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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
What a Wonderful World
Sheetmusicplus
Non classifié
247
Piano & claviers
Piano seul
114
Piano Facile
69
Piano, Voix et Guitare
60
Piano, Voix
27
Instruments en Do
8
1 Piano, 4 mains
6
Orgue
5
Piano grosses notes
5
Piano (partie séparée)
3
Piano Trio: piano, violon, violoncelle
2
2 Pianos, 4 mains
2
Accordéon
1
+ 7 instrumentations
Retracter
Guitares
Guitare notes et tablatures
37
Guitare
25
Ukulele
22
Ligne De Mélodie, (Paroles) et Accords
14
Dulcimer
5
Paroles et Accords
4
Guitare (partie séparée)
3
Mandoline
2
Piano, Guitare (duo)
1
3 Guitares (trio)
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
37
Chorale 3 parties
31
Pack Instrumental pour Chorale
18
Chorale 2 parties
15
Chorale TTBB
13
Chorale SSAA
9
Chorale Unison
4
Voix seule
2
Voix duo, Piano
1
Voix Baryton, Piano
1
Voix Soprano, Piano
1
Chorale SSAATB
1
Chorale SSAB a cappella
1
+ 8 instrumentations
Retracter
Vents
Saxophone (partie séparée)
33
Clarinette et Piano
21
Flûte traversière et Piano
19
Flûte traversière
16
Hautbois (partie séparée)
14
Hautbois, Piano (duo)
14
Clarinette
14
Quatuor de Saxophones: 4 saxophones
13
Quintette de Saxophone: 5 saxophones
12
2 Saxophones (duo)
11
Saxophone Alto et Piano
11
Saxophone Alto
10
Saxophone Tenor
10
Saxophone Tenor et Piano
9
Clarinette (partie séparée)
8
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
8
2 Flûtes traversières (duo)
7
2 Clarinettes (duo)
6
Quatuor de Clarinettes: 4 clarinettes
6
Flute (partie séparée)
5
Saxophone Soprano et Piano
5
Flûte, Clarinette (duo)
5
Clarinette, Violon (duo)
5
Flûte, Violon
5
Flûte, Hautbois (duo)
5
Ensemble de Clarinettes
4
Hautbois, Clarinette (duo)
4
Saxophone, Violon (duo)
4
Hautbois, violon (duo)
4
Flûte, Trompette (duo)
4
Quatuor de Flûtes : 4 flûtes
4
Saxophone, Clarinette (duo)
4
Hautbois, Trompette (duo)
4
Flûte, Hautbois, Clarinette, Basson
4
2 Hautbois (duo)
3
Quintette de Flûte : 5 flûtes
2
Flute, harpe et violon
2
Harmonica
2
Quintette de Clarinettes: 5 clarinettes
2
3 Clarinettes (trio)
2
Saxophone Baryton, Piano
2
Flûte et Guitare
2
Trio de Flûtes: 3 flûtes
2
Clarinette, Basson (duo)
1
Flûte, Clarinette, Violon (trio)
1
Hautbois
1
Ocarina
1
Flûte, Trombone (duo)
1
Flûte à Bec
1
Hautbois, Basson (duo)
1
Flûte irlandaise
1
Flûte, Hautbois, Violon
1
Flûte, Hautbois, Clarinette (trio)
1
Saxophone Soprano
1
3 Saxophones (trio)
1
Cor anglais, Piano
1
Flûte à bec Tenor
1
Flûte, Violoncelle
1
Clarinette, Harpe (duo)
1
Clarinette, Violoncelle (duo)
1
Flûte à bec Soprano
1
Hautbois, Violoncelle
1
2 Flûte à bec (duo)
1
Clarinette, Trombone (duo)
1
+ 59 instrumentations
Retracter
Cuivres
Trompette (partie séparée)
20
Trompette, Piano
18
Trombone
16
Trombone et Piano
13
Trompette
12
Trombone (partie séparée)
11
Cor
10
Cor et Piano
9
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
8
Tuba
8
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Tuba (partie séparée)
5
Tuba et Piano
5
Cor (partie séparée)
4
Trompette, Saxophone (duo)
4
Trombone, violoncelle (duo)
4
Trompette, violon (duo)
4
2 Trombones (duo)
4
Quatuor de cuivres: 4 trombones
3
2 Trompettes (duo)
3
2 Cors (duo)
2
Ensemble de Trompettes
2
Euphonium
2
Bass Clef Instruments
2
Ensemble de Trombones
2
Trio de Cuivres
2
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Trompette, Trombone (duo)
1
3 Trombones (trio)
1
Cor anglais, Piano
1
Quatuor de cuivres: 4 cors
1
Cor, Violoncelle (duo)
1
+ 28 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
64
Violon
36
Violon et Piano
27
Violoncelle
25
Violoncelle, Piano
20
Alto, Piano
18
Violon, Violoncelle (duo)
17
Harpe
17
2 Violons (duo)
12
Trio à Cordes: violon, alto, violoncelle
10
Alto seul
8
Contrebasse, Piano (duo)
7
Contre Basse
6
Alto (partie séparée)
6
Violon (partie séparée)
5
Alto, Violoncelle (duo)
4
Harpe, Voix
3
2 Violoncelles (duo)
3
Contrebasse (partie séparée)
3
Trio à Cordes: 2 violons, violoncelle
3
Trio à cordes
3
2 Altos (duo)
3
Piano Trio: Violon, Alto, Piano
2
Violoncelle (partie séparée)
2
Violon, Alto (duo)
2
Ensemble de Violons
2
Trio à Cordes: 3 violoncelles
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
4 Violoncelles
1
Alto et Basson
1
Harpe, Flûte (duo)
1
Violon, Basson (duo)
1
Trio à cordes: 3 violins
1
Harpe, Violon (duo)
1
+ 29 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
18
Orchestre d'harmonie
18
Orchestre à Cordes
7
Percussion (partie séparée)
6
Batterie (partie séparée)
5
Ensemble de cuivres
5
Cloches
5
Jazz combo
3
Orchestre
3
Timbales (partie séparée)
2
Vibraphone
2
Percussion
2
Fanfare
2
Orchestre de chambre
1
Marimba
1
Xylophone, Piano
1
+ 11 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
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BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
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ASIE
BLUEGRASS
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
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MEDIEVAL - RENAISSAN…
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METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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TANGO
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Crtitères actifs :
What a Wonderful World
SheetMusicPlus
Partitions à imprimer
12 partitions trouvées
<
1
What A Wonderful World
#
Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE
#
Louis Armstrong With Kenny G
#
Diego Marani
#
What A Wonderful World
#
Diego Marani
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.527534 By Louis Armstrong Wit...
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Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.527534 By Louis Armstrong With Kenny G. By Bob Thiele and George David Weiss. Arranged by Diego Marani. Contemporary,Film/TV,Instructional,Jazz,Standards. 11 pages. Diego Marani #2859111. Published by Diego Marani (A0.527534). What a Wonderful World is a song written by Bob Thiele (as George Douglas) and George David Weiss. It was first recorded by Louis Armstrong and released in 1967 as a single, which topped the pop charts in the United Kingdom. Thiele and Weiss were both prominent in the music world (Thiele as a producer and Weiss as a composer/performer). Armstrong's recording was inducted in the Grammy Hall of Fame in 1999. The song gradually became something of a standard and reached a new level of popularity and it has been used in many movies.This arrangement for sax quintet (Bb Soprano, Eb Alto 1-2, Bb Tenor, Eb Baritone) is suitable for repertoire, classroom and recital.
$22.90
What A Wonderful World
#
Quintette de Saxophone: 5 saxophones
#
FACILE
#
Louis Armstrong
#
Carl Raven
#
What A Wonderful World
#
PopWind.co.uk
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble - Level 2 - SKU: A0.1111862 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Carl Raven. 20th C...
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Saxophone Quintet,Woodwind Ensemble - Level 2 - SKU: A0.1111862 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Carl Raven. 20th Century,Jazz,Pop. 9 pages. PopWind.co.uk #714073. Published by PopWind.co.uk (A0.1111862). A five saxophone arrangement, for 2 Altos, 2 tenors and Baritone. Fairly easy.
$12.99
Wonderful Tonight
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Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE
#
Rock
#
Eric Clapton
#
Thomas Graf
#
Wonderful Tonight
#
Thomas Graf - the-hit-factory.com
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.568912 By Eri...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.568912 By Eric Clapton. By Eric Clapton. Arranged by Thomas Graf. Pop,Rock. 30 pages. Thomas Graf - the-hit-factory.com #3407979. Published by Thomas Graf - the-hit-factory.com (A0.568912). This arrangement is an easy to play adaption of Eric Clapton's world famous classic. What a great part of the music history! On 7 September 1976, Clapton wrote Wonderful Tonight for Boyd while waiting for her to get ready to attend Paul and Linda McCartney's annual Buddy Holly party. More music: www.the-hit-factory.com Instrumentation: Part I (Soprano/Alto), Part II (Alto), Part III (Alto/Tenor), Part IV (Tenor), Part V(Baritone/Bass Sax) Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/gQfSZmwmr5I
$14.99
Largo (from "Symphony No. 9") ("From the New World") (Db) (Tenor Saxophone Quintet)
#
Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE
#
Classique
#
Musique Sacrée
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 3 - SKU: A0.813836 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk...
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Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 3 - SKU: A0.813836 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 19 pages. Regis Bookshar #6533941. Published by Regis Bookshar (A0.813836). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Tenor Saxophone Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (19 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Tenor Saxophone Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Saxophone Quintet - 2 Alto, 2 Tenor, 1 Ba
#
Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE
#
Classique
#
Musique Sacrée
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.813832 Composed by Antonin Dvorak. Arranged by...
(+)
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.813832 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 19 pages. Regis Bookshar #6533927. Published by Regis Bookshar (A0.813832). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Saxophone Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (19 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Saxophone Quintet, consisting of 2 Alto Saxophones, 2 Tenor Saxophones and 1 Baritone Saxophone, he has made quite a few other arrangements.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Alto Saxophone Quintet)
#
Quintette de Saxophone: 5 saxophones
#
INTERMÉDIAIRE
#
Classique
#
Musique Sacrée
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 3 - SKU: A0.813820 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 3 - SKU: A0.813820 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533331. Published by Regis Bookshar (A0.813820). Largo (from Symphony No. 9 in E minor) (From the New World) (Alto Saxophone Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for an Alto Saxophone Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety o.
$15.00
What A Wonderful World (for Saxophone Quintet)
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Quintette de Saxophone: 5 saxophones
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Louis Armstrong
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Stephen DeCesare
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What A Wonderful World
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Exultet Music
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SheetMusicPlus
By Louis Armstrong. Arranged by Stephen DeCesare. Jazz, Movies, TV, Repertoire, Americana. Score. 19 pages. Published by Exultet Music (H0.116023-915947). - Sco...
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By Louis Armstrong. Arranged by Stephen DeCesare. Jazz, Movies, TV, Repertoire, Americana. Score. 19 pages. Published by Exultet Music (H0.116023-915947). - Score - Jazz,Movies,TV,Repertoire,Americana - Exultet Music
$12.99
What a wonderful world - Louis Armstrong - Saxophone Quintet
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Quintette de Saxophone: 5 saxophones
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Blues
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Jazz
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Louis Armstrong
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Thomas Graf
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What a wonderful world - Louis
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
By Louis Armstrong. Arranged by Thomas Graf. Jazz, Blues, Swing, Big Band. Score, Set of Parts. 33 pages. Published by Thomas Graf - the-hit-factory.com (H0.113...
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By Louis Armstrong. Arranged by Thomas Graf. Jazz, Blues, Swing, Big Band. Score, Set of Parts. 33 pages. Published by Thomas Graf - the-hit-factory.com (H0.113893-915947). - Score,Set of Parts - Jazz,Blues,Swing,Big Band - Thomas Graf - the-hit-factory.com
$17.99
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What a Wonderful World 
