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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Des\'ree
Non classifié
3 221
Piano & claviers
Piano seul
2 993
Piano Facile
634
Piano, Voix
501
Orgue
282
Piano, Voix et Guitare
245
Accordéon
190
Instruments en Do
118
Piano Trio: piano, violon, violoncelle
52
1 Piano, 4 mains
51
Accompagnement Piano
39
2 Pianos, 4 mains
36
Piano Quatuor: piano, violon, alto, violoncelle
9
Orgue, Piano (duo)
8
Clavecin
8
Orgue, Trompette (duo)
7
1 Piano, 6 mains
7
Piano grosses notes
3
Piano (partie séparée)
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Accordéon, Voix
1
Clavier
1
2 Pianos, 8 mains
1
+ 17 instrumentations
Retracter
Guitares
Guitare
657
Basse electrique
312
Guitare notes et tablatures
235
Ukulele
76
Ligne De Mélodie, (Paroles) et Accords
28
Mandoline
22
Paroles et Accords
22
Dulcimer
16
Banjo
16
2 Guitares (duo)
15
Piano, Guitare (duo)
14
4 Guitares (Quatuor)
11
Guitare (partie séparée)
6
Ukulele Baryton
6
3 Guitares (trio)
4
2 Dulcimers (duo)
3
Ensemble de guitares
3
Guitare, Quatuor à cordes
2
Guitare Pedal Steel
1
Orchestre à Plectres
1
+ 15 instrumentations
Retracter
Voix
Chorale SATB
738
Chorale 3 parties
324
Voix seule
214
Chorale Unison
107
Chorale 2 parties
98
Pack Instrumental pour Chorale
78
Chorale TTBB
61
Chorale SSAA
41
Voix Soprano, Piano
22
Chorale
18
Voix duo
16
Voix duo, Piano
15
Voix Alto, Piano
15
Voix haute
11
Voix Baryton, Piano
11
Voix moyenne, Piano
4
Chorale SSAATTBB
2
Voix Tenor, Piano
2
Chorale SSATTB
1
Male Voice
1
Voix Soprano
1
Voix Tenor
1
Chorale SSAB, Piano
1
Soli, choeur mixte et accompagnement
1
Chorale SSATB
1
Voix, Guitare
1
+ 21 instrumentations
Retracter
Vents
Saxophone
1 169
Clarinette
663
Flûte traversière
658
Flûte traversière et Piano
314
2 Flûtes traversières (duo)
207
3 Clarinettes (trio)
152
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
134
2 Saxophones (duo)
129
Clarinette et Piano
123
Quatuor de Saxophones: 4 saxophones
120
Quatuor de Clarinettes: 4 clarinettes
111
Saxophone Alto et Piano
103
Trio de Flûtes: 3 flûtes
98
Hautbois, Piano (duo)
98
Hautbois
98
Flûte à Bec
96
Saxophone Alto
88
Flûte, Hautbois, Clarinette, Basson
84
Saxophone Tenor et Piano
84
Quatuor de Flûtes : 4 flûtes
81
Saxophone Tenor
80
2 Clarinettes (duo)
67
Flûte à bec Soprano
63
Quintette de Saxophone: 5 saxophones
60
Saxophone (partie séparée)
53
3 Saxophones (trio)
45
Saxophone Soprano et Piano
44
Flûte et Guitare
37
Hautbois (partie séparée)
37
Flûte, Clarinette (duo)
35
Ensemble de saxophones
32
Saxophone Baryton, Piano
31
Ensemble de Clarinettes
30
Hautbois, Basson (duo)
30
Saxophone, Clarinette (duo)
27
Clarinette, Violon (duo)
25
Flûte, Violon
23
2 Hautbois (duo)
22
Quintette de Clarinettes: 5 clarinettes
22
Quatuor de Flûtes à bec
22
Flûte, Violon, Piano
21
Hautbois, Flûte
19
Cor anglais, Piano
18
Clarinette, Guitare (duo)
16
Ensemble de Flûtes
15
Hautbois, Clarinette (duo)
15
Clarinette Basse, Piano
15
Flûte à bec Soprano, Piano
15
Quintette de Flûte : 5 flûtes
14
3 Flûtes à bec (trio)
14
Ocarina
14
2 Flûte à bec (duo)
14
Flûte, Hautbois, Clarinette (trio)
14
Clarinette, Violoncelle (duo)
12
Saxophone Soprano
12
Clarinette, Trompette (duo)
12
Clarinette, Basson (duo)
12
Clarinette (partie séparée)
12
Flûte, Clarinette, Piano (trio)
11
Flûte, Violoncelle
11
Harmonica
10
Flûte, Trompette (duo)
9
Flûte, Alto (duo)
9
Flûte, Saxophone (duo)
9
Clarinette et Alto
9
Flûte, Basson et Piano
9
Cor anglais, Guitare (duo)
8
Hautbois, Clarinette, Basson (trio d'anches)
8
Flûte à bec Alto
7
2 Flûtes traversières, Piano
7
Flûte, Hautbois (duo)
6
Flûte, Violoncelle, Piano (trio)
6
Flûte, Violon et Violoncelle
6
Flute (partie séparée)
6
Flûte, Clarinette et Basson
6
Flûte à Bec, Piano
6
Saxophone et Guitare
5
Flûte, Trombone (duo)
5
2 Saxophones, Piano
4
Flûte, trombone et piano
3
Flute, harpe et violon
3
Flûte à bec Tenor
3
2 Clarinettes, Basson
3
Flûte irlandaise
3
Flûte, Hautbois, Piano (trio)
3
Flûte, Hautbois, Basson
3
2 Clarinettes, Piano
3
Flûte, Harpe et Violoncelle
3
Clarinette, trompette et piano
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Clarinette, Violoncelle, Piano (trio)
2
Ensemble de Hautbois
2
Flûte, Tuba (duo)
2
Hautbois, Violoncelle
2
Hautbois, violon (duo)
2
Flûte à bec Alto, Piano
2
Clarinette, Harpe (duo)
2
Hautbois, Guitare (duo)
2
Flûte, Violon, Violoncelle et Piano
2
5 Flûtes à bec
2
Flûte de Pan
1
Hautbois, Harpe
1
Piccolo, Piano
1
Piccolo
1
4 Hautbois
1
Flûte, Alto et Piano
1
Saxophone et Orgue
1
2 Cors Anglais Et Pianoforte
1
Saxophone Baryton
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte, Clarinette, Violon (trio)
1
Clarinette Basse
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte, Violoncelle, Guitare
1
Ensemble De Flûte à bec
1
Flûte et Trio à cordes
1
Saxophone, Violon (duo)
1
2 Hautbois, 2 Cors et 2 Bassons
1
Flûte et Quatuor à Cordes
1
Cor anglais et Harpe (duo)
1
+ 115 instrumentations
Retracter
Cuivres
Trompette
525
Trombone
466
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
141
Quatuor de Cuivres : 2 trompettes, trombone, tuba
95
Trombone et Piano
88
Trompette, Piano
84
Cor
61
Cor et Piano
48
Euphonium
41
Tuba
40
Quatuor de Cuivres
36
2 Trompettes (duo)
34
Tuba et Piano
33
2 Trombones (duo)
33
Euphonium, Piano (duo)
29
Trombone (partie séparée)
29
Trompette, Trombone (duo)
28
Trompette (partie séparée)
27
Quatuor de Cuivres: 2 trompettes, Cor, trombone
25
Trompette, Saxophone (duo)
24
Quatuor de cuivres: 4 trombones
21
Ensemble de Trombones
21
2 Cors (duo)
20
Cor anglais, Piano
18
Ensemble de Trompettes
15
2 Tubas (duo)
12
Trio de Cuivres
11
Quatuor de cuivres: 4 cors
10
3 Trompettes (trio)
10
Cor anglais, Guitare (duo)
8
3 Trombones (trio)
8
Ensemble de Cors
7
Quatuor de cuivres: 4 trompettes
7
Euphonium, Tuba (duo)
6
4 Tubas
6
Cor (partie séparée)
6
Trombone basse
5
Bass Clef Instruments
4
Trompette, violon (duo)
4
Cor, Violoncelle (duo)
4
Cor, Tuba (duo)
3
Quatuor de cuivres: 2 trompettes, 2 trombones
3
2 Euphoniums (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Tuba (partie séparée)
3
Trompette, Cor (duo)
3
Trompette, Trombone, Piano
3
2 Trompettes, Clavier (piano ou orgue)
3
Trombone basse et Piano
3
3 Euphoniums
2
3 Cors (trio)
2
3 Tubas (trio)
1
Tuba et Orgue
1
2 Cors Anglais Et Pianoforte
1
Ensemble de Tubas
1
Trombone et orchestre
1
2 Euphoniums et 2 Tubas
1
2 Trombones, Piano
1
Trompette, Violoncelle (duo)
1
Trombone, Cor (duo)
1
Cor anglais et Harpe (duo)
1
+ 56 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
2 141
Violon
775
Trio à Cordes: violon, alto, violoncelle
587
Violoncelle
449
Alto seul
376
Violon et Piano
255
Trio à cordes: 3 violins
240
Quintette à cordes: 2 violons, alto, violoncelle, basse
138
Trio à Cordes: 2 violons, violoncelle
117
Violoncelle, Piano
109
Alto, Piano
108
Harpe
106
Violon, Violoncelle (duo)
93
2 Violons (duo)
69
Trio à Cordes: 3 violoncelles
68
Violon, Alto (duo)
53
2 Violoncelles (duo)
46
2 Altos (duo)
41
Contre Basse
39
Quatuor à cordes: 4 violons
32
Violon (partie séparée)
27
4 Violoncelles
26
Trio à cordes: 3 altos
23
2 Harpes (duo)
19
Contrebasse, Piano (duo)
19
Trio à Cordes: 2 violons, alto
16
Quatuor à cordes : 4 altos
16
Violon, Guitare (duo)
14
Contrebasse (partie séparée)
14
Alto (partie séparée)
14
Trio à cordes
14
Violoncelle, Contrebasse (duo)
11
Alto, Violoncelle (duo)
10
Harpe, Flûte (duo)
10
Harpe et Piano
9
Quintette à cordes: 2 violons, 2 altos, violoncelle
9
2 Contrebasses (duo)
8
Ensemble de Violons
8
Piano Trio: Violon, Alto, Piano
7
Violoncelle , Guitare (duo)
7
Ensemble d'Altos
6
Flûte, Contrebasse (duo)
5
Violon, Clarinette, Piano (trio)
5
Harpe, Voix
5
Alto, Guitare (duo)
5
4 Contrebasses
4
Harpe, Violoncelle (duo)
3
Violoncelle (partie séparée)
3
Violon, Violoncelle, Clarinette
2
Harpe et mandoline
2
2 Violoncelles, Piano
2
Violon, Basson (duo)
1
Alto et Basson
1
Harpe, Violon (duo)
1
4 Harpes
1
Autoharp
1
Ensemble de Violoncelles
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
2 Violons, Piano
1
Harpe, Quatuor à cordes
1
+ 55 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
1 187
Orchestre d'harmonie
913
Batterie
404
Orchestre
370
Ensemble Jazz
164
Ensemble de cuivres
120
Cloches
92
Jazz combo
70
Fanfare
60
Orchestre de chambre
59
Ensemble de Percussions
36
Marimba
10
Percussion
9
Percussion (partie séparée)
7
Vibraphone
4
Batterie (partie séparée)
3
Orchestre, Violon
2
Xylophone, Piano
2
Quintette de Cuivres: autres combinaisons
1
Piano et Orchestre
1
Xylophone
1
3 Percussions
1
+ 17 instrumentations
Retracter
Autres
Formation musicale - Solfège
6
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Des\'ree
Quintette de Saxophone: 5 saxophones
Partitions à imprimer
60 partitions trouvées
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51
O Christmas Tree (G) (Alto Saxophone Quintet)
#
Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE
#
Noël
#
German Folk Song
#
Regis Bookshar
#
O Christmas Tree
#
Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 3 - SKU: A0.813938 Composed by German Folk Song. Arranged by Regis Bookshar. Christmas,Instru...
(+)
Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 3 - SKU: A0.813938 Composed by German Folk Song. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. 8 pages. Regis Bookshar #6631075. Published by Regis Bookshar (A0.813938). Alto Saxophone Quintet - Intermediate - . This arrangement of O Christmas Tree, or in German, O Tannenbaum, would be a fabulous addition to any music library and could be performed for Christmas concerts and recitals, and, perhaps, even church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of part (8 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.O Christmas Tree is a German Christmas song based on a traditional folk song which was unrelated to Christmas. The custom of the Christmas tree developed in the course of the 19th century, and the song came to be seen as a Christmas carol. The modern lyrics were written in 1824 by the Leipzig organist, teacher and composer, Ernst Anschutz. A tannenbaum is a fir tree. The lyrics do not actually refer to Christmas or describe a decorated tree. Instead, they refer to the fir's evergreen quality as a symbol of constancy and faithfulness.In this arrangement of O Christmas Tree, Regis Bookshar has kept the basic outline of this familiar song, but has inserted a short interlude, which brings to mind the sound of alphorns, or alpenhorns, instruments which may be made from red pine, or fir trees. and are used by mountain dwellers in the Bavarian Alps. I think that students will enjoy this imitative section in the song. In addition to this version for an Alto Saxophone Quintet, there are also other arrangements of O Christmas Tree available for a variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of O Christmas Tree will continue to entertain both performers ands audiences alike for years to come.
$5.00
O Christmas Tree (G) (Saxophone Quintet - 2 Alto, 3 Tenor)
#
Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE
#
Noël
#
German Folk Song
#
Regis Bookshar
#
O Christmas Tree
#
Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Tenor Saxophone - Level 3 - SKU: A0.813949 Composed by German Folk Song. Arranged by Regis Bookshar. ...
(+)
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Tenor Saxophone - Level 3 - SKU: A0.813949 Composed by German Folk Song. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. 8 pages. Regis Bookshar #6632149. Published by Regis Bookshar (A0.813949). Saxophone Quintet - Intermediate - . This arrangement of O Christmas Tree, or in German, O Tannenbaum, would be a fabulous addition to any music library and could be performed for Christmas concerts and recitals, and, perhaps, even church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of part (8 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.O Christmas Tree is a German Christmas song based on a traditional folk song which was unrelated to Christmas. The custom of the Christmas tree developed in the course of the 19th century, and the song came to be seen as a Christmas carol. The modern lyrics were written in 1824 by the Leipzig organist, teacher and composer, Ernst Anschutz. A tannenbaum is a fir tree. The lyrics do not actually refer to Christmas or describe a decorated tree. Instead, they refer to the fir's evergreen quality as a symbol of constancy and faithfulness.In this arrangement of O Christmas Tree, Regis Bookshar has kept the basic outline of this familiar song, but has inserted a short interlude, which brings to mind the sound of alphorns, or alpenhorns, instruments which may be made from red pine, or fir trees. and are used by mountain dwellers in the Bavarian Alps. I think that students will enjoy this imitative section in the song. In addition to this version for a Saxophone Quintet, consisting of 2 Alto Saxophones and 3 Tenor Saxophones, there are also other arrangements of O Christmas Tree available for a variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of O Christmas Tree will continue to entertain both performers ands audiences alike for years to come.
$5.00
Burgundian Air/March of the Three Kings (F min) (Tenor Saxophone Quintet)
#
Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE
#
Traditional French Melodies
#
Regis Bookshar
#
Burgundian Air/March of the Th
#
Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 3 - SKU: A0.813073 Composed by Traditional French Melodies. Arranged by Regis Bookshar. Chri...
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Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 3 - SKU: A0.813073 Composed by Traditional French Melodies. Arranged by Regis Bookshar. Christmas,Classical,Instructional,Multicultural,Standards,World. 22 pages. Regis Bookshar #6097379. Published by Regis Bookshar (A0.813073). Tenor Saxophone Quintet - Intermediate - . This selection, Burgundian Air/March of the Three Kings, has been arranged for 5 Tenor Saxophones, by Regis Bookshar. It incorporates two traditional French melodies into one exciting arrangement, which, I'm certain, will entertain both performers and audiences alike. It is suitable for high school and college students and is perfect for Christmas concerts and church services but could be performed anytime and anywhere. Included are a score and a complete set of parts (21 pages). It begins with a Burgundian Air, played by a solo instrument. The melody is then played by two instruments in harmony before the rest of the ensemble joins in. This is followed by the March of the Three Kings, a Provencal melody (La Marche Des Rois Mages) which dates from the 13th century and recalls the Three Kings of the Christmas story. The peasants probably sang and danced to this tune, even perhaps honoring their own folk heroes, the French dukes, dressed in their shining armor and carrying brilliant banners, as they marched off to the Crusades. Georges Bizet utilized this tune as a farandole, or stately dance, in his incidental music for Alphonse Daudet's play L'Arlesienne (The Girl from Arles). There is a fugal section in which each instrument enters, playing an embellished version of the tune before concluding the arrangement. Also available are other settings of these two Traditional French melodies for a variety of instrumental ensembles as well as numerous other arrangements in a variety of styles. Please feel free to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that students will enjoy playing this arrangement.
$18.00
Burgundian Air/March of the Three Kings (F min) (Saxophone Quintet - 2 Alto, 2 Tenor, 1 Bari)
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
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Traditional French Melodies
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Regis Bookshar
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Burgundian Air/March of the Th
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Regis Bookshar
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.813071 Composed by Traditional French Melodies...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.813071 Composed by Traditional French Melodies. Arranged by Regis Bookshar. Christmas,Classical,Instructional,Multicultural,Standards,World. 27 pages. Regis Bookshar #6097373. Published by Regis Bookshar (A0.813071). Saxophone Quintet - Intermediate - . This selection, Burgundian Air/March of the Three Kings, has been arranged for a Saxophone Quintet, consisting of 2 Alto Saxophones, 2 Tenor Saxophones and 1 Baritone Saxophone, by Regis Bookshar. It incorporates two traditional French melodies into one exciting arrangement, which, I'm certain, will entertain both performers and audiences alike. It is suitable for high school and college students and is perfect for Christmas concerts and church services but could be performed anytime and anywhere. Included are a score and a complete set of parts (22 pages). It begins with a Burgundian Air, played by a solo instrument. The melody is then played by two instruments in harmony before the rest of the ensemble joins in. This is followed by the March of the Three Kings, a Provencal melody (La Marche Des Rois Mages) which dates from the 13th century and recalls the Three Kings of the Christmas story. The peasants probably sang and danced to this tune, even perhaps honoring their own folk heroes, the French dukes, dressed in their shining armor and carrying brilliant banners, as they marched off to the Crusades. Georges Bizet utilized this tune as a farandole, or stately dance, in his incidental music for Alphonse Daudet's play L'Arlesienne (The Girl from Arles). There is a fugal section in which each instrument enters, playing an embellished version of the tune before concluding the arrangement. Also available are other settings of these two Traditional French melodies for a variety of instrumental ensembles as well as numerous other arrangements in a variety of styles. Please feel free to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that students will enjoy playing this arrangement.
$18.00
Burgundian Air/March of the Three Kings (F min) (Alto Saxophone Quintet)
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
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Traditional French Melodies
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Regis Bookshar
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Burgundian Air/March of the Th
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Regis Bookshar
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 3 - SKU: A0.813062 Composed by Traditional French Melodies. Arranged by Regis Bookshar. Chris...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 3 - SKU: A0.813062 Composed by Traditional French Melodies. Arranged by Regis Bookshar. Christmas,Classical,Instructional,Multicultural,Standards,World. 22 pages. Regis Bookshar #6095931. Published by Regis Bookshar (A0.813062). Alto Saxophone Quintet - Intermediate - . This selection, Burgundian Air/March of the Three Kings, has been arranged for 5 Alto Saxophones by Regis Bookshar. It incorporates two Traditional French melodies into one exciting arrangement, which, I'm certain, will entertain both performers and audiences alike. It is suitable for high school and college students and is perfect for Christmas concerts and church services but could be performed anytime and anywhere. Included are a score and a complete set of parts (22 pages). It begins with a Burgundian Air, played by a solo instrument. The melody is then played by two instruments in harmony before the rest of the ensemble joins in. This is followed by the March of the Three Kings, a Provencal melody (La Marche Des Rois Mages) which dates from the 13th century and recalls the Three Kings of the Christmas story. The peasants probably sang and danced to this tune, even perhaps honoring their own folk heroes, the French dukes, dressed in their shining armor and carrying brilliant banners, as they marched off to the Crusades. Georges Bizet utilized this tune as a farandole, or stately dance, in his incidental music for Alphonse Daudet's play L'Arlesienne (The Girl from Arles). There is a fugal section in which each instrument enters, playing an embellished version of the tune before concluding the arrangement. Also available are other settings of these two Traditional French melodies for a variety of instrumental ensembles as well as numerous other arrangements in a variety of styles. Please feel free to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that students will enjoy playing this arrangement.
$18.00
Three selections based on "Christ lag in Todesbanden" (Saxophone Quintet - 1 Sop, 1 Alto, ...)
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Regis Bookshar
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Three selections based on &quo
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Regis Bookshar
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1254343 Composed by Johann S...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1254343 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 29 pages. Regis Bookshar #847423. Published by Regis Bookshar (A0.1254343). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - Saxophone Quintet (1 Sop, 1 Alto, 2 Tenors, 1 Bari) - Adavanced/Intermediate - .Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement gets more complex that the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.  4.This arrangement is for a Saxophone Quintet, consisting of 1 Soprano Saxophone, 1 Alto Saxophone, 2 Tenor Saxophones and 1 Baritone Saxophone. Included are a score and a complete set of parts (29 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00
Three selections based on "Christ lag in Todesbanden" (Tenor Saxophone Quintet)
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Regis Bookshar
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Three selections based on &quo
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Regis Bookshar
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 4 - SKU: A0.1257387 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,C...
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Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 4 - SKU: A0.1257387 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 29 pages. Regis Bookshar #850718. Published by Regis Bookshar (A0.1257387). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - Tenor Saxophone Quintet - Advanced/Intermediate - .Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement gets more complex that the previous one. This first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.  4.This arrangement is for a Tenor Saxophone Quintet. Included are a score and a complete set of parts (29 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. Ithink you will be pleased with what you may find.
$30.00
Three selections based on "Christ lag in Todesbanden" (Alto Saxophone Quintet)
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Regis Bookshar
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Three selections based on &quo
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Regis Bookshar
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 4 - SKU: A0.1245666 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Ch...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 4 - SKU: A0.1245666 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 30 pages. Regis Bookshar #840503. Published by Regis Bookshar (A0.1245666). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - Alto Saxophone Quintet - Advanced/Intermediate - .Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement is more complex than the previous one.. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straightforward four-part setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.  4.This arrangement is for an Alto Saxophone Quintet. Included are a score and a complete set of parts (30 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00
Three selections based on "Christ lag in Todesbanden" (Saxophone Quintet - 2 Alto, 2 Tenor, 1 Bari)
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Regis Bookshar
#
Three selections based on &quo
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Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1254358 Composed by Johann Sebastian Bach. Arr...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1254358 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 29 pages. Regis Bookshar #847925. Published by Regis Bookshar (A0.1254358). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - Saxophone Quintet (2 Altos, 2 Tenors, 1 Bari) - Adsvanced/Intermediate - .Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 6215. They may be played individually or as a trilogy and each movement gets more complex than the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.  4.This arrangement is for a Saxophone Quintet, consisting of 2 Alto Saxophones, 2 Tenor Saxophone and 1 Baritone Saxophone. Included are a score and a complete set of parts (29 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00
Three selections based on "Christ lag in Todesbanden" (Saxophone Quintet - 3 Alto, 2 Tenor)
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Regis Bookshar
#
Three selections based on &quo
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Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1255318 Composed by Johann Sebastian Bach. Arranged by Regis Book...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1255318 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 29 pages. Regis Bookshar #848835. Published by Regis Bookshar (A0.1255318). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - Saxophone Quintet (3 Altos, 2 Tenors) - Advanced/Intermediate - .Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement gets more complex that the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1718 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in in the middle of his Cantata No.  4.This arrangement is for a Saxophone Quintet, consisting of 3 Alto Saxophones and 2 Tenor Saxophones. Included are a score and a complete set of parts (29 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00
Three selections based on "Christ lag in Todesbanden" (Saxophone Quintet - 2 Alto, 3 Tenor)
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Regis Bookshar
#
Three selections based on &quo
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Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1254362 Composed by Johann Sebastian Bach. Arranged by Regis Book...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1254362 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 29 pages. Regis Bookshar #847934. Published by Regis Bookshar (A0.1254362). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - Saxophone Quintet (2 Altos, 3 Tenors) - .Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and the music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement gets more complex than the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straighforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen) (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.  4.This arrangement is for a Saxophone Quintet, consisting of 2 Alto Saxophones and 3 Tenor Saxophones. Included are a score and a complete set of parts (29 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00
Three selections based on "Christ lag in Todesbanden" (Saxophone Quintet - 1 Sop, 2 Alto, ...)
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Regis Bookshar
#
Three selections based on &quo
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Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1254344 Composed by Johann S...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1254344 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 28 pages. Regis Bookshar #847633. Published by Regis Bookshar (A0.1254344). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian bach - Saxophone Quintet (1 Sop, 2 Alto, 1 Tenor, 1 Bari) - Advanced/Intermediate - .Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bond) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement gets more complex than the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen) (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.  4.This arrangement is for a Saxophone Quintet, consisting of 1 Soprano Saxophone, 2 Alto Saxophones, 1 Tenor Saxophone and 1 Baritone Saxophone. Included are a score and a complete set of parts (28 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00
Three selections based on "Christ lag in Todesbanden" (Saxophone Quintet - 3 Alto, 1 Tenor, 1 Bari)
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Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Regis Bookshar
#
Three selections based on &quo
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Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1255304 Composed by Johann Sebastian Bach. Arr...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1255304 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 29 pages. Regis Bookshar #848817. Published by Regis Bookshar (A0.1255304). Three selections based on Christ lag in Todsesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - Saxophone Quintet (3 Altos, 1 Tenor, 1 Baritone) - Advanced /Intermediate - .Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement gets more complex that the previous one. The first selection in this trology is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen) (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.  4.This arrangement is for a Saxophone Quintet, consisting of 3 Alto Saxophones, 1 Tenor Saxophone and 1 Baritone Saxophone. Included are a score and a complete set of parts (29 Pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00
Jesu, joy of man's desiring by Bach for Saxophone Choir Quintet
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Quintette de Saxophone: 5 saxophones
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Ander
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Jesu, joy of man's desiring by
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 1 - SKU: A0.957238 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 1 - SKU: A0.957238 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Standards,Wedding. 11 pages. Woods Only, Arrangements #6744921. Published by Woods Only, Arrangements (A0.957238). This easy arrangement for saxophone choir quintet has been adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students because of the ease imposed on the piece. It is often performed at wedding ceremonies slowly and reverently, challenging the effect suggested by Bach in his original score for voices with trumpet, oboes, strings, and continuous bass.
$9.99
Jesu, joy of man's desiring by Bach for Saxophone Quintet
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Quintette de Saxophone: 5 saxophones
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Ander
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Jesu, joy of man's desiring by
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 1 - SKU: A0.957237 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 1 - SKU: A0.957237 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Standards,Wedding. 11 pages. Woods Only, Arrangements #6744919. Published by Woods Only, Arrangements (A0.957237). This easy arrangement for saxophone quintet has been adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students because of the ease imposed on the piece. It is often performed at wedding ceremonies slowly and reverently, challenging the effect suggested by Bach in his original score for voices with trumpet, oboes, strings, and continuous bass.
$9.99
Jesu, joy of man's desiring by Bach for Alto Sax Quintet
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Quintette de Saxophone: 5 saxophones
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Ander
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Jesu, joy of man's desiring by
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Alto Saxophone - Level 1 - SKU: A0.957235 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Standa...
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Woodwind Ensemble,Woodwind Quintet Alto Saxophone - Level 1 - SKU: A0.957235 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Standards,Wedding. 11 pages. Woods Only, Arrangements #6744907. Published by Woods Only, Arrangements (A0.957235). This easy arrangement for alto sax quintet has been adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students because of the ease imposed on the piece. It is often performed at wedding ceremonies slowly and reverently, challenging the effect suggested by Bach in his original score for voices with trumpet, oboes, strings, and continuous bass.
$9.99
Jesu, joy of man's desiring by Bach for Baritone Sax Quintet
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Quintette de Saxophone: 5 saxophones
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Ander
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Jesu, joy of man's desiring by
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Baritone Saxophone - Level 1 - SKU: A0.957236 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,St...
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Woodwind Ensemble,Woodwind Quintet Baritone Saxophone - Level 1 - SKU: A0.957236 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Standards,Wedding. 11 pages. Woods Only, Arrangements #6744915. Published by Woods Only, Arrangements (A0.957236). This easy arrangement for baritone sax quintet has been adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students because of the ease imposed on the piece. It is often performed at wedding ceremonies slowly and reverently, challenging the effect suggested by Bach in his original score for voices with trumpet, oboes, strings, and continuous bass.
$9.99
Chopin - Three Preludes Op. 28 Nos. 4, 7 and 22 (for Saxophone Quintet SATTB)
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Kenneth Abeling
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Chopin - Three Preludes Op. 28
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble - Level 3 - SKU: A0.1293529 Composed by Frederic Chopin. Arranged by Kenneth Abeling. 19th Century,Classical,Romanti...
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Saxophone Quintet,Woodwind Ensemble - Level 3 - SKU: A0.1293529 Composed by Frederic Chopin. Arranged by Kenneth Abeling. 19th Century,Classical,Romantic Period. 10 pages. LINCOLN MUSIC PUBLICATIONS #884018. Published by LINCOLN MUSIC PUBLICATIONS (A0.1293529). Three Preludes Op. 28 Nos. 4,7 and 22 by Frédéric Chopin arranged for Saxophone Quintet. These are three of Chopin’s easier and more melodic preludes playable one after another as one piece, or individually. The original Keys are listed in the titles. The total plating time is approximately 4:15. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com/.
$13.99
We Three Kings (Sax Quintet: SATTB)
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
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Noël
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John Henry Hopkins, Jr
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John A
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We Three Kings
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John A. Dempsey
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1139651 Composed by John Hen...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1139651 Composed by John Henry Hopkins, Jr., Enrique Granados. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. 22 pages. John A. Dempsey #739921. Published by John A. Dempsey (A0.1139651). Arranged as a festive sax quintet (SATTB), the warm, evocative Christmas carol We Three Kings of Orient Are follows a musical path that merges with the wintry road leading to Enrique Granados' delicately beautiful Oriental.  A bit of holiday serendipity!  Recommended for Christmas pageants, plays and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events.  Suggested uses: prelude, postlude, offertory, interlude, Christmas play overture, special music and silent prayer accompaniment.  18 pages of music (that includes the score and separate two-page parts for soprano sax, alto sax, tenor sax 1, tenor sax 2 and baritone sax).  Concert Key: F minor      We three kings of Orient are: bearing gifts we traverse afar   Field and fountain, moor and mountain - following yonder star.   O star of wonder, star of night; star with royal beauty bright,   Westward leading, still proceeding, guide us to Thy perfect light.
$14.00
Fantasia In F, K. 594
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Robert Stevens
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Fantasia In F, K. 594
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SAXpress.com
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1420092 Composed by Wolfgang...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1420092 Composed by Wolfgang Amadeus Mozart. Arranged by Robert Stevens. Chamber,Classical. 40 pages. SAXpress.com #1001523. Published by SAXpress.com (A0.1420092). Fantasia In F, K. 594 by Mozart, arranged for Saxophone Quintet SAATB or SSATB. Although originally intended for clockwork organ, this piece is also well known in arrangements for duo pianos, string quartet, orchestra, and woodwind quintet. This arrangment is for SAATB or SSATB saxophone quintet.This amazing work was composed in the last year of Mozart's life to fulfil an unusual commission. A wealthy Viennese aristocrat, Joseph Deym von Strzitez, owned several mechanical organs (also called musical clocks). One of these was in a public exhibit dedicated to the memory of a military hero. Deym wanted new music every week for his exhibit. This Fantasia In F, K. 594 is the first of three works Mozart composed especially for it.Mozart's original title is Adagio and Allegro for Mechanical Organ. Although dissatisfied with the timbre of the instrument, Mozart was plesed to have Deym's money. The music itself exceeded all expectations. One newspaper reported: Every hour one hears a suitable music which the unforgettable composer Mozart wrote especially for it. It surpasses in precision and clarity everything which was ever attempted or designed for this kind of artistic product. Fantasia In F begins and concludes with an adagio in F minor with slow moving chords and a gently descending, weeping melody line. The middle section is in F major and features trumpet calls and flashy counterpoint. All players will be well occupied with this piece.This arrangement for saxophone quintet is in the original keys of F minor and F major. The Alto Sax 1 part has long sections of 16th note passage work and requires great flexibility on the palm keys. The Soprano Sax 2 (Alto 1 sub) makes those sections much easier. An ideal solution would be to have the alto 1 player switch to soprano sax for the middle section.T.
$24.95
Bach: Toccata and Fugue, BWV 565 for Saxophone Quintet
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James M
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Bach: Toccata and Fugue, BWV 5
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jmsgu3
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1474154 Compo...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1474154 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Halloween,Historic,Standards. 49 pages. Jmsgu3 #1051783. Published by jmsgu3 (A0.1474154). The Toccata and Fugue in D Minor, BWV 565, is one of Johann Sebastian Bach's most famous organ compositions. It follows a typical North German structure with three main sections - a free opening (toccata), a fugal section (fugue), and a short free closing section. The exact date of composition is uncertain, but it's believed to have been written before 1708. There is no surviving autograph manuscript. The oldest known source is an undated copy by Johannes Ringk, a student of one of Bach's pupils. It was first published in 1833 through the efforts of composer Felix Mendelssohn during the early Bach Revival period. It gained widespread recognition after being featured in Disney's 1940 film Fantasia, which Leopold Stokowski adapted for orchestra. The piece has become strongly associated with horror films and Gothic imagery in Western culture. The Toccata begins with dramatic flourishes and arpeggios, showcasing the organist's virtuosity. The fugue is characterized by overlapping repetitions of the central theme in different melodic lines. It employs simple triadic harmony but includes some unexpected elements, such as a C minor subject entry and a solo pedal statement.
$49.95
King Of The Road
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
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Contemporain
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Randy Travis
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Dennis Ruello
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King Of The Road
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Chicory Music
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble - Level 3 - SKU: A0.734488 By Randy Travis. By Roger Miller. Arranged by Dennis Ruello. Contemporary. 20 pages. Chic...
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Saxophone Quintet,Woodwind Ensemble - Level 3 - SKU: A0.734488 By Randy Travis. By Roger Miller. Arranged by Dennis Ruello. Contemporary. 20 pages. Chicory Music #6011301. Published by Chicory Music (A0.734488). King of the Road is a song written by country singer Roger Miller, who first recorded it in November 1964. The lyrics tell of the day-to-day life of a vagabond hobo who, despite being poor (a man of means by no means), revels in his freedom, describing himself humorously and cynically as the king of the road. This Saxophone Quintet arrangement is written in a Country Swing Style and features Tenor Sax 2 and jazzy sax ensemble playing. It also includes optional Acoustic Bass and Drum Set parts. The MP3 sample starts in measure 5.Performance time is approx. 2 minutes 30 seconds.
$19.99
Largo (from "Symphony No. 9") ("From the New World") (Db) (Saxophone Quintet - 2 Alto, 2 Tenor, 1 Ba
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.813832 Composed by Antonin Dvorak. Arranged by...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.813832 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 19 pages. Regis Bookshar #6533927. Published by Regis Bookshar (A0.813832). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Saxophone Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (19 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Saxophone Quintet, consisting of 2 Alto Saxophones, 2 Tenor Saxophones and 1 Baritone Saxophone, he has made quite a few other arrangements.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Tenor Saxophone Quintet)
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 3 - SKU: A0.813836 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk...
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Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 3 - SKU: A0.813836 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 19 pages. Regis Bookshar #6533941. Published by Regis Bookshar (A0.813836). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Tenor Saxophone Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (19 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Tenor Saxophone Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety.
$15.00
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