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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
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Floating
Non classifié
46
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156
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24
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11
Orgue
7
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7
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4
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1
Piano (partie séparée)
1
Accompagnement Piano
1
1 Piano, 4 mains
1
Orgue, Piano (duo)
1
+ 6 instrumentations
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Guitares
Guitare
11
Guitare notes et tablatures
4
Guitare (partie séparée)
2
Voix
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17
Chorale 3 parties
12
Chorale 2 parties
5
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4
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3
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2
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2
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1
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1
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1
+ 5 instrumentations
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14
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6
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6
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5
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5
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5
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4
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4
Ensemble de Flûtes
3
Clarinette
3
Quatuor de Flûtes : 4 flûtes
2
Clarinette Basse, Piano
2
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2
2 Clarinettes, Piano
2
Hautbois (partie séparée)
2
Saxophone Alto
2
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2
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2
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2
2 Flûtes traversières (duo)
2
2 Flûtes traversières, Guitare
1
Saxophone Baryton, Piano
1
Flûte, Violon
1
Saxophone Soprano et Piano
1
Flûte à bec Tenor
1
Flûte, Hautbois, Piano (trio)
1
Clarinette, Guitare (duo)
1
Saxophone et Guitare
1
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1
Quatuor de Clarinettes: 4 clarinettes
1
Flûte et Guitare
1
3 Clarinettes (trio)
1
Flûte, Violon, Piano
1
Clarinette, Violoncelle, Piano (trio)
1
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1
2 Flûtes traversières, Piano
1
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7
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7
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5
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5
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5
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4
Trombone
4
Trompette (partie séparée)
3
Tuba
2
2 Cors (duo)
2
Trompette
2
Cor
2
Trompette, Violoncelle et Piano
1
2 Euphoniums et 2 Tubas
1
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1
Euphonium, Piano (duo)
1
Quatuor de cuivres: 4 cors
1
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11
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10
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8
Harpe
7
Quatuor à cordes: 2 violons, alto, violoncelle
4
Contrebasse, Piano (duo)
4
Violoncelle
3
2 Violoncelles (duo)
3
Violon, Guitare (duo)
2
2 Harpes (duo)
2
2 Altos (duo)
2
Alto seul
2
Trio à Cordes: violon, alto, violoncelle
2
Violon
2
Contre Basse
2
Contrebasse (partie séparée)
1
Alto (partie séparée)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violoncelle, Contrebasse (duo)
1
Alto, Guitare (duo)
1
Alto, Violoncelle (duo)
1
Piano Trio: Violon, Alto, Piano
1
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1
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1
Violon, Alto (duo)
1
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117
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9
Orchestre
9
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7
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4
Cloches
2
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1
Ensemble de Percussions
1
Ensemble de cuivres
1
Jazz combo
1
Xylophone, Piano
1
Orchestre, Violon
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
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Vous avez sélectionné:
Floating
Instruments en Do
Partitions à imprimer
4 partitions trouvées
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Floating
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Instruments en Do
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Michael Stambaugh
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Floating
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Mike Stambaugh
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SheetMusicPlus
C Instrument - SKU: A0.1389363 Composed by Michael Stambaugh. Children,Folk,Instructional. Lead Sheet / Fake Book. 1 pages. Mike Stambaugh #972949. Publ...
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C Instrument - SKU: A0.1389363 Composed by Michael Stambaugh. Children,Folk,Instructional. Lead Sheet / Fake Book. 1 pages. Mike Stambaugh #972949. Published by Mike Stambaugh (A0.1389363). Floating is a short tune in the Lydian tonality that is perfect for the general music classroom. Written in lead sheet format so that the teacher can accompany student-musicians as they sing and move to the music. Optimal for movement activities but flexible enough to fit any need in a tune-based general music curriculum. Recommended for grades PreK-5.
$1.99
Almost May Lead Sheet
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Instruments en Do
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FACILE
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Heidi Savoie
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Heidi Savoie
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Almost May Lead Sheet
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Heidi Savoie
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SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/So...
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C Instrument - Level 2 - SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Lead Sheet / Fake Book. 1 pages. Heidi Savoie #960874. Published by Heidi Savoie (A0.1376331). This is a lead sheet for any instrument for the song Almost May. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$2.99
What Was I Made For?
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Instruments en Do
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FACILE
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Pop musique
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Billie Eilish
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Milanov
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What Was I Made For?
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Milanov
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SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1273273 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwri...
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C Instrument - Level 2 - SKU: A0.1273273 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwriter. Lead Sheet / Fake Book. 3 pages. Milanov #865422. Published by Milanov (A0.1273273). What Was I Made For? From Barbie by Billie Eilish for Lead sheet. Easy intermediate.What Was I Made For from Barbie by Billie Eilish is a melancholic ballad about feeling lost and uncertain about one's identity. The lyrics explore themes of existentialism, anxiety, and depression. The song's production is sparse and atmospheric, with Eilish's vocals taking center stage. The overall effect is a haunting and introspective track that will resonate with anyone who has ever felt lost or alone. The song ends with a sense of resignation, as Eilish sings, I guess I'll just keep on floating. However, the song's message is ultimately one of hope, as it suggests that even in the midst of uncertainty, there is still beauty to be found.
$5.99
What Was I Made For?
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Instruments en Do
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INTERMÉDIAIRE
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Pop musique
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Billie Eilish
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Milanov
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What Was I Made For?
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Milanov
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SheetMusicPlus
C Instrument - Level 3 - SKU: A0.1273490 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwri...
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C Instrument - Level 3 - SKU: A0.1273490 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwriter. Lead Sheet / Fake Book. 3 pages. Milanov #865626. Published by Milanov (A0.1273490). What Was I Made For? From Barbie by Billie Eilish for string lead sheet. Intermediate. What Was I Made For from Barbie by Billie Eilish is a melancholic ballad about feeling lost and uncertain about one's identity. The lyrics explore themes of existentialism, anxiety, and depression. The song's production is sparse and atmospheric, with Eilish's vocals taking center stage. The overall effect is a haunting and introspective track that will resonate with anyone who has ever felt lost or alone. The song ends with a sense of resignation, as Eilish sings, I guess I'll just keep on floating. However, the song's message is ultimately one of hope, as it suggests that even in the midst of uncertainty, there is still beauty to be found.
$5.99
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Floating
