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Chanson du Toreador by Bizet for High Voice
Instruments en Do
C Instrument - Level 2 - Digital Download SKU: A0.1244186 Composed by Georges Bizet…
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C Instrument - Level 2 - Digital Download SKU: A0.1244186 Composed by Georges Bizet. Arranged by Langanho. 19th Century,Classical,Opera,Romantic Period. Lead Sheet / Fake Book. 2 pages. Avery Lynn Jordan #839163. Published by Avery Lynn Jordan (A0.1244186). We present to you the sheet music of Bizet's arrangement of the aria Toreador Song, adapted for Lead Sheet. This condensed version of the music perfectly meets the needs of musicians, offering a simplified way to play this beautiful masterpiece. The Toreador Song is one of the most iconic arias from Bizet's opera Carmen. It portrays the character of the toreador, a brave and seductive bullfighter, singing about his exploits in the world of bullfighting. With this sheet music in hand, beginner musicians will have the opportunity to explore and learn this captivating melody, while teachers can use it as part of their students' repertoire, helping them develop their musical skills. Additionally, this sheet music is an ideal choice for parents who wish to encourage their children to engage with music. By offering them the chance to play a famous and exciting piece, parents can stimulate a love for music and instrumental practice. Our arrangement has been carefully adapted to ensure that all essential aspects of the original music are preserved while being presented in an accessible and easily playable format. With this sheet music, you will have the opportunity to experience the grandeur of Bizet's opera Carmen, even if you are just beginning your musical journey.
$4.99
4.6 €
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Instruments en Do
#
offering them the chance to play a famous and exciting piece, parents can stimulate a love for music and instrumental practice
#
Georges Bizet
#
Langanho
#
Chanson du Toreador by Bizet for High Voice
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Avery Lynn Jordan
#
SheetMusicPlus
Chording to the Consort, - Melody and Chords for 35 Renaissance Dance Consort Pieces and Chansons
Instruments en Do
C Instrument - Level 2 - Digital Download SKU: A0.1243664 Composed by Anonymous, Cl…
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C Instrument - Level 2 - Digital Download SKU: A0.1243664 Composed by Anonymous, Claude Gervaise, Claudin de Sermisy, Gasparo Zanetti, Guillaume Costeley, Henry VIII, Jacotin, Jacques (Jacob) Arcadelt, Jan de Lublin, John Dowland, Ludwig Senfl, Michael Praetorius, Pierre Attaignanant, Pierre Bonnet, Tielman Susato, and etc. Arranged by Alastair Lodge. Early Music,Historic,Renaissance. Lead Sheet / Fake Book. 52 pages. Wold Meridian #838214. Published by Wold Meridian (A0.1243664). 35 pieces from the late 15th to the early 17th Century, Fully supported by YouTube Playlist demonstrating every piece in the collection, featuring the solo line with the chords as well as sections with the original full part harmony. Videos are educational with period artworks and historical information. https://www.youtube.com/playlist?list=PLYRWH2nycMkPO9vTOgEoG_kRJlJ5nUHnx.
$14.00
12.91 €
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Instruments en Do
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Anonymous, Claude Gervaise, Claudin de Sermisy, Gasparo Zanetti, Guillaume Costeley, Henry VIII, Jacotin, Jacques
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Alastair Lodge
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Chording to the Consort, - Melody and Chords for 35 Renaissance Dance Consort Pieces and Chansons
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Wold Meridian
#
SheetMusicPlus
Chording to the Dance Masters - Melody and chords for 44 Renaissance Dance Consort pieces
Instruments en Do
C Instrument - Level 2 - Digital Download By Various. By Anonymous, Claudin de Sermis…
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C Instrument - Level 2 - Digital Download By Various. By Anonymous, Claudin de Sermisy, Henry VIII, Pierre Phalese, Thoinot Arbeau, John Dowland (1563- 1626), Michael Praetorius (1571-1621), Pierre Attaignant (1494-1553), Pierre Certon (1510-1572), William Cornysh (1470-1523), Juan Del Encina (1468-1530), Claude Gervaise (1540-1560), Giorgio Mainerio (1535-1582), Erasmus Widmann (1572-1634), and Tielman Susato (1500-1561). Arranged by Alastair Lodge. 151, 153, 162, Folk, Renaissance. Lead Sheet / Fake Book. 38 pages. Wold Meridian #727149. Published by Wold Meridian
Chording to the Dance Masters is a selection of dance tunes that were collected originally between about 1500 and 1620. Printing made many of these tunes popular throughout Europe during these times, some of them composed by the printer/publishers themselves, but many more of them existed previously as rustic dance tunes or popular chansons. The works were originally published to be played by three to five instrumentalists, with no particular instruments specified. They suited consorts or “choirs” of instruments that were depicted in the illustrations of Agricola, Mersenne and most notably Praetorius and are now preserved in museums around the world.<br> <br> Many editions exist in the 3, 4 or 5 parts as originally published, and these are an absolute joy to perform from, where the interweaving parts create interesting harmonies that demonstrate the skills of these renaissance composer/arranger/publishers. Playing with modern reproductions of the early instruments will recreate textures and sounds unique to this period. However, not everyone is lucky enough to either own these instruments or else have contact with others with whom they could form ensembles. This book aims to widen the experience out to those who would like to play these tunes on their own or with the accompaniment of a guitar, keyboard or other available chordal instrument. Fake books abound for those who wish to play Jazz, Folk, Classical and Popular music where the melody is annotated with chords so that players can access these tunes in their own way. As far as I am aware, this has not often been done for the player who wishes to busk their way through music of the Renaissance period.<br> <br> I have attempted to include all the chords implied by the polyphonic parts of the original publications, simply because it is in the transitions of the harmonies under the melodies where the genius of the original arranger/publisher resides. Those who go on to explore the original versions may look forward to the way in which each line presents the player with intrinsically beautiful counter melodies.<br> <br> At first, the rapidity of chord changing can be a bit daunting, so I have marked out what I consider to be the essential chords for accompaniment in boxes. Playing just these will provide adequate accompaniment, whilst leaving the more adventurous scope to enhance their performance by referencing some of the other chords. You can hear the chording arrangements together with the original 3, 4 or 5 part versions of all 44 pieces on a YouTube playlist which has been made as a companion to this volume at<br> <br> https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNS<br> <br> As well as the solo or player in a duo, this book would also be of value for someone who is used to reading chords rather than melody lines wishing to join in with a renaissance consort. The selection I have chosen represents quite a few of the “standards” that have become regularly played since the revival of renaissance music in the late 1960s. It is hoped that should this volume prove popular, companion volumes with all the parts provided for the same pieces could make essential repertoire for the budding renaissance dance consorts of the future.Chording to the Dance Masters is a selection of dance tunes that were collected originally between about 1500 and 1620. Printing made many of these tunes popular throughout Europe during these times, some of them composed by the printer/publishers themselves, but many more of them existed previously as rustic dance tunes or popular chansons. The works were originally published to be played by three to five instrumentalists, with no particular instruments specified. They suited consorts or “choirs” of instruments that were depicted in the illustrations of Agricola, Mersenne and most notably Praetorius and are now preserved in museums around the world.<br> <br> Many editions exist in the 3, 4 or 5 parts as originally published, and these are an absolute joy to perform from, where the interweaving parts create interesting harmonies that demonstrate the skills of these renaissance composer/arranger/publishers. Playing with modern reproductions of the early instruments will recreate textures and sounds unique to this period. However, not everyone is lucky enough to either own these instruments or else have contact with others with whom they could form ensembles. This book aims to widen the experience out to those who would like to play these tunes on their own or with the accompaniment of a guitar, keyboard or other available chordal instrument. Fake books abound for those who wish to play Jazz, Folk, Classical and Popular music where the melody is annotated with chords so that players can access these tunes in their own way. As far as I am aware, this has not often been done for the player who wishes to busk their way through music of the Renaissance period.<br> <br> I have attempted to include all the chords implied by the polyphonic parts of the original publications, simply because it is in the transitions of the harmonies under the melodies where the genius of the original arranger/publisher resides. Those who go on to explore the original versions may look forward to the way in which each line presents the player with intrinsically beautiful counter melodies.<br> <br> At first, the rapidity of chord changing can be a bit daunting, so I have marked out what I consider to be the essential chords for accompaniment in boxes. Playing just these will provide adequate accompaniment, whilst leaving the more adventurous scope to enhance their performance by referencing some of the other chords. You can hear the chording arrangements together with the original 3, 4 or 5 part versions of all 44 pieces on a YouTube playlist which has been made as a companion to this volume at<br> <br> https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNS<br> <br> As well as the solo or player in a duo, this book would also be of value for someone who is used to reading chords rather than melody lines wishing to join in with a renaissance consort. The selection I have chosen represents quite a few of the “standards” that have become regularly played since the revival of renaissance music in the late 1960s. It is hoped that should this volume prove popular, companion volumes with all the parts provided for the same pieces could make essential repertoire for the budding renaissance dance consorts of the future.
$11.46
10.57 €
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Instruments en Do
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Various
#
Chording to the Dance Masters - Melody and chords for 44 Renaissance Dance Consort pieces
#
Wold Meridian
#
SheetMusicPlus
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