Partitions Numériques de At pour Orchestre, Violon

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TRI ET FILTRES

Tri et filtres :

avec audio

avec vidéo

avec play-along

Non classifié 14876

PIANO & CLAVIERS

Piano seul 10020 Piano Facile 3860 Piano, Voix 3346 Piano, Voix et Guitare 2642 Instruments en Do 1105

Orgue 1047 Accompagnement Piano 443 1 Piano, 4 mains 417 Piano Trio: piano, violon, violoncelle 181 Piano (partie séparée) 126 2 Pianos, 4 mains 109 Accordéon 93 Piano grosses notes 70 Piano Quatuor: piano, violon, alto, violoncelle 47 Piano Quatuor: piano, 2 violons, violoncelle 28 Piano Quintette: piano, 2 violons, alto, violoncelle 26 Orgue, Piano (duo) 26 Orgue, Trompette (duo) 19 Clavecin 15 Clavier 11 1 Piano, 6 mains 9 2 Pianos, 8 mains 4 Ligne De Mélodie, Piano 4 Instrument seul et Orgue 1 Accordéon, Corde(s) 1 Accordéon et Orchestre 1 Ensemble d'Accordéons 1 Fake Book 1

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GUITARES

Guitare notes et tablatures 1201 Guitare 1099 Ukulele 604 Ligne De Mélodie, (Paroles) et Accords 582 Basse electrique 449

Mandoline 303 Guitare (partie séparée) 239 Piano, Guitare (duo) 161 Paroles et Accords 145 2 Guitares (duo) 97 4 Guitares (Quatuor) 43 Dulcimer 30 Banjo 23 3 Guitares (trio) 12 Ensemble de guitares 12 2 Ukuleles 6 Mandoline, Guitare (duo) 4 Guitare, Violon, Violoncelle (trio) 4 Partitions De Groupes 3 Ukulele Baryton 2 3 Dulcimers (trio) 2 Basse électrique (partie séparée) 2 Mandoline, Piano (duo) 2 Guitare, Orchestre 2 Guitare Pedal Steel 1 Luth 1

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VOIX

Chorale SATB 4528 Chorale 3 parties 1623 Chorale 2 parties 1109 Chorale TTBB 928 Chorale SSAA 630

Chorale Unison 519 Voix duo, Piano 331 Pack Instrumental pour Chorale 200 Voix Soprano, Piano 161 Voix duo 150 Voix Alto, Piano 93 Voix Tenor, Piano 90 Voix seule 89 Voix Baryton, Piano 82 Voix haute 77 Chorale 51 Voix basse, Piano 31 Voix moyenne, Piano 20 Chorale SSAATTBB 17 Voix Tenor 16 Voix Mezzo-Soprano, Piano 11 Chorale SSATB 11 Voix basse 9 Voix Soprano 9 Chorale SSAB a cappella 4 Chorale SSATTB 3 Voix, Guitare 3 Soli, choeur mixte et accompagnement 2 Chorale SATBB 2 Chorale SSAB, Piano 1 Chorale, Orgue 1 Voix duo, Orgue 1 Chorale SATTBB A Cappella 1 Voix haute, Piano 1

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VENTS

2 Saxophones (duo) 1376 Flûte traversière et Piano 1305 Quatuor de Saxophones: 4 saxophones 1242 Clarinette et Piano 1100 Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 1082

Saxophone Alto et Piano 1036 Hautbois, Piano (duo) 979 Flûte, Hautbois, Clarinette, Basson 956 Saxophone (partie séparée) 938 Quatuor de Clarinettes: 4 clarinettes 818 Flûte traversière 706 Saxophone Tenor et Piano 678 2 Clarinettes (duo) 671 2 Flûtes traversières (duo) 666 Clarinette 623 Saxophone Alto 569 Quintette de Saxophone: 5 saxophones 476 Saxophone, Clarinette (duo) 460 Saxophone Tenor 459 Saxophone Soprano et Piano 380 Flûte à bec Soprano 350 Clarinette, Violon (duo) 330 Flûte, Clarinette (duo) 318 Quatuor de Flûtes : 4 flûtes 286 Hautbois (partie séparée) 282 Ocarina 277 Clarinette, Trompette (duo) 274 2 Hautbois (duo) 263 Saxophone 258 Flûte à bec Alto 233 Saxophone Baryton, Piano 232 Harmonica 213 Hautbois, Basson (duo) 208 Hautbois, Clarinette (duo) 184 Clarinette (partie séparée) 181 3 Saxophones (trio) 179 Flûte, Violon 175 Ensemble de Clarinettes 167 Clarinette et Alto 165 Flûte, Saxophone (duo) 164 Flute (partie séparée) 149 Hautbois, Flûte 149 Ensemble de Flûtes 138 3 Clarinettes (trio) 137 Flûte, Alto (duo) 135 Flûte, Trompette (duo) 128 Quintette de Clarinettes: 5 clarinettes 126 Cor anglais, Piano 119 2 Flûte à bec (duo) 117 Trio de Flûtes: 3 flûtes 115 Flûte et Guitare 113 Hautbois 110 Ensemble de saxophones 98 Clarinette Basse, Piano 96 Saxophone Soprano 81 Flûte à Bec 73 Flûte, Violon, Piano 72 Quintette de Flûte : 5 flûtes 70 Hautbois, Clarinette, Basson (trio d'anches) 57 Quatuor de Flûtes à bec 52 Flûte, Hautbois, Clarinette (trio) 50 Saxophone Baryton 48 Flûte à bec Alto, Piano 41 Flûte, Clarinette et Basson 41 Clarinette, Basson (duo) 38 Flûte, Hautbois (duo) 36 Clarinette, Guitare (duo) 34 Flûte à bec Tenor 33 Flûte, Clarinette, Piano (trio) 30 Flûte, Violoncelle 30 Ensemble De Flûte à bec 29 Cor Anglais 25 Flûte, Hautbois, Basson 21 5 Flûtes à bec 20 Instruments en Mib 19 2 Saxophones, Piano 19 Flûte, Violoncelle, Piano (trio) 19 3 Flûtes à bec (trio) 18 Clarinette, Violoncelle (duo) 18 2 Clarinettes, Piano 17 Hautbois, violon (duo) 17 Flûte, Hautbois, Piano (trio) 15 Flûte à bec Soprano, Piano 15 Clarinette, Violoncelle, Piano (trio) 14 Clarinette, Trombone (duo) 13 Clarinette, Harpe (duo) 13 Piccolo 12 2 Flûtes traversières, Piano 12 Hautbois, Violoncelle 11 Flûte, Basson et Piano 11 Hautbois, Guitare (duo) 11 Saxophone et Orgue 10 Clarinette Basse 8 Clarinette, Basson, Piano (trio) 8 Saxophone et Harpe 7 Piccolo, Piano 7 Hautbois, Harpe 7 Flûte, Violon et Violoncelle 7 Hautbois, Violoncelle et Piano 6 Flûte, Clarinette, Cor, Basson (Quartet) 6 Saxophone et Guitare 6 Hautbois, Basson et Piano 6 Flûte traversière, Orgue (duo) 6 Ensemble à vent 6 Hautbois, Clarinette et Piano (Trio) 6 3 Hautbois 5 Flûte, Alto et Piano 5 Clarinette, Alto et Piano (trio) 5 Flute, harpe et violon 4 Flûte à Bec, Piano 4 Clarinette, Orgue 4 4 Hautbois 4 2 Clarinettes, Basson 3 Flûte, Trombone (duo) 3 Ensemble de Hautbois 3 Flûte, Violon, Violoncelle et Piano 3 Flûte irlandaise 3 2 Hautbois, Piano 2 Cor anglais, Guitare (duo) 2 Quintette de Clarinette: Clarinette, Quatuor à Cordes 2 Flûte traversière, Basse continue 2 2 Cors Anglais Et Pianoforte 2 Cornemuse 2 Hautbois, Violon, Piano 2 Hautbois et alto (duo) 2 Flûte et Trio à cordes 2 Flûte à bec Alto, Basse continue 2 Flûte, Violon, Guitare 2 Flûte, Clarinette, Violon (trio) 1 Hautbois et Orchestre 1 Clarinette, Tuba 1 Hautbois, trombone (duo) 1 Flûte, trombone et piano 1 Saxophone et Piano 1 Clarinette, trompette et piano 1 Flûte et Quatuor à Cordes 1 2 Flûtes à bec, Guitare 1 Flûte, alto et harpe 1 2 Flûtes à bec, Piano 1 Flûte, Tuba (duo) 1 Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle 1 Hautbois, Trompette (duo) 1 3 Flûtes à bec, Piano 1 Flûte traversière, Orchestre 1 Flûte à bec, Guitare (duo) 1 Flûte à bec, Harpe 1 Flûte, Harpe et Violoncelle 1

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CUIVRES

Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 1179 Trompette 820 Trombone et Piano 737 Quatuor de Cuivres : 2 trompettes, trombone, tuba 713 Trompette, Piano 685

Trombone (partie séparée) 647 Trompette (partie séparée) 580 Trombone 500 Cor et Piano 485 Trompette, Saxophone (duo) 329 2 Trompettes (duo) 300 Cor 296 2 Trombones (duo) 292 Tuba et Piano 228 Trompette, Trombone (duo) 224 Quatuor de Cuivres: 2 trompettes, Cor, trombone 194 Quatuor de cuivres: 4 trombones 185 Tuba 170 Cor (partie séparée) 155 Euphonium, Piano (duo) 138 Tuba (partie séparée) 120 Cor anglais, Piano 119 Quatuor de Cuivres 111 2 Cors (duo) 91 Ensemble de Trompettes 89 Ensemble de Trombones 74 2 Euphoniums et 2 Tubas 49 Quatuor de cuivres: 4 cors 46 Euphonium 39 2 Tubas (duo) 38 Trompette, Cor (duo) 31 Bass Clef Instruments 27 Trio de Cuivres 27 3 Trompettes (trio) 27 Cor Anglais 25 Quatuor de cuivres: 4 trompettes 21 3 Trombones (trio) 19 Instruments en Sib 18 4 Tubas 17 Ensemble de Cors 13 2 Euphoniums (duo) 13 Tuba et Orgue 12 Trombone basse 11 Cor et Harpe 10 Instruments en Fa 10 Trompette, Trombone, Piano 10 Trombone basse et Piano 9 Trombone, Tuba (duo) 9 Quatuor de cuivres: 2 trompettes, 2 trombones 9 Trompette, Harpe 8 Euphonium, Tuba (duo) 8 3 Cors (trio) 7 Trombone, Orgue 7 Trompette, Tuba (duo) 7 Cor, Violoncelle (duo) 6 Trompette, Basson (duo) 6 Trompette, Violoncelle (duo) 5 Cor, Tuba (duo) 5 Trombone, Cor (duo) 5 Quintette de Cuivres: 2 trompettes, Cor, 2 trombones 4 3 Tubas (trio) 4 2 Trompettes, Clavier (piano ou orgue) 4 Tuba ou Euphonium ou Saxhorn 4 Cor et Basson (duo) 4 Cornet A Pistons 3 2 Cors, Piano 3 Cor anglais, Guitare (duo) 2 3 Euphoniums 2 Cor et Orgue 2 2 Cors Anglais Et Pianoforte 2 Trombone et orchestre 2 Trombone, Violon (duo) 2 Trompette, violon (duo) 1 Cor, Trompette, Trombone (trio) 1 Ensemble de Tubas 1 Trompette, Orchestre 1 Cornet et orchestre 1 Trompette, Violoncelle et Piano 1 Trompette, Euphonium (duo) 1 Clarinette, Cor (duo) 1

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CORDES

Quatuor à cordes: 2 violons, alto, violoncelle 3163 Violon et Piano 1648 Violon 1049 Violoncelle, Piano 1047 Alto, Piano 941

Violon, Violoncelle (duo) 800 Violoncelle 734 Trio à Cordes: violon, alto, violoncelle 675 Harpe 621 2 Violons (duo) 513 Alto seul 437 Violon, Alto (duo) 363 2 Violoncelles (duo) 351 2 Altos (duo) 293 Trio à Cordes: 2 violons, violoncelle 252 Contrebasse (partie séparée) 197 Contre Basse 192 Quintette à cordes: 2 violons, alto, violoncelle, basse 191 Contrebasse, Piano (duo) 187 Violon (partie séparée) 186 Alto (partie séparée) 125 Alto, Violoncelle (duo) 85 2 Harpes (duo) 69 4 Violoncelles 66 Trio à cordes: 3 violins 58 Violon, Guitare (duo) 52 Piano Trio: Violon, Alto, Piano 52 Violoncelle (partie séparée) 47 Trio à Cordes: 3 violoncelles 44 Harpe, Flûte (duo) 38 Quatuor à cordes: 4 violons 37 Harpe, Violon (duo) 35 2 Contrebasses (duo) 33 Quatuor à cordes : 4 altos 29 Trio à cordes: 3 altos 28 Trio à Cordes: 2 violons, alto 24 Alto et Harpe 23 Harpe, Voix 22 Harpe, Violoncelle (duo) 19 Violoncelle , Guitare (duo) 17 Violoncelle, Contrebasse (duo) 16 Quintette à cordes: 2 violons, 2 altos, violoncelle 14 Trio à cordes 14 Ensemble de Violons 12 Violoncelle, Orgue 10 Ensemble d'Altos 10 Violon, Basson (duo) 9 Alto, Guitare (duo) 9 Ensemble de Violoncelles 7 2 Violons, Piano 7 Violon, Clarinette, Piano (trio) 6 2 Altos, Piano 6 Violon, Orgue 5 4 Contrebasses 5 Alto, Orgue 3 Harpe et mandoline 3 Harpe (partie séparée) 3 Quintette à cordes : 2 violons, alto et 2 violoncelles 2 Autoharp 2 2 Violoncelles, Piano 2 Harpe et Piano 2 Harpe, Trombone (duo) 2 Harpe, Violon, Violoncelle 2 Violon, Tuba (duo) 2 Violon, Violoncelle, Clarinette 2 Alto et Basson 1 Violoncelle, Orchestre 1 Violoncelle, Basse continue 1 4 Harpes 1 Violon, Basse continue 1 Flûte, Contrebasse (duo) 1 Alto et orchestre 1

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PERCUSSIONS & ORCHESTRES

Orchestre d'harmonie 4364 Ensemble Jazz 1326 Orchestre à Cordes 1312 Orchestre 1041 Cloches 934 Ensemble de cuivres 667 Fanfare 463 Orchestre de chambre 386 Jazz combo 307 Ensemble de Percussions 153 Batterie (partie séparée) 133 Batterie 120 Percussion (partie séparée) 102 Marimba 36 Vibraphone 29 Xylophone 27 2 Xylophones 23 Xylophone, Piano 23 Percussion 20 Timbales (partie séparée) 18 Big band 11 Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier 10 Ensemble d'École 6 Timbales 5 Orchestre, Violon 4

Piano et Orchestre 4 Quintette de Cuivres: autres combinaisons 3 3 Marimbas 2 Vibraphone et Marimba 2 2 Marimbas 1 Marimba ou Xylophone et Piano 1 Voix et Orchestre 1 Conga 1 Marimba, Piano (duo) 1 Caisse Claire 1 Bodhran 1 Xylophone (partie séparée) 1

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AUTRES

Formation musicale - Solfège 8

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Orchestre, Violon

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Cadenzas

Orchestre, Violon

Violin - difficult - Digital Download Concerto for violin and orchestra. Composed by …(+)

Violin - difficult - Digital Download Concerto for violin and orchestra. Composed by Thomas Ades (1971-). This edition: single sheet. Cadenza. Downloadable. Duration 2 minutes 30 seconds. Schott Music - Digital #Q18204. Published by Schott Music - Digital
In a conversation with the violinist Peter Herresthal, we touched on the "invitation" in the score of Ligeti's Violin concerto to provide a cadenza for the work. Peter suggested that I answer this invitation and I was happy to accept. I followed all the composer's directions exactly: the cadenza may use material from all five movements, and should be of "hectic" character throughout. I also aimed to write a cadenza of which the closing orchestral coda would be an inevitable result. (Thomas Ades) The cadenza can also be composed by the soloist and can last up to 1-2 minutes. It should be hectic throughout (continuation of the appassionata agitato molto), but can incorporate melodic material ad lib. from all five movements. Towards the end, the tempo should be prestissimo with alternating arco and left hand pizz. in mad virtuosity. The cadenza has no real end and is suddenly interrupted by the orchestra at R (as agreed between soloist and conductor). This interruption occurs suddenly as if unprepared. The soloist should at this point be playing in high positions (on the top string) at maximum velocity. The solo violin abruptly falls silent on the entry of the high woodblock. Gyorgy LigetiIn a conversation with the violinist Peter Herresthal, we touched on the "invitation" in the score of Ligeti's Violin concerto to provide a cadenza for the work. Peter suggested that I answer this invitation and I was happy to accept. I followed all the composer's directions exactly: the cadenza may use material from all five movements, and should be of "hectic" character throughout. I also aimed to write a cadenza of which the closing orchestral coda would be an inevitable result. (Thomas Ades) The cadenza can also be composed by the soloist and can last up to 1-2 minutes. It should be hectic throughout (continuation of the appassionata agitato molto), but can incorporate melodic material ad lib. from all five movements. Towards the end, the tempo should be prestissimo with alternating arco and left hand pizz. in mad virtuosity. The cadenza has no real end and is suddenly interrupted by the orchestra at R (as agreed between soloist and conductor). This interruption occurs suddenly as if unprepared. The soloist should at this point be playing in high positions (on the top string) at maximum velocity. The solo violin abruptly falls silent on the entry of the high woodblock. Gyorgy Ligeti

$6.99 6.41 € #Orchestre, Violon #Thomas Ades #Cadenzas #Schott Music - Digital #SheetMusicPlus

Nocturne for violin and orchestra

Orchestre, Violon

Violin and orchestra - Digital Download Completed and orchestrated after the sketches…(+)

Violin and orchestra - Digital Download Completed and orchestrated after the sketches of Debussy by Robert Orledge. Composed by Robert Orledge and Claude Debussy (1862-1918). Arranged by Robert Orledge. This edition: vocal/piano score. Violin Library. Downloadable. Duration 10 minutes. Schott Music - Digital #Q46518. Published by Schott Music - Digital
The Belgian violinist, Eugene Ysaye (1858-1931), with his impressive blend of virtuosity and poetry, was a great admirer of the young Debussy's music who led the Paris premiere of his only string quartet in December 1893. In September 1892, Debussy was planning an American tour with the financial support of Prince Andre Poniatowski that was to include his 'nearly completed three Scenes au crepuscule', inspired by the Symbolist poetry of his friend Henri de Regnier. He made 'extensive revisions' to them in 1893, even if all that seems to have survived is a series of sketches in Bibliotheque Nationale de France, MS 20632(2), most of which appear to be for violin and orchestra in E or B major. Another related, and more virtuosic, theme emerged in a Parisian sale in June 2006, which opens the main part of the present Nocturne (after a slow introduction). We also learn from Ernest Chausson in April 1893 that Debussy was composing a work for Ysaye's first American tour in 1894-95, which at one stage was described as a 'concerto'. Then, as Debussy was putting the finishing touches to L'Apres-midi d'un faune in 1894, he told Ysaye he was now working on 'three Nocturnes for solo violin and orchestra which are destined for you', and which undoubtedly derived from his earlier 'Twilight scenes'. The first was to be 'for strings only'. the second for three flutes, four horns, three trumpets and two harps. the third combines all these instruments'. He also informed Ysaye, perhaps with Whistler's Nocturnes in mind, that they were to be like 'a study in grey in painting'. Debussy only abandoned this project in November 1896 after Ysaye told him he would not be able to premiere the Nocturnes in Brussels 'for financial reasons'. My completion comes closest to the third Nocturne Debussy planned and to being a rondo with related episodes. The dynamic idea that emerged in 2006, which was scored by Debussy, leads naturally into the 'twilight' theme in B major beginning on solo cello and doublebasses, with the high, haunting three-note idea first heard at the outset floating above on solo violin, exactly as Debussy conceived it. All five of Debussy's themes are harmonized and they vary in length between three and thirteen bars: none of them relate to the orchestral Nocturnes of 1897-99. Rather than develop any of these themes, they are presented in changing harmonic backgrounds in the contemporary manner of L'Apres-midi d'un faune, and the whole work centres on an expansive scalar which joins the various aspects of Debussy's 'twilight' themes together in a new perspective.The Belgian violinist, Eugene Ysaye (1858-1931), with his impressive blend of virtuosity and poetry, was a great admirer of the young Debussy's music who led the Paris premiere of his only string quartet in December 1893. In September 1892, Debussy was planning an American tour with the financial support of Prince Andre Poniatowski that was to include his 'nearly completed three Scenes au crepuscule', inspired by the Symbolist poetry of his friend Henri de Regnier. He made 'extensive revisions' to them in 1893, even if all that seems to have survived is a series of sketches in Bibliotheque Nationale de France, MS 20632(2), most of which appear to be for violin and orchestra in E or B major. Another related, and more virtuosic, theme emerged in a Parisian sale in June 2006, which opens the main part of the present Nocturne (after a slow introduction). We also learn from Ernest Chausson in April 1893 that Debussy was composing a work for Ysaye's first American tour in 1894-95, which at one stage was described as a 'concerto'. Then, as Debussy was putting the finishing touches to L'Apres-midi d'un faune in 1894, he told Ysaye he was now working on 'three Nocturnes for solo violin and orchestra which are destined for you', and which undoubtedly derived from his earlier 'Twilight scenes'. The first was to be 'for strings only'. the second for three flutes, four horns, three trumpets and two harps. the third combines all these instruments'. He also informed Ysaye, perhaps with Whistler's Nocturnes in mind, that they were to be like 'a study in grey in painting'. Debussy only abandoned this project in November 1896 after Ysaye told him he would not be able to premiere the Nocturnes in Brussels 'for financial reasons'. My completion comes closest to the third Nocturne Debussy planned and to being a rondo with related episodes. The dynamic idea that emerged in 2006, which was scored by Debussy, leads naturally into the 'twilight' theme in B major beginning on solo cello and doublebasses, with the high, haunting three-note idea first heard at the outset floating above on solo violin, exactly as Debussy conceived it. All five of Debussy's themes are harmonized and they vary in length between three and thirteen bars: none of them relate to the orchestral Nocturnes of 1897-99. Rather than develop any of these themes, they are presented in changing harmonic backgrounds in the contemporary manner of L'Apres-midi d'un faune, and the whole work centres on an expansive scalar which joins the various aspects of Debussy's 'twilight' themes together in a new perspective.

$19.99 18.33 € #Orchestre, Violon #Nocturne for violin and orchestra #Schott Music - Digital #SheetMusicPlus

Concerto D Major

Orchestre, Violon

Violin and orchestra - intermediate to advanced - Digital Download Adelaide. Composed…(+)

Violin and orchestra - intermediate to advanced - Digital Download Adelaide. Composed by Wolfgang Amadeus Mozart (1756-1791). This edition: piano reduction with solo part. Madame Adelaide, Violin concerto, Paris. Downloadable. Schott Music - Digital #Q54917. Published by Schott Music - Digital
As can be seen from the dedication, this piece is the first violin concerto Mozart wrote in spring 1766 while staying at the French court for several weeks when he came to Paris for the second time with his father and sister after their return back from England. The work probably came into being because the astonishing abilities of the young artist were often called into question and he was therefore set a task which had to be completed in the presence of the commissioner. And this is how Mozart composed this violin concerto for Madame Adelaide of France, the eldest daughter of Louis XV.As can be seen from the dedication, this piece is the first violin concerto Mozart wrote in spring 1766 while staying at the French court for several weeks when he came to Paris for the second time with his father and sister after their return back from England. The work probably came into being because the astonishing abilities of the young artist were often called into question and he was therefore set a task which had to be completed in the presence of the commissioner. And this is how Mozart composed this violin concerto for Madame Adelaide of France, the eldest daughter of Louis XV.

$16.99 15.58 € #Orchestre, Violon # Wolfgang Amadeus Mozart (1756-1791) #Concerto D Major # Schott Music - Digital #SheetMusicPlus

Cinema Paradiso (for Violin Solo and Strings) As performed by Itzhak Perlman and Pittsburgh Symphony Orchestra.

Orchestre, Violon

Violin, Viola, Cello, Double Bass, Violin Solo and String Orchestra - Advanced Inter…(+)

Violin, Viola, Cello, Double Bass, Violin Solo and String Orchestra - Advanced Intermediate - Digital Download By Ennio Morricone. Arranged by Flavio Regis Cunha. Score, Set of Parts. 14 pages. Published by Flavio Regis Cunha
Cinema Paradiso is a 1988 Italian drama film written and directed by Giuseppe Tornatore. The film stars Jacques Perrin, Philippe Noiret, Leopoldo Trieste, Marco Leonardi, Agnese Nano and Salvatore Cascio, and was produced by Franco Cristaldi and Giovanna Romagnoli, while the music score was composed by Ennio Morricone along with his son, Andrea. It won the Academy Award for Best Foreign Language Film at the 62nd Academy Awards. For for Violin Solo and String Orchestra - As performed by Itzhak Perlman and Pittsburgh Symphony Orchestra. Enjoy!Cinema Paradiso is a 1988 Italian drama film written and directed by Giuseppe Tornatore. The film stars Jacques Perrin, Philippe Noiret, Leopoldo Trieste, Marco Leonardi, Agnese Nano and Salvatore Cascio, and was produced by Franco Cristaldi and Giovanna Romagnoli, while the music score was composed by Ennio Morricone along with his son, Andrea. It won the Academy Award for Best Foreign Language Film at the 62nd Academy Awards. For for Violin Solo and String Orchestra - As performed by Itzhak Perlman and Pittsburgh Symphony Orchestra. Enjoy!

$49.99 45.85 € #Orchestre, Violon #Ennio Morricone #Cinema Paradiso #Flavio Regis Cunha #SheetMusicPlus