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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Traditional American
Non classifié
1 296
Piano & claviers
Piano seul
880
Piano Facile
630
Piano, Voix
461
Piano, Voix et Guitare
302
Accompagnement Piano
96
1 Piano, 4 mains
65
Piano grosses notes
53
Instruments en Do
50
Ligne De Mélodie, Piano
50
Accordéon
35
Orgue
28
Accordéon, Voix
15
Piano Trio: piano, violon, violoncelle
11
2 Pianos, 4 mains
9
Piano Quatuor: piano, 2 violons, violoncelle
7
Instrument seul et Orgue
6
Piano (partie séparée)
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
1 Piano, 6 mains
1
Orgue, Piano (duo)
1
+ 16 instrumentations
Retracter
Guitares
Ukulele
171
Guitare notes et tablatures
148
Ligne De Mélodie, (Paroles) et Accords
137
Guitare
110
Paroles et Accords
89
Banjo
21
Dulcimer
8
2 Guitares (duo)
8
Mandoline
5
Guitare (partie séparée)
2
2 Dulcimers (duo)
2
Guitare, Violon, Violoncelle (trio)
1
Ensemble de guitares
1
Ukulele Baryton
1
Dobro
1
3 Dulcimers (trio)
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
303
Chorale 3 parties
164
Chorale 2 parties
125
Chorale TTBB
63
Pack Instrumental pour Chorale
63
Voix Alto, Piano
53
Voix Tenor, Piano
52
Voix Soprano, Piano
50
Chorale Unison
27
Voix duo, Piano
27
Chorale
25
Chorale SSAA
23
Voix duo
14
Voix haute
12
Voix moyenne, Piano
5
Voix basse, Piano
4
Voix Baryton, Piano
4
Voix seule
3
Voix basse
2
Chorale SSAB, Piano
1
Chorale SAATB A Cappella
1
+ 16 instrumentations
Retracter
Vents
Flûte traversière et Piano
140
2 Saxophones (duo)
106
Harmonica
97
2 Flûtes traversières (duo)
78
2 Clarinettes (duo)
67
Clarinette et Piano
66
Flûte traversière
66
Saxophone Alto et Piano
66
Quatuor de Saxophones: 4 saxophones
64
Flûte, Hautbois, Clarinette, Basson
54
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
52
Hautbois, Piano (duo)
50
Saxophone, Clarinette (duo)
47
Flûte, Clarinette (duo)
40
Clarinette, Violon (duo)
38
Flute (partie séparée)
34
Saxophone Tenor et Piano
31
Saxophone Soprano et Piano
30
Clarinette, Trompette (duo)
29
Quatuor de Clarinettes: 4 clarinettes
29
Saxophone (partie séparée)
27
Saxophone Alto
27
Clarinette (partie séparée)
26
Clarinette
25
2 Hautbois (duo)
25
Flûte, Violon
22
Quintette de Saxophone: 5 saxophones
22
Hautbois, Clarinette (duo)
20
Cor anglais, Piano
20
Hautbois, Basson (duo)
19
Clarinette et Alto
19
3 Clarinettes (trio)
19
Quatuor de Flûtes : 4 flûtes
19
Flûte, Saxophone (duo)
18
Flûte, Alto (duo)
17
Saxophone Baryton, Piano
15
Trio de Flûtes: 3 flûtes
14
Hautbois, Flûte
14
Ocarina
14
Ensemble de Clarinettes
11
2 Flûte à bec (duo)
11
Flûte, Trompette (duo)
10
Hautbois (partie séparée)
10
Instruments en Mib
8
Ensemble de Flûtes
8
Saxophone Tenor
8
Clarinette Basse, Piano
7
Clarinette, Basson (duo)
7
Quintette de Clarinettes: 5 clarinettes
7
Flûte à bec Soprano, Piano
6
Flûte, Clarinette, Piano (trio)
5
Flûte, Violoncelle
4
Hautbois
3
Flûte, Hautbois, Violon
3
Flûte à bec Alto, Piano
3
Flûte, Hautbois (duo)
3
Saxophone et Piano
3
3 Saxophones (trio)
3
Saxophone Soprano
3
Quintette de Flûte : 5 flûtes
3
Flûte, Trombone (duo)
3
Ensemble de saxophones
3
Flûte irlandaise
3
Flûte, Hautbois, Basson
3
Flûte, Hautbois, Clarinette (trio)
3
Clarinette, Violoncelle (duo)
2
Saxophone Baryton
2
Clarinette, Harpe (duo)
2
Hautbois, Violoncelle
2
Hautbois et alto (duo)
2
2 Flûtes traversières, Piano
1
Flûte et Guitare
1
Hautbois, violon (duo)
1
Clarinette, Tuba
1
Flûte, Basson et Piano
1
Hautbois, trombone (duo)
1
Flûte, Clarinette et Basson
1
Flûte à bec Alto
1
Flûte à bec Soprano
1
Quatuor de Flûtes à bec
1
Clarinette, Contrebasse (duo)
1
Ensemble De Flûte à bec
1
Flûte, Violon, Piano
1
Clarinette, Trombone (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
3 Flûtes à bec (trio)
1
Flûte, Alto et Piano
1
Hautbois, Trompette (duo)
1
+ 83 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
96
Trompette, Piano
61
Trombone et Piano
60
Trompette
57
2 Trombones (duo)
39
Cor et Piano
38
Trompette, Saxophone (duo)
33
Quatuor de Cuivres : 2 trompettes, trombone, tuba
29
2 Trompettes (duo)
29
Quatuor de Cuivres
25
Trompette, Trombone (duo)
25
Trompette (partie séparée)
25
Cor anglais, Piano
20
Bass Clef Instruments
16
Trombone (partie séparée)
15
Trombone
15
2 Cors (duo)
14
Cor
14
Quatuor de Cuivres: 2 trompettes, Cor, trombone
13
Euphonium, Piano (duo)
9
Instruments en Sib
9
Tuba et Piano
9
Cor (partie séparée)
8
Ensemble de Trombones
7
Trompette, Cor (duo)
7
2 Euphoniums et 2 Tubas
5
Quatuor de cuivres: 4 trombones
5
3 Trompettes (trio)
4
Trombone, Cor (duo)
3
Quatuor de cuivres: 2 trompettes, 2 trombones
3
Trompette, violon (duo)
3
Tuba (partie séparée)
3
Tuba
3
Quatuor de cuivres: 4 cors
3
Ensemble de Trompettes
2
2 Euphoniums (duo)
2
Trio de Cuivres
2
Cor et Harpe
2
Trompette, Violoncelle et Piano
2
3 Trombones (trio)
1
4 Tubas
1
Trompette, Tuba (duo)
1
Tuba et Orgue
1
Ensemble de Cors
1
Euphonium, Tuba (duo)
1
Quatuor de cuivres: 4 trompettes
1
2 Trompettes, Clavier (piano ou orgue)
1
Trompette, Harpe
1
2 Trombones, Piano
1
+ 44 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
147
Violon et Piano
139
Alto, Piano
80
Violoncelle, Piano
77
Violon
75
2 Violoncelles (duo)
48
2 Violons (duo)
45
Violon (partie séparée)
42
Violon, Violoncelle (duo)
33
2 Altos (duo)
31
Harpe
31
Alto seul
30
Violon, Alto (duo)
28
Alto (partie séparée)
27
2 Harpes (duo)
21
Violoncelle
18
Harpe, Flûte (duo)
16
Trio à Cordes: violon, alto, violoncelle
13
Trio à Cordes: 2 violons, violoncelle
12
Violoncelle (partie séparée)
12
Piano Trio: Violon, Alto, Piano
12
Contre Basse
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
9
Contrebasse, Piano (duo)
8
Trio à cordes
7
Trio à cordes: 3 violins
5
Violon, Guitare (duo)
4
Trio à Cordes: 3 violoncelles
4
2 Contrebasses (duo)
4
Contrebasse (partie séparée)
4
Harpe, Violon (duo)
3
Alto, Violoncelle (duo)
3
4 Violoncelles
3
Ensemble de Violons
2
Trio à Cordes: 2 violons, alto
2
Trio à cordes: 3 altos
2
Alto, Guitare (duo)
1
Violoncelle, Contrebasse (duo)
1
Quatuor à cordes : 4 altos
1
Violoncelle , Guitare (duo)
1
Violon, Basson (duo)
1
Flûte, Contrebasse (duo)
1
Harpe, Violoncelle (duo)
1
Alto et Harpe
1
Alto et Basson
1
+ 40 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
242
Orchestre à Cordes
98
Orchestre
69
Cloches
49
Ensemble de cuivres
37
Ensemble Jazz
18
Percussion (partie séparée)
16
Orchestre de chambre
7
Jazz combo
5
Fanfare
3
Percussion
2
Xylophone
2
Piano et Orchestre
1
Batterie (partie séparée)
1
2 Xylophones
1
Marimba
1
+ 11 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vendeurs (tous)
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Note4Piano
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Vous avez sélectionné:
Traditional American
Quintette de Saxophone: 5 saxophones
Partitions à imprimer
22 partitions trouvées
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1
American Christmas - Mash up Rondo of best Christmas Songs - Saxophone Quintet
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Quintette de Saxophone: 5 saxophones
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Noël
#
Traditional
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Thomas Graf
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American Christmas - Mash up R
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Composed by Traditional. Arranged by Thomas Graf. Christmas. Score, Set of Parts. 31 pages. Published by Thomas Graf - the-hit-factory.com (S0.147009). - Score,...
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Composed by Traditional. Arranged by Thomas Graf. Christmas. Score, Set of Parts. 31 pages. Published by Thomas Graf - the-hit-factory.com (S0.147009). - Score,Set of Parts - Christmas - Thomas Graf - the-hit-factory.com
$16.99
Largo (from "Symphony No. 9") ("From the New World") (Db) (Saxophone Quintet - 2 Alto, 2 Tenor, 1 Ba
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Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE
#
Classique
#
Musique Sacrée
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.813832 Composed by Antonin Dvorak. Arranged by...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.813832 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 19 pages. Regis Bookshar #6533927. Published by Regis Bookshar (A0.813832). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Saxophone Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (19 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Saxophone Quintet, consisting of 2 Alto Saxophones, 2 Tenor Saxophones and 1 Baritone Saxophone, he has made quite a few other arrangements.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Tenor Saxophone Quintet)
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Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE
#
Classique
#
Musique Sacrée
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 3 - SKU: A0.813836 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk...
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Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 3 - SKU: A0.813836 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 19 pages. Regis Bookshar #6533941. Published by Regis Bookshar (A0.813836). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Tenor Saxophone Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (19 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Tenor Saxophone Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Alto Saxophone Quintet)
#
Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE
#
Classique
#
Musique Sacrée
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 3 - SKU: A0.813820 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 3 - SKU: A0.813820 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533331. Published by Regis Bookshar (A0.813820). Largo (from Symphony No. 9 in E minor) (From the New World) (Alto Saxophone Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for an Alto Saxophone Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety o.
$15.00
My Country 'Tis of Thee (America)
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Quintette de Saxophone: 5 saxophones
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DÉBUTANT
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Traditional
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GDJ
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My Country 'Tis of Thee
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Grant Davis Jr.
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 1 - SKU: A0.1209681 By Traditional. By T...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 1 - SKU: A0.1209681 By Traditional. By Traditional. Arranged by GDJ. Patriotic,Traditional. 13 pages. Grant Davis Jr. #807773. Published by Grant Davis Jr. (A0.1209681). It’s an easy arrangement for Saxophone Quintet. Perfect for beginners to play the very popular and beautiful My Country Tis of Thee (America), a traditional and patriotic American song.
$14.99
My Country 'Tis of Thee (America)
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Quintette de Saxophone: 5 saxophones
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DÉBUTANT
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Traditional
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GDJ
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My Country 'Tis of Thee
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Grant Davis Jr.
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 1 - SKU: A0.1209756 By Traditional. By T...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 1 - SKU: A0.1209756 By Traditional. By Traditional. Arranged by GDJ. Patriotic,Traditional. 14 pages. Grant Davis Jr. #807778. Published by Grant Davis Jr. (A0.1209756). It’s an easy arrangement for Saxophone Quintet with piano accompaniment. Perfect for beginners to play the very popular and beautiful My Country Tis of Thee (America), a traditional and patriotic American song.
$16.99
My Country 'Tis of Thee (America)
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Quintette de Saxophone: 5 saxophones
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DÉBUTANT
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Traditional
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GDJ
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My Country 'Tis of Thee
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Grant Davis Jr.
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 1 - SKU: A0.1209754 By Traditional. By T...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 1 - SKU: A0.1209754 By Traditional. By Traditional. Arranged by GDJ. Patriotic,Traditional. 14 pages. Grant Davis Jr. #807776. Published by Grant Davis Jr. (A0.1209754). It’s an easy arrangement for Saxophone Quintet with piano accompaniment and chords. Perfect for beginners to play the very popular and beautiful My Country Tis of Thee (America), a traditional and patriotic American song.
$16.99
El Condor pasa - Peruvian Folk Song - Saxophone Quintet
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Quintette de Saxophone: 5 saxophones
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Rock
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Traditional
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Thomas Graf
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El Condor pasa - Peruvian Folk
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Composed by Traditional. Arranged by Thomas Graf. World, Folk, South American, Pop, Rock. Score, Set of Parts. 27 pages. Published by Thomas Graf - the-hit-fact...
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Composed by Traditional. Arranged by Thomas Graf. World, Folk, South American, Pop, Rock. Score, Set of Parts. 27 pages. Published by Thomas Graf - the-hit-factory.com (S0.113993). - Score,Set of Parts - World,Folk,South American,Pop,Rock - Thomas Graf - the-hit-factory.com
$14.99
Down in the River to Pray (for Saxophone Quintet SATTB or AATTB)
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
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Gospel Spirituel
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Musique Sacrée
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African-American Spiritual
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Kenneth Abeling
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Down in the River to Pray
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble - Level 3 - SKU: A0.1205452 Composed by African-American Spiritual. Arranged by Kenneth Abeling. 19th Century,Spirit...
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Saxophone Quintet,Woodwind Ensemble - Level 3 - SKU: A0.1205452 Composed by African-American Spiritual. Arranged by Kenneth Abeling. 19th Century,Spiritual,Traditional. 12 pages. LINCOLN MUSIC PUBLICATIONS #803645. Published by LINCOLN MUSIC PUBLICATIONS (A0.1205452). “Down in the River to Pray†also known as “Down to the River to Prayâ€, “Down in the Valley to Pray†“The Good Old Way†and “Come, Let Us All Go Down†arranged for Saxophone Quintet. This is an intermediate level arrangement, and contemporary setting of the African-American Spiritual/Christian Folk Hymn. The playing time is approximately 2:50. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com/.
$12.99
Were You There (When They Crucified My Lord) (for Saxophone Quintet SATTB or AATTB)
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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African American Spiritual
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Kenneth Abeling
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Were You There
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble - Level 4 - SKU: A0.514585 Composed by African American Spiritual. Arranged by Kenneth Abeling. Easter,Sacred. 18 pa...
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Saxophone Quintet,Woodwind Ensemble - Level 4 - SKU: A0.514585 Composed by African American Spiritual. Arranged by Kenneth Abeling. Easter,Sacred. 18 pages. LINCOLN MUSIC PUBLICATIONS #3445003. Published by LINCOLN MUSIC PUBLICATIONS (A0.514585). Were You There (When They Crucified My Lord) arranged for Saxophone Quintet. This is a contemporary arrangement of timeless African American Spiritual. It is an Intermediate Advanced to easier advanced arrangement and is appropriate for all contemporary religious services, many traditional services and of course general performance. To view and listen to this piece IN ITS ENTIRETY as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com. Playing time: 3:40
$14.99
SAY, BROTHERS,WILL YOU MEET US
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Quintette de Saxophone: 5 saxophones
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DÉBUTANT
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Spiritual
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Alex Nunes Rodrigues
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SAY, BROTHERS,WILL YOU MEET US
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Alex Rodrigues
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 1 - SKU: A0.1201804 Composed by Spiritua...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 1 - SKU: A0.1201804 Composed by Spiritual. Arranged by Alex Nunes Rodrigues. Spiritual,Traditional. 7 pages. Alex Rodrigues #800421. Published by Alex Rodrigues (A0.1201804). This is the perfect opportunity for musicians who wish to expand their repertoire with a classic of American folklore. Say, Brothers, Will You Meet Us is a masterpiece that will enchant any audience.
$1.99
SAY, BROTHERS,WILL YOU MEET US
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Quintette de Saxophone: 5 saxophones
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DÉBUTANT
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Spiritual
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Alex Nunes Rodrigues
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SAY, BROTHERS,WILL YOU MEET US
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Alex Rodrigues
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 1 - SKU: A0.1201805 Composed by Spiritua...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 1 - SKU: A0.1201805 Composed by Spiritual. Arranged by Alex Nunes Rodrigues. Spiritual,Traditional. 7 pages. Alex Rodrigues #800422. Published by Alex Rodrigues (A0.1201805). This is the perfect opportunity for musicians who wish to expand their repertoire with a classic of American folklore. Say, Brothers, Will You Meet Us is a masterpiece that will enchant any audience.
$1.99
SAY, BROTHERS,WILL YOU MEET US
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Quintette de Saxophone: 5 saxophones
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DÉBUTANT
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Spiritual
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Alex Nunes Rodrigues
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SAY, BROTHERS,WILL YOU MEET US
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Alex Rodrigues
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 1 - SKU: A0.1201803 Composed by Spiritua...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 1 - SKU: A0.1201803 Composed by Spiritual. Arranged by Alex Nunes Rodrigues. Spiritual,Traditional. 7 pages. Alex Rodrigues #800420. Published by Alex Rodrigues (A0.1201803). This is the perfect opportunity for musicians who wish to expand their repertoire with a classic of American folklore. Say, Brothers, Will You Meet Us is a masterpiece that will enchant any audience.
$1.99
Battle Hymn Of The Republic
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Quintette de Saxophone: 5 saxophones
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FACILE
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American Traditional
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Gert Th
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Battle Hymn Of The Republic
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Gert Th. Walter
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 2 - SKU: A0.679759 Composed by American Traditional. Arrang...
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Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 2 - SKU: A0.679759 Composed by American Traditional. Arranged by Gert Th. Walter. Christian,Patriotic. 3 pages. Gert Th. Walter #3864293. Published by Gert Th. Walter (A0.679759). Very easy arrangement, but not only for pupil and beginners.
$4.99
Down by the Riverside - Saxophone Choir Quintet ( Soprano Sax; 2 Alto sax; Tenor Sax; Baritone Sax
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Traditional
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Raymond Fenech
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2 Alto Sax
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Down by the Riverside - Saxoph
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Raymond Fenech
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.759919 Composed by Tradition...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.759919 Composed by Traditional. Arranged by Raymond Fenech. Easter,Jazz,Patriotic,Rock,Wedding. 21 pages. Raymond Fenech #3454325. Published by Raymond Fenech (A0.759919). Down by the Riverside (also known as Ain't Gonna Study War No More and Gonna lay down my burden) is a Negro spiritual song. Its roots date back to before the American Civil War, though it was first published in 1918 in Plantation Melodies: A Collection of Modern, Popular and Old-time Negro-Songs of the Southland, Chicago, the Rodeheaver Company. The song has alternatively been known as Ain' go'n' to study war no mo', Ain't Gwine to Study War No More, Down by de Ribberside, Going to Pull My War-Clothes and Study war no more This spiritual song is arranged for Saxophone Choir Quintet i.e. Soprano Sax; 2 Alto Sax; Tenor Sax; Baritone Sax and Optional Drum Set. The level is Advanced Intermediate and the duration is 2.39minutes.
$7.95
Guide Right
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Quintette de Saxophone: 5 saxophones
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FACILE
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Contemporain
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John Philip Sousa
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Sean Sullivan
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Guide Right
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Sean Sullivan
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1319594 By John Philip Sousa...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1319594 By John Philip Sousa. By John Philip Sousa. Arranged by Sean Sullivan. 19th Century,March,Romantic Period. 13 pages. Sean Sullivan #908153. Published by Sean Sullivan (A0.1319594). Are you ready to embark on a thrilling journey through the timeless melodies of the legendary John Philip Sousa? As a beloved American composer renowned for his patriotic compositions, Sousa's music has the power to captivate and evoke a sense of national pride. In a sea of traditional arrangements, Guide Right offers a refreshing twist, showcasing the saxophone's versatility in a quintet setting. This unique interpretation will captivate the ears of your listeners and ensure an unforgettable experience. Guide Right promises to elevate your performance, electrify your audience, and take your musical journey to new heights. Experience the magic today.
$14.99
Fiddle Tunes Medley (for Saxophone Quintet SATTB or AATTB)
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Quintette de Saxophone: 5 saxophones
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Traditional?
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Kenneth Abeling
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Fiddle Tunes Medley
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Composed by Traditional?. Arranged by Kenneth Abeling. Folk, Americana, Bluegrass. Score, Set of Parts. 26 pages. Published by LINCOLN MUSIC PUBLICATIONS (S0.15...
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Composed by Traditional?. Arranged by Kenneth Abeling. Folk, Americana, Bluegrass. Score, Set of Parts. 26 pages. Published by LINCOLN MUSIC PUBLICATIONS (S0.159465). - Score,Set of Parts - Folk,Americana,Bluegrass - LINCOLN MUSIC PUBLICATIONS
$14.00
Down by the Riverside - Sax Quintet arranged in Trad. New Orleans Brass Band Style
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE/AVANCÉ
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African - American Spiritual
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Dennis Ruello
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Down by the Riverside - Sax Qu
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Chicory Music
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1226523 By African - America...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1226523 By African - American Spiritual. By Spiritual. Arranged by Dennis Ruello. 20th Century,Historic,Jazz,March,Spiritual. 23 pages. Chicory Music #822527. Published by Chicory Music (A0.1226523). Gospel music has infiltated the New Orleans jazz repertoire since the very early days of jazz. Although gospel songs were traditionally played by jazz bands at funerals or church, it is now common that these songs are also played in secular venues. “Down by the Riverside†is an example of such a song, adapted by jazz musicians to fit the New Orleans jazz or brass band style. It has been a staple in New Orleans jazz since at least the early 1920s. This arrangement for Sax Quintet plus optional Acoustic Bass and Drum Set is written in the style of a New Orleans Brass Band, the kind of tune you might hear at a Second Line Parade or Jazz Funeral. Play this piece with the attitude: Laissez les bons temps rouler ( Let the good times roll ).Performance Time: Approx. 2 minutes 40 seconds
$15.99
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