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'Air' from Suite No.3
Non classifié
85
Piano & claviers
Piano seul
36
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16
Orgue
4
1 Piano, 4 mains
2
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2
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2
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1
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1
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1
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5
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3
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20
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18
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15
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11
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11
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9
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9
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8
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8
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7
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7
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7
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6
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6
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6
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4
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4
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4
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4
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4
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4
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3
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3
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3
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2
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2
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2
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2
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2
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1
Clarinette (partie séparée)
1
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1
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1
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1
Hautbois (partie séparée)
1
Ensemble de Flûtes
1
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1
Ensemble de Hautbois
1
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1
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1
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1
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1
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1
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1
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1
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1
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5 Flûtes à bec
1
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16
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15
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13
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10
Trompette
9
Trombone et Piano
9
Tuba et Piano
6
Trombone
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
2 Trombones (duo)
5
Cor
4
Cor anglais, Piano
4
Euphonium, Piano (duo)
3
2 Trompettes (duo)
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Trompette, Trombone (duo)
2
Tuba
2
3 Cors (trio)
1
3 Trombones (trio)
1
Ensemble de Trompettes
1
Trombone, Orgue
1
4 Tubas
1
3 Tubas (trio)
1
Trompette, Cor (duo)
1
Ensemble de Cors
1
2 Euphoniums et 2 Tubas
1
Quatuor de cuivres: 4 trompettes
1
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Cordes
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30
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22
Violoncelle, Piano
18
Alto, Piano
13
Violoncelle
9
2 Violons (duo)
7
Violon
7
Alto seul
6
Contrebasse, Piano (duo)
5
Violon, Alto (duo)
3
Violon, Violoncelle (duo)
3
2 Altos (duo)
3
Violon (partie séparée)
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Trio à cordes: 3 violins
2
Trio à Cordes: violon, alto, violoncelle
2
Contre Basse
2
2 Violoncelles (duo)
2
Quatuor à cordes: 4 violons
1
Trio à Cordes: 3 violoncelles
1
Violoncelle , Guitare (duo)
1
Alto, Violoncelle (duo)
1
Violon, Guitare (duo)
1
Piano Trio: Violon, Alto, Piano
1
Alto (partie séparée)
1
Quatuor à cordes : 4 altos
1
Violoncelle (partie séparée)
1
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24
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13
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5
Ensemble de cuivres
4
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2
Cloches
2
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1
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Vous avez sélectionné:
'Air' from Suite No.3
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Air on the G String (LEAD SHEET) from Suite No. 3 (BWV 1068) [Johann Sebastian Bach]
Instruments en Do
C Instrument - Digital Download SKU: A0.1257454 Composed by Johann Sebastian Bach. …
(+)
C Instrument - Digital Download SKU: A0.1257454 Composed by Johann Sebastian Bach. Arranged by Darek. Baroque,Classical,Early Music,Wedding. Lead Sheet / Fake Book. 1 pages. Darek #850770. Published by Darek (A0.1257454). Immerse yourself in the exquisite beauty of Air on the G String, a timeless masterpiece from Suite No. 3 (BWV 1068) composed by the legendary Johann Sebastian Bach. Elevate your musical performance with this captivating lead sheet, meticulously crafted to provide musicians with a versatile and expressive interpretation of this iconic composition.The Air on the G String lead sheet offers a unique musical experience, allowing you to explore the melody, chords, and structure of the piece in a concise and convenient format. Crafted with precision, this sheet provides essential elements for improvisation, accompaniment, or ensemble playing, empowering you to add your personal touch to Bach's enduring work.Unleash your creativity as you navigate the graceful melodies and harmonies of this renowned composition. The lead sheet captures the essence of Bach's genius, guiding you through the intricate nuances and allowing you to shape the music with your own artistic flair.Whether you're a jazz musician, a classical enthusiast, or a versatile performer seeking new avenues of musical expression, the Air on the G String lead sheet is a valuable addition to your repertoire. Its flexibility and adaptability make it suitable for solo performances, collaborations, or even spontaneous jam sessions.Keywords: Air on the G String, lead sheet, Suite No. 3, BWV 1068, Johann Sebastian Bach, exquisite beauty, timeless masterpiece, captivating, meticulous craft, versatile, expressive interpretation, unique musical experience, melody, chords, structure, concise, convenient format, improvisation, accompaniment, ensemble playing, personal touch, enduring work, creativity, graceful melodies, harmonies, renowned composition, essence, Bach's genius, intricate nuances, artistic flair, jazz musician, classical enthusiast, versatile performer, musical expression, valuable addition, repertoire, flexibility, adaptability, solo performances, collaborations, spontaneous jam sessions.
$2.00
1.84 €
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Instruments en Do
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Johann Sebastian Bach
#
Darek
#
Air on the G String
#
Darek
#
SheetMusicPlus
Chording to the Dance Masters - Melody and chords for 44 Renaissance Dance Consort pieces
Instruments en Do
C Instrument - Level 2 - Digital Download By Various. By Anonymous, Claudin de Sermis…
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C Instrument - Level 2 - Digital Download By Various. By Anonymous, Claudin de Sermisy, Henry VIII, Pierre Phalese, Thoinot Arbeau, John Dowland (1563- 1626), Michael Praetorius (1571-1621), Pierre Attaignant (1494-1553), Pierre Certon (1510-1572), William Cornysh (1470-1523), Juan Del Encina (1468-1530), Claude Gervaise (1540-1560), Giorgio Mainerio (1535-1582), Erasmus Widmann (1572-1634), and Tielman Susato (1500-1561). Arranged by Alastair Lodge. 151, 153, 162, Folk, Renaissance. Lead Sheet / Fake Book. 38 pages. Wold Meridian #727149. Published by Wold Meridian
Chording to the Dance Masters is a selection of dance tunes that were collected originally between about 1500 and 1620. Printing made many of these tunes popular throughout Europe during these times, some of them composed by the printer/publishers themselves, but many more of them existed previously as rustic dance tunes or popular chansons. The works were originally published to be played by three to five instrumentalists, with no particular instruments specified. They suited consorts or “choirs” of instruments that were depicted in the illustrations of Agricola, Mersenne and most notably Praetorius and are now preserved in museums around the world.<br> <br> Many editions exist in the 3, 4 or 5 parts as originally published, and these are an absolute joy to perform from, where the interweaving parts create interesting harmonies that demonstrate the skills of these renaissance composer/arranger/publishers. Playing with modern reproductions of the early instruments will recreate textures and sounds unique to this period. However, not everyone is lucky enough to either own these instruments or else have contact with others with whom they could form ensembles. This book aims to widen the experience out to those who would like to play these tunes on their own or with the accompaniment of a guitar, keyboard or other available chordal instrument. Fake books abound for those who wish to play Jazz, Folk, Classical and Popular music where the melody is annotated with chords so that players can access these tunes in their own way. As far as I am aware, this has not often been done for the player who wishes to busk their way through music of the Renaissance period.<br> <br> I have attempted to include all the chords implied by the polyphonic parts of the original publications, simply because it is in the transitions of the harmonies under the melodies where the genius of the original arranger/publisher resides. Those who go on to explore the original versions may look forward to the way in which each line presents the player with intrinsically beautiful counter melodies.<br> <br> At first, the rapidity of chord changing can be a bit daunting, so I have marked out what I consider to be the essential chords for accompaniment in boxes. Playing just these will provide adequate accompaniment, whilst leaving the more adventurous scope to enhance their performance by referencing some of the other chords. You can hear the chording arrangements together with the original 3, 4 or 5 part versions of all 44 pieces on a YouTube playlist which has been made as a companion to this volume at<br> <br> https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNS<br> <br> As well as the solo or player in a duo, this book would also be of value for someone who is used to reading chords rather than melody lines wishing to join in with a renaissance consort. The selection I have chosen represents quite a few of the “standards” that have become regularly played since the revival of renaissance music in the late 1960s. It is hoped that should this volume prove popular, companion volumes with all the parts provided for the same pieces could make essential repertoire for the budding renaissance dance consorts of the future.Chording to the Dance Masters is a selection of dance tunes that were collected originally between about 1500 and 1620. Printing made many of these tunes popular throughout Europe during these times, some of them composed by the printer/publishers themselves, but many more of them existed previously as rustic dance tunes or popular chansons. The works were originally published to be played by three to five instrumentalists, with no particular instruments specified. They suited consorts or “choirs” of instruments that were depicted in the illustrations of Agricola, Mersenne and most notably Praetorius and are now preserved in museums around the world.<br> <br> Many editions exist in the 3, 4 or 5 parts as originally published, and these are an absolute joy to perform from, where the interweaving parts create interesting harmonies that demonstrate the skills of these renaissance composer/arranger/publishers. Playing with modern reproductions of the early instruments will recreate textures and sounds unique to this period. However, not everyone is lucky enough to either own these instruments or else have contact with others with whom they could form ensembles. This book aims to widen the experience out to those who would like to play these tunes on their own or with the accompaniment of a guitar, keyboard or other available chordal instrument. Fake books abound for those who wish to play Jazz, Folk, Classical and Popular music where the melody is annotated with chords so that players can access these tunes in their own way. As far as I am aware, this has not often been done for the player who wishes to busk their way through music of the Renaissance period.<br> <br> I have attempted to include all the chords implied by the polyphonic parts of the original publications, simply because it is in the transitions of the harmonies under the melodies where the genius of the original arranger/publisher resides. Those who go on to explore the original versions may look forward to the way in which each line presents the player with intrinsically beautiful counter melodies.<br> <br> At first, the rapidity of chord changing can be a bit daunting, so I have marked out what I consider to be the essential chords for accompaniment in boxes. Playing just these will provide adequate accompaniment, whilst leaving the more adventurous scope to enhance their performance by referencing some of the other chords. You can hear the chording arrangements together with the original 3, 4 or 5 part versions of all 44 pieces on a YouTube playlist which has been made as a companion to this volume at<br> <br> https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNS<br> <br> As well as the solo or player in a duo, this book would also be of value for someone who is used to reading chords rather than melody lines wishing to join in with a renaissance consort. The selection I have chosen represents quite a few of the “standards” that have become regularly played since the revival of renaissance music in the late 1960s. It is hoped that should this volume prove popular, companion volumes with all the parts provided for the same pieces could make essential repertoire for the budding renaissance dance consorts of the future.
$11.46
10.57 €
#
Instruments en Do
#
Various
#
Chording to the Dance Masters - Melody and chords for 44 Renaissance Dance Consort pieces
#
Wold Meridian
#
SheetMusicPlus
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