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PIANO & CLAVIERS
Piano seul
251
Piano, Voix
67
Piano Facile
56
2 Pianos, 4 mains
34
1 Piano, 4 mains
32
Instruments en Do
27
Piano (partie séparée)
18
Orgue
15
Piano Quatuor: piano, violon, alto, violoncelle
11
Accompagnement Piano
10
Piano Trio: piano, violon, violoncelle
7
Piano Quintette: piano, 2 violons, alto, violoncelle
6
2 Pianos, 8 mains
3
Orgue, Piano (duo)
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano, Voix et Guitare
1
Accordéon
1
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GUITARES
Ligne De Mélodie, (Paroles) et Accords
17
Mandoline
3
Basse electrique
2
Banjo
2
Dulcimer
1
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1
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VOIX
Chorale SATB
244
Pack Instrumental pour Chorale
97
Chorale 3 parties
39
Chorale TTBB
29
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20
Chorale Unison
20
Chorale 2 parties
18
Chorale SSAATTBB
3
Soli, choeur mixte et accompagnement
3
Voix Baryton, Piano
3
Voix Soprano, Piano
2
Voix haute
2
Voix basse, Piano
2
Voix Tenor
1
Voix Alto, Piano
1
Voix duo
1
Voix Mezzo-Soprano, Piano
1
Chorale SSATTB
1
Voix duo, Piano
1
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VENTS
Saxophone (partie séparée)
98
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
84
Flûte, Hautbois, Clarinette, Basson
62
Quatuor de Flûtes : 4 flûtes
60
Ensemble de Flûtes
55
Flûte traversière et Piano
53
Quatuor de Saxophones: 4 saxophones
49
Hautbois, Piano (duo)
41
Saxophone Alto et Piano
40
Saxophone Tenor et Piano
40
Clarinette et Piano
39
Ensemble de Clarinettes
36
Quatuor de Clarinettes: 4 clarinettes
32
2 Saxophones (duo)
27
Hautbois, Basson (duo)
24
3 Clarinettes (trio)
21
Flûte traversière
19
Clarinette
18
Trio de Flûtes: 3 flûtes
18
Ensemble de saxophones
18
2 Flûtes traversières (duo)
18
Clarinette, Contrebasse (duo)
16
Clarinette Basse, Piano
15
Saxophone Baryton, Piano
14
Quintette de Saxophone: 5 saxophones
13
2 Clarinettes (duo)
13
Saxophone, Clarinette (duo)
12
Clarinette (partie séparée)
11
Saxophone Soprano et Piano
11
Saxophone Alto
10
Flûte, Violon
8
Quintette de Flûte : 5 flûtes
8
Clarinette, Violon (duo)
8
Clarinette, Trompette (duo)
7
Hautbois (partie séparée)
7
Hautbois, Clarinette (duo)
6
Flûte, Clarinette (duo)
5
Saxophone Tenor
5
Clarinette et Alto
5
2 Flûtes traversières, Piano
5
Flute (partie séparée)
4
2 Hautbois (duo)
4
Flûte, Trompette (duo)
4
2 Flûte à bec (duo)
4
3 Saxophones (trio)
4
Flûte, Saxophone (duo)
4
Quintette de Clarinettes: 5 clarinettes
4
Flûte, Violoncelle
3
Flûte, Violon et Violoncelle
3
Hautbois, Flûte
3
Flûte, Clarinette et Basson
2
Cor anglais, Piano
2
3 Hautbois
2
Flûte, Violon, Piano
2
Flûte, Alto (duo)
2
Cor Anglais
2
3 Flûtes à bec (trio)
2
Ensemble à vent
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Clarinette, Orgue
1
Cornemuse
1
Flûte traversière, Orgue (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
2 Hautbois, 2 Cors et 2 Bassons
1
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1
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1
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1
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1
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1
Flûte, Hautbois, Clarinette (trio)
1
Piccolo
1
Flûte, Violoncelle, Piano (trio)
1
Hautbois
1
Clarinette, Harpe (duo)
1
Clarinette, Alto et Piano (trio)
1
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Bass Clef Instruments
276
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84
Trompette (partie séparée)
68
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62
Quatuor de cuivres: 4 trombones
49
Quatuor de Cuivres : 2 trompettes, trombone, tuba
42
Cor et Piano
27
Trombone et Piano
27
Trompette, Piano
23
Trompette
19
Tuba et Piano
17
Quatuor de Cuivres: 2 trompettes, Cor, trombone
14
Ensemble de Trombones
12
Cor (partie séparée)
8
2 Trompettes (duo)
7
Trompette, Trombone (duo)
7
Tuba
7
Trompette, Saxophone (duo)
6
Trombone
5
2 Cors (duo)
5
Tuba (partie séparée)
5
2 Trombones (duo)
5
2 Tubas (duo)
3
Euphonium, Piano (duo)
3
Quatuor de cuivres: 4 cors
2
Cor anglais, Piano
2
Ensemble de Cors
2
Quatuor de Cuivres
2
Cor Anglais
2
Cor
2
Euphonium, Tuba (duo)
1
Trombone, Violon (duo)
1
3 Trombones (trio)
1
2 Trompettes, Clavier (piano ou orgue)
1
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1
Trompette, Cor (duo)
1
Trio de Cuivres
1
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CORDES
Quintette à cordes: 2 violons, alto, violoncelle, basse
1464
Contre Basse
1445
Contrebasse, Piano (duo)
1173
Quatuor à cordes: 2 violons, alto, violoncelle
1064
Harpe
373
Violon
276
2 Contrebasses (duo)
255
Violoncelle, Contrebasse (duo)
230
Violon et Piano
168
Alto, Piano
99
Trio à Cordes: violon, alto, violoncelle
98
Violoncelle
94
Violoncelle, Piano
89
Violon, Violoncelle (duo)
82
2 Violons (duo)
59
Flûte, Contrebasse (duo)
52
4 Contrebasses
52
Alto seul
51
Violon, Alto (duo)
47
2 Violoncelles (duo)
40
Quintette à cordes : 2 violons, alto et 2 violoncelles
34
Violon (partie séparée)
33
Quintette à cordes: 2 violons, 2 altos, violoncelle
31
Trio à cordes
30
2 Altos (duo)
29
Contrebasse (partie séparée)
27
Trio à Cordes: 2 violons, violoncelle
26
Alto (partie séparée)
24
Alto, Violoncelle (duo)
22
3 Contrebasses
18
4 Violoncelles
11
Harpe, Flûte (duo)
9
Trio à Cordes: 3 violoncelles
6
2 Violons, Piano
5
Harpe, Violon (duo)
5
Alto et Harpe
5
Trio à cordes: 3 violins
4
Trio à Cordes: 2 violons, alto
3
Harpe, Violoncelle (duo)
3
Violoncelle (partie séparée)
3
2 Harpes (duo)
3
2 Violoncelles, Piano
2
Quatuor à cordes: 4 violons
2
Violon, Basse continue
1
4 Harpes
1
Trio à cordes: 3 altos
1
Violon, Basson (duo)
1
Piano Trio: Violon, Alto, Piano
1
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
647
Orchestre d'harmonie
461
Orchestre
356
Ensemble Jazz
186
Orchestre de chambre
145
Ensemble de cuivres
94
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
46
Ensemble de Percussions
42
Cloches
30
Jazz combo
23
Fanfare
20
Batterie (partie séparée)
17
Piano et Orchestre
13
Batterie
13
Xylophone, Piano
11
Percussion (partie séparée)
9
2 Xylophones
2
Orchestre, Violon
2
Marimba
1
Vibraphone
1
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AUTRES
Formation musicale - Solfège
1
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Nocturne for violin and orchestra
Orchestre, Violon
Violin and orchestra - Digital Download Completed and orchestrated after the sketches…
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Violin and orchestra - Digital Download Completed and orchestrated after the sketches of Debussy by Robert Orledge. Composed by Robert Orledge and Claude Debussy (1862-1918). Arranged by Robert Orledge. This edition: vocal/piano score. Violin Library. Downloadable. Duration 10 minutes. Schott Music - Digital #Q46518. Published by Schott Music - Digital
The Belgian violinist, Eugene Ysaye (1858-1931), with his impressive blend of virtuosity and poetry, was a great admirer of the young Debussy's music who led the Paris premiere of his only string quartet in December 1893. In September 1892, Debussy was planning an American tour with the financial support of Prince Andre Poniatowski that was to include his 'nearly completed three Scenes au crepuscule', inspired by the Symbolist poetry of his friend Henri de Regnier. He made 'extensive revisions' to them in 1893, even if all that seems to have survived is a series of sketches in Bibliotheque Nationale de France, MS 20632(2), most of which appear to be for violin and orchestra in E or B major. Another related, and more virtuosic, theme emerged in a Parisian sale in June 2006, which opens the main part of the present Nocturne (after a slow introduction).<br> <br> We also learn from Ernest Chausson in April 1893 that Debussy was composing a work for Ysaye's first American tour in 1894-95, which at one stage was described as a 'concerto'. Then, as Debussy was putting the finishing touches to L'Apres-midi d'un faune in 1894, he told Ysaye he was now working on 'three Nocturnes for solo violin and orchestra which are destined for you', and which undoubtedly derived from his earlier 'Twilight scenes'. The first was to be 'for strings only'. the second for three flutes, four horns, three trumpets and two harps. the third combines all these instruments'. He also informed Ysaye, perhaps with Whistler's Nocturnes in mind, that they were to be like 'a study in grey in painting'. Debussy only abandoned this project in November 1896 after Ysaye told him he would not be able to premiere the Nocturnes in Brussels 'for financial reasons'.<br> <br> My completion comes closest to the third Nocturne Debussy planned and to being a rondo with related episodes. The dynamic idea that emerged in 2006, which was scored by Debussy, leads naturally into the 'twilight' theme in B major beginning on solo cello and doublebasses, with the high, haunting three-note idea first heard at the outset floating above on solo violin, exactly as Debussy conceived it. All five of Debussy's themes are harmonized and they vary in length between three and thirteen bars: none of them relate to the orchestral Nocturnes of 1897-99. Rather than develop any of these themes, they are presented in changing harmonic backgrounds in the contemporary manner of L'Apres-midi d'un faune, and the whole work centres on an expansive scalar which joins the various aspects of Debussy's 'twilight' themes together in a new perspective.The Belgian violinist, Eugene Ysaye (1858-1931), with his impressive blend of virtuosity and poetry, was a great admirer of the young Debussy's music who led the Paris premiere of his only string quartet in December 1893. In September 1892, Debussy was planning an American tour with the financial support of Prince Andre Poniatowski that was to include his 'nearly completed three Scenes au crepuscule', inspired by the Symbolist poetry of his friend Henri de Regnier. He made 'extensive revisions' to them in 1893, even if all that seems to have survived is a series of sketches in Bibliotheque Nationale de France, MS 20632(2), most of which appear to be for violin and orchestra in E or B major. Another related, and more virtuosic, theme emerged in a Parisian sale in June 2006, which opens the main part of the present Nocturne (after a slow introduction).<br> <br> We also learn from Ernest Chausson in April 1893 that Debussy was composing a work for Ysaye's first American tour in 1894-95, which at one stage was described as a 'concerto'. Then, as Debussy was putting the finishing touches to L'Apres-midi d'un faune in 1894, he told Ysaye he was now working on 'three Nocturnes for solo violin and orchestra which are destined for you', and which undoubtedly derived from his earlier 'Twilight scenes'. The first was to be 'for strings only'. the second for three flutes, four horns, three trumpets and two harps. the third combines all these instruments'. He also informed Ysaye, perhaps with Whistler's Nocturnes in mind, that they were to be like 'a study in grey in painting'. Debussy only abandoned this project in November 1896 after Ysaye told him he would not be able to premiere the Nocturnes in Brussels 'for financial reasons'.<br> <br> My completion comes closest to the third Nocturne Debussy planned and to being a rondo with related episodes. The dynamic idea that emerged in 2006, which was scored by Debussy, leads naturally into the 'twilight' theme in B major beginning on solo cello and doublebasses, with the high, haunting three-note idea first heard at the outset floating above on solo violin, exactly as Debussy conceived it. All five of Debussy's themes are harmonized and they vary in length between three and thirteen bars: none of them relate to the orchestral Nocturnes of 1897-99. Rather than develop any of these themes, they are presented in changing harmonic backgrounds in the contemporary manner of L'Apres-midi d'un faune, and the whole work centres on an expansive scalar which joins the various aspects of Debussy's 'twilight' themes together in a new perspective.
$19.99
18.2 €
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Orchestre, Violon
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Nocturne for violin and orchestra
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Schott Music - Digital
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SheetMusicPlus
Cinema Paradiso (for Violin Solo and Strings) As performed by Itzhak Perlman and Pittsburgh Symphony Orchestra.
Orchestre, Violon
Violin, Viola, Cello, Double Bass, Violin Solo and String Orchestra - Advanced Inter…
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Violin, Viola, Cello, Double Bass, Violin Solo and String Orchestra - Advanced Intermediate - Digital Download By Ennio Morricone. Arranged by Flavio Regis Cunha. Score, Set of Parts. 14 pages. Published by Flavio Regis Cunha
Cinema Paradiso is a 1988 Italian drama film written and directed by Giuseppe Tornatore. The film stars Jacques Perrin, Philippe Noiret, Leopoldo Trieste, Marco Leonardi, Agnese Nano and Salvatore Cascio, and was produced by Franco Cristaldi and Giovanna Romagnoli, while the music score was composed by Ennio Morricone along with his son, Andrea. It won the Academy Award for Best Foreign Language Film at the 62nd Academy Awards.<br> <br> For for Violin Solo and String Orchestra - As performed by Itzhak Perlman and Pittsburgh Symphony Orchestra. Enjoy!Cinema Paradiso is a 1988 Italian drama film written and directed by Giuseppe Tornatore. The film stars Jacques Perrin, Philippe Noiret, Leopoldo Trieste, Marco Leonardi, Agnese Nano and Salvatore Cascio, and was produced by Franco Cristaldi and Giovanna Romagnoli, while the music score was composed by Ennio Morricone along with his son, Andrea. It won the Academy Award for Best Foreign Language Film at the 62nd Academy Awards.<br> <br> For for Violin Solo and String Orchestra - As performed by Itzhak Perlman and Pittsburgh Symphony Orchestra. Enjoy!
$49.99
45.52 €
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Orchestre, Violon
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Ennio Morricone
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Cinema Paradiso
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Flavio Regis Cunha
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SheetMusicPlus
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