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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Organ.
Non classifié
9 404
Piano & claviers
Orgue
16 266
Piano grosses notes
3 340
Piano seul
1 359
Piano, Voix et Guitare
810
Piano, Voix
679
Piano Facile
527
Orgue, Trompette (duo)
429
Orgue, Piano (duo)
382
Instruments en Do
132
Clavier
86
Orgue, Voix
47
1 Piano, 4 mains
35
2 Pianos, 4 mains
35
2 Orgues (duo)
30
Piano Trio: piano, violon, violoncelle
29
Accompagnement Piano
24
Piano Quatuor: piano, violon, alto, violoncelle
13
Fake Book
13
Clavecin
13
Piano (partie séparée)
8
Piano Quatuor: piano, 2 violons, violoncelle
5
Accordéon
5
Orgue et Orchestre
5
Piano Quintette: piano, 2 violons, alto, violoncelle
4
2 Pianos, 8 mains
1
+ 20 instrumentations
Retracter
Guitares
Guitare notes et tablatures
125
Ligne De Mélodie, (Paroles) et Accords
120
Guitare
96
Paroles et Accords
40
Ukulele
33
Banjo
17
Ukulele Baryton
17
Basse electrique
15
2 Guitares (duo)
13
Mandoline
11
4 Guitares (Quatuor)
11
Piano, Guitare (duo)
8
Guitare (partie séparée)
6
3 Guitares (trio)
3
Dulcimer
3
Ensemble de guitares
2
Guitare, Violon, Violoncelle (trio)
1
Orchestre à Plectres
1
+ 13 instrumentations
Retracter
Voix
Chorale SATB
4 591
Chorale 2 parties
582
Chorale 3 parties
506
Chorale Unison
421
Chorale TTBB
210
Pack Instrumental pour Chorale
119
Voix duo, Piano
108
Voix duo
82
Chorale SSAA
82
Chorale, Orgue
59
Voix haute
43
Chorale
30
Voix moyenne, Piano
28
Voix Soprano, Piano
27
Voix basse, Piano
22
Voix seule
20
Chorale SSAATTBB
15
Chorale SSATB
14
Soli, choeur mixte et accompagnement
12
Voix duo, Orgue
10
Voix Alto, Piano
9
Chorale SSATTB
9
Voix Tenor, Piano
5
Chorale SSATBB
4
Voix Baryton, Piano
4
Chorale SATTB
3
Voix Tenor
3
Chorale SSAATB
2
Chorale SATBB
2
Voix, Guitare
2
Voix Soprano
2
Voix Mezzo-Soprano, Piano
1
Chorale SSAB, Piano
1
+ 28 instrumentations
Retracter
Vents
Flûte traversière et Piano
172
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
137
Quatuor de Saxophones: 4 saxophones
136
Clarinette et Piano
133
Flûte traversière
126
Saxophone Alto et Piano
116
Flûte, Hautbois, Clarinette, Basson
114
Clarinette
98
Quatuor de Clarinettes: 4 clarinettes
96
Quatuor de Flûtes à bec
87
2 Saxophones (duo)
83
Flûte traversière, Orgue (duo)
77
Saxophone Tenor
77
Saxophone (partie séparée)
77
Hautbois, Piano (duo)
77
Saxophone Tenor et Piano
63
Saxophone et Orgue
63
Quintette de Saxophone: 5 saxophones
62
Saxophone Soprano et Piano
50
Saxophone Alto
48
Quatuor de Flûtes : 4 flûtes
46
Ensemble de Clarinettes
46
3 Saxophones (trio)
41
2 Flûtes traversières (duo)
39
3 Clarinettes (trio)
38
2 Clarinettes (duo)
38
Piccolo
33
Flûte à Bec
32
3 Flûtes à bec (trio)
32
Hautbois (partie séparée)
31
Flûte, Clarinette (duo)
30
Ensemble de Flûtes
28
Quintette de Clarinettes: 5 clarinettes
26
Clarinette, Orgue
25
Saxophone Baryton, Piano
25
Ensemble de saxophones
23
Clarinette (partie séparée)
22
Trio de Flûtes: 3 flûtes
21
Quintette de Flûte : 5 flûtes
19
Ocarina
17
Flute (partie séparée)
17
Cor anglais, Piano
17
Harmonica
14
Flûte à bec Soprano
13
Saxophone
12
Flûte à bec Alto
12
Saxophone, Clarinette (duo)
11
2 Flûte à bec (duo)
10
Hautbois, Orgue
10
Flûte, Violon
10
Clarinette Basse, Piano
9
Flûte, Hautbois, Clarinette (trio)
9
Hautbois, Basson (duo)
8
Flûte, Violon, Piano
8
Clarinette, Alto et Piano (trio)
7
Flûte et Guitare
7
Flûte, Hautbois, Basson
7
Clarinette, Violon (duo)
7
Clarinette, Trompette (duo)
6
2 Hautbois (duo)
6
Clarinette, Guitare (duo)
6
5 Flûtes à bec
6
Hautbois, Violoncelle et Piano
5
Hautbois, Violon, Piano
5
Flûte, Violoncelle, Piano (trio)
5
Instruments en Mib
5
Flûte, Saxophone (duo)
5
Flûte, Violoncelle
5
Cor Anglais
5
Saxophone Soprano
5
Clarinette, Violoncelle (duo)
4
Hautbois, Flûte
4
Clarinette, Harpe (duo)
4
Clarinette et Alto
4
Clarinette, Violoncelle, Piano (trio)
4
Hautbois et alto (duo)
4
Flûte, Alto (duo)
4
Hautbois, Harpe
4
Saxophone et Harpe
4
Clarinette, Basson (duo)
4
Hautbois, Clarinette (duo)
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Flûte, Trompette (duo)
3
Flûte, Alto et Piano
3
2 Clarinettes, Piano
3
Flûte à bec Tenor
2
Flûte, Clarinette et Basson
2
Hautbois, Violoncelle
2
Flûte, Clarinette, Piano (trio)
2
Flûte à bec Soprano, Piano
2
Clarinette, trompette et piano
1
Piccolo, Piano
1
Clarinette, Orchestre
1
Clarinette Basse
1
Cor anglais et Harpe (duo)
1
Ensemble de Hautbois
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
2 Flûtes traversières, Piano
1
Clarinette, Trombone (duo)
1
2 Clarinettes, Basson
1
Flûte, Basson et Piano
1
Hautbois, Basson et Piano
1
Flûte à bec Alto, Piano
1
Flute, harpe et violon
1
Flûte, Hautbois, Piano (trio)
1
Hautbois et Orchestre
1
2 Saxophones, Piano
1
Hautbois
1
Flûte, Clarinette, Violon (trio)
1
Flûte irlandaise
1
Flûte à bec, Guitare (duo)
1
Saxophone et Piano
1
2 Cors Anglais Et Pianoforte
1
Hautbois, Clarinette et Piano (Trio)
1
Flûte, Hautbois (duo)
1
Clarinette, Basson, Piano (trio)
1
+ 112 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
327
Quatuor de Cuivres : 2 trompettes, trombone, tuba
177
Trompette, Piano
161
Tuba et Orgue
157
2 Trompettes, Clavier (piano ou orgue)
141
Trompette
112
Trombone
93
Cor et Piano
91
Trombone et Piano
83
Trombone, Orgue
62
2 Trompettes (duo)
57
Quatuor de Cuivres: 2 trompettes, Cor, trombone
43
2 Trombones (duo)
37
Trompette (partie séparée)
37
Ensemble de Trombones
34
Quatuor de Cuivres
33
Cor
31
Trombone (partie séparée)
30
Tuba et Piano
27
Quatuor de cuivres: 4 trombones
26
Trompette, Cor (duo)
22
Euphonium, Piano (duo)
22
Cor et Orgue
21
Tuba
20
Cor anglais, Piano
17
2 Cors (duo)
15
Cor (partie séparée)
15
Quatuor de cuivres: 4 cors
14
Trompette, Trombone (duo)
14
3 Trombones (trio)
13
Ensemble de Trompettes
13
Bass Clef Instruments
12
Quatuor de cuivres: 2 trompettes, 2 trombones
9
3 Trompettes (trio)
8
Trompette, Saxophone (duo)
7
Instruments en Sib
5
Cor Anglais
5
Trompette, Violoncelle et Piano
4
2 Euphoniums et 2 Tubas
4
2 Tubas (duo)
4
Trombone, Tuba (duo)
4
Quatuor de cuivres: 4 trompettes
3
Cor et Harpe
3
Ensemble de Cors
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Euphonium
3
2 Euphoniums (duo)
3
Tuba (partie séparée)
3
Trombone, Violon (duo)
2
Trombone basse et Piano
2
4 Tubas
2
Trombone basse
2
Trio de Cuivres
2
Trompette, Harpe
2
Trompette, Tuba (duo)
1
Trombone, Cor (duo)
1
3 Cors (trio)
1
Cor anglais et Harpe (duo)
1
2 Trombones, Piano
1
Clarinette, Cor (duo)
1
3 Tubas (trio)
1
Trompette, Trombone, Piano
1
2 Cors Anglais Et Pianoforte
1
Trombone, violoncelle (duo)
1
+ 59 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
364
Violon et Piano
264
Violoncelle, Piano
157
Alto, Piano
139
Violon
139
Violon, Orgue
81
Violoncelle
80
Violoncelle, Orgue
68
Trio à Cordes: violon, alto, violoncelle
60
Violon, Violoncelle (duo)
58
Contrebasse, Piano (duo)
51
Harpe
47
Alto seul
41
2 Violons (duo)
41
Violon, Alto (duo)
33
2 Violoncelles (duo)
31
Alto (partie séparée)
26
Violon (partie séparée)
25
Contrebasse (partie séparée)
16
Alto, Orgue
16
2 Harpes (duo)
15
Piano Trio: Violon, Alto, Piano
14
2 Altos (duo)
14
Trio à Cordes: 2 violons, violoncelle
13
Quintette à cordes: 2 violons, alto, violoncelle, basse
12
Violoncelle (partie séparée)
12
Ensemble d'Altos
11
Ensemble de Violons
10
Contre Basse
9
Alto, Violoncelle (duo)
9
Harpe et Orgue
8
Harpe, Flûte (duo)
8
4 Violoncelles
8
Violon, Guitare (duo)
7
Harpe, Violon (duo)
6
Violon, Clarinette, Piano (trio)
6
Harpe (partie séparée)
5
Alto, Guitare (duo)
5
Trio à Cordes: 3 violoncelles
5
2 Violons, Piano
5
Violoncelle , Guitare (duo)
5
2 Altos, Piano
4
Harpe, Violoncelle (duo)
4
Violon, Trompette et Piano
4
Trio à cordes: 3 violins
4
2 Violoncelles, Piano
4
Trio à Cordes: 2 violons, alto
4
Harpe, Trombone (duo)
4
Trio à cordes: 3 altos
3
Violoncelle, Contrebasse (duo)
3
2 Contrebasses (duo)
2
Alto et Basson
2
Quatuor à cordes: 4 violons
2
Harpe, Voix
2
Alto et Harpe
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Flûte, Contrebasse (duo)
1
Quatuor à cordes : 4 altos
1
2 Violons et Basse continue
1
+ 54 instrumentations
Retracter
Orchestre & Percussions
Cloches
355
Orchestre d'harmonie
325
Orchestre
240
Orchestre à Cordes
229
Ensemble de cuivres
176
Orchestre de chambre
154
Ensemble Jazz
103
Jazz combo
41
Batterie
27
Fanfare
15
Marimba et Orgue
13
Percussion (partie séparée)
9
Vibraphone
5
Ensemble de Percussions
5
Marimba
4
Timbales (partie séparée)
3
Xylophone
3
Batterie (partie séparée)
3
Piano et Orchestre
2
Timbales
1
Big band
1
+ 16 instrumentations
Retracter
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HAUTBOIS
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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MANDOLINE
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Vous avez sélectionné:
Organ.
Quintette de Saxophone: 5 saxophones
Partitions à imprimer
62 partitions trouvées
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51
Mozart - Ave Verum Corpus (for Saxophone Quintet SATTB or AATTB and Optional Organ)
#
Quintette de Saxophone: 5 saxophones
#
FACILE
#
Classique
#
Wolfgang Amadeus Mozart
#
Kenneth Abeling
#
Mozart - Ave Verum Corpus
#
LINCOLN MUSIC PUBLICATIONS
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble - Level 2 - SKU: A0.515050 Composed by Wolfgang Amadeus Mozart. Arranged by Kenneth Abeling. Classical,Sacred,Weddin...
(+)
Saxophone Quintet,Woodwind Ensemble - Level 2 - SKU: A0.515050 Composed by Wolfgang Amadeus Mozart. Arranged by Kenneth Abeling. Classical,Sacred,Wedding. 13 pages. LINCOLN MUSIC PUBLICATIONS #4627593. Published by LINCOLN MUSIC PUBLICATIONS (A0.515050). Ave Verum Corpus (Hail, true body) transcribed for Saxophone Quintet with optional Organ by Kenneth Abeling. Ave Verum Corpus is considered to be one of the most beautiful classical compositions ever written and certainly one of Mozart’s most memorable. This is a rather easy arrangement, performable with the Organ (or not cues added) and suitable for various religious or sacred events including Weddings. Playing time: 2:15 To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com
$13.99
Bach - Fugue in G minor - “Little Organ Fugue” (for Saxophone Quintet SATTB)
#
Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Kenneth Abeling
#
Bach - Fugue in G minor - &ldq
#
LINCOLN MUSIC PUBLICATIONS
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble - Level 4 - SKU: A0.514069 Composed by Johann Sebastian Bach. Arranged by Kenneth Abeling. Baroque,Classical. 18 pag...
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Saxophone Quintet,Woodwind Ensemble - Level 4 - SKU: A0.514069 Composed by Johann Sebastian Bach. Arranged by Kenneth Abeling. Baroque,Classical. 18 pages. LINCOLN MUSIC PUBLICATIONS #3022451. Published by LINCOLN MUSIC PUBLICATIONS (A0.514069). Fugue in G minor or “The Little Organ Fugue is one of Johann Sebastian Bach’s most popular fugues, transcribed here for Saxophone Quintet. This transcription is both fun to play and challenging, is best suited for an advanced ensemble, and is appropriate for both secular and religious settings. Playing time: 3:00
$11.99
Lift Up Your Heads, O Ye Gates - from Messiah (for Saxophone Quintet SATTB or AATTB & optional Organ
#
Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE
#
Classique
#
George Frideric Handel
#
Kenneth Abeling
#
Lift Up Your Heads, O Ye Gates
#
LINCOLN MUSIC PUBLICATIONS
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble - Level 3 - SKU: A0.515285 Composed by George Frideric Handel. Arranged by Kenneth Abeling. Baroque,Easter,Sacred. 2...
(+)
Saxophone Quintet,Woodwind Ensemble - Level 3 - SKU: A0.515285 Composed by George Frideric Handel. Arranged by Kenneth Abeling. Baroque,Easter,Sacred. 25 pages. LINCOLN MUSIC PUBLICATIONS #6248223. Published by LINCOLN MUSIC PUBLICATIONS (A0.515285). Lift Up Your Heads, O Ye Gates - from Messiah by George Frideric Handel transcribed for Saxophone Quintet. This is an Intermediate level work from Part II of Handel’s Messiah and appropriate for Easter as well as many other Religious Services. The Organ part while optional, enhances the arrangement. Playing Time approximately 3:15. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com/
$13.99
Breden Väg För Herran (Prepare the Royal Highway) (for Saxophone Quintet & optional Organ)
#
Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Frans Mikael Franzen
#
Kenneth Abeling
#
Breden Väg För Herra
#
LINCOLN MUSIC PUBLICATIONS
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble - Level 4 - SKU: A0.514575 Composed by Frans Mikael Franzen. Arranged by Kenneth Abeling. Baroque,Religious,Sacred. ...
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Saxophone Quintet,Woodwind Ensemble - Level 4 - SKU: A0.514575 Composed by Frans Mikael Franzen. Arranged by Kenneth Abeling. Baroque,Religious,Sacred. 23 pages. LINCOLN MUSIC PUBLICATIONS #3435817. Published by LINCOLN MUSIC PUBLICATIONS (A0.514575). “Breden Väg För Herran†by Finish composer Frans Mikael Franzen arranged here for Saxophone Quintet. This hymn is the basis for and can be used for instrumental versions of “Prepare the Royal Highwayâ€, “Prepare the Way to Zion†and “The People Who in Darkness Walkedâ€. This piece has several performance applications throughout a traditional Christian worship service particularly during Advent. The Organ part is optional but adds a nice touch if available. To view and listen to this piece IN ITS ENTIRETY as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com. Playing Time: 2:35
$14.99
Let All the Angels of God Worship Him (for Saxophone Quintet SATTB or AATTB & optional Organ)
#
Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE
#
Classique
#
George Frideric Handel
#
Kenneth Abeling
#
Let All the Angels of God Wors
#
LINCOLN MUSIC PUBLICATIONS
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble - Level 3 - SKU: A0.515299 Composed by George Frideric Handel. Arranged by Kenneth Abeling. Baroque,Easter,Sacred. 1...
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Saxophone Quintet,Woodwind Ensemble - Level 3 - SKU: A0.515299 Composed by George Frideric Handel. Arranged by Kenneth Abeling. Baroque,Easter,Sacred. 14 pages. LINCOLN MUSIC PUBLICATIONS #6248387. Published by LINCOLN MUSIC PUBLICATIONS (A0.515299). Let All the Angels of God Worship - from Messiah by George Frideric Handel transcribed for Saxophone Quintet. This is an Intermediate level work from Part II of Handel’s Messiah and appropriate for Easter as well as many other Religious Services. The Organ part while optional, enhances the arrangement. Playing Time approximately 1:35 without the repeat and 3:05 with. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com/
$11.99
All We Like Sheep Have Gone Astray (for Saxophone Quintet SATTB or AATTB & optional Organ)
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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George Frideric Handel
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Kenneth Abeling
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All We Like Sheep Have Gone As
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble - Level 4 - SKU: A0.515278 Composed by George Frideric Handel. Arranged by Kenneth Abeling. Baroque,Easter,Sacred. 2...
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Saxophone Quintet,Woodwind Ensemble - Level 4 - SKU: A0.515278 Composed by George Frideric Handel. Arranged by Kenneth Abeling. Baroque,Easter,Sacred. 29 pages. LINCOLN MUSIC PUBLICATIONS #6248051. Published by LINCOLN MUSIC PUBLICATIONS (A0.515278). All We Like Sheep Have Gone Astray - from Messiah by George Frideric Handel transcribed for Saxophone Quintet. This is an advanced Intermediate level work from Part II of Handel’s Messiah and appropriate for Easter as well as many other Religious Services. The Organ part while optional, enhances the arrangement. Playing Time approximately 4:30. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com/
$13.99
40 Beloved Christian Hymns Volume I (for Saxophone Quintet & Optional Organ)
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Quintette de Saxophone: 5 saxophones
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FACILE
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Musique Sacrée
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Various
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40 Beloved Christian Hymns Vol
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Composed by Various. Arranged by Kenneth Abeling. Christmas, Easter, Religious, Sacred. 165 pages. LINCOLN MUSIC PUBLICATIONS #707354. Published by LI...
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Composed by Various. Arranged by Kenneth Abeling. Christmas, Easter, Religious, Sacred. 165 pages. LINCOLN MUSIC PUBLICATIONS #707354. Published by LINCOLN MUSIC PUBLICATIONS
$28.99
40 Beloved Christian Hymns Volume II (for Saxophone Quintet SATTB or AATTB and optional Organ)
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Quintette de Saxophone: 5 saxophones
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FACILE
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Musique Sacrée
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Various
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40 Beloved Christian Hymns Vol
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LINCOLN MUSIC PUBLICATIONS
#
SheetMusicPlus
Composed by Various. Arranged by Kenneth Abeling. Christmas, Easter, Religious, Sacred. 171 pages. LINCOLN MUSIC PUBLICATIONS #707365. Published by LI...
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Composed by Various. Arranged by Kenneth Abeling. Christmas, Easter, Religious, Sacred. 171 pages. LINCOLN MUSIC PUBLICATIONS #707365. Published by LINCOLN MUSIC PUBLICATIONS
$28.99
Silent Night (Bb) (Saxophone Quintet - 2 Alto, 3 Tenor)
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
#
Noël
#
the 1840's, the song was well
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Franz Xaver Gruber
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Regis Bookshar
#
Silent Night
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Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Tenor Saxophone - Level 3 - SKU: A0.813971 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Tenor Saxophone - Level 3 - SKU: A0.813971 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Instructional,Multicultural,World. 7 pages. Regis Bookshar #6635861. Published by Regis Bookshar (A0.813971). Saxophone Quintet - Intermediate - . This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Saxophone Quintet, consisting of 2 Alto Saxophones and 3 Tenor Saxophones, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$5.00
Silent Night (Bb) (Tenor Saxophone Quintet)
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Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE
#
Noël
#
the 1840's, the song was well
#
Franz Xaver Gruber
#
Regis Bookshar
#
Silent Night
#
Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 3 - SKU: A0.813973 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Ins...
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Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 3 - SKU: A0.813973 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. 7 pages. Regis Bookshar #6635871. Published by Regis Bookshar (A0.813973). Tenor Saxophone Quintet - Intermediate - . This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Tenor Saxophone Quintet, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$5.00
Silent Night (Bb) (Alto Saxophone Quintet)
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Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE
#
Noël
#
the 1840's, the song was well
#
Franz Xaver Gruber
#
Regis Bookshar
#
Silent Night
#
Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 3 - SKU: A0.813959 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Inst...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 3 - SKU: A0.813959 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. 7 pages. Regis Bookshar #6632957. Published by Regis Bookshar (A0.813959). Alto Saxophone Quintet - Intermediate - . This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for an Alto Saxophone Quintet, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$5.00
Silent Night (Bb) (Saxophone Quintet - 2 Alto, 2 Tenor, 1 Bari)
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Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE
#
Noël
#
the 1840's, the song was well
#
Franz Xaver Gruber
#
Regis Bookshar
#
Silent Night
#
Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.813969 Composed by Franz Xaver Gruber. Arrange...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.813969 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. 7 pages. Regis Bookshar #6635859. Published by Regis Bookshar (A0.813969). Saxophone Quintet - Intermediate - . This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Saxophone Quintet, consisting of 2 Alto Saxophones, 2 Tenor Saxophones and 1 Baritone Saxophone, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$5.00
Three selections based on "Christ lag in Todesbanden" (Saxophone Quintet - 1 Sop, 1 Alto, ...)
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Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Regis Bookshar
#
Three selections based on &quo
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Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1254343 Composed by Johann S...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1254343 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 29 pages. Regis Bookshar #847423. Published by Regis Bookshar (A0.1254343). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - Saxophone Quintet (1 Sop, 1 Alto, 2 Tenors, 1 Bari) - Adavanced/Intermediate - .Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement gets more complex that the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.  4.This arrangement is for a Saxophone Quintet, consisting of 1 Soprano Saxophone, 1 Alto Saxophone, 2 Tenor Saxophones and 1 Baritone Saxophone. Included are a score and a complete set of parts (29 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00
Three selections based on "Christ lag in Todesbanden" (Tenor Saxophone Quintet)
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Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Regis Bookshar
#
Three selections based on &quo
#
Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 4 - SKU: A0.1257387 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,C...
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Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 4 - SKU: A0.1257387 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 29 pages. Regis Bookshar #850718. Published by Regis Bookshar (A0.1257387). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - Tenor Saxophone Quintet - Advanced/Intermediate - .Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement gets more complex that the previous one. This first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.  4.This arrangement is for a Tenor Saxophone Quintet. Included are a score and a complete set of parts (29 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. Ithink you will be pleased with what you may find.
$30.00
Three selections based on "Christ lag in Todesbanden" (Alto Saxophone Quintet)
#
Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Regis Bookshar
#
Three selections based on &quo
#
Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 4 - SKU: A0.1245666 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Ch...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 4 - SKU: A0.1245666 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 30 pages. Regis Bookshar #840503. Published by Regis Bookshar (A0.1245666). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - Alto Saxophone Quintet - Advanced/Intermediate - .Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement is more complex than the previous one.. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straightforward four-part setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.  4.This arrangement is for an Alto Saxophone Quintet. Included are a score and a complete set of parts (30 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00
Three selections based on "Christ lag in Todesbanden" (Saxophone Quintet - 2 Alto, 2 Tenor, 1 Bari)
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Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Regis Bookshar
#
Three selections based on &quo
#
Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1254358 Composed by Johann Sebastian Bach. Arr...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1254358 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 29 pages. Regis Bookshar #847925. Published by Regis Bookshar (A0.1254358). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - Saxophone Quintet (2 Altos, 2 Tenors, 1 Bari) - Adsvanced/Intermediate - .Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 6215. They may be played individually or as a trilogy and each movement gets more complex than the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.  4.This arrangement is for a Saxophone Quintet, consisting of 2 Alto Saxophones, 2 Tenor Saxophone and 1 Baritone Saxophone. Included are a score and a complete set of parts (29 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00
Three selections based on "Christ lag in Todesbanden" (Saxophone Quintet - 3 Alto, 2 Tenor)
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Regis Bookshar
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Three selections based on &quo
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Regis Bookshar
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1255318 Composed by Johann Sebastian Bach. Arranged by Regis Book...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1255318 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 29 pages. Regis Bookshar #848835. Published by Regis Bookshar (A0.1255318). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - Saxophone Quintet (3 Altos, 2 Tenors) - Advanced/Intermediate - .Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement gets more complex that the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1718 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in in the middle of his Cantata No.  4.This arrangement is for a Saxophone Quintet, consisting of 3 Alto Saxophones and 2 Tenor Saxophones. Included are a score and a complete set of parts (29 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00
Three selections based on "Christ lag in Todesbanden" (Saxophone Quintet - 2 Alto, 3 Tenor)
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Regis Bookshar
#
Three selections based on &quo
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Regis Bookshar
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1254362 Composed by Johann Sebastian Bach. Arranged by Regis Book...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1254362 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 29 pages. Regis Bookshar #847934. Published by Regis Bookshar (A0.1254362). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - Saxophone Quintet (2 Altos, 3 Tenors) - .Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and the music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement gets more complex than the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straighforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen) (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.  4.This arrangement is for a Saxophone Quintet, consisting of 2 Alto Saxophones and 3 Tenor Saxophones. Included are a score and a complete set of parts (29 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00
Three selections based on "Christ lag in Todesbanden" (Saxophone Quintet - 1 Sop, 2 Alto, ...)
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Regis Bookshar
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Three selections based on &quo
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Regis Bookshar
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1254344 Composed by Johann S...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1254344 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 28 pages. Regis Bookshar #847633. Published by Regis Bookshar (A0.1254344). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian bach - Saxophone Quintet (1 Sop, 2 Alto, 1 Tenor, 1 Bari) - Advanced/Intermediate - .Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bond) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement gets more complex than the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen) (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.  4.This arrangement is for a Saxophone Quintet, consisting of 1 Soprano Saxophone, 2 Alto Saxophones, 1 Tenor Saxophone and 1 Baritone Saxophone. Included are a score and a complete set of parts (28 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00
Three selections based on "Christ lag in Todesbanden" (Saxophone Quintet - 3 Alto, 1 Tenor, 1 Bari)
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Regis Bookshar
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Three selections based on &quo
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Regis Bookshar
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1255304 Composed by Johann Sebastian Bach. Arr...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1255304 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 29 pages. Regis Bookshar #848817. Published by Regis Bookshar (A0.1255304). Three selections based on Christ lag in Todsesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - Saxophone Quintet (3 Altos, 1 Tenor, 1 Baritone) - Advanced /Intermediate - .Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement gets more complex that the previous one. The first selection in this trology is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen) (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.  4.This arrangement is for a Saxophone Quintet, consisting of 3 Alto Saxophones, 1 Tenor Saxophone and 1 Baritone Saxophone. Included are a score and a complete set of parts (29 Pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00
Fantasia In F, K. 594
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Robert Stevens
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Fantasia In F, K. 594
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SAXpress.com
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1420092 Composed by Wolfgang...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1420092 Composed by Wolfgang Amadeus Mozart. Arranged by Robert Stevens. Chamber,Classical. 40 pages. SAXpress.com #1001523. Published by SAXpress.com (A0.1420092). Fantasia In F, K. 594 by Mozart, arranged for Saxophone Quintet SAATB or SSATB. Although originally intended for clockwork organ, this piece is also well known in arrangements for duo pianos, string quartet, orchestra, and woodwind quintet. This arrangment is for SAATB or SSATB saxophone quintet.This amazing work was composed in the last year of Mozart's life to fulfil an unusual commission. A wealthy Viennese aristocrat, Joseph Deym von Strzitez, owned several mechanical organs (also called musical clocks). One of these was in a public exhibit dedicated to the memory of a military hero. Deym wanted new music every week for his exhibit. This Fantasia In F, K. 594 is the first of three works Mozart composed especially for it.Mozart's original title is Adagio and Allegro for Mechanical Organ. Although dissatisfied with the timbre of the instrument, Mozart was plesed to have Deym's money. The music itself exceeded all expectations. One newspaper reported: Every hour one hears a suitable music which the unforgettable composer Mozart wrote especially for it. It surpasses in precision and clarity everything which was ever attempted or designed for this kind of artistic product. Fantasia In F begins and concludes with an adagio in F minor with slow moving chords and a gently descending, weeping melody line. The middle section is in F major and features trumpet calls and flashy counterpoint. All players will be well occupied with this piece.This arrangement for saxophone quintet is in the original keys of F minor and F major. The Alto Sax 1 part has long sections of 16th note passage work and requires great flexibility on the palm keys. The Soprano Sax 2 (Alto 1 sub) makes those sections much easier. An ideal solution would be to have the alto 1 player switch to soprano sax for the middle section.T.
$24.95
Bach: Toccata and Fugue, BWV 565 for Saxophone Quintet
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James M
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Bach: Toccata and Fugue, BWV 5
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jmsgu3
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1474154 Compo...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1474154 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Halloween,Historic,Standards. 49 pages. Jmsgu3 #1051783. Published by jmsgu3 (A0.1474154). The Toccata and Fugue in D Minor, BWV 565, is one of Johann Sebastian Bach's most famous organ compositions. It follows a typical North German structure with three main sections - a free opening (toccata), a fugal section (fugue), and a short free closing section. The exact date of composition is uncertain, but it's believed to have been written before 1708. There is no surviving autograph manuscript. The oldest known source is an undated copy by Johannes Ringk, a student of one of Bach's pupils. It was first published in 1833 through the efforts of composer Felix Mendelssohn during the early Bach Revival period. It gained widespread recognition after being featured in Disney's 1940 film Fantasia, which Leopold Stokowski adapted for orchestra. The piece has become strongly associated with horror films and Gothic imagery in Western culture. The Toccata begins with dramatic flourishes and arpeggios, showcasing the organist's virtuosity. The fugue is characterized by overlapping repetitions of the central theme in different melodic lines. It employs simple triadic harmony but includes some unexpected elements, such as a C minor subject entry and a solo pedal statement.
$49.95
Handel - And With His Stripes We Are Healed (from Messiah) (for Saxophone Quintet SATTB or AATTB & o
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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George Frideric Handel
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Kenneth Abeling
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Handel - And With His Stripes
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble - Level 4 - SKU: A0.514554 Composed by George Frideric Handel. Arranged by Kenneth Abeling. Baroque,Easter. 17 pages...
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Saxophone Quintet,Woodwind Ensemble - Level 4 - SKU: A0.514554 Composed by George Frideric Handel. Arranged by Kenneth Abeling. Baroque,Easter. 17 pages. LINCOLN MUSIC PUBLICATIONS #3421159. Published by LINCOLN MUSIC PUBLICATIONS (A0.514554). And With His Stripes We Are Healed from George Fredrick Handel’s Messiah, transcribed for Saxophone Quintet. This is an advanced intermediate transcription from Part II of Handel’s Messiah and appropriate for sacred Easter events. The organ part is completely optional but will enhance the transcription if available in a church setting and employ an organist! To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com. Playing time: 2:05
$13.99
Handel - Behold the Lamb of God (from Messiah) (for Saxophone Quintet SATTB or AATTB & optional Orga
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Quintette de Saxophone: 5 saxophones
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Classique
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George Frideric Handel
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Kenneth Abeling
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Handel - Behold the Lamb of Go
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble - SKU: A0.514561 Composed by George Frideric Handel. Arranged by Kenneth Abeling. Baroque,Easter. 13 pages. LINCOLN ...
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Saxophone Quintet,Woodwind Ensemble - SKU: A0.514561 Composed by George Frideric Handel. Arranged by Kenneth Abeling. Baroque,Easter. 13 pages. LINCOLN MUSIC PUBLICATIONS #3421187. Published by LINCOLN MUSIC PUBLICATIONS (A0.514561). Behold the Lamb of God from George Fredrick Handel’s Messiah, transcribed for Saxophone Quintet. This is an advanced intermediate transcription from Part II of Handel’s Messiah and appropriate for sacred Easter events. The organ part is completely optional but will enhance the transcription if available in a church setting and employ an organist! To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com. Playing time: 2:40
$13.99
Thou Wilt Keep Him in Perfect Peace (for Saxophone Quintet SATTB or AATTB)
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
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Samuel Sebastian Wesley
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Kenneth Abeling
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Thou Wilt Keep Him in Perfect
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble - Level 3 - SKU: A0.1293539 Composed by Samuel Sebastian Wesley. Arranged by Kenneth Abeling. Classical,Sacred. 13 p...
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Saxophone Quintet,Woodwind Ensemble - Level 3 - SKU: A0.1293539 Composed by Samuel Sebastian Wesley. Arranged by Kenneth Abeling. Classical,Sacred. 13 pages. LINCOLN MUSIC PUBLICATIONS #884028. Published by LINCOLN MUSIC PUBLICATIONS (A0.1293539). Thou Wilt Keep Him in Perfect Peace by Samuel Sebastian Wesley, or S. S. Wesley transcribed for Saxophnone Quintet. This is intermediate level transcription of what is perhaps the organist and composer’s most popular and beautiful Anthems/Hymns. The organ part is optional but a nice addition if available. The playing time is approximately 3:30. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com/.
$13.99
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