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features the Bass singer
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17
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10
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8
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3
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
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HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
PERCUSSION
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features the Bass singer
Instruments en Do
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Too Sweet
Instruments en Do
C Instrument - Level 3 - Digital Download SKU: A0.1433855 By Hozier. By Andrew Hozi…
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C Instrument - Level 3 - Digital Download SKU: A0.1433855 By Hozier. By Andrew Hozier-Byrne, Daniel Krieger, Daniel Tannenbaum, George Miller, Peter Gonzales, Sergiu Adrian Gherman, and Tyler Reese Mehlenbacher. Arranged by Barry McCormick. Pop,Singer/Songwriter. Lead Sheet / Fake Book. 7 pages. B. McCormick #1014066. Published by B. McCormick (A0.1433855). Discover the essence of ‘Too Sweet’ with our captivating lead sheet arrangement. Hozier’s soulful composition comes to life in this concise format, allowing you to explore the melody, lyrics, and essential chords. Key Features: Instrument: Suitable for voice and any instrument (e.g., piano, guitar). Difficulty Level: Guitar: If played in the original key without a capo the use of numerous barre chords puts this piece into a more intermediate level. If capo chords are used it is attainable for more novice and beginner players that have a little experience already. Voice: For singers the range and rhymic attributes, along with the vocal techniques used to achieve a similar performance to the recorded track, takes this piece the upper end of intermediate level. Possibly even higher. Unique Aspects: Memorable Melody: The lead sheet captures the heart of the song, emphasizing the beautiful melody. Chord Symbols: Easily follow the chord progressions in the original key or explore capo options for a fresh sound. Bass Riff: The intro section features the iconic bass riff, which repeats throughout the verse and bridge. Guitar Chord Sheet: Two additional Guitar Chord Sheets provided. One in the original key with the related Chord Diagrams and the other in Capo III chords with those Chord Diagrams. Ideal for quick reference while playing for more novice players. Suggested strumming Patterns included. Immerse yourself in the bittersweet emotions of ‘Too Sweet.’ Whether you’re performing solo or teaching others, this arrangement resonates with longing, nostalgia, and a touch of melancholy. Where can you use this? Musicians: Perfect for gigs, open mics, or jam sessions. Educators: Ideal for teaching chord progressions and song structure. Enthusiasts: Add this gem to your repertoire and evoke the magic of Hozier’s music. Download now and let ‘Too Sweet’ weave its spell through your fingertips. Share your rendition on social media and inspire fellow musicians, make sure to tag us @resourcefularrangements!
$3.99
3.68 €
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Instruments en Do
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Hozier
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Barry McCormick
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Too Sweet
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B. McCormick
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SheetMusicPlus
Almost May Lead Sheet
Instruments en Do
C Instrument - Level 2 - Digital Download SKU: A0.1376331 By Heidi Savoie. By Heidi…
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C Instrument - Level 2 - Digital Download SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Lead Sheet / Fake Book. 1 pages. Heidi Savoie #960874. Published by Heidi Savoie (A0.1376331). This is a lead sheet for any instrument for the song Almost May. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$2.99
2.76 €
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Instruments en Do
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Heidi Savoie
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Heidi Savoie
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Almost May Lead Sheet
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Heidi Savoie
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SheetMusicPlus
He'll Have To Go
Instruments en Do
C Instrument - Level 3 - Digital Download SKU: A0.518392 By Jim Reeves. By Audrey A…
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C Instrument - Level 3 - Digital Download SKU: A0.518392 By Jim Reeves. By Audrey Allison and Joe Allison. Arranged by John Fries. 20th Century,Country,Pop,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #129085. Published by John Fries (A0.518392). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. He'll Have to Go is an American country and pop hit recorded on October 15, 1959, by Jim Reeves. The song, released in the fall of 1959, went on to become a massive hit in both genres early in 1960. The song is about a man who's talking by telephone to the woman he loves, when he realizes that another man is with her. The recording features a small group of musicians: Floyd Cramer on piano, Marvin Hughes on the vibraphone, Bob Moore on bass, Buddy Harman on drums, Hank Garland on guitar, and the Anita Kerr Singers providing the background vocals. Country music historian Bill Malone noted that He'll Have to Go in most respects represented a conventional country song, but its arrangement and the vocal chorus put this recording in the country pop vein. In addition, Malone lauded Reeves' vocal styling - lowered to its natural resonant level to project the caressing style that became famous - as being why many people refer to him as the singer with the velvet touch..
$3.99
3.68 €
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Instruments en Do
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Jim Reeves
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John Fries
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He'll Have To Go
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John Fries
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SheetMusicPlus
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features the Bass singer
