481. Published by Regis Bookshar (A0.813423). Canon (Pachelbel) (Bb) (Saxophone Quintet - 2 Alto, 2 Tenor, 1 Baritone) - Advanced/Intermediate - . This selection, Johann Pachelbel's celebrated Canon, is perhaps the most famous canon ever written and has been one of my favorite compositions to arrange. A canon is a polyphonic device in which several voices play the same music, entering in sequence. Pachelbel's Canon, was originally written in the key of D Major and was scored for three violins arranged in canon, accompanied by a basso continuo which repeats the same harmonic progression throughout the entire piece. The common musical term for this is ostinato or ground bass. Regis Bookshar has now arranged this music for a Saxophone Quintet consisting of 2 Alto Saxophones, 2 Tenor Saxophones and 1 Baritone Saxophone. The two Alto Saxophones and one Tenor Saxophone play the melody in canon while the ostinato accompaniment is played by the other Tenor Saxophone and Baritone Saxophone. This arrangement is suitable for high school and college students but could also be performed by professional performers. It is perfect for concerts and church services, especially for Weddings, but could be performed for any occasion. Included are a score and a complete set of parts (27 pages). This version is written in the key of Bb Major, to make it a little easier for some younger performers, but another version is also available in the key of D Major if you would prefer. Other versions of Pachelbel's Canon have also been arranged by Regis Bookshar and are available for a wide variety of instrumental Quintets and Octets, in both the keys of D Major and Bb Major. I think that String players would probably prefer to play the versions in the key of D Major while the Brass and Woodwind musicians might prefer to play the Bb Major versions. I hope you take the time to compare the different versions to find the right version for you. To help you decide which version, or versions, you may want to choose, I have included several musical samples for you to listen to and to hear what these arrangements may sound like and so that you may compare the various arrangements. Also, just to let you know, the Octets written in the key of Bb Major have full-length recordings while the Octets in D Major and all Quintets have only the first 25 measures, or so, available to hear. Please feel free to search for other arrangements by Regis Bookshar which are also available. There are quite a few other arrangements in a variety of styles and I'm certain you will find something else which might interest you as well. Please keep checking because I plan to continue to add new arrangements as often as I can. I'm certain that this exciting arrangement of Pachelbel's Canon will be a challenge to some performers but will continue to entertain both performers and audiences alike for years to come.
$20.00
Canon (Pachelbel) (Bb) (Tenor Saxophone Quintet)
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Pachelbel
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Regis Bookshar
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Canon
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Regis Bookshar
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 4 - SKU: A0.813428 Composed by Johann Pachelbel. Arranged by Regis Bookshar. Baroque,Multicu...
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Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 4 - SKU: A0.813428 Composed by Johann Pachelbel. Arranged by Regis Bookshar. Baroque,Multicultural,Standards,Wedding,World. 27 pages. Regis Bookshar #6259491. Published by Regis Bookshar (A0.813428). Canon (Pachelbel) (Bb) (Tenor Saxophone Quintet) - Advanced/Intermediate - . This selection, Johann Pachelbel's celebrated Canon, is perhaps the most famous canon ever written and has been one of my favorite compositions to arrange. A canon is a polyphonic device in which several voices play the same music, entering in sequence. Pachelbel's Canon, was originally written in the key of D Major and was scored for three violins arranged in canon, accompanied by a basso continuo which repeats the same harmonic progression throughout the entire piece. The common musical term for this is ostinato or ground bass. Regis Bookshar has now arranged this music for a Tenor Saxophone Quintet. Three Tenor Saxophones play the melody in canon while the ostinato accompaniment is played by the other two Tenor Saxophones. This arrangement is suitable for high school and college students but could also be performed by professional performers. It is perfect for concerts and church services, especially for Weddings, but could be performed for any occasion. Included are a score and a complete set of parts (27 pages). This version is written in the key of Bb Major, to make it a little easier for some younger performers, but another version is also available in the key of D Major if you would prefer. Other versions of Pachelbel's Canon have also been arranged by Regis Bookshar and are available for a wide variety of instrumental Quintets and Octets, in both the keys of D Major and Bb Major. I think that String players would probably prefer to play the versions in the key of D Major while the Brass and Woodwind musicians might prefer to play the Bb Major versions. I hope you take the time to compare the different versions to find the right version for you. To help you decide which version, or versions, you may want to choose, I have included several musical samples for you to listen to and to hear what these arrangements may sound like and so that you may compare the various arrangements. Also, just to let you know, the Octets written in the key of Bb Major have full-length recordings while the Octets in D Major and all Quintets have only the first 25 measures, or so, available to hear. Please feel free to search for other arrangements by Regis Bookshar which are also available. There are quite a few other arrangements in a variety of styles and I'm certain you will find something else which might interest you as well. Please keep checking because I plan to continue to add new arrangements as often as I can. I'm certain that this exciting arrangement of Pachelbel's Canon will be a challenge to some performers but will continue to entertain both performers and audiences alike for years to come.
$20.00
Canon (Pachelbel) (Bb) (Alto Saxophone Quintet)
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Pachelbel
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Regis Bookshar
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Canon
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Regis Bookshar
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 4 - SKU: A0.813412 Composed by Johann Pachelbel. Arranged by Regis Bookshar. Baroque,Multicul...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 4 - SKU: A0.813412 Composed by Johann Pachelbel. Arranged by Regis Bookshar. Baroque,Multicultural,Standards,Wedding,World. 30 pages. Regis Bookshar #6259435. Published by Regis Bookshar (A0.813412). Canon (Pachelbel) (Bb) (Alto Saxophone Quintet) - Advanced/Intermediate - . This selection, Johann Pachelbel's celebrated Canon, is perhaps the most famous canon ever written and has been one of my favorite compositions to arrange. A canon is a polyphonic device in which several voices play the same music, entering in sequence. Pachelbel's Canon, was originally written in the key of D Major and was scored for three violins arranged in canon, accompanied by a basso continuo which repeats the same harmonic progression throughout the entire piece. The common musical term for this is ostinato or ground bass. Regis Bookshar has now arranged this music for an Alto Saxophone Quintet. Three Alto Saxophones play the melody in canon while the ostinato accompaniment is played by the other two.Alto Saxophones. This arrangement is suitable for high school and college students but could also be performed by professional performers. It is perfect for concerts and church services, especially for Weddings, but could be performed for any occasion. Included are a score and a complete set of parts (30 pages). This version is written in the key of Bb Major, to make it a little easier for some younger performers, but another version is also available in the key of D Major if you would prefer. Other versions of Pachelbel's Canon have also been arranged by Regis Bookshar and are available for a wide variety of instrumental Quintets and Octets, in both the keys of D Major and Bb Major. I think that String players would probably prefer to play the versions in the key of D Major while the Brass and Woodwind musicians might prefer to play the Bb Major versions. I hope you take the time to compare the different versions to find the right version for you. To help you decide which version, or versions, you may want to choose, I have included several musical samples for you to listen to and to hear what these arrangements may sound like and so that you may compare the various arrangements. Also, just to let you know, the Octets written in the key of Bb Major have full-length recordings while the Octets in D Major and all Quintets have only the first 25 measures, or so, available to hear. Please feel free to search for other arrangements by Regis Bookshar which are also available. There are quite a few other arrangements in a variety of styles and I'm certain you will find something else which might interest you as well. Please keep checking because I plan to continue to add new arrangements as often as I can. I'm certain that this exciting arrangement of Pachelbel's Canon will be a challenge to some performers but will continue to entertain both performers and audiences alike for years to come.
$20.00
Bach - Arioso - from Cantata No. 156 (for Saxophone Quintet AATTB)
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Quintette de Saxophone: 5 saxophones
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FACILE
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Classique
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Johann Sebastian Bach
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Kenneth Abeling
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Bach - Arioso - from Cantata N
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble - Level 2 - SKU: A0.514251 Composed by Johann Sebastian Bach. Arranged by Kenneth Abeling. Baroque,Classical,Wedding...
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Saxophone Quintet,Woodwind Ensemble - Level 2 - SKU: A0.514251 Composed by Johann Sebastian Bach. Arranged by Kenneth Abeling. Baroque,Classical,Wedding. 9 pages. LINCOLN MUSIC PUBLICATIONS #3077647. Published by LINCOLN MUSIC PUBLICATIONS (A0.514251). Arioso - (from Cantata No. 156) is another one of J.S. Bach’s most recognizable melodies offered here for Saxophone Quintet. This early intermediate level AATTB transcription (a SATTB version is available as well) is suitable for a variety of occasions including Weddings! To view and listen to this piece in its entirety as well as hundreds of other arrangements and transcriptions by Kenneth Abeling at the lowest prices available please visit www.lincolnmusicpublications.com. Playing Time: 2:40
$10.99
Rock You Like A Hurricane
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
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The Scorpions
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Gildson Cerqueira
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Rock You Like A Hurricane
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Gildson Cerqueira
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1359951 By The Scorpions. By Herman Rarebell, ...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1359951 By The Scorpions. By Herman Rarebell, Klaus Meine, and Rudolph Schenker. Arranged by Gildson Cerqueira. Chamber,Rock. 14 pages. Gildson Cerqueira #944438. Published by Gildson Cerqueira (A0.1359951). A classic hard rock anthem by the German band Scorpions. Released in 1984, it is one of the band's most well-known and iconic songs. A high-energy and electrifying example of classic hard rock. (Versions with and without piano available).
$16.99
Rock You Like A Hurricane
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
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The Scorpions
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Gildson Cerqueira
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Rock You Like A Hurricane
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Gildson Cerqueira
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1359950 By The Scorpions. By Herman Rarebell, ...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1359950 By The Scorpions. By Herman Rarebell, Klaus Meine, and Rudolph Schenker. Arranged by Gildson Cerqueira. Chamber,Rock. 19 pages. Gildson Cerqueira #944437. Published by Gildson Cerqueira (A0.1359950). A classic hard rock anthem by the German band Scorpions. Released in 1984, it is one of the band's most well-known and iconic songs. A high-energy and electrifying example of classic hard rock. (Versions with and without piano available).
$19.99
Arioso (From Cantata 156 - Sinfonia)
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Gildson Cerqueira
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Arioso
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Gildson Cerqueira
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1384170 Composed by Johann Sebastian Bach. Arr...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1384170 Composed by Johann Sebastian Bach. Arranged by Gildson Cerqueira. Baroque,Chamber,Classical,Wedding. 10 pages. Gildson Cerqueira #968530. Published by Gildson Cerqueira (A0.1384170). â??Elevate Your Performance: Explore the captivating beauty of our meticulously crafted arrangement of J. S. Bachâ??s â??Arioso.â?? Ideal for all levels and ensembles. Get your sheet music now!â?{VERSIONS WITH OR WITHOUT CHORDS AVAILABLE!}{VERSIONS WITH OR WITHOUT PIANO AVAILABLE!}.
$16.99
Arioso (From Cantata 156 - Sinfonia)
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Gildson Cerqueira
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Arioso
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Gildson Cerqueira
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1384168 Composed by Johann Sebastian Bach. Arr...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1384168 Composed by Johann Sebastian Bach. Arranged by Gildson Cerqueira. Baroque,Chamber,Classical,Wedding. 10 pages. Gildson Cerqueira #968527. Published by Gildson Cerqueira (A0.1384168). â??Elevate Your Performance: Explore the captivating beauty of our meticulously crafted arrangement of J. S. Bachâ??s â??Arioso.â?? Ideal for all levels and ensembles. Get your sheet music now!â?{VERSIONS WITH OR WITHOUT CHORDS AVAILABLE!}{VERSIONS WITH OR WITHOUT PIANO AVAILABLE!}.
$19.99
Arioso (From Cantata 156 - Sinfonia)
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Gildson Cerqueira
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Arioso
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Gildson Cerqueira
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1384171 Composed by Johann Sebastian Bach. Arr...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1384171 Composed by Johann Sebastian Bach. Arranged by Gildson Cerqueira. Baroque,Chamber,Classical,Wedding. 10 pages. Gildson Cerqueira #968531. Published by Gildson Cerqueira (A0.1384171). “Elevate Your Performance: Explore the captivating beauty of our meticulously crafted arrangement of J. S. Bach’s ‘Arioso.’ Ideal for all levels and ensembles. Get your sheet music now!â€{VERSIONS WITH OR WITHOUT CHORDS AVAILABLE!}{VERSIONS WITH OR WITHOUT PIANO AVAILABLE!}.
$16.99
Arioso (From Cantata 156 - Sinfonia)
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Gildson Cerqueira
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Arioso
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Gildson Cerqueira
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1384169 Composed by Johann Sebastian Bach. Arr...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1384169 Composed by Johann Sebastian Bach. Arranged by Gildson Cerqueira. Baroque,Chamber,Classical,Wedding. 10 pages. Gildson Cerqueira #968528. Published by Gildson Cerqueira (A0.1384169). “Elevate Your Performance: Explore the captivating beauty of our meticulously crafted arrangement of J. S. Bach’s ‘Arioso.’ Ideal for all levels and ensembles. Get your sheet music now!â€{VERSIONS WITH OR WITHOUT CHORDS AVAILABLE!}{VERSIONS WITH OR WITHOUT PIANO AVAILABLE!}.
$19.99
Largo (from "Symphony No. 9") ("From the New World") (Db) (Saxophone Quintet - 2 Alto, 2 Tenor, 1 Ba
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.813832 Composed by Antonin Dvorak. Arranged by...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.813832 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 19 pages. Regis Bookshar #6533927. Published by Regis Bookshar (A0.813832). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Saxophone Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (19 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Saxophone Quintet, consisting of 2 Alto Saxophones, 2 Tenor Saxophones and 1 Baritone Saxophone, he has made quite a few other arrangements.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Tenor Saxophone Quintet)
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 3 - SKU: A0.813836 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk...
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Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 3 - SKU: A0.813836 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 19 pages. Regis Bookshar #6533941. Published by Regis Bookshar (A0.813836). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Tenor Saxophone Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (19 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Tenor Saxophone Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Alto Saxophone Quintet)
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
#
Classique
#
Musique Sacrée
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 3 - SKU: A0.813820 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 3 - SKU: A0.813820 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533331. Published by Regis Bookshar (A0.813820). Largo (from Symphony No. 9 in E minor) (From the New World) (Alto Saxophone Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for an Alto Saxophone Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety o.
$15.00
Don't Get Around Much Anymore
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
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Jazz
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Bob Russell and Duke Ellington
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Keith Terrett
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Don't Get Around Much Anymore
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Keith Terrett
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.746864 Composed by Bob Russe...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.746864 Composed by Bob Russell and Duke Ellington. Arranged by Keith Terrett. Jazz. 8 pages. Keith Terrett #4784301. Published by Keith Terrett (A0.746864). Arranged for Saxophone Quintet, Don't Get Around Much Anymore is a jazz standard written by composer Duke Ellington. The song was originally entitled Never No Lament and was first recorded by Duke Ellington and his orchestra on May 4, 1940. Don't Get Around Much Anymore quickly became a hit after Bob Russell wrote its lyrics in 1942.Two different recordings of Don't Get Around Much Anymore, one by The Ink Spots and the other by Ellington's own band, reached No. 1 on the R&B chart in the US in 1943. Both were top-ten pop records, along with a version by Glen Gray. The Duke Ellington version reached No. 8 on the pop chart.For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$14.99
Silent Night (Bb) (Saxophone Quintet - 2 Alto, 3 Tenor)
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
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Noël
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the 1840's, the song was well
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Franz Xaver Gruber
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Regis Bookshar
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Silent Night
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Regis Bookshar
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Tenor Saxophone - Level 3 - SKU: A0.813971 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Tenor Saxophone - Level 3 - SKU: A0.813971 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Instructional,Multicultural,World. 7 pages. Regis Bookshar #6635861. Published by Regis Bookshar (A0.813971). Saxophone Quintet - Intermediate - . This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Saxophone Quintet, consisting of 2 Alto Saxophones and 3 Tenor Saxophones, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$5.00
Silent Night (Bb) (Tenor Saxophone Quintet)
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
#
Noël
#
the 1840's, the song was well
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Franz Xaver Gruber
#
Regis Bookshar
#
Silent Night
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Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 3 - SKU: A0.813973 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Ins...
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Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 3 - SKU: A0.813973 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. 7 pages. Regis Bookshar #6635871. Published by Regis Bookshar (A0.813973). Tenor Saxophone Quintet - Intermediate - . This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Tenor Saxophone Quintet, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$5.00
Silent Night (Bb) (Alto Saxophone Quintet)
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
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Noël
#
the 1840's, the song was well
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Franz Xaver Gruber
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Regis Bookshar
#
Silent Night
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Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 3 - SKU: A0.813959 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Inst...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 3 - SKU: A0.813959 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. 7 pages. Regis Bookshar #6632957. Published by Regis Bookshar (A0.813959). Alto Saxophone Quintet - Intermediate - . This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for an Alto Saxophone Quintet, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$5.00
Silent Night (Bb) (Saxophone Quintet - 2 Alto, 2 Tenor, 1 Bari)
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
#
Noël
#
the 1840's, the song was well
#
Franz Xaver Gruber
#
Regis Bookshar
#
Silent Night
#
Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.813969 Composed by Franz Xaver Gruber. Arrange...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.813969 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. 7 pages. Regis Bookshar #6635859. Published by Regis Bookshar (A0.813969). Saxophone Quintet - Intermediate - . This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Saxophone Quintet, consisting of 2 Alto Saxophones, 2 Tenor Saxophones and 1 Baritone Saxophone, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$5.00
Turkish March by Beethoven for Sax Quintet
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
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Classique
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Classique
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Ludwig van Beethoven
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Ander
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Turkish March by Beethoven for
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Woods Only, Arrangements
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble - Level 3 - SKU: A0.1127720 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic...
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Saxophone Quintet,Woodwind Ensemble - Level 3 - SKU: A0.1127720 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 12 pages. Woods Only, Arrangements #728325. Published by Woods Only, Arrangements (A0.1127720). This arrangement adapted for saxophone quintet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$9.99
Turkish March by Beethoven for Alto Sax Quintet
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
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Classique
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Classique
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Ludwig van Beethoven
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Ander
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Turkish March by Beethoven for
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Alto Saxophone - Level 3 - SKU: A0.1128142 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,...
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Woodwind Ensemble,Woodwind Quintet Alto Saxophone - Level 3 - SKU: A0.1128142 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 12 pages. Woods Only, Arrangements #728757. Published by Woods Only, Arrangements (A0.1128142). This arrangement adapted for alto sax quintet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$9.99
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