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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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VIBRAPHONE
VIOLON
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XYLOPHONE
Snare Drum
Non classifié
982
Piano & claviers
Piano seul
9
Piano, Voix
6
Piano, Voix et Guitare
4
Piano Facile
3
Instruments en Do
2
Orgue
2
Piano Trio: piano, violon, violoncelle
1
Accompagnement Piano
1
2 Pianos, 4 mains
1
+ 4 instrumentations
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Guitares
Ligne De Mélodie, (Paroles) et Accords
1
Guitare
1
Mandoline
1
Voix
Chorale SATB
50
Pack Instrumental pour Chorale
22
Chorale TTBB
12
Chorale 3 parties
11
Chorale 2 parties
8
Chorale
8
Voix duo
7
Chorale Unison
6
Chorale SSAA
1
Voix duo, Piano
1
Chorale SSATB
1
Chorale SSAB, Piano
1
+ 7 instrumentations
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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
9
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6
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6
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4
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4
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4
Ensemble de saxophones
4
Saxophone Tenor et Piano
4
Clarinette et Piano
3
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2
Quintette de Clarinettes: 5 clarinettes
2
Saxophone Alto et Piano
2
Quatuor de Flûtes : 4 flûtes
1
Quatuor de Clarinettes: 4 clarinettes
1
Flûte traversière et Piano
1
Quintette de Saxophone: 5 saxophones
1
+ 11 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
12
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Trompette (partie séparée)
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
2 Trompettes (duo)
2
Quatuor de cuivres: 4 trompettes
2
2 Trombones (duo)
2
Quatuor de Cuivres
2
3 Trombones (trio)
2
Trompette, Piano
2
Cor et Piano
1
Trombone et Piano
1
+ 7 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
7
Alto, Piano
1
Violoncelle, Piano
1
Violon
1
Piano Trio: Violon, Alto, Piano
1
Violon et Piano
1
+ 1 instrumentations
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Orchestre & Percussions
Fanfare
1 275
Orchestre d'harmonie
535
Percussion
279
Caisse Claire
183
Batterie (partie séparée)
173
Orchestre
165
Batterie
132
Ensemble de Percussions
85
Ensemble de cuivres
40
Timbales
26
Orchestre à Cordes
26
Orchestre de chambre
21
Cloches
14
Ensemble Jazz
9
2 Caisses Claires (duo)
6
Jazz combo
3
Percussion (partie séparée)
2
2 Percussions
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
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EUPHONIUM
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FLUTE TRAVERSI…
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GUITARE LAP ST…
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MANDOLINE
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Snare Drum
Instruments en Do
Partitions à imprimer
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Almost May Lead Sheet
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Instruments en Do
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FACILE
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Heidi Savoie
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Heidi Savoie
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Almost May Lead Sheet
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Heidi Savoie
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SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/So...
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C Instrument - Level 2 - SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Lead Sheet / Fake Book. 1 pages. Heidi Savoie #960874. Published by Heidi Savoie (A0.1376331). This is a lead sheet for any instrument for the song Almost May. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$2.99
Der Fuhrer's Face
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Instruments en Do
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INTERMÉDIAIRE/AVANCÉ
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Film Walt Disney
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Oliver George Wallace and Paul
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John Fries
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Der Fuhrer's Face
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - SKU: A0.518265 Composed by Oliver George Wallace and Paul Englishby. Arranged by John Fries. 20th Century,Film/TV,Patriotic,Sta...
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C Instrument - Level 4 - SKU: A0.518265 Composed by Oliver George Wallace and Paul Englishby. Arranged by John Fries. 20th Century,Film/TV,Patriotic,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #128979. Published by John Fries (A0.518265). TYPE JOHN FRIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER! Der Fuehrer's Face (originally titled A Nightmare in Nutziland or Donald Duck in Nutziland is a 1943 American animated anti-Nazi propaganda short film produced by Walt Disney Productions. The cartoon, which features Donald Duck in a nightmare setting working at a factory in Nazi Germany, was made in an effort to sell war bonds and is an example of American propaganda during World War II. Der Fuehrer's Face won the Oscar for Best Animated Short Film at the 15th Academy Awards. A German oom-pah band — composed of Axis powers leaders Joseph Goebbels on the trombone, Heinrich Himmler on the snare drum, Hideki Tojo on the sousaphone, Hermann Goering on the piccolo and Benito Mussolini on the bass drum — marches noisily at four o'clock in the morning through a small town where the trees, windmills, fence posts, and even the clouds are shaped like swastikas while singing the virtues of the Nazi doctrine.
$3.99
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Snare Drum
