100 hymn lead sheets -Melody and chords only -2 keys available for each hymn -Digital Download -Including 100 Hymns: 1. According to Thy Gracious Word 2. All Hail the Power of Jesus' Name 3. Amazing Grace 4. And Can It Be That I Should Gain 5. Art Thou Weary 6. At the Cross 7. Be True 8. Beneath the Cross of Jesus 9. Blessed Assurance Jesus is Mine 10. Break Thou the Bread of Life 11. Bring Them In 12. Bringing in the Sheaves 13. Christ Liveth In Me 14. Close to Thee 15. Come, Holy Spirit, Heavenly Dove 16. Come, Thou Fount 17. Come, Ye Disconsolate 18. Come to the Saviour 19. Crown Him with Many Crowns 20. Did You Think to Pray? 21. Friend of the Home 22. From Greenland's Icy Mountains 23. Give of Your Best to the Master 24. Glorious Freedom 25. Glory Be to God 26. Great is Thy Faithfulness 27. Hail to the Lord's Anointed 28. Hallelujah, What a Saviour! 29. Happy the Home When God is There 30. He Is Lord 31. He Leadeth Me 32. He Lifted Me 33. Here Is Preached the Gladsome Tidings 34. Holy, Holy, Holy 35. How Beauteous Are Their Feet 36. How Sweet the Name of Jesus Sounds 37. I Will Praise Him 38. In Heavenly Love Abiding 39. In the Cross of Christ I Glory 40. It Pays to Serve Jesus 41. Jesus Loves Me! 42. Jesus Only 43. Jesus Shall Reign Where'er the Sun 44. Living for Jesus 45. Lord, I'm Coming Home 46. Make Me a Captive, Lord 47. More Love to Thee 48. My Hope Is Built on Nothing Less 49. My Jesus, I Love Thee 50. My Times Are in Thy Hand 51. Near the Cross 52. Now Thank We All Our God 53. O Breath of Life 54. O Come, O Come Emmanuel 55. O Could I Speak the Matchless Worth 56. O Happy Day! 57. O How I Love Jesus 58. O Perfect Love 59. O Sacred Head, Now Wounded 60. O Word of God Incarnate 61. Oil in My Lamp 62. On This Stone Now Laid with Prayer 63. Open Now Thy Gates of Beauty 64. Our Father Who in Heaven Art 65. Pass Me Not 66. Praise to the Father 67. Spirit of God, Descend upon My Heart 68.Take My Life, and Let It Be 69. Thanks to God 70. The Call for Reapers 71. The Church's one Foundation 72. The God of Abraham Praise 73. The Holy Spirit Given 74. The Lord Bless You and Keep You 75. The Old Rugged Cross 76. The Voice of God 77. There Is a Fountain Filled with Blood 78. Thine Is the Glory 79. This is My Father's World 80. This World Is Not My Home 81. Thou Thinkest, Lord, of Me 82. Thou Didst Leave Thy Throne 83. 'Tis Burning in My Soul 84. To God Be the Glory 85. Trusting Jesus 86. Turn Your Eyes upon Jesus 87. Under His Wings 88. We Come, O Christ, to Thee 89. We Plow the Fields and Scatter 90. We Three Kings of Orient Are 91. We've a Story To Tell to the Nations 92. What a Friend We Have in Jesus 93. When He Cometh, When He Cometh 94. When I Survey the Wondrous Cross 95. Where He Leads Me 96. Whispering Hope 97. Whosoever Will May Come 98. Wounded for Me 99. Ye Servants of God 100. Yesterday, Today, Forever.

This product was created by a member of ArrangeMe, Hal Leonardâ??s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.

Chording to the Dance Masters is a selection of dance tunes that were collected originally between about 1500 and 1620. Printing made many of these tunes popular throughout Europe during these times, some of them composed by the printer/publishers themselves, but many more of them existed previously as rustic dance tunes or popular chansons. The works were originally published to be played by three to five instrumentalists, with no particular instruments specified. They suited consorts or ?choirs? of instruments that were depicted in the illustrations of Agricola, Mersenne and most notably Praetorius and are now preserved in museums around the world.

Many editions exist in the 3, 4 or 5 parts as originally published, and these are an absolute joy to perform from, where the interweaving parts create interesting harmonies that demonstrate the skills of these renaissance composer/arranger/publishers. Playing with modern reproductions of the early instruments will recreate textures and sounds unique to this period. However, not everyone is lucky enough to either own these instruments or else have contact with others with whom they could form ensembles. This book aims to widen the experience out to those who would like to play these tunes on their own or with the accompaniment of a guitar, keyboard or other available chordal instrument. Fake books abound for those who wish to play Jazz, Folk, Classical and Popular music where the melody is annotated with chords so that players can access these tunes in their own way. As far as I am aware, this has not often been done for the player who wishes to busk their way through music of the Renaissance period.

I have attempted to include all the chords implied by the polyphonic parts of the original publications, simply because it is in the transitions of the harmonies under the melodies where the genius of the original arranger/publisher resides. Those who go on to explore the original versions may look forward to the way in which each line presents the player with intrinsically beautiful counter melodies.

At first, the rapidity of chord changing can be a bit daunting, so I have marked out what I consider to be the essential chords for accompaniment in boxes. Playing just these will provide adequate accompaniment, whilst leaving the more adventurous scope to enhance their performance by referencing some of the other chords. You can hear the chording arrangements together with the original 3, 4 or 5 part versions of all 44 pieces on a YouTube playlist which has been made as a companion to this volume at

https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNS

As well as the solo or player in a duo, this book would also be of value for someone who is used to reading chords rather than melody lines wishing to join in with a renaissance consort. The selection I have chosen represents quite a few of the ?standards? that have become regularly played since the revival of renaissance music in the late 1960s. It is hoped that should this volume prove popular, companion volumes with all the parts provided for the same pieces could make essential repertoire for the budding renaissance dance consorts of the future.