Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Scale
Non classifié
1 309
Piano & claviers
Piano seul
1 018
Piano Facile
327
Piano, Voix
106
Accompagnement Piano
49
Piano, Voix et Guitare
39
Instruments en Do
33
1 Piano, 4 mains
25
Orgue
20
Piano Trio: piano, violon, violoncelle
8
Accordéon
7
Piano grosses notes
5
Piano Quatuor: piano, violon, alto, violoncelle
5
Clavecin
4
1 Piano, 6 mains
4
2 Pianos, 4 mains
3
Orgue, Piano (duo)
2
Tous Les Instruments
1
Piano (partie séparée)
1
+ 13 instrumentations
Retracter
Guitares
Guitare notes et tablatures
1 207
Guitare
167
Basse electrique
119
Ukulele
23
Mandoline
16
2 Guitares (duo)
11
Banjo
8
Ensemble de guitares
5
Ligne De Mélodie, (Paroles) et Accords
4
3 Guitares (trio)
4
Dulcimer
4
Piano, Guitare (duo)
3
4 Guitares (Quatuor)
3
Guitare (partie séparée)
2
Dobro
1
Ukulele Baryton
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
95
Chorale Unison
24
Chorale 3 parties
12
Chorale TTBB
11
Chorale 2 parties
8
Pack Instrumental pour Chorale
5
Voix Alto, Piano
3
Chorale
3
Chorale SSAA
3
Voix seule
3
Voix basse, Piano
2
Voix haute
2
Chorale SSAATTBB
2
Voix duo, Piano
1
+ 9 instrumentations
Retracter
Vents
Clarinette
188
Flûte traversière
178
Flûte à Bec
135
Hautbois
132
Saxophone
103
Saxophone Alto
49
Flûte traversière et Piano
41
Saxophone Tenor
30
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
29
Quatuor de Clarinettes: 4 clarinettes
28
Clarinette et Piano
22
Quatuor de Saxophones: 4 saxophones
21
Harmonica
19
2 Flûtes traversières (duo)
19
Flûte, Hautbois, Clarinette, Basson
17
Clarinette, Trompette (duo)
15
Saxophone Alto et Piano
15
Hautbois, Piano (duo)
15
Saxophone (partie séparée)
14
2 Saxophones (duo)
14
Ensemble de Clarinettes
12
2 Clarinettes (duo)
11
3 Clarinettes (trio)
10
Quintette de Saxophone: 5 saxophones
9
3 Saxophones (trio)
9
Quatuor de Flûtes : 4 flûtes
8
Saxophone Tenor et Piano
8
Hautbois (partie séparée)
8
Saxophone Soprano et Piano
6
Flûte, Clarinette (duo)
5
Flûte à bec Soprano
5
Trio de Flûtes: 3 flûtes
5
2 Hautbois (duo)
5
2 Flûte à bec (duo)
4
Hautbois, Basson (duo)
4
Hautbois, Clarinette (duo)
4
Ensemble de Flûtes
4
Ocarina
4
Quintette de Flûte : 5 flûtes
4
Quatuor de Flûtes à bec
4
Quintette de Clarinettes: 5 clarinettes
4
Flûte à bec Alto
3
Flûte, Saxophone (duo)
3
Flûte, Violon
3
Saxophone, Clarinette (duo)
3
Clarinette (partie séparée)
3
Clarinette, Violon (duo)
3
Ensemble à vent
3
Hautbois, Flûte
3
Flûte et Guitare
3
Clarinette, Violoncelle (duo)
3
Ensemble de saxophones
3
Flûte, Hautbois (duo)
2
Saxophone, Violon (duo)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Saxophone Baryton, Piano
2
Cor anglais, Piano
2
Clarinette Basse
2
Instruments en Mib
2
Flûte, Alto (duo)
2
Cor Anglais
2
Flûte, Trompette (duo)
2
Clarinette, Contrebasse (duo)
2
Piccolo
2
Clarinette Basse, Piano
2
Saxophone Soprano
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte de Pan
1
Flute (partie séparée)
1
Flûte, Tuba (duo)
1
Clarinette et Alto
1
2 Clarinettes, Basson
1
Clarinette, Basson (duo)
1
Cor anglais et Harpe (duo)
1
Hautbois, Violoncelle
1
Flûte, Clarinette, Piano (trio)
1
Flûte irlandaise
1
Hautbois, violon (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
2 Cors Anglais Et Pianoforte
1
+ 75 instrumentations
Retracter
Cuivres
Trompette
58
Trombone
40
Cor
27
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
24
Trompette, Saxophone (duo)
16
Quatuor de Cuivres : 2 trompettes, trombone, tuba
12
Trombone (partie séparée)
12
Trombone et Piano
12
Cor et Piano
10
Trompette (partie séparée)
10
Tuba
9
Trompette, Piano
9
Ensemble de Trombones
7
Ensemble de Trompettes
5
Bass Clef Instruments
5
2 Tubas (duo)
5
Quatuor de Cuivres
4
2 Cors (duo)
4
2 Trombones (duo)
4
Tuba et Piano
3
Euphonium, Tuba (duo)
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Euphonium
3
2 Trompettes (duo)
3
2 Euphoniums (duo)
2
Cor anglais, Piano
2
Trompette, Violoncelle (duo)
2
Cor Anglais
2
3 Trombones (trio)
2
Instruments en Sib
2
Cor (partie séparée)
2
Trompette, violon (duo)
2
Euphonium, Piano (duo)
1
Trombone basse et Piano
1
Cor, Violoncelle (duo)
1
2 Euphoniums et 2 Tubas
1
Tuba (partie séparée)
1
Trombone basse
1
Quatuor de cuivres: 4 trombones
1
Cor anglais et Harpe (duo)
1
2 Cors Anglais Et Pianoforte
1
Trio de Cuivres
1
Trompette, Trombone (duo)
1
3 Trompettes (trio)
1
+ 39 instrumentations
Retracter
Cordes
Violon
427
Violoncelle
374
Alto seul
329
Violon et Piano
79
Quatuor à cordes: 2 violons, alto, violoncelle
77
Contre Basse
71
Harpe
63
Alto, Piano
21
Violoncelle, Piano
14
Violon (partie séparée)
14
Alto (partie séparée)
13
Trio à Cordes: violon, alto, violoncelle
13
2 Violons (duo)
11
Contrebasse (partie séparée)
7
Contrebasse, Piano (duo)
6
Violoncelle (partie séparée)
6
Violon, Violoncelle (duo)
6
2 Altos (duo)
5
2 Harpes (duo)
4
2 Violoncelles (duo)
4
Violon, Alto (duo)
3
Alto, Violoncelle (duo)
2
Trio à Cordes: 3 violoncelles
2
4 Violoncelles
2
Flûte, Contrebasse (duo)
2
Ensemble de Violons
2
Harpe, Flûte (duo)
2
Trio à cordes: 3 violins
2
Piano Trio: Violon, Alto, Piano
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violoncelle , Guitare (duo)
1
Violoncelle, Contrebasse (duo)
1
Violoncelle, Orgue
1
Violon, Basson (duo)
1
Harpe, Voix
1
4 Contrebasses
1
2 Contrebasses (duo)
1
+ 32 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
324
Orchestre à Cordes
123
Orchestre
73
Ensemble Jazz
67
Ensemble de cuivres
27
Orchestre de chambre
22
Cloches
12
Jazz combo
8
Ensemble de Percussions
8
Fanfare
5
Vibraphone
4
Percussion
3
Marimba
2
Ensemble d'École
2
Batterie (partie séparée)
2
Xylophone
2
Piano et Orchestre
1
2 Marimbas
1
Batterie
1
+ 14 instrumentations
Retracter
Autres
Théorie de la musique
9
Formation musicale - Solfège
3
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
0
Partitions Numériques
9
Librairie Musicale
0
Matériel de Musique
12 992
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Scale
Quintette de Saxophone: 5 saxophones
Partitions à imprimer
9 partitions trouvées
<
1
Deep Purple
#
Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE
#
Nino Tempo & April Stevens
#
Davi Rocha Campos
#
Deep Purple
#
Davi Rocha Campos
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1374565 By Nino Tempo & Apri...
(+)
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1374565 By Nino Tempo & April Stevens. By Mitchell Parish and Peter De Rose. Arranged by Davi Rocha Campos. Broadway,Film/TV,Historic,Instructional,Jazz,Musical/Show. 9 pages. Davi Rocha Campos #959120. Published by Davi Rocha Campos (A0.1374565). A nice arrangement for the song Deep Purple chromatic scale for sax quintet.
$12.99
Deep Purple
#
Quintette de Saxophone: 5 saxophones
#
FACILE
#
Nino Tempo & April Stevens
#
Davi Rocha Campos
#
Deep Purple
#
Davi Rocha Campos
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1374582 By Nino Tempo & Apri...
(+)
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1374582 By Nino Tempo & April Stevens. By Mitchell Parish and Peter De Rose. Arranged by Davi Rocha Campos. Broadway,Film/TV,Historic,Instructional,Jazz,Musical/Show. 10 pages. Davi Rocha Campos #959138. Published by Davi Rocha Campos (A0.1374582). A nice arrangement for the song Deep Purple chromatic scale for sax quintet.
$12.99
Largo (from "Symphony No. 9") ("From the New World") (Db) (Saxophone Quintet - 2 Alto, 2 Tenor, 1 Ba
#
Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE
#
Classique
#
Musique Sacrée
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.813832 Composed by Antonin Dvorak. Arranged by...
(+)
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.813832 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 19 pages. Regis Bookshar #6533927. Published by Regis Bookshar (A0.813832). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Saxophone Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (19 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Saxophone Quintet, consisting of 2 Alto Saxophones, 2 Tenor Saxophones and 1 Baritone Saxophone, he has made quite a few other arrangements.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Tenor Saxophone Quintet)
#
Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE
#
Classique
#
Musique Sacrée
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 3 - SKU: A0.813836 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk...
(+)
Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 3 - SKU: A0.813836 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 19 pages. Regis Bookshar #6533941. Published by Regis Bookshar (A0.813836). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Tenor Saxophone Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (19 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Tenor Saxophone Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Alto Saxophone Quintet)
#
Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE
#
Classique
#
Musique Sacrée
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 3 - SKU: A0.813820 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,...
(+)
Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 3 - SKU: A0.813820 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533331. Published by Regis Bookshar (A0.813820). Largo (from Symphony No. 9 in E minor) (From the New World) (Alto Saxophone Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for an Alto Saxophone Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety o.
$15.00
"Rejoice Greatly, o my Soul" for Saxophone Quintet
#
Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE
#
Louis Bourgeois
#
Cristiano Vecchi
#
"Rejoice Greatly, o my So
#
Cristiano Vecchi
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble - Level 3 - SKU: A0.963307 Composed by Louis Bourgeois. Arranged by Cristiano Vecchi. Contemporary,Instructional,Jaz...
(+)
Saxophone Quintet,Woodwind Ensemble - Level 3 - SKU: A0.963307 Composed by Louis Bourgeois. Arranged by Cristiano Vecchi. Contemporary,Instructional,Jazz,Sacred,Standards. 8 pages. Cristiano Vecchi #4742287. Published by Cristiano Vecchi (A0.963307). A completely brand new remake of this famous Choral, several times arranged by J.S.Bach.The musical language uses jazz chords and scales, but also takes the lesson from the Neo-Classical music (Stravinsky, Hindemith, Honegger, Milhaud). SCORE and PARTS for Saxophone Quintet (Soprano in Bb, Altos 1 & 2 in Eb, Tenor in Bb, Bariton in Eb).Also available for Brass Quintet, Flute Quintet, Woodwind Quintet and Clarinet Quintet.
$5.99
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
Scale 
