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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
DB Music
Non classifié
363
Piano & claviers
Piano seul
580
Piano, Voix
196
Piano, Voix et Guitare
69
Piano Facile
55
Instruments en Do
14
Orgue
5
Piano (partie séparée)
3
Accompagnement Piano
2
2 Pianos, 4 mains
1
1 Piano, 4 mains
1
Accordéon
1
Clavier
1
+ 7 instrumentations
Retracter
Guitares
Guitare notes et tablatures
121
Ligne De Mélodie, (Paroles) et Accords
32
Basse electrique
6
Guitare
6
Banjo
1
Voix
Chorale SATB
32
Voix Tenor, Piano
8
Voix Alto, Piano
7
Voix Soprano, Piano
7
Chorale 3 parties
7
Voix Baryton, Piano
5
Chorale 2 parties
4
Chorale TTBB
4
Chorale SSAA
3
Voix duo
2
Voix duo, Piano
1
Voix seule
1
Voix haute
1
Voix basse, Piano
1
Chorale Unison
1
+ 10 instrumentations
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Vents
Quintette de Saxophone: 5 saxophones
20
Ensemble de Flûtes
20
Ensemble de saxophones
9
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
9
Quatuor de Saxophones: 4 saxophones
8
Flûte traversière
8
Clarinette et Piano
7
Saxophone Alto
7
Saxophone Tenor
5
Clarinette
5
Flûte, Hautbois, Clarinette, Basson
4
Ensemble de Clarinettes
4
Flûte et Guitare
3
Quintette de Flûte : 5 flûtes
3
Quatuor de Clarinettes: 4 clarinettes
3
3 Saxophones (trio)
2
Flûte traversière et Piano
2
Saxophone Alto et Piano
1
2 Flûtes traversières (duo)
1
Saxophone Soprano et Piano
1
2 Clarinettes (duo)
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Harmonica
1
Hautbois (partie séparée)
1
Saxophone Soprano
1
Flute, harpe et violon
1
Ensemble de Hautbois
1
2 Hautbois (duo)
1
+ 23 instrumentations
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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
16
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Quatuor de Cuivres
5
Trompette, Piano
4
Ensemble de Trombones
4
Trombone
4
Trombone et Piano
3
Ensemble de Trompettes
3
Trompette
3
Cor
1
Bass Clef Instruments
1
+ 7 instrumentations
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Cordes
Violon
15
Quatuor à cordes: 2 violons, alto, violoncelle
12
Quintette à cordes: 2 violons, alto, violoncelle, basse
8
Violoncelle
7
Violon et Piano
7
Alto seul
7
Violoncelle, Piano
4
Harpe
4
Trio à Cordes: violon, alto, violoncelle
3
Ensemble de Violons
3
2 Violons (duo)
2
Violon, Alto (duo)
2
Violon, Violoncelle (duo)
2
Contre Basse
1
Ensemble d'Altos
1
Alto, Piano
1
2 Violoncelles (duo)
1
Alto (partie séparée)
1
2 Altos (duo)
1
Alto, Violoncelle (duo)
1
+ 15 instrumentations
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Orchestre & Percussions
Ensemble de cuivres
42
Jazz combo
34
Orchestre
23
Ensemble Jazz
18
Orchestre à Cordes
12
Orchestre d'harmonie
11
Orchestre de chambre
11
Cloches
1
Fanfare
1
Voix et Orchestre
1
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CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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PIANO
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DB Music
Quintette de Saxophone: 5 saxophones
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Largo (from "Symphony No. 9") ("From the New World") (Db) (Saxophone Quintet - 2 Alto, 2 Tenor, 1 Ba
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
#
Classique
#
Musique Sacrée
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.813832 Composed by Antonin Dvorak. Arranged by...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.813832 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 19 pages. Regis Bookshar #6533927. Published by Regis Bookshar (A0.813832). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Saxophone Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (19 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Saxophone Quintet, consisting of 2 Alto Saxophones, 2 Tenor Saxophones and 1 Baritone Saxophone, he has made quite a few other arrangements.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Tenor Saxophone Quintet)
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Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE
#
Classique
#
Musique Sacrée
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 3 - SKU: A0.813836 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk...
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Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 3 - SKU: A0.813836 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 19 pages. Regis Bookshar #6533941. Published by Regis Bookshar (A0.813836). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Tenor Saxophone Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (19 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Tenor Saxophone Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Alto Saxophone Quintet)
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Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE
#
Classique
#
Musique Sacrée
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 3 - SKU: A0.813820 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 3 - SKU: A0.813820 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533331. Published by Regis Bookshar (A0.813820). Largo (from Symphony No. 9 in E minor) (From the New World) (Alto Saxophone Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for an Alto Saxophone Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety o.
$15.00
Coronation March (Db) (Saxophone Quintet - 3 Altos, 2 Tenors)
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Peter Ilyich Tchaikovsky
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Regis Bookshar
#
Coronation March
#
Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1083834 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis B...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1083834 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festival,Instructional,Multicultural,Romantic Period,World. 16 pages. Regis Bookshar #688032. Published by Regis Bookshar (A0.1083834). Coronation March, TH 50, CW 47 by Peter Ilyich Tchaikovsky. Saxophone Quintet - Advanced/Intermediate - . This marvelous arrangement of Peter Tchaikovsky's Coronation March, sometimes called Festival March or Festival Coronation March, would be a fabulous addition to any music library and could be performed for concerts, recitals and other festive occasions. This arrangement keeps all of the intensity and excitement of the original composition and is suitable for high school and college students. Professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (16 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available to the public for the first time. The Coronation March was ordered by the city of Moscow for the coronation of Tsar Alexander III in 1883. It was written during March of 1883 and was performed for the first time on June 4, 1883 in Sokolniky Park in Moscow, conducted by Sergei Taneyev. The music then included excerpts of the anthem, God Save the Tsar. The American premiere was on May 5, 1891, for the opening concert of Carnegie Hall in New York City, conducted by Tchaikovsky himself. During the Soviet Era, Russian performances and recordings of the music were revised to omit the excerpts from the Czarist national anthem, replacing it with thematic material used earlier in the march, due to an official Soviet ban on the anthem. Starting with Dmitri Medvedev's inauguration in 2008, an abbreviated version of this piece is played during the Russian presidential inauguration accompanying the entrance of the incoming president, and ends well before the playing in this piece of the Tsarist anthem God Save the Tsar. Unlike Tchaikovsky's other major compositions, the Coronation March does not have an opus number. It has been given alternative catalogue designations TH 50 and CW 47. Tchaikovsky's Coronation March was originally scored for a full orchestra and written in the key of D Major. Regis Bookshar has now created an abbreviated version, written in Db Major, and has arranged it for a Saxophone Quintet, consisting of 3 Alto Saxophones, 2 Tenor Saxophones. In addition to this arrangement of Tchaikovsky's Coronation March for a Saxophone Quintet, other arrangements of this festive composition for various instrumental ensembles are also available. Please feel free to search for other arrangements by Regis Bookshar as there are many more arrangements in a variety of styles, also available for purchase. You may find something else which might interest you as well, and please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Tchaikovsky's Coronation March will continue to entertain both audiences and performers alike for years to come.
$20.00
Coronation March (Db) (Saxophone Quintet - 1 Sop, 2 Altos, 2 Tenors)
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Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Peter Ilyich Tchaikovsky
#
Regis Bookshar
#
Coronation March
#
Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1083811 Composed by Peter Ilyich Tchaikovsky. A...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1083811 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festival,Instructional,Multicultural,Romantic Period,World. 16 pages. Regis Bookshar #688011. Published by Regis Bookshar (A0.1083811). Coronation March, TH 50, CW 47 by Peter Ilyich Tchaikovsky. Saxophone Quintet - Advanced/Intermediate - . This marvelous arrangement of Peter Tchaikovsky's Coronation March, sometimes called Festival March or Festival Coronation March, would be a fabulous addition to any music library and could be performed for concerts, recitals and other festive occasions. This arrangement keeps all of the intensity and excitement of the original composition and is suitable for high school and college students. Professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (16 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available to the public for the first time. The Coronation March was ordered by the city of Moscow for the coronation of Tsar Alexander III in 1883. It was written during March of 1883 and was performed for the first time on June 4, 1883 in Sokolniky Park in Moscow, conducted by Sergei Taneyev. The music then included excerpts of the anthem, God Save the Tsar. The American premiere was on May 5, 1891, for the opening concert of Carnegie Hall in New York City, conducted by Tchaikovsky himself. During the Soviet Era, Russian performances and recordings of the music were revised to omit the excerpts from the Czarist national anthem, replacing it with thematic material used earlier in the march, due to an official Soviet ban on the anthem. Starting with Dmitri Medvedev's inauguration in 2008, an abbreviated version of this piece is played during the Russian presidential inauguration accompanying the entrance of the incoming president, and ends well before the playing in this piece of the Tsarist anthem God Save the Tsar. Unlike Tchaikovsky's other major compositions, the Coronation March does not have an opus number. It has been given alternative catalogue designations TH 50 and CW 47. Tchaikovsky's Coronation March was originally scored for a full orchestra and written in the key of D Major. Regis Bookshar has now created an abbreviated version, written in Db Major, and has arranged it for a Saxophone Quintet, consisting of 1 Soprano Saxophone, 2 Alto Saxophones and 2 Tenor Saxophones. In addition to this arrangement of Tchaikovsky's Coronation March for a Saxophone Quintet, other arrangements of this festive composition for various instrumental ensembles are also available. Please feel free to search for other arrangements by Regis Bookshar as there are many more arrangements in a variety of styles, also available for purchase. You may find something else which might interest you as well, and please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Tchaikovsky's Coronation March will continue to entertain both audiences and performers alike for years to come.
$20.00
Coronation March (Db) (Saxophone Quintet - 1 Sop, 1 Alto, 2 Tenors, 1 Bari)
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Peter Ilyich Tchaikovsky
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Regis Bookshar
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Coronation March
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Regis Bookshar
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1083738 Composed by Peter Il...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1083738 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festival,Instructional,Multicultural,Romantic Period,World. 16 pages. Regis Bookshar #687938. Published by Regis Bookshar (A0.1083738). Coronation March, TH 50, CW 47 by Peter Ilyich Tchaikovsky. Saxophone Quintet - Advanced/Intermediate - . This marvelous arrangement of Peter Tchaikovsky's Coronation March, sometimes called Festival March or Festival Coronation March, would be a fabulous addition to any music library and could be performed for concerts, recitals and other festive occasions. This arrangement keeps all of the intensity and excitement of the original composition and is suitable for high school and college students. Professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (16 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available to the public for the first time. The Coronation March was ordered by the city of Moscow for the coronation of Tsar Alexander III in 1883. It was written during March of 1883 and was performed for the first time on June 4, 1883 in Sokolniky Park in Moscow, conducted by Sergei Taneyev. The music then included excerpts of the anthem, God Save the Tsar. The American premiere was on May 5, 1891, for the opening concert of Carnegie Hall in New York City, conducted by Tchaikovsky himself. During the Soviet Era, Russian performances and recordings of the music were revised to omit the excerpts from the Czarist national anthem, replacing it with thematic material used earlier in the march, due to an official Soviet ban on the anthem. Starting with Dmitri Medvedev's inauguration in 2008, an abbreviated version of this piece is played during the Russian presidential inauguration accompanying the entrance of the incoming president, and ends well before the playing in this piece of the Tsarist anthem God Save the Tsar. Unlike Tchaikovsky's other major compositions, the Coronation March does not have an opus number. It has been given alternative catalogue designations TH 50 and CW 47. Tchaikovsky's Coronation March was originally scored for a full orchestra and written in the key of D Major. Regis Bookshar has now created an abbreviated version, written in Db Major, and has arranged it for a Saxophone Quintet, consisting of 1 Soprano Saxophone, 1 Alto Saxophone, 2 Tenor Saxophones and 1 Baritone Saxophone. In addition to this arrangement of Tchaikovsky's Coronation March for a Saxophone Quintet, other arrangements of this festive composition for various instrumental ensembles are also available. Please feel free to search for other arrangements by Regis Bookshar as there are many more arrangements in a variety of styles, also available for purchase. You may find something else which might interest you as well, and please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Tchaikovsky's Coronation March will continue to entertain both audiences and performers alike for years to come.
$20.00
Coronation March (Db) (Saxophone Quintet - 1 Sop, 2 Altos, 1 Tenor, 1 Bari)
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Peter Ilyich Tchaikovsky
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Regis Bookshar
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Coronation March
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Regis Bookshar
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1083740 Composed by Peter Il...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1083740 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festival,Instructional,Multicultural,Romantic Period,World. 16 pages. Regis Bookshar #687941. Published by Regis Bookshar (A0.1083740). Coronation March, TH 50, CW 47 by Peter Ilyich Tchaikovsky. Saxophone Quintet - Advanced/Intermediate - . This marvelous arrangement of Peter Tchaikovsky's Coronation March, sometimes called Festival March or Festival Coronation March, would be a fabulous addition to any music library and could be performed for concerts, recitals and other festive occasions. This arrangement keeps all of the intensity and excitement of the original composition and is suitable for high school and college students. Professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (16 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available to the public for the first time. The Coronation March was ordered by the city of Moscow for the coronation of Tsar Alexander III in 1883. It was written during March of 1883 and was performed for the first time on June 4, 1883 in Sokolniky Park in Moscow, conducted by Sergei Taneyev. The music then included excerpts of the anthem, God Save the Tsar. The American premiere was on May 5, 1891, for the opening concert of Carnegie Hall in New York City, conducted by Tchaikovsky himself. During the Soviet Era, Russian performances and recordings of the music were revised to omit the excerpts from the Czarist national anthem, replacing it with thematic material used earlier in the march, due to an official Soviet ban on the anthem. Starting with Dmitri Medvedev's inauguration in 2008, an abbreviated version of this piece is played during the Russian presidential inauguration accompanying the entrance of the incoming president, and ends well before the playing in this piece of the Tsarist anthem God Save the Tsar. Unlike Tchaikovsky's other major compositions, the Coronation March does not have an opus number. It has been given alternative catalogue designations TH 50 and CW 47. Tchaikovsky's Coronation March was originally scored for a full orchestra and written in the key of D Major. Regis Bookshar has now created an abbreviated version, written in Db Major, and has arranged it for a Saxophone Quintet, consisting of 1 Soprano Saxophone, 2 Alto Saxophones, 1 Tenor Saxophones and 1 Baritone Saxophone. In addition to this arrangement of Tchaikovsky's Coronation March for a Saxophone Quintet, other arrangements of this festive composition for various instrumental ensembles are also available. Please feel free to search for other arrangements by Regis Bookshar as there are many more arrangements in a variety of styles, also available for purchase. You may find something else which might interest you as well, and please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Tchaikovsky's Coronation March will continue to entertain both audiences and performers alike for years to come.
$20.00
Coronation March (Db) (Saxophone Quintet - 3 Altos, 1 Tenor, 1 Bari)
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Peter Ilyich Tchaikovsky
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Regis Bookshar
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Coronation March
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Regis Bookshar
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1083833 Composed by Peter Ilyich Tchaikovsky. ...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1083833 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festival,Instructional,Multicultural,Romantic Period,World. 16 pages. Regis Bookshar #688031. Published by Regis Bookshar (A0.1083833). Coronation March, TH 50, CW 47 by Peter Ilyich Tchaikovsky. Saxophone Quintet - Advanced/Intermediate - . This marvelous arrangement of Peter Tchaikovsky's Coronation March, sometimes called Festival March or Festival Coronation March, would be a fabulous addition to any music library and could be performed for concerts, recitals and other festive occasions. This arrangement keeps all of the intensity and excitement of the original composition and is suitable for high school and college students. Professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (16 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available to the public for the first time. The Coronation March was ordered by the city of Moscow for the coronation of Tsar Alexander III in 1883. It was written during March of 1883 and was performed for the first time on June 4, 1883 in Sokolniky Park in Moscow, conducted by Sergei Taneyev. The music then included excerpts of the anthem, God Save the Tsar. The American premiere was on May 5, 1891, for the opening concert of Carnegie Hall in New York City, conducted by Tchaikovsky himself. During the Soviet Era, Russian performances and recordings of the music were revised to omit the excerpts from the Czarist national anthem, replacing it with thematic material used earlier in the march, due to an official Soviet ban on the anthem. Starting with Dmitri Medvedev's inauguration in 2008, an abbreviated version of this piece is played during the Russian presidential inauguration accompanying the entrance of the incoming president, and ends well before the playing in this piece of the Tsarist anthem God Save the Tsar. Unlike Tchaikovsky's other major compositions, the Coronation March does not have an opus number. It has been given alternative catalogue designations TH 50 and CW 47. Tchaikovsky's Coronation March was originally scored for a full orchestra and written in the key of D Major. Regis Bookshar has now created an abbreviated version, written in Db Major, and has arranged it for a Saxophone Quintet, consisting of 3 Alto Saxophones, 1 Tenor Saxophone and 1 Baritone Saxophone. In addition to this arrangement of Tchaikovsky's Coronation March for a Saxophone Quintet, other arrangements of this festive composition for various instrumental ensembles are also available. Please feel free to search for other arrangements by Regis Bookshar as there are many more arrangements in a variety of styles, also available for purchase. You may find something else which might interest you as well, and please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Tchaikovsky's Coronation March will continue to entertain both audiences and performers alike for years to come.
$20.00
Coronation March (Db) (Saxophone Quintet - 2 Altos, 3 Tenors)
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Peter Ilyich Tchaikovsky
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Regis Bookshar
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Coronation March
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Regis Bookshar
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1083825 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis B...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1083825 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festival,Instructional,Multicultural,Romantic Period,World. 16 pages. Regis Bookshar #688022. Published by Regis Bookshar (A0.1083825). Coronation March, TH 50, CW 47 by Peter Ilyich Tchaikovsky. Saxophone Quintet - Advanced/Intermediate - . This marvelous arrangement of Peter Tchaikovsky's Coronation March, sometimes called Festival March or Festival Coronation March, would be a fabulous addition to any music library and could be performed for concerts, recitals and other festive occasions. This arrangement keeps all of the intensity and excitement of the original composition and is suitable for high school and college students. Professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (16 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available to the public for the first time. The Coronation March was ordered by the city of Moscow for the coronation of Tsar Alexander III in 1883. It was written during March of 1883 and was performed for the first time on June 4, 1883 in Sokolniky Park in Moscow, conducted by Sergei Taneyev. The music then included excerpts of the anthem, God Save the Tsar. The American premiere was on May 5, 1891, for the opening concert of Carnegie Hall in New York City, conducted by Tchaikovsky himself. During the Soviet Era, Russian performances and recordings of the music were revised to omit the excerpts from the Czarist national anthem, replacing it with thematic material used earlier in the march, due to an official Soviet ban on the anthem. Starting with Dmitri Medvedev's inauguration in 2008, an abbreviated version of this piece is played during the Russian presidential inauguration accompanying the entrance of the incoming president, and ends well before the playing in this piece of the Tsarist anthem God Save the Tsar. Unlike Tchaikovsky's other major compositions, the Coronation March does not have an opus number. It has been given alternative catalogue designations TH 50 and CW 47. Tchaikovsky's Coronation March was originally scored for a full orchestra and written in the key of D Major. Regis Bookshar has now created an abbreviated version, written in Db Major, and has arranged it for a Saxophone Quintet, consisting of 2 Alto Saxophones and 3 Tenor Saxophones. In addition to this arrangement of Tchaikovsky's Coronation March for a Saxophone Quintet, other arrangements of this festive composition for various instrumental ensembles are also available. Please feel free to search for other arrangements by Regis Bookshar as there are many more arrangements in a variety of styles, also available for purchase. You may find something else which might interest you as well, and please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Tchaikovsky's Coronation March will continue to entertain both audiences and performers alike for years to come.
$20.00
Coronation March (Db) (Tenor Saxophone Quintet)
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Peter Ilyich Tchaikovsky
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Regis Bookshar
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Coronation March
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Regis Bookshar
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 4 - SKU: A0.1083848 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classi...
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Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 4 - SKU: A0.1083848 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festival,Instructional,Multicultural,Romantic Period,World. 15 pages. Regis Bookshar #688047. Published by Regis Bookshar (A0.1083848). Coronation March, TH 50, CW 47 by Peter Ilyich Tchaikovsky. Tenor Saxophone Quintet - Advanced/Intermediate - . This marvelous arrangement of Peter Tchaikovsky's Coronation March, sometimes called Festival March or Festival Coronation March, would be a fabulous addition to any music library and could be performed for concerts, recitals and other festive occasions. This arrangement keeps all of the intensity and excitement of the original composition and is suitable for high school and college students. Professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (15 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available to the public for the first time. The Coronation March was ordered by the city of Moscow for the coronation of Tsar Alexander III in 1883. It was written during March of 1883 and was performed for the first time on June 4, 1883 in Sokolniky Park in Moscow, conducted by Sergei Taneyev. The music then included excerpts of the anthem, God Save the Tsar. The American premiere was on May 5, 1891, for the opening concert of Carnegie Hall in New York City, conducted by Tchaikovsky himself. During the Soviet Era, Russian performances and recordings of the music were revised to omit the excerpts from the Czarist national anthem, replacing it with thematic material used earlier in the march, due to an official Soviet ban on the anthem. Starting with Dmitri Medvedev's inauguration in 2008, an abbreviated version of this piece is played during the Russian presidential inauguration accompanying the entrance of the incoming president, and ends well before the playing in this piece of the Tsarist anthem God Save the Tsar. Unlike Tchaikovsky's other major compositions, the Coronation March does not have an opus number. It has been given alternative catalogue designations TH 50 and CW 47. Tchaikovsky's Coronation March was originally scored for a full orchestra and written in the key of D Major. Regis Bookshar has now created an abbreviated version, written in Db Major, and has arranged it for a Tenor Saxophone Quintet. In addition to this arrangement of Tchaikovsky's Coronation March for a Tenor Saxophone Quintet, other arrangements of this festive composition for various instrumental ensembles are also available. Please feel free to search for other arrangements by Regis Bookshar as there are many more arrangements in a variety of styles, also available for purchase. You may find something else which might interest you as well, and please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Tchaikovsky's Coronation March will continue to entertain both audiences and performers alike for years to come.
$20.00
Coronation March (Db) (Saxophone Quintet - 2 Altos, 2 Tenors, 1 Bari)
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Peter Ilyich Tchaikovsky
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Regis Bookshar
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Coronation March
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Regis Bookshar
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1083817 Composed by Peter Ilyich Tchaikovsky. ...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1083817 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festival,Instructional,Multicultural,Romantic Period,World. 16 pages. Regis Bookshar #688018. Published by Regis Bookshar (A0.1083817). Coronation March, TH 50, CW 47 by Peter Ilyich Tchaikovsky. Saxophone Quintet - Advanced/Intermediate - . This marvelous arrangement of Peter Tchaikovsky's Coronation March, sometimes called Festival March or Festival Coronation March, would be a fabulous addition to any music library and could be performed for concerts, recitals and other festive occasions. This arrangement keeps all of the intensity and excitement of the original composition and is suitable for high school and college students. Professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (16 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available to the public for the first time. The Coronation March was ordered by the city of Moscow for the coronation of Tsar Alexander III in 1883. It was written during March of 1883 and was performed for the first time on June 4, 1883 in Sokolniky Park in Moscow, conducted by Sergei Taneyev. The music then included excerpts of the anthem, God Save the Tsar. The American premiere was on May 5, 1891, for the opening concert of Carnegie Hall in New York City, conducted by Tchaikovsky himself. During the Soviet Era, Russian performances and recordings of the music were revised to omit the excerpts from the Czarist national anthem, replacing it with thematic material used earlier in the march, due to an official Soviet ban on the anthem. Starting with Dmitri Medvedev's inauguration in 2008, an abbreviated version of this piece is played during the Russian presidential inauguration accompanying the entrance of the incoming president, and ends well before the playing in this piece of the Tsarist anthem God Save the Tsar. Unlike Tchaikovsky's other major compositions, the Coronation March does not have an opus number. It has been given alternative catalogue designations TH 50 and CW 47. Tchaikovsky's Coronation March was originally scored for a full orchestra and written in the key of D Major. Regis Bookshar has now created an abbreviated version, written in Db Major, and has arranged it for a Saxophone Quintet, consisting of 2 Alto Saxophones, 2 Tenor Saxophones and 1 Baritone Saxophone. In addition to this arrangement of Tchaikovsky's Coronation March for a Saxophone Quintet, other arrangements of this festive composition for various instrumental ensembles are also available. Please feel free to search for other arrangements by Regis Bookshar as there are many more arrangements in a variety of styles, also available for purchase. You may find something else which might interest you as well, and please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Tchaikovsky's Coronation March will continue to entertain both audiences and performers alike for years to come.
$20.00
ONWARD, CHRISTIAN SOLDIERS - Jazz Saxophone Quintet (unaccompanied)
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Jazz
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Sir Arthur Seymour Sullivan
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ONWARD, CHRISTIAN SOLDIERS - J
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arrangements by GPoehlmann
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SheetMusicPlus
Composed by Sir Arthur Seymour Sullivan (1842-1900). Arranged by Glen Poehlmann. Jazz, Sacred. 10 pages. Arrangements by GPoehlmann #685095. Published...
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Composed by Sir Arthur Seymour Sullivan (1842-1900). Arranged by Glen Poehlmann. Jazz, Sacred. 10 pages. Arrangements by GPoehlmann #685095. Published by arrangements by GPoehlmann
ONWARD, CHRISTIAN SOLDIERS - Jazz Saxophone Quintet AATTB - unaccompaniedHymn Tune: ST. GERTRUDEMedium in Difficulty (Grade 3+)55 measures. Performance Time approx. 1:30Key: Db. Meter: 3/4 (swing)Instrument Ranges (C4=middle C):Alto Saxophone 1 F4 - F6 (written)Alto Saxophone 2 F4 - C6 (written)Tenor Saxophone 1 Eb4 - C6 (written)Tenor Saxophone 2 Bb3 - G5 (written)Baritone Saxophone A3 - F5 (written)Parts included (PDF): Score, Alto Sax 1, Alto Sax 2, Tenor Sax 1, Tenor Sax 2, Baritone Sax.
$5.00
What Was I Made For?
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Quintette de Saxophone: 5 saxophones
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FACILE
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Pop musique
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Billie Eilish
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Amanda Cerqueira Rodrigues
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What Was I Made For?
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Amanda Rodrigues
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1369365 By Billie Eilish. By Billie Eilish O'Co...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1369365 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Amanda Cerqueira Rodrigues. 21st Century,Film/TV,Pop. 16 pages. Amanda Rodrigues #953723. Published by Amanda Rodrigues (A0.1369365). Immerse yourself in the enchanting world of What Was I Made For? – a captivating Pop masterpiece featured as the theme song in the iconic Barbie movie. This sheet music, tailored for beginners and intermediate players, unlocks the magic of Billie Eilish's soulful rendition, allowing Quintet to recreate the allure of the original performance. Crafted for Soprano Saxophone, Alto Saxophone, Tenor Saxophone and Baritone Saxophone in the melodic Db Major, this arrangement brings the timeless melody to life with ease. Elevate your performance with the added brilliance of piano accompaniment providing a fuller and more immersive musical journey for your ensemble.- Easy Intermediate- Soprano Saxophone, Alto Saxophone, Tenor Saxophone and Baritone Saxophone- Saxophone Quintet Format- Piano Accompaniment- High-Quality PDF- Theme Song from Barbie Movie- Billie Eilish's Rendition- Instant Whether you're an aspiring musician or a seasoned performer, this sheet music provides a gateway to the iconic sounds of What Was I Made For? Elevate your repertoire with the magic of this Pop sensation. Download your high-quality PDF now and let the music speak for itself.Want this sheet in a different key? I have it on 15 keys and in a lot of different instruments, so come on checking my profile to pick the perfect one!
$15.99
What Was I Made For?
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Quintette de Saxophone: 5 saxophones
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FACILE
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Pop musique
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Billie Eilish
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Amanda Cerqueira Rodrigues
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What Was I Made For?
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Amanda Rodrigues
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1369386 By Billie Eilish. By Billie Eilish O'Co...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1369386 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Amanda Cerqueira Rodrigues. 21st Century,Film/TV,Pop. 16 pages. Amanda Rodrigues #953745. Published by Amanda Rodrigues (A0.1369386). Immerse yourself in the enchanting world of What Was I Made For? – a captivating Pop masterpiece featured as the theme song in the iconic Barbie movie. This sheet music, tailored for beginners and intermediate players, unlocks the magic of Billie Eilish's soulful rendition, allowing Quintet to recreate the allure of the original performance. Crafted for Soprano Saxophone, Alto Saxophone, Tenor Saxophone and Baritone Saxophone in the melodic Db Major, this arrangement brings the timeless melody to life with ease. Elevate your performance with the added brilliance of piano accompaniment, and experience the depth of accompanying chords, providing a fuller and more immersive musical journey for your ensemble.- Easy Intermediate- Soprano Saxophone, Alto Saxophone, Tenor Saxophone and Baritone Saxophone- Saxophone Quintet Format- Piano Accompaniment- Chords for Accompaniment- High-Quality PDF- Theme Song from Barbie Movie- Billie Eilish's Rendition- Instant Whether you're an aspiring musician or a seasoned performer, this sheet music provides a gateway to the iconic sounds of What Was I Made For? Elevate your repertoire with the magic of this Pop sensation. Download your high-quality PDF now and let the music speak for itself.Want this sheet in a different key? I have it on 15 keys and in a lot of different instruments, so come on checking my profile to pick the perfect one!
$15.99
What Was I Made For?
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Quintette de Saxophone: 5 saxophones
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FACILE
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Pop musique
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Billie Eilish
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Amanda Cerqueira Rodrigues
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What Was I Made For?
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Amanda Rodrigues
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1369349 By Billie Eilish. By Billie Eilish O'Co...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1369349 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Amanda Cerqueira Rodrigues. 21st Century,Film/TV,Pop. 13 pages. Amanda Rodrigues #953705. Published by Amanda Rodrigues (A0.1369349). Immerse yourself in the enchanting world of What Was I Made For? – a captivating Pop masterpiece featured as the theme song in the iconic Barbie movie. This sheet music, tailored for beginners and intermediate players, unlocks the magic of Billie Eilish's soulful rendition, allowing Quintet to recreate the allure of the original performance. Crafted for Soprano Saxophone, Alto Saxophone, Tenor Saxophone and Baritone Saxophone in the melodic Db Major, this arrangement brings the timeless melody to life with ease. Elevate your performance experiencing the depth of accompanying chords, providing a fuller and more immersive musical journey for your ensemble.- Easy Intermediate- Soprano Saxophone, Alto Saxophone, Tenor Saxophone and Baritone Saxophone- Saxophone Quintet Format- Chords for Accompaniment- High-Quality PDF- Theme Song from Barbie Movie- Billie Eilish's Rendition- Instant Whether you're an aspiring musician or a seasoned performer, this sheet music provides a gateway to the iconic sounds of What Was I Made For? Elevate your repertoire with the magic of this Pop sensation. Download your high-quality PDF now and let the music speak for itself.Want this sheet in a different key? I have it on 15 keys and in a lot of different instruments, so come on checking my profile to pick the perfect one!
$12.99
What Was I Made For?
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Quintette de Saxophone: 5 saxophones
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FACILE
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Pop musique
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Billie Eilish
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Amanda Cerqueira Rodrigues
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What Was I Made For?
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Amanda Rodrigues
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1369333 By Billie Eilish. By Billie Eilish O'Co...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1369333 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Amanda Cerqueira Rodrigues. 21st Century,Film/TV,Pop. 13 pages. Amanda Rodrigues #953690. Published by Amanda Rodrigues (A0.1369333). Immerse yourself in the enchanting world of What Was I Made For? – a captivating Pop masterpiece featured as the theme song in the iconic Barbie movie. This sheet music, tailored for beginners and intermediate players, unlocks the magic of Billie Eilish's soulful rendition, allowing Quintet to recreate the allure of the original performance. Crafted for Soprano Saxophone, Alto Saxophone, Tenor Saxophone and Baritone Saxophone in the melodic Db Major, this arrangement brings the timeless melody to life with ease. - Easy Intermediate- Soprano Saxophone, Alto Saxophone, Tenor Saxophone and Baritone Saxophone- Saxophone Quintet Format- High-Quality PDF- Theme Song from Barbie Movie- Billie Eilish's Rendition- Instant Whether you're an aspiring musician or a seasoned performer, this sheet music provides a gateway to the iconic sounds of What Was I Made For? Elevate your repertoire with the magic of this Pop sensation. Download your high-quality PDF now and let the music speak for itself.Want this sheet in a different key? I have it on 15 keys and in a lot of different instruments, so come on checking my profile to pick the perfect one!
$12.99
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