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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
T. for Two
Non classifié
653
Piano & claviers
Piano seul
263
Piano, Voix
93
Piano, Voix et Guitare
84
Piano Facile
55
2 Pianos, 4 mains
33
Instruments en Do
24
Orgue
17
1 Piano, 4 mains
12
Accompagnement Piano
6
Piano grosses notes
5
Accordéon
4
Piano (partie séparée)
4
2 Accordéons
2
Piano Trio: piano, violon, violoncelle
2
Orgue, Piano (duo)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 12 instrumentations
Retracter
Guitares
Guitare
36
Guitare notes et tablatures
29
Ukulele
18
Paroles et Accords
10
Guitare (partie séparée)
9
Basse electrique
8
2 Guitares (duo)
6
Ligne De Mélodie, (Paroles) et Accords
5
Piano, Guitare (duo)
4
Dulcimer
4
2 Dulcimers (duo)
2
Banjo
2
Mandoline
1
4 Guitares (Quatuor)
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
101
Chorale 2 parties
66
Voix seule
62
Chorale 3 parties
28
Chorale TTBB
18
Chorale Unison
17
Voix duo
10
Voix duo, Piano
9
Chorale SSAA
8
Voix Baryton, Piano
3
Voix Soprano, Piano
3
Voix moyenne, Piano
2
Chorale SSATTB
1
Voix Alto, Piano
1
Chorale
1
+ 10 instrumentations
Retracter
Vents
Flûte traversière
91
2 Clarinettes (duo)
70
2 Saxophones (duo)
59
2 Flûtes traversières (duo)
49
Clarinette et Piano
29
2 Hautbois (duo)
23
Flûte traversière et Piano
22
Saxophone (partie séparée)
21
Saxophone
21
Hautbois, Piano (duo)
18
Saxophone Tenor et Piano
18
Quatuor de Saxophones: 4 saxophones
16
Clarinette
15
Saxophone Alto et Piano
14
Flûte, Hautbois, Clarinette, Basson
14
Saxophone Soprano et Piano
14
Ensemble De Flûte à bec
11
Quintette de Saxophone: 5 saxophones
11
Flûte, Violon
11
Flûte, Clarinette (duo)
9
Flûte à Bec
9
2 Flûte à bec (duo)
9
Quatuor de Flûtes : 4 flûtes
9
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
9
Clarinette, Violon (duo)
8
Saxophone, Clarinette (duo)
8
Saxophone Tenor
8
Saxophone Baryton, Piano
7
Saxophone Alto
7
Hautbois (partie séparée)
6
Clarinette, Trompette (duo)
6
2 Cors Anglais Et Pianoforte
5
Cor anglais, Piano
5
Flûte, Alto (duo)
5
Flûte et Guitare
5
Quatuor de Clarinettes: 4 clarinettes
5
Flute (partie séparée)
5
Ensemble de Flûtes
5
Ensemble de Clarinettes
4
Hautbois
4
Clarinette (partie séparée)
4
Clarinette et Alto
4
Clarinette, Violoncelle (duo)
4
Clarinette Basse, Piano
4
Trio de Flûtes: 3 flûtes
4
Hautbois, Basson (duo)
3
Flûte, Saxophone (duo)
3
3 Clarinettes (trio)
3
Quintette de Flûte : 5 flûtes
3
Quatuor de Flûtes à bec
3
Clarinette, Guitare (duo)
3
Flûte à bec Soprano, Piano
2
Hautbois, Flûte
2
Flûte à bec Tenor
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte, Alto et Piano
2
Quintette de Clarinettes: 5 clarinettes
2
Hautbois, Clarinette (duo)
2
Flute, harpe et violon
2
3 Flûtes à bec (trio)
2
Hautbois, Guitare (duo)
1
Flûte à bec Alto
1
Flûte, Tuba (duo)
1
Cor Anglais
1
Clarinette, Basson (duo)
1
Flûte, Clarinette et Basson
1
Hautbois, Violoncelle
1
Piccolo, Piano
1
Flûte, Hautbois (duo)
1
Piccolo
1
Flûte, Violon et Violoncelle
1
Flûte à bec Soprano
1
Instruments en Mib
1
5 Flûtes à bec
1
Flûte traversière, Orgue (duo)
1
Flûte, Hautbois, Basson
1
Flûte à bec Alto, Piano
1
Flûte, Hautbois, Piano (trio)
1
+ 73 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
59
Trompette
30
Trombone (partie séparée)
28
Trombone et Piano
21
2 Trompettes (duo)
19
Trompette (partie séparée)
19
2 Trombones (duo)
19
Quatuor de Cuivres : 2 trompettes, trombone, tuba
16
Trompette, Piano
14
Trombone
10
Euphonium, Piano (duo)
9
Trompette, Trombone (duo)
9
Trompette, Saxophone (duo)
8
Cor
8
Cor et Piano
8
Tuba
8
2 Cors Anglais Et Pianoforte
5
Cor anglais, Piano
5
Ensemble de Trombones
5
Euphonium
4
Trompette, Cor (duo)
3
Quatuor de Cuivres
3
2 Cors (duo)
3
Cor (partie séparée)
3
Trio de Cuivres
2
Ensemble de Trompettes
2
Tuba et Piano
2
Tuba et Orgue
2
Tuba (partie séparée)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Cor Anglais
1
Trompette, Violoncelle (duo)
1
Instruments en Fa
1
Quatuor de cuivres: 4 trombones
1
2 Euphoniums (duo)
1
Instruments en Sib
1
2 Euphoniums et 2 Tubas
1
2 Trompettes, Clavier (piano ou orgue)
1
Bass Clef Instruments
1
Euphonium, Tuba (duo)
1
Trombone, Tuba (duo)
1
+ 36 instrumentations
Retracter
Cordes
Violon
332
Quatuor à cordes: 2 violons, alto, violoncelle
264
Violon, Violoncelle (duo)
235
Trio à Cordes: violon, alto, violoncelle
200
Quintette à cordes: 2 violons, alto, violoncelle, basse
82
2 Violons (duo)
68
Trio à Cordes: 2 violons, violoncelle
38
Violon, Alto (duo)
38
Violoncelle
34
Violon et Piano
33
2 Violoncelles (duo)
33
Harpe
25
Alto seul
23
2 Altos (duo)
18
2 Violons, Piano
15
Alto, Violoncelle (duo)
14
Violoncelle, Piano
14
Alto, Piano
12
Contrebasse (partie séparée)
8
Alto (partie séparée)
6
Violon (partie séparée)
4
Piano Trio: Violon, Alto, Piano
3
Trio à Cordes: 2 violons, alto
3
Violon, Basson (duo)
3
4 Violoncelles
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
3 Harpes
2
Contrebasse, Piano (duo)
2
5 Harpes
2
Ensemble de Violons
2
Contre Basse
2
Alto et Basson
1
Violoncelle , Guitare (duo)
1
2 Harpes (duo)
1
Violon, Basse continue
1
Harpe, Violon (duo)
1
Trio à Cordes: 3 violoncelles
1
Violon, Clarinette, Piano (trio)
1
Violoncelle, Contrebasse (duo)
1
4 Contrebasses
1
Violon, Guitare (duo)
1
+ 36 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
203
Orchestre à Cordes
130
Orchestre
52
Ensemble Jazz
45
Batterie
34
Ensemble de cuivres
16
Jazz combo
9
Orchestre de chambre
6
Batterie (partie séparée)
5
Cloches
5
Fanfare
3
2 Marimbas
3
Ensemble de Percussions
2
Xylophone, Piano
1
2 Xylophones
1
Marimba
1
Percussion (partie séparée)
1
Xylophone
1
+ 13 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
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Note4Piano
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SheetMusicPlus
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Vous avez sélectionné:
T. for Two
Quintette de Saxophone: 5 saxophones
Partitions à imprimer
11 partitions trouvées
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1
Don't Get Around Much Anymore
#
Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE
#
Jazz
#
Bob Russell and Duke Ellington
#
Keith Terrett
#
Don't Get Around Much Anymore
#
Keith Terrett
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.746864 Composed by Bob Russe...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.746864 Composed by Bob Russell and Duke Ellington. Arranged by Keith Terrett. Jazz. 8 pages. Keith Terrett #4784301. Published by Keith Terrett (A0.746864). Arranged for Saxophone Quintet, Don't Get Around Much Anymore is a jazz standard written by composer Duke Ellington. The song was originally entitled Never No Lament and was first recorded by Duke Ellington and his orchestra on May 4, 1940. Don't Get Around Much Anymore quickly became a hit after Bob Russell wrote its lyrics in 1942.Two different recordings of Don't Get Around Much Anymore, one by The Ink Spots and the other by Ellington's own band, reached No. 1 on the R&B chart in the US in 1943. Both were top-ten pop records, along with a version by Glen Gray. The Duke Ellington version reached No. 8 on the pop chart.For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$14.99
Midnight In Moscow
#
Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE
#
Kenny Ball
#
Thomas Graf
#
#
Midnight In Moscow
#
Thomas Graf - the-hit-factory.com
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.569535 Composed by Kenny Bal...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.569535 Composed by Kenny Ball. Arranged by Thomas Graf. Jazz,Pop. 21 pages. Thomas Graf - the-hit-factory.com #6385011. Published by Thomas Graf - the-hit-factory.com (A0.569535). The British jazz group Kenny Ball and his Jazzmen had a hit with the song in 1961 under the title Midnight in Moscow. This version peaked at number two on the UK Singles Chart in January 1962. Midnight in Moscow also reached number two on the U.S. Billboard Hot 100 chart in March that year- Have fun! Instrumentation: Part I (Soprano/Alto), Part II (Alto), Part III (Alto/Tenor), Part IV (Tenor), Part V(Baritone/Bass Sax) Listen to the video recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! .
$17.99
Largo (from "Symphony No. 9") ("From the New World") (Db) (Tenor Saxophone Quintet)
#
Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE
#
Classique
#
Musique Sacrée
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 3 - SKU: A0.813836 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk...
(+)
Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 3 - SKU: A0.813836 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 19 pages. Regis Bookshar #6533941. Published by Regis Bookshar (A0.813836). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Tenor Saxophone Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (19 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Tenor Saxophone Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Alto Saxophone Quintet)
#
Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE
#
Classique
#
Musique Sacrée
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 3 - SKU: A0.813820 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,...
(+)
Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 3 - SKU: A0.813820 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533331. Published by Regis Bookshar (A0.813820). Largo (from Symphony No. 9 in E minor) (From the New World) (Alto Saxophone Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for an Alto Saxophone Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety o.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Saxophone Quintet - 2 Alto, 2 Tenor, 1 Ba
#
Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE
#
Classique
#
Musique Sacrée
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
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Regis Bookshar
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.813832 Composed by Antonin Dvorak. Arranged by...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.813832 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 19 pages. Regis Bookshar #6533927. Published by Regis Bookshar (A0.813832). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Saxophone Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (19 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Saxophone Quintet, consisting of 2 Alto Saxophones, 2 Tenor Saxophones and 1 Baritone Saxophone, he has made quite a few other arrangements.
$15.00
Cold As Ice
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Quintette de Saxophone: 5 saxophones
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FACILE
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Foreigner
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Sean Sullivan
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Cold As Ice
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Sean Sullivan
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1272201 By Foreigner. By Lou...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1272201 By Foreigner. By Lou Gramm and Mick Jones. Arranged by Sean Sullivan. 20th Century,Pop,Rock. 19 pages. Sean Sullivan #864519. Published by Sean Sullivan (A0.1272201). Get ready to feel the chill as the iconic rock ballad Cold as Ice by Foreigner has been newly arranged for a saxophone quintet! This unique arrangement features the beautiful, soaring melody of the soprano sax, two powerful alto saxes, a soulful tenor sax, and the deep, resonating sound of the bari sax. With the quintet's perfect harmonies and tight ensemble playing, this rendition of Cold as Ice will transport your audience straight back to the heyday of 80s rock. This arrangement is a must-have. Don't miss out on experiencing the cool, epic journey of Cold as Ice..
$14.99
Recognition
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
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Contemporain
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John Philip Sousa
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Sean Sullivan
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Recognition
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Sean Sullivan
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1275907 By John Philip Sousa...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1275907 By John Philip Sousa. By John Philip Sousa. Arranged by Sean Sullivan. 19th Century,March,Romantic Period. 20 pages. Sean Sullivan #867683. Published by Sean Sullivan (A0.1275907). This exhilarating arrangement of Recognition by John Philip Sousa will have your toes tapping and your heart racing from start to finish! Written specifically for saxophone quintet, featuring the sounds of soprano, two alto, tenor, and baritone sax, this piece is an explosion of energy, showcasing the virtuosity and range of the dynamic saxophone ensemble. You won't be disappointed with the thrilling rendition of one of Sousa's most popular marches. Get ready to be wowed by this powerful and electrifying performance!
$14.99
Saxophone Quintet - I saw Three Ships
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Noël
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the 3rd iteration of the tune
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Traditional
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Mike Lyons
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Saxophone Quintet - I saw Thre
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Lyons Music Services
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 4 - SKU: A0.767479 Composed by Traditional. Arranged by Mi...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 4 - SKU: A0.767479 Composed by Traditional. Arranged by Mike Lyons. Christmas. 23 pages. Lyons Music Services #4730805. Published by Lyons Music Services (A0.767479). This is a brand new arrangement of the well-known carol for 2018. The Alto 1 doesn't always have the tune, in fact the 1st tenor starts after the intro, followed by the other instruments in turn. By the 3rd iteration of the tune I decided to change key and to begin to incorporate other tunes. It's not really a medley, though. The obbligato parts are all original. The two other tunes you might spot are In Dulci Jubilo and O Come All Ye Faithful A fun addition to your Christmas repertoire.
$10.99
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T. for Two
