Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Right Ones
Sheetmusicplus
Non classifié
159
Piano & claviers
Piano seul
112
Piano Facile
26
Piano, Voix
23
Piano, Voix et Guitare
13
Accompagnement Piano
10
2 Pianos, 4 mains
10
Orgue
6
Instruments en Do
5
Piano (partie séparée)
3
Piano grosses notes
2
Piano Trio: piano, violon, violoncelle
1
+ 6 instrumentations
Retracter
Guitares
Guitare
13
Guitare notes et tablatures
8
Guitare (partie séparée)
6
Ukulele
3
Basse electrique
2
Ligne De Mélodie, (Paroles) et Accords
2
Paroles et Accords
2
2 Guitares (duo)
2
Mandoline
1
Guitare, Violon, Violoncelle (trio)
1
Banjo
1
4 Guitares (Quatuor)
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
59
Chorale 3 parties
10
Voix basse, Piano
9
Chorale TTBB
8
Chorale SSAA
7
Voix duo, Piano
2
Voix Soprano, Piano
2
Voix basse
2
Chorale Unison
2
Voix haute
1
Voix Baryton, Piano
1
Voix seule
1
+ 7 instrumentations
Retracter
Vents
Saxophone (partie séparée)
17
Clarinette
7
Saxophone Alto et Piano
6
Flûte, Clarinette (duo)
6
Hautbois, Clarinette (duo)
6
Ensemble de Flûtes
6
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
5
Hautbois
5
Flûte traversière et Piano
5
Flûte traversière
5
Clarinette et Piano
5
Saxophone Tenor
4
2 Flûtes traversières (duo)
4
Hautbois, Basson (duo)
4
Saxophone Alto
4
Hautbois, Piano (duo)
4
Quintette de Clarinettes: 5 clarinettes
4
Saxophone Tenor et Piano
3
Clarinette, Basson (duo)
3
Saxophone Baryton, Piano
3
2 Clarinettes (duo)
3
Flûte et Guitare
3
Flute (partie séparée)
2
2 Hautbois (duo)
2
Flûte, Hautbois (duo)
2
Hautbois (partie séparée)
2
Saxophone Soprano
2
Quatuor de Flûtes : 4 flûtes
2
Flûte, Hautbois, Clarinette, Basson
2
Hautbois, Violoncelle
2
Clarinette, Violoncelle (duo)
2
Flûte, Hautbois, Piano (trio)
1
Flûte, Violoncelle
1
3 Saxophones (trio)
1
Ensemble de Clarinettes
1
3 Clarinettes (trio)
1
Ensemble à vent
1
Flûte, Trombone (duo)
1
Piccolo
1
Flûte et Trio à cordes
1
Quatuor de Saxophones: 4 saxophones
1
Cor Anglais
1
Saxophone et Guitare
1
Clarinette, Violoncelle, Piano (trio)
1
+ 39 instrumentations
Retracter
Cuivres
2 Trombones (duo)
45
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
26
Trombone (partie séparée)
16
Quatuor de cuivres: 4 trombones
15
Quatuor de Cuivres : 2 trompettes, trombone, tuba
13
Trompette (partie séparée)
10
Ensemble de Trombones
9
Trompette, Piano
9
Trompette
8
Trombone
8
3 Trombones (trio)
6
Trombone et Piano
6
Trompette, Trombone (duo)
5
Trompette, Violoncelle (duo)
5
Trompette, Basson (duo)
5
Cor
5
Trompette, Cor (duo)
4
Cor (partie séparée)
4
Trompette, Tuba (duo)
2
2 Trompettes (duo)
2
Cor et Piano
2
Trombone, Cor (duo)
2
Trombone, Tuba (duo)
2
2 Cors (duo)
2
Tuba (partie séparée)
2
Tuba
2
Cor, Tuba (duo)
2
2 Tubas (duo)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Trombone basse et Piano
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor, Violoncelle (duo)
1
Quatuor de Cuivres
1
Cor Anglais
1
+ 29 instrumentations
Retracter
Cordes
Violon
13
Quatuor à cordes: 2 violons, alto, violoncelle
13
Violon, Violoncelle (duo)
13
Violon, Alto (duo)
9
Violon et Piano
8
Violoncelle
7
Alto seul
6
Harpe
6
Violoncelle, Piano
5
Alto, Violoncelle (duo)
5
Contre Basse
5
2 Violons (duo)
3
Contrebasse (partie séparée)
3
Trio à Cordes: violon, alto, violoncelle
3
2 Violoncelles (duo)
2
Alto, Piano
2
2 Contrebasses (duo)
2
2 Altos (duo)
2
Alto et Basson
2
Violon, Basson (duo)
2
Violoncelle, Contrebasse (duo)
1
Harpe, Violoncelle (duo)
1
+ 17 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
41
Orchestre
30
Orchestre d'harmonie
24
Ensemble de cuivres
20
Orchestre à Cordes
17
Orchestre de chambre
6
Xylophone, Piano
4
Batterie (partie séparée)
3
Vibraphone
2
Jazz combo
2
Batterie
1
Cloches
1
Xylophone
1
Fanfare
1
Piano et Orchestre
1
+ 10 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
184
Partitions Numériques
5
Librairie Musicale
0
Matériel de Musique
4
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
The Right Ones
SheetMusicPlus
Partitions à imprimer
5 partitions trouvées
<
1
Fly Me To The Moon (in Other Words)
#
Instruments en Do
#
FACILE
#
Jazz
#
Tony Bennett
#
Arezzo Music
#
Fly Me To The Moon
#
Arezzo Music
#
SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1255380 By Tony Bennett. By Bart Howard. Arranged by Arezzo Music. 20th Century,Contemporary,Film/TV,Jazz,Ragtime. Lead...
(+)
C Instrument - Level 2 - SKU: A0.1255380 By Tony Bennett. By Bart Howard. Arranged by Arezzo Music. 20th Century,Contemporary,Film/TV,Jazz,Ragtime. Lead Sheet / Fake Book. 2 pages. Arezzo Music #848897. Published by Arezzo Music (A0.1255380). Fly Me To The Moon (in Other Words) lead sheet for Trumpet Experience the allure of jazz with our meticulously crafted lead sheet for Fly Me to the Moon (In Other Words) arranged for Trumpet, expertly engraved by the artisans at Arezzo Sheet Music Engraver. Immerse yourself in the timeless melodies and sophisticated harmonies of this iconic jazz standard as you bring it to life on your Trumpet. Our lead sheet provides a clear and expressive notation of the main themes, allowing you to showcase your musicality and add your own personal touch to this beloved tune. Whether you're a seasoned trumpeter or an aspiring jazz musician, our lead sheet offers a comprehensive arrangement that beautifully captures the essence and charm of Fly Me to the Moon. Elevate your performances and captivate your audience with our exceptional lead sheet, thoughtfully designed to inspire your creativity and musical expression. Order your copy today and embark on a musical journey filled with elegance, romance, and the irresistible allure of Fly Me to the Moon (In Other Words) on the Trumpet, courtesy of Arezzo Sheet Music Engraver. Let the melodies soar and your Trumpet's bright and resonant tones transport listeners to a world of captivating jazz sophistication and musical enchantment. Fly Me To The Moon (in Other Words) lead sheet for Trumpet
$4.99
Have You Met Miss Jones?
#
Instruments en Do
#
INTERMÉDIAIRE/AVANCÉ
#
Lorenz Hart and Richard Rodger
#
John Fries
#
Have You Met Miss Jones?
#
John Fries
#
SheetMusicPlus
C Instrument - Level 4 - SKU: A0.499846 Composed by Lorenz Hart and Richard Rodgers. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / F...
(+)
C Instrument - Level 4 - SKU: A0.499846 Composed by Lorenz Hart and Richard Rodgers. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #113113. Published by John Fries (A0.499846). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Â You can also type John Fries in the searchbar to see all I have to offer. Have You Met Miss Jones? is a popular song that was written for the musical comedy I'd Rather Be Right. The music was written by Richard Rodgers and the lyrics by Lorenz Hart. The song was published in 1937.
$3.99
Creepin' (with The Weeknd & 21 Savage)
#
Instruments en Do
#
INTERMÉDIAIRE
#
Metro Boomin
#
Guillaume Martin
#
Creepin'
#
Martin Editions Musicales
#
SheetMusicPlus
C Instrument - Level 3 - SKU: A0.1197357 By Metro Boomin. By Chauncey Hawkins, Eithne Ni Bhraonain, Erick S Sermon, Mario Mendell Winans, Michael Carlos...
(+)
C Instrument - Level 3 - SKU: A0.1197357 By Metro Boomin. By Chauncey Hawkins, Eithne Ni Bhraonain, Erick S Sermon, Mario Mendell Winans, Michael Carlos Jones, Nicky Ryan, Parrish Joseff Smith, and Roma Shane Ryan. Arranged by Guillaume Martin. Contemporary,Film/TV,Instructional,Pop,Singer/Songwriter. Lead Sheet / Fake Book. 3 pages. Martin Editions Musicales #796523. Published by Martin Editions Musicales (A0.1197357). Martin Editions MusicalesPop Songs Collection - CREEPIN’ (Metro Boomin with The Weeknd & 21 Savage)POP SONGS COLLECTION brings together arrangements (in easy keys) of the most popular songs, featuring sheet music for more than fifteen different instruments.Copyright © 2023 EMI BLACKWOOD MUSIC INC / EMI MUSIC PUBLISHING LTD / JANICE COMBS MUSIC / HOT HEAT MUSIC.
$4.99
Almost May Lead Sheet
#
Instruments en Do
#
FACILE
#
Heidi Savoie
#
Heidi Savoie
#
Almost May Lead Sheet
#
Heidi Savoie
#
SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/So...
(+)
C Instrument - Level 2 - SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Lead Sheet / Fake Book. 1 pages. Heidi Savoie #960874. Published by Heidi Savoie (A0.1376331). This is a lead sheet for any instrument for the song Almost May. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$2.99
You Taught Me How To Speak In Love
#
Instruments en Do
#
INTERMÉDIAIRE
#
Marlena Shaw
#
Popnroll 1976
#
You Taught Me How To Speak In
#
Popnroll 1976
#
SheetMusicPlus
C Instrument - Level 3 - SKU: A0.1311681 By Marlena Shaw. By Art Munson and Molly-ann Leikin. Arranged by Popnroll 1976. 20th Century,Pop. Lead Sheet / ...
(+)
C Instrument - Level 3 - SKU: A0.1311681 By Marlena Shaw. By Art Munson and Molly-ann Leikin. Arranged by Popnroll 1976. 20th Century,Pop. Lead Sheet / Fake Book. 4 pages. Popnroll 1976 #900676. Published by Popnroll 1976 (A0.1311681). You Taught Me How To Speak In Love - Marlena Shaw (Lead Sheet for Vocal & Guitar solo/Chords/Lyrics/Piano Intro)This is the vocal melody score (with lyrics) for the second ballad You Taught Me How To Speak In Love from R&B female vocalist Marina Shaw's 1974 hit album WHO IS THIS BITCH, ANYWAY?The intro piano and the solos of the two guitarists (Larry Carlton & David T. Walker) in the latter half of the song are also copied completely.The melody of the song has also been transcribed as faithfully as possible.PDF format, 4 pages.Lyrics and music by Molly Leikin & Art MunsonSong: Marlena ShawSongs commentary　This song is said to be the motif of Itoshi no Ellie by Southern All Stars, but this song has a simpler structure than Itoshi no Ellie.　The song structure repeats the A part and the B part (chorus) twice, then fades out (F.O.) while repeating the B part.　During this time, there are solos involving the two guitarists in the song. First, Larry Carlton on the left takes the lead in the high register with a clever use of chord tones, and David T. Walker, seated on the right from the third turn, develops a unique and chic phrase.　Marina's singing is free and uninhibited, but her phrasing is full of color as if she is speaking her feelings to the audience.
$9.99
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
The Right Ones
