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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Suite I
Non classifié
579
Piano & claviers
Piano seul
393
Piano Facile
76
Piano, Voix et Guitare
52
Orgue
51
Accompagnement Piano
29
1 Piano, 4 mains
18
Piano, Voix
12
2 Pianos, 4 mains
10
Accordéon
7
Piano Trio: piano, violon, violoncelle
6
Clavecin
6
Orgue, Piano (duo)
6
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Instruments en Do
2
Orgue, Trompette (duo)
1
Ensemble d'Accordéons
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 12 instrumentations
Retracter
Guitares
Guitare
102
Guitare notes et tablatures
35
Banjo
11
2 Guitares (duo)
11
3 Guitares (trio)
3
Ukulele
3
4 Guitares (Quatuor)
2
Basse electrique
2
Dulcimer
2
Ligne De Mélodie, (Paroles) et Accords
1
Mandoline, Guitare (duo)
1
Guitare (partie séparée)
1
Ensemble de guitares
1
Piano, Guitare (duo)
1
Mandoline
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
67
Chorale TTBB
19
Chorale 3 parties
15
Chorale SSAA
8
Chorale
5
Chorale Unison
3
Chorale 2 parties
2
Chorale SSATB
1
Voix Soprano, Piano
1
Voix duo, Piano
1
Voix Alto, Piano
1
Chorale SSAATTBB
1
Chorale SSATTB
1
+ 8 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
89
Quatuor de Saxophones: 4 saxophones
62
Quatuor de Clarinettes: 4 clarinettes
59
Flûte, Hautbois, Clarinette, Basson
42
Flûte traversière
38
Clarinette
36
Flûte traversière et Piano
35
Clarinette et Piano
32
Saxophone (partie séparée)
30
Hautbois, Piano (duo)
28
Quatuor de Flûtes : 4 flûtes
27
Saxophone Alto
25
Ensemble de Clarinettes
24
Saxophone Alto et Piano
21
Saxophone Tenor
19
2 Clarinettes (duo)
18
2 Flûtes traversières (duo)
18
2 Saxophones (duo)
17
Ensemble de saxophones
16
Clarinette (partie séparée)
15
Hautbois (partie séparée)
12
Ensemble de Flûtes
11
Saxophone Tenor et Piano
11
Flûte, Clarinette (duo)
11
Hautbois
9
Quintette de Saxophone: 5 saxophones
9
2 Saxophones, Piano
7
Saxophone Soprano
7
Flute (partie séparée)
7
Cor Anglais
6
Saxophone Baryton, Piano
6
Saxophone Baryton
6
Flûte et Guitare
6
Saxophone Soprano et Piano
6
Quintette de Clarinettes: 5 clarinettes
6
Clarinette, Violon (duo)
6
3 Saxophones (trio)
5
Hautbois, Basson (duo)
5
Saxophone, Clarinette (duo)
5
3 Clarinettes (trio)
5
Clarinette Basse
5
Cor anglais, Piano
4
Flûte, Violon
4
2 Flûte à bec (duo)
4
Flûte à Bec
4
Flûte, Alto (duo)
4
Clarinette Basse, Piano
3
Cor anglais, Guitare (duo)
3
Flûte, Violoncelle, Piano (trio)
3
Saxophone
3
Clarinette, Guitare (duo)
3
2 Hautbois (duo)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Clarinette et Alto
2
Flûte, Saxophone (duo)
2
Saxophone et Guitare
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte, Violoncelle
2
Clarinette, Trompette (duo)
2
Piccolo, Piano
2
Flûte, Clarinette et Basson
2
Flûte à bec Soprano
2
Hautbois, Clarinette (duo)
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Hautbois (duo)
1
Flûte à bec Tenor
1
Flûte à bec Soprano, Piano
1
Flûte à bec Alto
1
Hautbois, Flûte
1
Flûte, Alto et Piano
1
Quintette de Flûte : 5 flûtes
1
Ocarina
1
Trio de Flûtes: 3 flûtes
1
Flûte, Hautbois, Basson
1
Flûte à bec Alto, Basse continue
1
Flûte, Violon et Violoncelle
1
Piccolo
1
Ensemble De Flûte à bec
1
Flûte, Tuba (duo)
1
Quatuor de Flûtes à bec
1
Hautbois, Harpe
1
+ 76 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
96
Ensemble de Trompettes
37
Trompette
31
Quatuor de Cuivres : 2 trompettes, trombone, tuba
29
Trombone
19
Trombone et Piano
17
Cor
17
Trombone (partie séparée)
15
Tuba
14
Quatuor de Cuivres
13
Trompette, Piano
13
Trompette, Trombone (duo)
12
Trompette (partie séparée)
12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
12
2 Trombones (duo)
10
Cor et Piano
10
2 Trompettes (duo)
7
Ensemble de Trombones
6
Cor Anglais
6
Cor (partie séparée)
6
Quatuor de cuivres: 4 trombones
4
Tuba (partie séparée)
4
Tuba et Piano
4
Cor anglais, Piano
4
Euphonium, Piano (duo)
4
3 Trompettes (trio)
3
Cornet A Pistons
3
Trompette, Saxophone (duo)
3
Cor anglais, Guitare (duo)
3
2 Euphoniums et 2 Tubas
2
Quatuor de cuivres: 4 trompettes
2
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Quatuor de cuivres: 4 cors
1
Trio de Cuivres
1
Trombone, Orgue
1
Trompette, Cor (duo)
1
3 Trombones (trio)
1
Trombone et orchestre
1
+ 33 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
129
Violoncelle
57
Violon
50
Violon et Piano
47
Violoncelle, Piano
37
Alto seul
34
Violon (partie séparée)
22
2 Violoncelles (duo)
22
Alto, Piano
19
Trio à Cordes: violon, alto, violoncelle
18
Contre Basse
16
2 Violons (duo)
12
Violon, Violoncelle (duo)
12
Harpe
11
Violon, Alto (duo)
9
Alto (partie séparée)
8
2 Altos (duo)
8
Violon, Guitare (duo)
8
Trio à Cordes: 2 violons, violoncelle
6
Contrebasse (partie séparée)
6
Violoncelle , Guitare (duo)
5
Alto, Guitare (duo)
5
Violoncelle (partie séparée)
4
Contrebasse, Piano (duo)
4
Alto, Violoncelle (duo)
3
Piano Trio: Violon, Alto, Piano
2
Violoncelle, Contrebasse (duo)
2
Trio à Cordes: 3 violoncelles
2
Trio à cordes: 3 violins
2
Trio à Cordes: 2 violons, alto
2
4 Violoncelles
2
Quatuor à cordes: 4 violons
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Harpe et Piano
1
Violon, Tuba (duo)
1
Ensemble d'Altos
1
Ensemble de Violons
1
2 Contrebasses (duo)
1
Trio à cordes
1
Trio à cordes: 3 altos
1
Harpe, Violon (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violon, Basson (duo)
1
Violoncelle, Orgue
1
+ 39 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
258
Orchestre à Cordes
79
Orchestre
78
Ensemble de cuivres
16
Orchestre de chambre
16
Ensemble de Percussions
13
Percussion (partie séparée)
10
Marimba
7
Jazz combo
6
Xylophone
6
Ensemble Jazz
6
Cloches
4
Timbales (partie séparée)
3
3 Marimbas
2
Percussion
2
Batterie (partie séparée)
1
+ 11 instrumentations
Retracter
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DULCIMER
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FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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PERCU. ORCH…
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PIANO
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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VIOLONCELLE
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FUNK
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JEUX VIDEOS
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MEDIEVAL - RENAISSAN…
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Vous avez sélectionné:
Suite I
Instruments en Do
Partitions à imprimer
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Christmas Suite 1225 (Part 1 and 2, complete)
Instruments en Do
C Instrument - Level 2 - Digital Download SKU: A0.1323472 By The Candlelight Guitar…
(+)
C Instrument - Level 2 - Digital Download SKU: A0.1323472 By The Candlelight Guitarist. By Bradley Powell and others, traditional. Arranged by Bradley Powell. Christmas,Holiday. Lead Sheet / Fake Book. 29 pages. Geofonica Artistworks #911698. Published by Geofonica Artistworks (A0.1323472). This is a Vocal/Lead sheet (with the melody written for singers in treble clef, an octave below the written guitar part) for Christmas Suite 1225, intended for those wanting to sing along with the guitar part or videos. A full guitar arrangement is also available separately. Christmas Suite 1225 is a new recording by The Candlelight Guitarist, which opens with an original piece by Bradley Powell, leading into fourteen traditional Christmas carols (19th century and prior). Part 1 includes: Carols of Suite 1225, It Came Upon a Midnight Clear, We Three Kings, Little Town of Bethlehem, Away in a Manger, The First Noel, Hark! the Herald Angels Sing, O Come All Ye Faithful, and O Holy Night. Part 2 includes Carols of Suite 1225, What Child Is This?,  Angels We Have Heard on High, Joy to the World, We Wish You a Merry Christmas, Jingle Bells, and Silent Night. Part 1 can be seen and heard in the Candlelight Guitarist YouTube video of Christmas Suite 1225 (Part 1). Part 2 can be seena and heard in this video of Christmas Suite 1225 Part 2: https://youtu.be/22q85g1yVXw.ABOUT: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso and at CSUN under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, and was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad has also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland, providing music for the Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests.COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ...  Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell..
$4.99
4.6 €
#
Instruments en Do
#
The Candlelight Guitarist
#
Bradley Powell
#
Christmas Suite 1225
#
Geofonica Artistworks
#
SheetMusicPlus
Chording to the Dance Masters - Melody and chords for 44 Renaissance Dance Consort pieces
Instruments en Do
C Instrument - Level 2 - Digital Download By Various. By Anonymous, Claudin de Sermis…
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C Instrument - Level 2 - Digital Download By Various. By Anonymous, Claudin de Sermisy, Henry VIII, Pierre Phalese, Thoinot Arbeau, John Dowland (1563- 1626), Michael Praetorius (1571-1621), Pierre Attaignant (1494-1553), Pierre Certon (1510-1572), William Cornysh (1470-1523), Juan Del Encina (1468-1530), Claude Gervaise (1540-1560), Giorgio Mainerio (1535-1582), Erasmus Widmann (1572-1634), and Tielman Susato (1500-1561). Arranged by Alastair Lodge. 151, 153, 162, Folk, Renaissance. Lead Sheet / Fake Book. 38 pages. Wold Meridian #727149. Published by Wold Meridian
Chording to the Dance Masters is a selection of dance tunes that were collected originally between about 1500 and 1620. Printing made many of these tunes popular throughout Europe during these times, some of them composed by the printer/publishers themselves, but many more of them existed previously as rustic dance tunes or popular chansons. The works were originally published to be played by three to five instrumentalists, with no particular instruments specified. They suited consorts or “choirs” of instruments that were depicted in the illustrations of Agricola, Mersenne and most notably Praetorius and are now preserved in museums around the world.<br> <br> Many editions exist in the 3, 4 or 5 parts as originally published, and these are an absolute joy to perform from, where the interweaving parts create interesting harmonies that demonstrate the skills of these renaissance composer/arranger/publishers. Playing with modern reproductions of the early instruments will recreate textures and sounds unique to this period. However, not everyone is lucky enough to either own these instruments or else have contact with others with whom they could form ensembles. This book aims to widen the experience out to those who would like to play these tunes on their own or with the accompaniment of a guitar, keyboard or other available chordal instrument. Fake books abound for those who wish to play Jazz, Folk, Classical and Popular music where the melody is annotated with chords so that players can access these tunes in their own way. As far as I am aware, this has not often been done for the player who wishes to busk their way through music of the Renaissance period.<br> <br> I have attempted to include all the chords implied by the polyphonic parts of the original publications, simply because it is in the transitions of the harmonies under the melodies where the genius of the original arranger/publisher resides. Those who go on to explore the original versions may look forward to the way in which each line presents the player with intrinsically beautiful counter melodies.<br> <br> At first, the rapidity of chord changing can be a bit daunting, so I have marked out what I consider to be the essential chords for accompaniment in boxes. Playing just these will provide adequate accompaniment, whilst leaving the more adventurous scope to enhance their performance by referencing some of the other chords. You can hear the chording arrangements together with the original 3, 4 or 5 part versions of all 44 pieces on a YouTube playlist which has been made as a companion to this volume at<br> <br> https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNS<br> <br> As well as the solo or player in a duo, this book would also be of value for someone who is used to reading chords rather than melody lines wishing to join in with a renaissance consort. The selection I have chosen represents quite a few of the “standards” that have become regularly played since the revival of renaissance music in the late 1960s. It is hoped that should this volume prove popular, companion volumes with all the parts provided for the same pieces could make essential repertoire for the budding renaissance dance consorts of the future.Chording to the Dance Masters is a selection of dance tunes that were collected originally between about 1500 and 1620. Printing made many of these tunes popular throughout Europe during these times, some of them composed by the printer/publishers themselves, but many more of them existed previously as rustic dance tunes or popular chansons. The works were originally published to be played by three to five instrumentalists, with no particular instruments specified. They suited consorts or “choirs” of instruments that were depicted in the illustrations of Agricola, Mersenne and most notably Praetorius and are now preserved in museums around the world.<br> <br> Many editions exist in the 3, 4 or 5 parts as originally published, and these are an absolute joy to perform from, where the interweaving parts create interesting harmonies that demonstrate the skills of these renaissance composer/arranger/publishers. Playing with modern reproductions of the early instruments will recreate textures and sounds unique to this period. However, not everyone is lucky enough to either own these instruments or else have contact with others with whom they could form ensembles. This book aims to widen the experience out to those who would like to play these tunes on their own or with the accompaniment of a guitar, keyboard or other available chordal instrument. Fake books abound for those who wish to play Jazz, Folk, Classical and Popular music where the melody is annotated with chords so that players can access these tunes in their own way. As far as I am aware, this has not often been done for the player who wishes to busk their way through music of the Renaissance period.<br> <br> I have attempted to include all the chords implied by the polyphonic parts of the original publications, simply because it is in the transitions of the harmonies under the melodies where the genius of the original arranger/publisher resides. Those who go on to explore the original versions may look forward to the way in which each line presents the player with intrinsically beautiful counter melodies.<br> <br> At first, the rapidity of chord changing can be a bit daunting, so I have marked out what I consider to be the essential chords for accompaniment in boxes. Playing just these will provide adequate accompaniment, whilst leaving the more adventurous scope to enhance their performance by referencing some of the other chords. You can hear the chording arrangements together with the original 3, 4 or 5 part versions of all 44 pieces on a YouTube playlist which has been made as a companion to this volume at<br> <br> https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNS<br> <br> As well as the solo or player in a duo, this book would also be of value for someone who is used to reading chords rather than melody lines wishing to join in with a renaissance consort. The selection I have chosen represents quite a few of the “standards” that have become regularly played since the revival of renaissance music in the late 1960s. It is hoped that should this volume prove popular, companion volumes with all the parts provided for the same pieces could make essential repertoire for the budding renaissance dance consorts of the future.
$11.46
10.57 €
#
Instruments en Do
#
Various
#
Chording to the Dance Masters - Melody and chords for 44 Renaissance Dance Consort pieces
#
Wold Meridian
#
SheetMusicPlus
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Suite I
