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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
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7
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
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9
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Vous avez sélectionné:
I Will Rise
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I Will Rise
Instruments en Do
C Instrument - Level 5 - Digital Download SKU: A0.1221620 By Chris Tomlin. By Chris…
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C Instrument - Level 5 - Digital Download SKU: A0.1221620 By Chris Tomlin. By Chris Tomlin, Jesse Reeves, Louis Giglio, and Matt Maher. Arranged by Joshua Chandra. Christian,Contemporary,Praise & Worship,Religious,Sacred. Lead Sheet / Fake Book. 3 pages. Joshua Chandra #817928. Published by Joshua Chandra (A0.1221620). I'm always very happy to hear from my customers and open to sheet music requests! https://www.joshuachandra.com • josh@joshuachandra.com
$4.00
3.73 €
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Instruments en Do
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Chris Tomlin
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Joshua Chandra
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I Will Rise
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Joshua Chandra
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SheetMusicPlus
Almost May Lead Sheet
Instruments en Do
C Instrument - Level 2 - Digital Download SKU: A0.1376331 By Heidi Savoie. By Heidi…
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C Instrument - Level 2 - Digital Download SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Lead Sheet / Fake Book. 1 pages. Heidi Savoie #960874. Published by Heidi Savoie (A0.1376331). This is a lead sheet for any instrument for the song Almost May. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$2.99
2.79 €
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Instruments en Do
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Heidi Savoie
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Heidi Savoie
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Almost May Lead Sheet
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Heidi Savoie
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SheetMusicPlus
Come Monday
Instruments en Do
C Instrument - Level 2 - Digital Download SKU: A0.1290122 By Jimmy Buffett. By Jimm…
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C Instrument - Level 2 - Digital Download SKU: A0.1290122 By Jimmy Buffett. By Jimmy Buffett. Arranged by Jeff Tincher. Contemporary,Pop. Lead Sheet / Fake Book. 4 pages. Jeff Tincher #880829. Published by Jeff Tincher (A0.1290122). I did this song as a tribute to the man that created a whole new genre with his music. Today (9/2/23) they announced that Jimmy Buffet passed away. If you weren't a parrothead, you missed something. This is Jimmy's first big hit. Now here is something that surprised me in a weird way. 9/2 is part of Labor Day weekend this year. If you look at the lyrics of this love song, you will see the starting line, Headin' out to San Francisco for the Labor Day weekend show. And then the song is from his 4th LP Living and Dying in 3/4 Time. Enjoy. Duration = 2:55. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$3.99
3.72 €
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Instruments en Do
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Jimmy Buffett
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Jeff Tincher
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Come Monday
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Jeff Tincher
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SheetMusicPlus
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