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AUTRES
Vous avez sélectionné:
Hanging On
Instruments en Do
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Corner Stone
Instruments en Do
C Instrument - Level 1 - Digital Download SKU: A0.1500503 By Hill Song Worship. By …
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C Instrument - Level 1 - Digital Download SKU: A0.1500503 By Hill Song Worship. By Hill Song Worship. Arranged by Hill Song Worship. Christian,Praise & Worship,Religious,Spiritual. Lead Sheet / Fake Book. 1 pages. Steven See #1076588. Published by Steven See (A0.1500503). [Verse 1]My hope is built on nothing lessThan Jesus blood and righteousnessI dare not trust the sweetest frameBut wholly trust in Jesus nameMy hope is built on nothing lessThan Jesus blood and righteousnessI dare not trust the sweetest frameBut wholly trust in Jesus name[Chorus]Christ alone, CornerstoneWeak made strong in the Saviour's loveThrough the storm, He is LordLord of all[Verse 2]When darkness seems to hide His faceI rest on His unchanging graceIn every high and stormy galeMy anchor holds within the veilMy anchor holds within the veil[Chorus]Christ alone, CornerstoneWeak made strong in the Saviour's loveThrough the storm, He is LordLord of allHe is Lord, Lord of allChrist alone, CornerstoneWeak made strong in the Saviour's loveThrough the storm, He is LordLord of all, yeahChrist alone, CornerstoneWeak made strong in the Saviour's loveThrough the storm, He is LordLord of all.
$3.99
3.64 €
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Instruments en Do
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Hill Song Worship
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Hill Song Worship
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Corner Stone
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Steven See
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SheetMusicPlus
Stand By Your Man
Instruments en Do
C Instrument - Level 4 - Digital Download SKU: A0.1411516 Composed by Billy Sherril…
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C Instrument - Level 4 - Digital Download SKU: A0.1411516 Composed by Billy Sherrill and Tammy Wynette. Arranged by John Fries. 20th Century,Country,Pop,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #993804. Published by John Fries (A0.1411516). TYPE JOHN FRIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER. Thanks, John. Stand by Your Man is a song recorded by American country music artist Tammy Wynette, co-written by Wynette and Billy Sherrill. It was released on September 20, 1968, as the first single and title track from the album Stand by Your Man. It proved to be the most successful record of Wynette's career, and is one of the most familiar songs in country music. The song was placed at number one on CMT's list of the Top 100 Country Music Songs. The song received some criticism during the late 1960s-early 1970s women's liberation movement, as feminist groups deemed it to be too conservative, while, for others, the song made Wynette a spokeswoman for working-class housewives experiencing marital disappointments and changing gender roles in the late 1960s. However, Wynette herself said that she had not intended any social or political slant to it. In 1992, during a 60 Minutes interview regarding Bill Clinton's affair with Gennifer Flowers, Hillary Clinton remarked: I'm not sitting here, some little woman standing by my man like Tammy Wynette. Wynette was angered by this remark and issued a statement shortly after.
$3.99
3.64 €
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Instruments en Do
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Billy Sherrill and Tammy Wynette
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John Fries
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Stand By Your Man
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John Fries
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SheetMusicPlus
New Earth
Instruments en Do
C Instrument - Level 3 - Digital Download SKU: A0.1130248 By Julian Hartwell Projec…
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C Instrument - Level 3 - Digital Download SKU: A0.1130248 By Julian Hartwell Project. By Julian Horner. Arranged by Julian Horner. Contemporary,Jazz,Standards. Lead Sheet / Fake Book. 5 pages. Julian Hartwell Music #730611. Published by Julian Hartwell Music (A0.1130248). A modern jazz tour-de-force with exciting harmony and melodic, thematic and narrative development. Vamp and groove are important to this tune, along with the changing sections. Open up for solos at different sections depending on the number of players you have in your ensemble. Ideal for a quintet or sextet.
$4.99
4.55 €
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Instruments en Do
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Julian Hartwell Project
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Julian Horner
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New Earth
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Julian Hartwell Music
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SheetMusicPlus
The Leaves Around Me Falling
Instruments en Do
C Instrument - Level 3 - Digital Download SKU: A0.1316617 By Stacey Plays Hymns. By…
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C Instrument - Level 3 - Digital Download SKU: A0.1316617 By Stacey Plays Hymns. By Henry Francis Lyte / Stacey Plays Hymns. Arranged by Anastace. Christian,Religious,Sacred,Spiritual. Lead Sheet / Fake Book. 2 pages. Anastace #905338. Published by Anastace (A0.1316617). A perfect hymn for funerals or a contemplative autumn service, reminding us of how swiftly life passes, just like the autumn leaves which are so soon gone. The original hymn was very beautiful but I thought a minor setting would be more fitting for the solemn lyrics, so I wrote an entirely new melody and choral arrangement, which can be found on all streaming platforms and Youtube, where lyric videos of this and other songs are readily available for church or personal use. All September and October long I've been going back to this song myself, as it captures the rich beauty and yet sadness of the autumn season, and somehow brings comfort amidst the fast-changing seasons of the earth and of our lives. I hope you also are blessed by this song and arrangement!For other formats including large print or special congregational versions contact me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. This is the lead sheet version, intended for personal use only. For a license to use or present in a church service, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$3.00
2.74 €
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Instruments en Do
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Stacey Plays Hymns
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Anastace
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The Leaves Around Me Falling
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Anastace
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SheetMusicPlus
Chording to the Dance Masters - Melody and chords for 44 Renaissance Dance Consort pieces
Instruments en Do
C Instrument - Level 2 - Digital Download By Various. By Anonymous, Claudin de Sermis…
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C Instrument - Level 2 - Digital Download By Various. By Anonymous, Claudin de Sermisy, Henry VIII, Pierre Phalese, Thoinot Arbeau, John Dowland (1563- 1626), Michael Praetorius (1571-1621), Pierre Attaignant (1494-1553), Pierre Certon (1510-1572), William Cornysh (1470-1523), Juan Del Encina (1468-1530), Claude Gervaise (1540-1560), Giorgio Mainerio (1535-1582), Erasmus Widmann (1572-1634), and Tielman Susato (1500-1561). Arranged by Alastair Lodge. 151, 153, 162, Folk, Renaissance. Lead Sheet / Fake Book. 38 pages. Wold Meridian #727149. Published by Wold Meridian
Chording to the Dance Masters is a selection of dance tunes that were collected originally between about 1500 and 1620. Printing made many of these tunes popular throughout Europe during these times, some of them composed by the printer/publishers themselves, but many more of them existed previously as rustic dance tunes or popular chansons. The works were originally published to be played by three to five instrumentalists, with no particular instruments specified. They suited consorts or “choirs” of instruments that were depicted in the illustrations of Agricola, Mersenne and most notably Praetorius and are now preserved in museums around the world.<br> <br> Many editions exist in the 3, 4 or 5 parts as originally published, and these are an absolute joy to perform from, where the interweaving parts create interesting harmonies that demonstrate the skills of these renaissance composer/arranger/publishers. Playing with modern reproductions of the early instruments will recreate textures and sounds unique to this period. However, not everyone is lucky enough to either own these instruments or else have contact with others with whom they could form ensembles. This book aims to widen the experience out to those who would like to play these tunes on their own or with the accompaniment of a guitar, keyboard or other available chordal instrument. Fake books abound for those who wish to play Jazz, Folk, Classical and Popular music where the melody is annotated with chords so that players can access these tunes in their own way. As far as I am aware, this has not often been done for the player who wishes to busk their way through music of the Renaissance period.<br> <br> I have attempted to include all the chords implied by the polyphonic parts of the original publications, simply because it is in the transitions of the harmonies under the melodies where the genius of the original arranger/publisher resides. Those who go on to explore the original versions may look forward to the way in which each line presents the player with intrinsically beautiful counter melodies.<br> <br> At first, the rapidity of chord changing can be a bit daunting, so I have marked out what I consider to be the essential chords for accompaniment in boxes. Playing just these will provide adequate accompaniment, whilst leaving the more adventurous scope to enhance their performance by referencing some of the other chords. You can hear the chording arrangements together with the original 3, 4 or 5 part versions of all 44 pieces on a YouTube playlist which has been made as a companion to this volume at<br> <br> https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNS<br> <br> As well as the solo or player in a duo, this book would also be of value for someone who is used to reading chords rather than melody lines wishing to join in with a renaissance consort. The selection I have chosen represents quite a few of the “standards” that have become regularly played since the revival of renaissance music in the late 1960s. It is hoped that should this volume prove popular, companion volumes with all the parts provided for the same pieces could make essential repertoire for the budding renaissance dance consorts of the future.Chording to the Dance Masters is a selection of dance tunes that were collected originally between about 1500 and 1620. Printing made many of these tunes popular throughout Europe during these times, some of them composed by the printer/publishers themselves, but many more of them existed previously as rustic dance tunes or popular chansons. The works were originally published to be played by three to five instrumentalists, with no particular instruments specified. They suited consorts or “choirs” of instruments that were depicted in the illustrations of Agricola, Mersenne and most notably Praetorius and are now preserved in museums around the world.<br> <br> Many editions exist in the 3, 4 or 5 parts as originally published, and these are an absolute joy to perform from, where the interweaving parts create interesting harmonies that demonstrate the skills of these renaissance composer/arranger/publishers. Playing with modern reproductions of the early instruments will recreate textures and sounds unique to this period. However, not everyone is lucky enough to either own these instruments or else have contact with others with whom they could form ensembles. This book aims to widen the experience out to those who would like to play these tunes on their own or with the accompaniment of a guitar, keyboard or other available chordal instrument. Fake books abound for those who wish to play Jazz, Folk, Classical and Popular music where the melody is annotated with chords so that players can access these tunes in their own way. As far as I am aware, this has not often been done for the player who wishes to busk their way through music of the Renaissance period.<br> <br> I have attempted to include all the chords implied by the polyphonic parts of the original publications, simply because it is in the transitions of the harmonies under the melodies where the genius of the original arranger/publisher resides. Those who go on to explore the original versions may look forward to the way in which each line presents the player with intrinsically beautiful counter melodies.<br> <br> At first, the rapidity of chord changing can be a bit daunting, so I have marked out what I consider to be the essential chords for accompaniment in boxes. Playing just these will provide adequate accompaniment, whilst leaving the more adventurous scope to enhance their performance by referencing some of the other chords. You can hear the chording arrangements together with the original 3, 4 or 5 part versions of all 44 pieces on a YouTube playlist which has been made as a companion to this volume at<br> <br> https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNS<br> <br> As well as the solo or player in a duo, this book would also be of value for someone who is used to reading chords rather than melody lines wishing to join in with a renaissance consort. The selection I have chosen represents quite a few of the “standards” that have become regularly played since the revival of renaissance music in the late 1960s. It is hoped that should this volume prove popular, companion volumes with all the parts provided for the same pieces could make essential repertoire for the budding renaissance dance consorts of the future.
$11.46
10.46 €
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Instruments en Do
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Various
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Chording to the Dance Masters - Melody and chords for 44 Renaissance Dance Consort pieces
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Wold Meridian
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SheetMusicPlus
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