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Call of the North
Non classifié
113
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Piano seul
29
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12
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5
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4
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2
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1
+ 1 instrumentations
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Guitare
11
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5
Banjo
1
Voix
Chorale SATB
23
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4
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3
Chorale 3 parties
2
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1
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1
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1
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1
Chorale SSAA
1
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15
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6
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6
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6
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5
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5
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3
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3
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2
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2
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1
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1
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1
3 Saxophones (trio)
1
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19
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9
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7
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6
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4
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3
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2
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1
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1
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12
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3
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3
Harpe
3
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2
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2
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1
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1
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1
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1
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1
4 Violoncelles
1
+ 7 instrumentations
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21
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10
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7
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2
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2
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1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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Vous avez sélectionné:
Call of the North
Instruments en Do
Partitions à imprimer
4 partitions trouvées
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Stream Serenade
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Instruments en Do
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INTERMÉDIAIRE
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Rock
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The Candlelight Guitarist
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Bradley Powell
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Renewal (with nature sounds)
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Stream Serenade
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Geofonica Artistworks
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SheetMusicPlus
C Instrument - Level 3 - SKU: A0.1167844 By The Candlelight Guitarist. By Bradley Powell. Arranged by Bradley Powell. Classical,Folk,Jazz,New Age. Lead ...
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C Instrument - Level 3 - SKU: A0.1167844 By The Candlelight Guitarist. By Bradley Powell. Arranged by Bradley Powell. Classical,Folk,Jazz,New Age. Lead Sheet / Fake Book. 4 pages. Geofonica Artistworks #768176. Published by Geofonica Artistworks (A0.1167844). Detailed lead sheet for the piece Stream Serenade - composed by Bradley Powell (who records as The Candlelight Guitarist) from his album Music for Rest & Renewal (with nature sounds). Like other Candlelight Guitarist pieces, it blends classical, jazz, folk, blues and others styles. It is a simple piece, but with stylistic depth that can work well for players from early intermediate to advanced. This lead sheet is in standard notation, with the complete melody (including double stops, octaves and lead features), chord symbols, plus the key rhythm guitar intro pattern (also in standard notation).COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Dr. Beth - Amazon.com #1 Hall of Fame reviewerBrad has a knack for putting together gentle, soothing guitar medleys which provide the perfect background or relaxation soundtrack.Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ...  Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Jana L. Perskie Ceruleana (New York, NY USA) ~ Amazon.com TOP 50 Reviewer.The talented and creative Bradley Powell is the Candlelight Guitarist. His music is original and some of the most soul soothing I have ever heard.Bob McKillop, founder and publisher, MaineFolkMusic.comBrad Powell is a talented and highly trained California guitarist and composer who calls himself The Candlelight Guitarist, and for good reason. His music is perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender.ABOUT: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Since 2019, Brad has also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland, providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, and Pocahontas) each morning!
$3.99
Sinha Pureza
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Instruments en Do
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FACILE
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Pinduca
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@romulodoviolao
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Sinha Pureza
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@romulodoviolao
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SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1493173 Composed by Pinduca. Arranged by @romulodoviolao. 20th Century,Folk,Latin,Pop. Lead Sheet / Fake Book. 1 pages....
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C Instrument - Level 2 - SKU: A0.1493173 Composed by Pinduca. Arranged by @romulodoviolao. 20th Century,Folk,Latin,Pop. Lead Sheet / Fake Book. 1 pages. @romulodoviolao #1069836. Published by @romulodoviolao (A0.1493173). This is a very known song of the North of Brazil. It's genre is called Carimbó, and people like to dance over this rhythm. Learn today and be a little bit more brazilian.
$6.00
Almost May Lead Sheet
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Instruments en Do
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FACILE
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Heidi Savoie
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Heidi Savoie
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Almost May Lead Sheet
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Heidi Savoie
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SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/So...
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C Instrument - Level 2 - SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Lead Sheet / Fake Book. 1 pages. Heidi Savoie #960874. Published by Heidi Savoie (A0.1376331). This is a lead sheet for any instrument for the song Almost May. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$2.99
Festa
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Instruments en Do
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FACILE
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Luiz Junior Gonzaga Do Nascime
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@romulodoviolao
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Festa
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@romulodoviolao
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SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1494489 Composed by Luiz Junior Gonzaga Do Nascimento. Arranged by @romulodoviolao. 20th Century,Folk,Latin,Multicultur...
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C Instrument - Level 2 - SKU: A0.1494489 Composed by Luiz Junior Gonzaga Do Nascimento. Arranged by @romulodoviolao. 20th Century,Folk,Latin,Multicultural,Traditional,World. Lead Sheet / Fake Book. 1 pages. @romulodoviolao #1071074. Published by @romulodoviolao (A0.1494489). This a classic tune by the one of the biggest brazilian composers 'Gonzagão', like Big Gonzaga.It was written in a northeast genre called Maracatu. The melody speaks well with the percussive instruments. Learn this song today and be a little bit more brazilian.
$6.00
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Call of the North
