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--INSTRUMENTS--
ACCORDEON
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Act Like You Live Here
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6
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2
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2
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2
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2
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2
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8
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5
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2
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1
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Vents
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25
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4
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3
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3
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1
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1
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1
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6
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4
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4
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Trombone
3
Trompette
3
Cor
2
Tuba et Piano
2
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2
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2
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1
Ensemble de Trompettes
1
+ 9 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
13
Violon
7
Violoncelle
5
Alto, Piano
4
Violon et Piano
4
Trio à Cordes: violon, alto, violoncelle
2
Harpe
2
Alto seul
2
Violoncelle, Piano
2
Alto (partie séparée)
2
2 Violons (duo)
2
Ensemble de Violons
1
Trio à Cordes: 2 violons, violoncelle
1
Trio à Cordes: 2 violons, alto
1
Ensemble d'Altos
1
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6
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5
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1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
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EUPHONIUM
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Act Like You Live Here
Instruments en Do
Partitions à imprimer
7 partitions trouvées
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1
Act Like You Live Here
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Instruments en Do
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FACILE
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Nick Koenig
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Act Like You Live Here
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Nick Koenig
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SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1432566 Composed by Nick Koenig. Blues,Funk,Jazz. Lead Sheet / Fake Book. 2 pages. Nick Koenig #1013033. Published by N...
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C Instrument - Level 2 - SKU: A0.1432566 Composed by Nick Koenig. Blues,Funk,Jazz. Lead Sheet / Fake Book. 2 pages. Nick Koenig #1013033. Published by Nick Koenig (A0.1432566). The following tune utilized the National Oceanic and Atmospheric Administration's (NOAA) dataset of global average temperatures back to 1880's, seperated and averaged by decade, and based the chord and melodic progression off of the decadal averages in the changing and increasing global temperatures. Additionally, the shifts in melodic and harmonic structure were also inspired by the influences of Black jazz musicians such as Oscar Pettiford, Milt Jackson, Melba Liston, & Oscar Peterson especially during the 1950's and 1960's which coincided with sharp and steady increases in global temperatures. When soloing, musicians are asked to think about the questions: What is at stake with climate change? and How has and will climate change affect the creation of music?.
$1.99
The Devil's Elbow
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Instruments en Do
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INTERMÉDIAIRE
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Celtique/Irlandais
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Folklorique/Traditionel
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Calum Wood
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The Devil's Elbow
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Calum Wood
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SheetMusicPlus
C Instrument - Level 3 - SKU: A0.1050130 Composed by Calum Wood. Celtic,Folk,Irish,Traditional. Lead Sheet / Fake Book. 1 pages. Calum Wood #654506. Pub...
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C Instrument - Level 3 - SKU: A0.1050130 Composed by Calum Wood. Celtic,Folk,Irish,Traditional. Lead Sheet / Fake Book. 1 pages. Calum Wood #654506. Published by Calum Wood (A0.1050130). Are you ready to add a bit of Scottish flair to your guitar playing? Look no further than The Devil's Elbow by Calum Wood. This traditional Scottish tune is a lively and energetic piece that will transport you to the rolling hills and misty glens of the Scottish countryside.Our guitar score of The Devil's Elbow features both TAB and music notation, making it accessible for players of all skill levels. Whether you're a seasoned guitarist or just starting out, you'll find this tune to be a fun and challenging addition to your repertoire.What sets our guitar score apart is its attention to detail and accuracy. We've taken great care to ensure that every note and chord is transcribed with precision, so you can play the song exactly as it was meant to be played. Plus, our score includes helpful tips and suggestions for adding your own personal flair and improvisation to the tune.With The Devil's Elbow in your repertoire, you'll be able to infuse your playing with the spirit and energy of Scottish folk music. The lively and upbeat melody will have your toes tapping and your audience dancing along, and you'll find yourself returning to it again and again for years to come.Don't miss out on the opportunity to add this classic Scottish tune to your collection. Order your guitar score of The Devil's Elbow today and take your guitar playing to the next level with the soulful and spirited sounds of Scotland!The Devil's Elbow is a winding and picturesque section of road located in the Scottish Highlands. The road, also known as the A93, runs between the towns of Blairgowrie and Braemar, and is considered one of the most challenging and scenic drives in Scotland.The origins of the name Devil's Elbow are unclear, but legend has it that the devil himself had a hand in shaping the road. According to folklore, the devil was tasked with creating a road through the hills of the Scottish Highlands, and he chose to build it along the most treacherous and winding path he could find. As he worked, he encountered a particularly difficult section of the road where the hills formed a sharp bend, and he bent the rocks to create a tight hairpin turn that became known as the Devil's Elbow.In reality, the road was likely shaped by centuries of erosion and human activity. The section of road that makes up the Devil's Elbow is part of a larger route that has been used for centuries by traders, farmers, and travelers crossing the Scottish Highlands. The road was improved and expanded over time, and the modern A93 was officially completed in 1932.Despite its treacherous reputation, the Devil's Elbow is a popular destination for tourists and driving enthusiasts. The road offers stunning views of the surrounding hills and valleys, and the hairpin turn at the Devil's Elbow is considered a particular challenge for drivers and cyclists.Today, the Devil's Elbow remains a beloved part of Scotland's landscape and history, and its legend continues to capture the imaginations of visitors and locals alike. Whether you're a traveler seeking adventure or a history buff looking to explore Scotland's rich cultural heritage, the Devil's Elbow is a must-see destination that will leave a lasting impression.
$1.99
Sunset
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Instruments en Do
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INTERMÉDIAIRE
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Poem by H
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Sunset
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Λrthvr
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SheetMusicPlus
C Instrument - Level 3 - SKU: A0.1435522 By Poem by H.P. Lovecraft. By Λrthvr. 20th Century,A Cappella,Chamber,Classical,Contemporary. Lead Sheet / Fak...
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C Instrument - Level 3 - SKU: A0.1435522 By Poem by H.P. Lovecraft. By Λrthvr. 20th Century,A Cappella,Chamber,Classical,Contemporary. Lead Sheet / Fake Book. 1 pages. Λrthvr #1015610. Published by Λrthvr (A0.1435522). A setting of the poem Sunset by H.P. Lovecraft, for solo female voice or choir upper voice (without accompaniment).Ambitus:B♭3 - D5You are free to transpose the score up or down. If you would like to perform the piece publicly (live concert or internet), please contact me via contact form.You can find the piece and other similar music here:https://arthvr000.bandcamp.com/album/vocal-music-poetry-settingsPoem text:The cloudless day is richer at its close;A golden glory settles on the lea;Soft, stealing shadows hint of cool reposeTo mellowing landscape, and to calming sea.And in that nobler, gentler, lovelier light,The soul to sweeter, loftier bliss inclines;Freed from the noonday glare, the favour’d sightIncreasing grace in earth and sky divines.But ere the purest radiance crowns the green,Or fairest lustre fills th’ expectant grove,The twilight thickens, and the fleeting sceneLeaves but a hallow’d memory of love!
$2.99
Almost May Lead Sheet
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Instruments en Do
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FACILE
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Heidi Savoie
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Heidi Savoie
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Almost May Lead Sheet
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Heidi Savoie
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SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/So...
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C Instrument - Level 2 - SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Lead Sheet / Fake Book. 1 pages. Heidi Savoie #960874. Published by Heidi Savoie (A0.1376331). This is a lead sheet for any instrument for the song Almost May. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$2.99
Ceilidh Music - Gay Gordons - For Accordion
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Instruments en Do
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INTERMÉDIAIRE
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Traditional
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Martin Hay
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Ceilidh Music - Gay Gordons -
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Martin Hay
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SheetMusicPlus
C Instrument - Level 3 - SKU: A0.1289648 By Traditional. By Traditional. Arranged by Martin Hay. 19th Century,Celtic,Irish,Multicultural,Traditional,Wed...
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C Instrument - Level 3 - SKU: A0.1289648 By Traditional. By Traditional. Arranged by Martin Hay. 19th Century,Celtic,Irish,Multicultural,Traditional,Wedding,World. Lead Sheet / Fake Book. 2 pages. Martin Hay #880353. Published by Martin Hay (A0.1289648). The Gay Gordons is a lively Scottish country dance that is popular at social gatherings and ceilidhs (traditional Scottish dances). It is a partner dance that involves a combination of skipping steps and waltz-like moves. The dance is typically done in a circular formation with couples facing each other. Here is a basic description of how the Gay Gordons dance is performed:1. **Starting Position:** Couples stand facing each other in a large circle, holding hands. The dance begins with partners side by side, with the man's right hand holding the woman's left hand.2. **Skipping Steps:** The dance starts with a series of skipping steps, where couples move in a circle to the right, taking small skipping steps.3. **Turns:** After a few rounds of skipping, couples will turn 180 degrees to face the opposite direction, still holding hands.4. **Waltz Hold:** Once turned, couples adopt a waltz hold, with the man's right hand around the woman's waist, and the woman's left hand on the man's shoulder. The other hands are joined together.5. **Waltz:** Couples then waltz around the dance floor in a clockwise direction, often taking a few spins.6. **Repeat:** The dance continues with more skipping steps, turns, and waltzing. It is a joyful and energetic dance that is typically danced to traditional Scottish music.The songs in this Gay Gordons set are:**1. The Thistle of Scotland:**The Thistle of Scotland is not a widely recognized or specific song title in Scottish music. Scotland has a rich musical tradition with many songs that celebrate its culture, history, and symbols. The thistle is the national emblem of Scotland, so there may be various songs that reference it indirectly.**2. Mhairi's Wedding:**Mhairi's Wedding is a popular Scottish folk song often played at weddings and celebrations. It tells the story of a wedding celebration and is known for its catchy melody and lyrics that celebrate the joyous occasion of Mhairi's wedding.**3. The Barren Rocks of Aden:**The Barren Rocks of Aden is a famous Scottish military march. It is often played by bagpipe bands and has a distinctive and stirring melody. The tune is associated with the British Army and is a common choice for military processions and parades.**4. Scotland the Brave:**Scotland the Brave is another well-known Scottish patriotic song and march. It is often played at national and sporting events in Scotland. The song celebrates the beauty and spirit of Scotland and is characterized by its uplifting and proud melody. It is a favorite among bagpipers and is often performed with great enthusiasm.These songs are all part of Scotland's rich musical heritage and are played at various occasions to celebrate its culture and history.
$3.99
The Leaves Around Me Falling
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Instruments en Do
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INTERMÉDIAIRE
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Musique Sacrée
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Stacey Plays Hymns
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Anastace
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The Leaves Around Me Falling
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Anastace
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SheetMusicPlus
C Instrument - Level 3 - SKU: A0.1316617 By Stacey Plays Hymns. By Henry Francis Lyte / Stacey Plays Hymns. Arranged by Anastace. Christian,Religious,Sa...
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C Instrument - Level 3 - SKU: A0.1316617 By Stacey Plays Hymns. By Henry Francis Lyte / Stacey Plays Hymns. Arranged by Anastace. Christian,Religious,Sacred,Spiritual. Lead Sheet / Fake Book. 2 pages. Anastace #905338. Published by Anastace (A0.1316617). A perfect hymn for funerals or a contemplative autumn service, reminding us of how swiftly life passes, just like the autumn leaves which are so soon gone. The original hymn was very beautiful but I thought a minor setting would be more fitting for the solemn lyrics, so I wrote an entirely new melody and choral arrangement, which can be found on all streaming platforms and Youtube, where lyric videos of this and other songs are readily available for church or personal use. All September and October long I've been going back to this song myself, as it captures the rich beauty and yet sadness of the autumn season, and somehow brings comfort amidst the fast-changing seasons of the earth and of our lives. I hope you also are blessed by this song and arrangement!For other formats including large print or special congregational versions contact me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. This is the lead sheet version, intended for personal use only. For a license to use or present in a church service, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$3.00
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