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Vous avez sélectionné:
Stand My Ground
SheetMusicPlus
Partitions à imprimer
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Nocturne in Eb Major, Op. 9, No. 2 (LEAD SHEET) [Frédéric Chopin]
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Instruments en Do
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Classique
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Frederic Chopin
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Darek
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Nocturne in Eb Major, Op. 9, N
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Darek
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SheetMusicPlus
C Instrument - SKU: A0.1259046 Composed by Frederic Chopin. Arranged by Darek. 19th Century,Classical,Romantic Period. Lead Sheet / Fake Book. 1 pages. ...
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C Instrument - SKU: A0.1259046 Composed by Frederic Chopin. Arranged by Darek. 19th Century,Classical,Romantic Period. Lead Sheet / Fake Book. 1 pages. Darek #852309. Published by Darek (A0.1259046). Nocturne in Eb Major, Op. 9, No. 2 (LEAD SHEET) [Frédéric Chopin]Lead Sheet arrangements of Nocturne in Eb Major, Op. 9, No. 2 by Frédéric Chopin (Frederic Francois Chopin) on various instruments. I offer a stunning selection of lead sheets for the timeless Nocturne in Eb Major, Op. 9, No. 2 by the legendary composer Frédéric Chopin. If you're looking to explore this masterpiece on your instrument of choice, you've come to the right place. My lead sheets cater to a variety of instruments, allowing musicians of all backgrounds and skill levels to engage with this iconic composition. From piano and guitar to saxophone, trumpet, and more, you'll find the arrangement that suits your instrument and musical style. Unlock the expressive beauty of Chopin's Nocturne as you navigate the enchanting melodies and harmonies meticulously transcribed in my lead sheets. Each note, chord, and phrase is carefully notated, capturing the essence of the original composition. Whether you're a beginner, intermediate, or advanced musician, my lead sheets accommodate various levels of difficulty, ensuring an enjoyable and rewarding experience for all players. Embrace the challenge and embark on a musical journey that will enhance your skills and deepen your understanding of Chopin's artistry. Immerse yourself in the romantic era, where Chopin's Nocturne captivated audiences with its emotional depth and timeless melodies. Experience the magic of this composition, transporting yourself to a bygone era of music and craftsmanship. Positioned as a versatile resource, my lead sheets offer a convenient and accessible way to explore Chopin's Nocturne across a range of instruments. Whether you're seeking to perform solo or collaborate with fellow musicians, these lead sheets provide a solid foundation for creative expression and collaboration. Discover the joy of interpreting Chopin's Nocturne on your instrument, as my lead sheets provide the framework for your musical journey. Dive into the intricacies of the composition, exploring its nuances and bringing your unique interpretation to life. Explore the world of music with my lead sheets for the Nocturne in Eb Major, Op. 9, No. 2. Unleash your creativity, showcase your skills, and let the magic of Chopin's masterpiece resonate through your instrument. Begin your musical adventure today and unlock the limitless possibilities of this timeless composition.
$2.00
Almost May Lead Sheet
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Instruments en Do
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FACILE
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Heidi Savoie
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Heidi Savoie
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Almost May Lead Sheet
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Heidi Savoie
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SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/So...
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C Instrument - Level 2 - SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Lead Sheet / Fake Book. 1 pages. Heidi Savoie #960874. Published by Heidi Savoie (A0.1376331). This is a lead sheet for any instrument for the song Almost May. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$2.99
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Stand My Ground
