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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
DRUM Classical
Non classifié
681
Piano & claviers
Piano seul
42
Piano Facile
10
Accompagnement Piano
6
Piano, Voix et Guitare
6
Orgue
5
Piano, Voix
5
1 Piano, 4 mains
5
Instruments en Do
3
2 Pianos, 4 mains
2
Accordéon
1
+ 5 instrumentations
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Guitares
Guitare notes et tablatures
11
Guitare
9
2 Guitares (duo)
8
Basse electrique
1
4 Guitares (Quatuor)
1
Voix
Chorale SATB
22
Chorale 3 parties
5
Chorale TTBB
2
Chorale
2
Voix basse, Piano
1
Chorale Unison
1
Voix d'Enfants
1
Pack Instrumental pour Chorale
1
Voix duo
1
Voix moyenne, Piano
1
Voix Soprano, Piano
1
+ 6 instrumentations
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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
9
Flûte, Hautbois, Clarinette, Basson
7
Saxophone Tenor et Piano
5
2 Flûtes traversières (duo)
4
Hautbois, Piano (duo)
4
Quintette de Saxophone: 5 saxophones
4
Trio de Flûtes: 3 flûtes
3
3 Clarinettes (trio)
3
Quatuor de Saxophones: 4 saxophones
3
Clarinette et Piano
3
Flûte traversière et Piano
3
Ensemble de saxophones
2
Clarinette (partie séparée)
2
Flûte, Clarinette (duo)
2
Quintette de Clarinettes: 5 clarinettes
2
Flûte traversière
2
Quatuor de Clarinettes: 4 clarinettes
2
Ensemble de Clarinettes
2
3 Saxophones (trio)
2
Quatuor de Flûtes : 4 flûtes
1
Clarinette, Violoncelle (duo)
1
Clarinette
1
Flûte, Violon, Piano
1
Flûte, Violoncelle, Piano (trio)
1
Quintette de Flûte : 5 flûtes
1
Hautbois
1
Saxophone Alto et Piano
1
Saxophone Alto
1
+ 23 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
18
Quatuor de cuivres: 4 trombones
12
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Trompette, Piano
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Trompette (partie séparée)
3
Trombone (partie séparée)
3
Quatuor de Cuivres
3
Cor et Piano
2
Quatuor de cuivres: 4 trompettes
2
Quatuor de cuivres: 4 cors
1
2 Trompettes (duo)
1
2 Trombones (duo)
1
Tuba et Piano
1
Cor (partie séparée)
1
Trombone et Piano
1
Trompette
1
4 Tubas
1
Tuba (partie séparée)
1
Ensemble de Trompettes
1
+ 15 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
19
Violoncelle, Piano
17
Violon et Piano
16
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Violon, Violoncelle (duo)
4
2 Contrebasses (duo)
4
Violon, Alto (duo)
4
2 Violoncelles (duo)
4
2 Violons (duo)
4
Trio à Cordes: violon, alto, violoncelle
3
Contrebasse, Piano (duo)
3
Alto, Piano
2
Violon (partie séparée)
2
Violon
2
+ 9 instrumentations
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Orchestre & Percussions
Orchestre
198
Orchestre d'harmonie
163
Caisse Claire
104
Percussion
86
Batterie (partie séparée)
49
Batterie
48
Fanfare
41
Orchestre à Cordes
38
Ensemble de cuivres
31
Orchestre de chambre
24
Ensemble Jazz
21
Ensemble de Percussions
16
Jazz combo
12
Vibraphone
3
Percussion (partie séparée)
2
Cloches
1
2 Caisses Claires (duo)
1
Instrumentation Flexible
1
Bongos
1
+ 14 instrumentations
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Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
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BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
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ASIE
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
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FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
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Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
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Nouveautes
A-Z
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débutant
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avec audio
avec vidéo
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Crtitères actifs :
DRUM Classical
Instruments en Do
Partitions à imprimer
3 partitions trouvées
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Almost May Lead Sheet
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Instruments en Do
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FACILE
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Heidi Savoie
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Heidi Savoie
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Almost May Lead Sheet
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Heidi Savoie
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SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/So...
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C Instrument - Level 2 - SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Lead Sheet / Fake Book. 1 pages. Heidi Savoie #960874. Published by Heidi Savoie (A0.1376331). This is a lead sheet for any instrument for the song Almost May. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$2.99
Snow (yuki)
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Instruments en Do
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INTERMÉDIAIRE
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Robert Buckley
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Nathan Kersey-Wilson
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Snow
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Nathan Wilson
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SheetMusicPlus
C Instrument - Level 3 - SKU: A0.1250752 Composed by Robert Buckley. Arranged by Nathan Kersey-Wilson. Classical,New Age. Lead Sheet / Fake Book. 1 page...
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C Instrument - Level 3 - SKU: A0.1250752 Composed by Robert Buckley. Arranged by Nathan Kersey-Wilson. Classical,New Age. Lead Sheet / Fake Book. 1 pages. Nathan Wilson #845031. Published by Nathan Wilson (A0.1250752). A simple and accurate transcription for rhythm section (piano, guitar, bass, drums, or all together).
$3.99
Shape
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Instruments en Do
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INTERMÉDIAIRE/AVANCÉ
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Fernando Corrêa
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Fernando Corrêa
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Shape
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Fernando Corrêa
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SheetMusicPlus
C Instrument - Level 4 - SKU: A0.1262339 By Fernando Corrêa. By Fernando Corrêa. Arranged by Fernando Corrêa. Classical,Contemporary,Jazz,Multi...
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C Instrument - Level 4 - SKU: A0.1262339 By Fernando Corrêa. By Fernando Corrêa. Arranged by Fernando Corrêa. Classical,Contemporary,Jazz,Multicultural,World. Lead Sheet / Fake Book. 1 pages. Fernando Corrêa #855378. Published by Fernando Corrêa (A0.1262339). Own composition for trio with guitar, bass and drums.
$4.99
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DRUM Classical 
