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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Chord Progression - Oboe
Non classifié
233
Piano & claviers
Piano seul
529
Piano Facile
231
Piano, Voix
148
Instruments en Do
55
Piano, Voix et Guitare
44
Piano grosses notes
36
1 Piano, 4 mains
10
Accompagnement Piano
7
Clavecin
4
Piano (partie séparée)
4
Orgue
4
2 Pianos, 4 mains
3
Accordéon
3
Accordéon, Voix
2
Piano Trio: piano, violon, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Orgue, Piano (duo)
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 13 instrumentations
Retracter
Guitares
Guitare notes et tablatures
173
Guitare
67
Ligne De Mélodie, (Paroles) et Accords
56
Ukulele
36
Basse electrique
34
Mandoline
12
Guitare (partie séparée)
11
Dulcimer
7
2 Guitares (duo)
2
Banjo
1
Ukulele Baryton
1
Luth
1
Ensemble de guitares
1
Piano, Guitare (duo)
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
48
Chorale Unison
28
Chorale 3 parties
14
Chorale TTBB
12
Chorale SSAA
10
Chorale 2 parties
9
Voix duo
3
Voix seule
2
Voix basse, Piano
2
Voix duo, Piano
1
Voix Alto, Piano
1
Voix Tenor, Piano
1
+ 7 instrumentations
Retracter
Vents
Saxophone (partie séparée)
31
Saxophone Alto
22
Flûte traversière et Piano
22
Quatuor de Saxophones: 4 saxophones
19
Flûte traversière
18
Clarinette et Piano
16
Clarinette
16
Saxophone Tenor
16
Quintette de Saxophone: 5 saxophones
11
Saxophone Alto et Piano
10
2 Saxophones (duo)
9
Saxophone Tenor et Piano
8
Flute (partie séparée)
7
Ensemble de Clarinettes
6
Cor anglais, Piano
5
Quatuor de Flûtes : 4 flûtes
5
Saxophone Soprano et Piano
5
Ensemble de Flûtes
5
Clarinette (partie séparée)
4
3 Saxophones (trio)
4
Quatuor de Clarinettes: 4 clarinettes
4
Saxophone Baryton, Piano
3
2 Flûtes traversières (duo)
3
Quintette de Clarinettes: 5 clarinettes
3
Clarinette, Violoncelle (duo)
2
Clarinette, Harpe (duo)
2
Saxophone et Harpe
2
Flûte, Alto (duo)
2
Quintette de Flûte : 5 flûtes
2
Flûte, Clarinette (duo)
2
Clarinette, Violon (duo)
2
Piccolo, Piano
2
Clarinette, Basson (duo)
2
Harmonica
2
Clarinette Basse, Piano
2
Ensemble de saxophones
2
Flûte à bec Soprano
1
Cor Anglais
1
Flûte et Guitare
1
Quatuor de Flûtes à bec
1
3 Clarinettes (trio)
1
Cor anglais et Harpe (duo)
1
Flûte, Violoncelle
1
Clarinette, Trombone (duo)
1
Clarinette et Alto
1
Trio de Flûtes: 3 flûtes
1
2 Clarinettes (duo)
1
+ 42 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
27
Trompette
19
Trompette (partie séparée)
16
Quatuor de Cuivres : 2 trompettes, trombone, tuba
14
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
11
Cor
11
2 Trombones (duo)
9
Trompette, Piano
8
Trombone
8
Trombone et Piano
7
Euphonium, Piano (duo)
6
Cor et Piano
6
Cor (partie séparée)
5
Cor anglais, Piano
5
Tuba (partie séparée)
5
2 Trompettes (duo)
5
2 Tubas (duo)
4
Quatuor de Cuivres
4
Tuba
3
Ensemble de Trombones
2
2 Cors (duo)
2
Ensemble de Trompettes
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Tuba et Orgue
2
Cor et Harpe
1
Euphonium, Tuba (duo)
1
4 Tubas
1
Trompette, Euphonium (duo)
1
Cor Anglais
1
Cor anglais et Harpe (duo)
1
Euphonium
1
Trompette, Harpe
1
Trompette et Guitare
1
Tuba et Piano
1
Trompette, Saxophone (duo)
1
+ 30 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
46
Harpe
24
Violon
24
Violon et Piano
20
Violoncelle
16
Alto, Piano
12
Alto seul
12
Violoncelle, Piano
9
Contrebasse (partie séparée)
6
Trio à Cordes: violon, alto, violoncelle
5
Alto (partie séparée)
5
Contre Basse
5
2 Violons (duo)
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Violon, Violoncelle (duo)
4
2 Violoncelles (duo)
3
Trio à Cordes: 2 violons, violoncelle
2
Ensemble de Violons
2
Harpe, Violon (duo)
2
Harpe, Flûte (duo)
2
2 Altos (duo)
2
Trio à Cordes: 2 violons, alto
2
Contrebasse, Piano (duo)
2
Harpe et Piano
1
4 Contrebasses
1
Alto et Harpe
1
Alto, Violoncelle (duo)
1
Harpe, Violoncelle (duo)
1
Violon, Basson (duo)
1
Alto et Basson
1
Violon, Guitare (duo)
1
Trio à Cordes: 3 violoncelles
1
Harpe, Trombone (duo)
1
2 Harpes (duo)
1
+ 29 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
50
Jazz combo
26
Orchestre d'harmonie
21
Orchestre à Cordes
16
Orchestre
9
Cloches
9
Ensemble de cuivres
8
Batterie (partie séparée)
6
Ensemble de Percussions
3
Fanfare
2
Batterie
2
Orchestre de chambre
1
Ensemble d'École
1
Vibraphone
1
Xylophone, Piano
1
Percussion
1
Xylophone
1
+ 12 instrumentations
Retracter
Autres
Formation musicale - Solfège
2
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
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Vous avez sélectionné:
Chord Progression - Oboe
Quintette de Saxophone: 5 saxophones
Partitions à imprimer
11 partitions trouvées
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1
Wedding March (For Sax Quintet and Easy Piano)
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Quintette de Saxophone: 5 saxophones
#
FACILE
#
Felix Bartholdy Mendelssohn
#
Daniel Nakamura
#
Wedding March
#
Daniel Nakamura
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1248012 By Felix Bartholdy M...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1248012 By Felix Bartholdy Mendelssohn. By Felix Bartholdy Mendelssohn. Arranged by Daniel Nakamura. 19th Century,Classical,Religious,Traditional,Wedding. 23 pages. Daniel Nakamura #842576. Published by Daniel Nakamura (A0.1248012). Arrangement of Wedding March (Mendelssohn) for Saxophone Quintet and Easy Piano.With separate individual parts.With chord progression.
$12.99
Wedding March (For Sax Quintet)
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Quintette de Saxophone: 5 saxophones
#
FACILE
#
Felix Bartholdy Mendelssohn
#
Daniel Nakamura
#
Wedding March
#
Daniel Nakamura
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1247927 By Felix Bartholdy M...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1247927 By Felix Bartholdy Mendelssohn. By Felix Bartholdy Mendelssohn. Arranged by Daniel Nakamura. 19th Century,Classical,Religious,Traditional,Wedding. 15 pages. Daniel Nakamura #842491. Published by Daniel Nakamura (A0.1247927). Arrangement of Wedding March (Mendelssohn) for Saxophone Quintet, with separate individual parts.With chord progression.
$12.99
Juke Box Hero
#
Quintette de Saxophone: 5 saxophones
#
FACILE
#
Foreigner
#
Sean Sullivan
#
Juke Box Hero
#
Sean Sullivan
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1286201 By Foreigner. By Lou...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1286201 By Foreigner. By Lou Gramm and Mick Jones. Arranged by Sean Sullivan. 20th Century,Pop,Rock. 22 pages. Sean Sullivan #877276. Published by Sean Sullivan (A0.1286201). Get ready to feel the rhythm and blues of the iconic rock anthem Juke Box Hero like never before! This electrifying classic by Foreigner has been expertly arranged for saxophone quintet, unleashing a powerful surge of energy that will leave you breathless. From the opening chord progression, the saxophones blend to create a full-bodied sound that captures the heart and soul of the original recording. As the song builds to its unforgettable chorus, the saxophones soar together in a symphony of sound, evoking the passionate intensity of a stadium concert. Bursting with rock 'n' roll swagger and explosive saxophone solos, this arrangement of Juke Box Hero is a must-hear for all ages.
$14.99
Mr. Crowley
#
Quintette de Saxophone: 5 saxophones
#
FACILE
#
Ozzy Osbourne
#
Daniel Nakamura
#
Mr. Crowley
#
Daniel Nakamura
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1217417 By Ozzy Osbourne. By...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1217417 By Ozzy Osbourne. By Bob Daisley, Ozzy Osbourne, and Randy Rhoads. Arranged by Daniel Nakamura. Classical,Medieval,Pop,Rock,Wedding. 10 pages. Daniel Nakamura #813965. Published by Daniel Nakamura (A0.1217417). Arrangement for Saxophone Quintet with chords progression.With separate individual parts.
$12.99
Andantino from Pieces posthumes for Saxophone Quintet
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Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE
#
Cesar Auguste Franck
#
Lisa Ochoco
#
Andantino from Pieces posthume
#
Lisa L Ochoco
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.559616 Composed by Cesar Aug...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.559616 Composed by Cesar Auguste Franck. Arranged by Lisa Ochoco. Multicultural,Romantic Period,Wedding,World. 14 pages. Lisa L Ochoco #3506995. Published by Lisa L Ochoco (A0.559616). Cesar Franck was a composer who wrote mostly for the organ. His compositions are absolutely beautiful. This piece is from a collection of 44 pieces that he wrote for the harmonium between 1858 and 1863. It's very lullabyish and has wonderful unique chord progressions.
$12.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Saxophone Quintet - 2 Alto, 2 Tenor, 1 Ba
#
Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE
#
Classique
#
Musique Sacrée
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.813832 Composed by Antonin Dvorak. Arranged by...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.813832 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 19 pages. Regis Bookshar #6533927. Published by Regis Bookshar (A0.813832). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Saxophone Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (19 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Saxophone Quintet, consisting of 2 Alto Saxophones, 2 Tenor Saxophones and 1 Baritone Saxophone, he has made quite a few other arrangements.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Tenor Saxophone Quintet)
#
Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE
#
Classique
#
Musique Sacrée
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 3 - SKU: A0.813836 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk...
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Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 3 - SKU: A0.813836 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 19 pages. Regis Bookshar #6533941. Published by Regis Bookshar (A0.813836). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Tenor Saxophone Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (19 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Tenor Saxophone Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Alto Saxophone Quintet)
#
Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE
#
Classique
#
Musique Sacrée
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 3 - SKU: A0.813820 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 3 - SKU: A0.813820 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533331. Published by Regis Bookshar (A0.813820). Largo (from Symphony No. 9 in E minor) (From the New World) (Alto Saxophone Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for an Alto Saxophone Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety o.
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