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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Let
Non classifié
1 161
Piano & claviers
Piano, Voix
1 095
Piano, Voix et Guitare
525
Piano seul
423
Piano Facile
302
Orgue
143
Instruments en Do
60
Piano grosses notes
36
Accompagnement Piano
31
Piano Trio: piano, violon, violoncelle
13
1 Piano, 4 mains
11
Orgue, Trompette (duo)
4
Orgue, Piano (duo)
4
Accordéon, Voix
3
Piano Quatuor: piano, 2 violons, violoncelle
3
2 Pianos, 4 mains
2
Orgue, Voix
1
Piano (partie séparée)
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 13 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
565
Guitare notes et tablatures
118
Ukulele
74
Guitare
8
Banjo
8
Basse electrique
5
Mandoline
4
Piano, Guitare (duo)
2
Dulcimer
2
Paroles et Accords
1
Mandoline, Piano (duo)
1
Ukulele Baryton
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
957
Pack Instrumental pour Chorale
267
Chorale 2 parties
248
Chorale 3 parties
180
Voix duo, Piano
134
Chorale Unison
114
Chorale TTBB
40
Chorale
16
Voix duo
15
Voix seule
12
Chorale SSAA
8
Voix moyenne, Piano
5
Voix Soprano, Piano
4
Voix Tenor, Piano
4
Voix haute
3
Chorale SSAATTBB
3
Chorale SSATB
2
Voix basse, Piano
2
Soli, choeur mixte et accompagnement
1
Voix Baryton, Piano
1
Chorale SSAATB
1
Chorale SSAB, Piano
1
Chorale SSATTB
1
Voix Alto, Piano
1
Chorale, Orgue
1
+ 20 instrumentations
Retracter
Vents
Flûte traversière et Piano
34
Clarinette et Piano
34
2 Saxophones (duo)
29
Quatuor de Saxophones: 4 saxophones
28
Saxophone Soprano et Piano
20
Hautbois, Piano (duo)
19
Quatuor de Clarinettes: 4 clarinettes
19
Saxophone Tenor et Piano
18
Flute (partie séparée)
17
Saxophone Alto et Piano
17
Flûte, Hautbois, Clarinette, Basson
17
Flûte traversière
14
2 Flûtes traversières (duo)
14
2 Clarinettes (duo)
10
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
10
3 Saxophones (trio)
9
Flûte, Clarinette (duo)
9
Saxophone (partie séparée)
9
Saxophone Tenor
8
Clarinette (partie séparée)
7
Quintette de Saxophone: 5 saxophones
7
Quatuor de Flûtes : 4 flûtes
6
Saxophone, Clarinette (duo)
6
Saxophone Alto
6
Clarinette, Violon (duo)
5
Hautbois, Basson (duo)
5
Clarinette
5
Trio de Flûtes: 3 flûtes
5
Cor anglais, Piano
5
Saxophone Baryton, Piano
4
Clarinette, Basson (duo)
4
Ensemble de Clarinettes
4
Flûte, Trompette (duo)
4
3 Clarinettes (trio)
3
Ensemble de Flûtes
3
Hautbois (partie séparée)
3
2 Hautbois (duo)
3
Flûte, Violon
3
Flûte, Clarinette et Basson
3
Flûte à bec Soprano, Piano
2
Flûte, Clarinette, Piano (trio)
2
Flûte, Violoncelle, Piano (trio)
2
Flûte, Alto (duo)
2
3 Hautbois
2
Quintette de Flûte : 5 flûtes
2
Quintette de Clarinettes: 5 clarinettes
2
Quatuor de Flûtes à bec
2
Hautbois, Clarinette (duo)
2
Clarinette et Alto
2
Hautbois, Flûte
2
Clarinette Basse
1
Flute, harpe et violon
1
Flûte, Alto et Piano
1
Clarinette, Trombone (duo)
1
Flûte et Guitare
1
3 Flûtes à bec (trio)
1
4 Hautbois
1
2 Clarinettes, Piano
1
Clarinette Basse, Piano
1
Flûte à bec Soprano
1
Flûte, Violon et Violoncelle
1
Flûte, trombone et piano
1
Clarinette, Trompette (duo)
1
Flûte, Hautbois, Piano (trio)
1
2 Flûtes traversières, Piano
1
Flûte, Saxophone (duo)
1
Hautbois
1
Clarinette, Violoncelle, Piano (trio)
1
Clarinette, trompette et piano
1
Flûte, Hautbois, Basson
1
Saxophone Soprano
1
2 Flûte à bec (duo)
1
Flûte, Violon, Violoncelle et Piano
1
+ 68 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
27
Trompette, Piano
25
Trombone et Piano
21
Cor et Piano
17
Trompette (partie séparée)
16
2 Trompettes (duo)
13
Quatuor de Cuivres : 2 trompettes, trombone, tuba
13
Quatuor de Cuivres: 2 trompettes, Cor, trombone
11
Trombone (partie séparée)
9
Trompette
9
2 Trombones (duo)
8
2 Cors (duo)
7
Quatuor de cuivres: 4 cors
6
Trompette, Trombone (duo)
6
Trombone
6
Quatuor de cuivres: 4 trombones
6
Trompette, Cor (duo)
5
Cor
5
Cor (partie séparée)
5
Cor anglais, Piano
5
Trompette, Saxophone (duo)
4
Quatuor de Cuivres
4
Ensemble de Trompettes
3
Tuba et Piano
3
Euphonium, Piano (duo)
3
Trompette, Violoncelle et Piano
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
3 Trompettes (trio)
1
3 Trombones (trio)
1
Instruments en Sib
1
Trompette, Trombone, Piano
1
Bass Clef Instruments
1
Ensemble de Trombones
1
Quatuor de cuivres: 4 trompettes
1
2 Euphoniums (duo)
1
2 Euphoniums et 2 Tubas
1
Tuba
1
Trombone, Orgue
1
Tuba (partie séparée)
1
+ 34 instrumentations
Retracter
Cordes
Violon et Piano
54
Quatuor à cordes: 2 violons, alto, violoncelle
44
Violoncelle, Piano
38
Violon (partie séparée)
36
Harpe
28
Alto, Piano
22
Violon
13
Violon, Violoncelle (duo)
12
Violon, Alto (duo)
10
2 Violoncelles (duo)
9
Trio à Cordes: violon, alto, violoncelle
8
2 Violons (duo)
7
Alto seul
6
Harpe, Voix
6
Violoncelle
6
Piano Trio: Violon, Alto, Piano
6
2 Harpes (duo)
5
Alto, Violoncelle (duo)
5
Trio à Cordes: 2 violons, violoncelle
5
Violoncelle (partie séparée)
4
Alto (partie séparée)
4
Trio à cordes: 3 violins
4
2 Altos (duo)
3
Quatuor à cordes: 4 violons
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Contre Basse
2
Contrebasse (partie séparée)
2
Ensemble de Violons
1
Violon, Orgue
1
Harpe (partie séparée)
1
Violoncelle, Orgue
1
Contrebasse, Piano (duo)
1
4 Violoncelles
1
Trio à Cordes: 3 violoncelles
1
+ 29 instrumentations
Retracter
Orchestre & Percussions
Orchestre
570
Cloches
191
Orchestre d'harmonie
97
Orchestre à Cordes
20
Ensemble de cuivres
18
Orchestre de chambre
17
Percussion (partie séparée)
7
Percussion
4
Ensemble de Percussions
4
Jazz combo
3
Batterie
2
Ensemble Jazz
2
Fanfare
1
Timbales
1
Marimba
1
Xylophone, Piano
1
+ 11 instrumentations
Retracter
Autres
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Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Vous avez sélectionné:
Let
EGLISE - SACRE
Quintette de Saxophone: 5 saxophones
Partitions à imprimer
7 partitions trouvées
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1
Let All Mortal Flesh Keep Silence
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Quintette de Saxophone: 5 saxophones
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DÉBUTANT
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Musique Sacrée
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French carol
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Dominic Meccia
#
Let All Mortal Flesh Keep Sile
#
Dominic Meccia
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 1 - SKU: A0.705811 Composed by French ca...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 1 - SKU: A0.705811 Composed by French carol. Arranged by Dominic Meccia. Praise & Worship,Sacred. 9 pages. Dominic Meccia #6332927. Published by Dominic Meccia (A0.705811).
$8.99
Come, Thou Fount Of Every Blessing
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Quintette de Saxophone: 5 saxophones
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FACILE
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Musique Sacrée
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Nettleton by John Wyeth
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Gert Th
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Come, Thou Fount Of Every Bles
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Gert Th. Walter
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 2 - SKU: A0.682648 Composed by Nettleton by John Wyeth. Arr...
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Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 2 - SKU: A0.682648 Composed by Nettleton by John Wyeth. Arranged by Gert Th. Walter. Christian,Praise & Worship,Sacred. 3 pages. Gert Th. Walter #5865733. Published by Gert Th. Walter (A0.682648). Very easy arrangement, but not only for pupil and beginners. It works for any church services, and it is especially appropriate for schools and students. © 2020 MusikVerlag Gert Walter, Germany. All Rights Reserved. https://www.musikverlaggertwalter.de
$6.99
Alfred R. Gaul | Communion | for Saxophone Quintet
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Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Alfred R
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Andrew Lamb
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Alfred R. Gaul | Communion | f
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Andrew Lamb
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1437083 By Alfred R. Gaul. B...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1437083 By Alfred R. Gaul. By Alfred R. Gaul. Arranged by Andrew Lamb. 19th Century,Christian,Praise & Worship,Religious. 24 pages. Andrew Lamb #1017154. Published by Andrew Lamb (A0.1437083). 🎷 Saxophone Quintet Arrangement of Communion by Alfred R. Gaul 🎷Experience the serene beauty of Alfred R. Gaul's Communion in this lush arrangement for saxophone quintet. Perfect for concerts, recitals, or as an Introductory Voluntary during a church service, this piece offers flexibility and rich, resonant harmonies.Instrumentation:🎼 Part 1: Bb Soprano Saxophone🎼 Part 2: Eb Alto Saxophone🎼 Part 3: Eb Alto Saxophone🎼 Part 4: Bb Tenor Saxophone🎼 Part 5: Eb Baritone SaxophoneLevel of Difficulty: MediumLet the captivating melodies of Communion enhance your next performance. Please like and subscribe for more videos and music arrangements.
$8.00
Down in the River to Pray (for Saxophone Quintet SATTB or AATTB)
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Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE
#
Gospel Spirituel
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Musique Sacrée
#
African-American Spiritual
#
Kenneth Abeling
#
Down in the River to Pray
#
LINCOLN MUSIC PUBLICATIONS
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble - Level 3 - SKU: A0.1205452 Composed by African-American Spiritual. Arranged by Kenneth Abeling. 19th Century,Spirit...
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Saxophone Quintet,Woodwind Ensemble - Level 3 - SKU: A0.1205452 Composed by African-American Spiritual. Arranged by Kenneth Abeling. 19th Century,Spiritual,Traditional. 12 pages. LINCOLN MUSIC PUBLICATIONS #803645. Published by LINCOLN MUSIC PUBLICATIONS (A0.1205452). “Down in the River to Pray†also known as “Down to the River to Prayâ€, “Down in the Valley to Pray†“The Good Old Way†and “Come, Let Us All Go Down†arranged for Saxophone Quintet. This is an intermediate level arrangement, and contemporary setting of the African-American Spiritual/Christian Folk Hymn. The playing time is approximately 2:50. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com/.
$12.99
Largo (from "Symphony No. 9") ("From the New World") (Db) (Saxophone Quintet - 2 Alto, 2 Tenor, 1 Ba
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Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE
#
Classique
#
Musique Sacrée
#
Antonin Dvorak
#
Regis Bookshar
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Largo
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Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.813832 Composed by Antonin Dvorak. Arranged by...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.813832 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 19 pages. Regis Bookshar #6533927. Published by Regis Bookshar (A0.813832). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Saxophone Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (19 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Saxophone Quintet, consisting of 2 Alto Saxophones, 2 Tenor Saxophones and 1 Baritone Saxophone, he has made quite a few other arrangements.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Tenor Saxophone Quintet)
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Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE
#
Classique
#
Musique Sacrée
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 3 - SKU: A0.813836 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk...
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Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 3 - SKU: A0.813836 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 19 pages. Regis Bookshar #6533941. Published by Regis Bookshar (A0.813836). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Tenor Saxophone Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (19 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Tenor Saxophone Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Alto Saxophone Quintet)
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 3 - SKU: A0.813820 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 3 - SKU: A0.813820 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533331. Published by Regis Bookshar (A0.813820). Largo (from Symphony No. 9 in E minor) (From the New World) (Alto Saxophone Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for an Alto Saxophone Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety o.
$15.00
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