Partitions Numériques de One pour Orchestre, Violon

One

Cinema Paradiso (for Violin Solo and Strings) As performed by Itzhak Perlman and Pittsburgh Symphony Orchestra.
Orchestre, Violon

Violin, Viola, Cello, Double Bass, Violin Solo and String Orchestra - Advanced Inter…(+)

Violin, Viola, Cello, Double Bass, Violin Solo and String Orchestra - Advanced Intermediate - Digital Download By Ennio Morricone. Arranged by Flavio Regis Cunha. Score, Set of Parts. 14 pages. Published by Flavio Regis Cunha
Cinema Paradiso is a 1988 Italian drama film written and directed by Giuseppe Tornatore. The film stars Jacques Perrin, Philippe Noiret, Leopoldo Trieste, Marco Leonardi, Agnese Nano and Salvatore Cascio, and was produced by Franco Cristaldi and Giovanna Romagnoli, while the music score was composed by Ennio Morricone along with his son, Andrea. It won the Academy Award for Best Foreign Language Film at the 62nd Academy Awards.<br> <br> For for Violin Solo and String Orchestra - As performed by Itzhak Perlman and Pittsburgh Symphony Orchestra. Enjoy!Cinema Paradiso is a 1988 Italian drama film written and directed by Giuseppe Tornatore. The film stars Jacques Perrin, Philippe Noiret, Leopoldo Trieste, Marco Leonardi, Agnese Nano and Salvatore Cascio, and was produced by Franco Cristaldi and Giovanna Romagnoli, while the music score was composed by Ennio Morricone along with his son, Andrea. It won the Academy Award for Best Foreign Language Film at the 62nd Academy Awards.<br> <br> For for Violin Solo and String Orchestra - As performed by Itzhak Perlman and Pittsburgh Symphony Orchestra. Enjoy!
$49.99 45.33 € #Orchestre, Violon #Ennio Morricone #Cinema Paradiso #Flavio Regis Cunha #SheetMusicPlus

#Ennio Morricone

Méditation
Orchestre, Violon

Violin and orchestra - intermediate to advanced - Digital Download SKU: S9.Q586539 …(+)

Violin and orchestra - intermediate to advanced - Digital Download SKU: S9.Q586539 For violin and orchestra from the Suite concertante (1st version). Composed by Bohuslav Martinu. Downloadable, Piano reduction with solo part. Duration 5 minutes. Schott Music - Digital #Q586539. Published by Schott Music - Digital (S9.Q586539). MÃ©ditation ist der zweite Satz der Suite concertante fÃ¼r Violine und Orchester. In dieser instrumentalen, fÃ¼r sich selbst stehenden Arie bildet MartinÅ¯ ein breites Spektrum an Emotionen ab. Die vorliegende Ausgabe wurde nach der FrÃ¼hfassung der Suite erstmalig herausgegeben.
$9.99 9.06 € #Orchestre, Violon #Bohuslav Martinu #Méditation #Schott Music - Digital #SheetMusicPlus

Violin and orchestra - Digital Download Completed and orchestrated after the sketches of Debussy by Robert Orledge. Composed by Robert Orledge and Claude Debussy (1862-1918). Arranged by Robert Orledge. This edition: vocal/piano score. Violin Library. Downloadable. Duration 10 minutes. Schott Music - Digital #Q46518. Published by Schott Music - Digital
The Belgian violinist, Eugene Ysaye (1858-1931), with his impressive blend of virtuosity and poetry, was a great admirer of the young Debussy's music who led the Paris premiere of his only string quartet in December 1893. In September 1892, Debussy was planning an American tour with the financial support of Prince Andre Poniatowski that was to include his 'nearly completed three Scenes au crepuscule', inspired by the Symbolist poetry of his friend Henri de Regnier. He made 'extensive revisions' to them in 1893, even if all that seems to have survived is a series of sketches in Bibliotheque Nationale de France, MS 20632(2), most of which appear to be for violin and orchestra in E or B major. Another related, and more virtuosic, theme emerged in a Parisian sale in June 2006, which opens the main part of the present Nocturne (after a slow introduction).<br> <br> We also learn from Ernest Chausson in April 1893 that Debussy was composing a work for Ysaye's first American tour in 1894-95, which at one stage was described as a 'concerto'. Then, as Debussy was putting the finishing touches to L'Apres-midi d'un faune in 1894, he told Ysaye he was now working on 'three Nocturnes for solo violin and orchestra which are destined for you', and which undoubtedly derived from his earlier 'Twilight scenes'. The first was to be 'for strings only'. the second for three flutes, four horns, three trumpets and two harps. the third combines all these instruments'. He also informed Ysaye, perhaps with Whistler's Nocturnes in mind, that they were to be like 'a study in grey in painting'. Debussy only abandoned this project in November 1896 after Ysaye told him he would not be able to premiere the Nocturnes in Brussels 'for financial reasons'.<br> <br> My completion comes closest to the third Nocturne Debussy planned and to being a rondo with related episodes. The dynamic idea that emerged in 2006, which was scored by Debussy, leads naturally into the 'twilight' theme in B major beginning on solo cello and doublebasses, with the high, haunting three-note idea first heard at the outset floating above on solo violin, exactly as Debussy conceived it. All five of Debussy's themes are harmonized and they vary in length between three and thirteen bars: none of them relate to the orchestral Nocturnes of 1897-99. Rather than develop any of these themes, they are presented in changing harmonic backgrounds in the contemporary manner of L'Apres-midi d'un faune, and the whole work centres on an expansive scalar which joins the various aspects of Debussy's 'twilight' themes together in a new perspective.The Belgian violinist, Eugene Ysaye (1858-1931), with his impressive blend of virtuosity and poetry, was a great admirer of the young Debussy's music who led the Paris premiere of his only string quartet in December 1893. In September 1892, Debussy was planning an American tour with the financial support of Prince Andre Poniatowski that was to include his 'nearly completed three Scenes au crepuscule', inspired by the Symbolist poetry of his friend Henri de Regnier. He made 'extensive revisions' to them in 1893, even if all that seems to have survived is a series of sketches in Bibliotheque Nationale de France, MS 20632(2), most of which appear to be for violin and orchestra in E or B major. Another related, and more virtuosic, theme emerged in a Parisian sale in June 2006, which opens the main part of the present Nocturne (after a slow introduction).<br> <br> We also learn from Ernest Chausson in April 1893 that Debussy was composing a work for Ysaye's first American tour in 1894-95, which at one stage was described as a 'concerto'. Then, as Debussy was putting the finishing touches to L'Apres-midi d'un faune in 1894, he told Ysaye he was now working on 'three Nocturnes for solo violin and orchestra which are destined for you', and which undoubtedly derived from his earlier 'Twilight scenes'. The first was to be 'for strings only'. the second for three flutes, four horns, three trumpets and two harps. the third combines all these instruments'. He also informed Ysaye, perhaps with Whistler's Nocturnes in mind, that they were to be like 'a study in grey in painting'. Debussy only abandoned this project in November 1896 after Ysaye told him he would not be able to premiere the Nocturnes in Brussels 'for financial reasons'.<br> <br> My completion comes closest to the third Nocturne Debussy planned and to being a rondo with related episodes. The dynamic idea that emerged in 2006, which was scored by Debussy, leads naturally into the 'twilight' theme in B major beginning on solo cello and doublebasses, with the high, haunting three-note idea first heard at the outset floating above on solo violin, exactly as Debussy conceived it. All five of Debussy's themes are harmonized and they vary in length between three and thirteen bars: none of them relate to the orchestral Nocturnes of 1897-99. Rather than develop any of these themes, they are presented in changing harmonic backgrounds in the contemporary manner of L'Apres-midi d'un faune, and the whole work centres on an expansive scalar which joins the various aspects of Debussy's 'twilight' themes together in a new perspective.

Kreisler Praeludium and Allegro for Violin and String Orchestra
Orchestre, Violon

Composed by Fritz Kreisler (1875-1962). Arranged by Paul Wood. 20th Century, Romantic …(+)

Composed by Fritz Kreisler (1875-1962). Arranged by Paul Wood. 20th Century, Romantic Period. Score, Set of Parts. 33 pages. Published by MyMusicScores.com
In 1936 Fritz Kreisler revealed to the world that many of the miniatures that he performed were composed by him and not works ascribed to earlier composers such as Gaetano Pugnani. ?The Praeludium and Allegro had been published in 1905, thirty-one years before this confession. ?By that time it had found its way in the hearts of violinists and audiences alike. ?The dramatic Praeludium gives way to the lively Allegro. ?No one will ever know if Gaetano Pugnani (1731?98) would have enjoyed Kreisler's fun piece, but violinists certainly do!<br> <br> The PDF file contains the score and all string parts.In 1936 Fritz Kreisler revealed to the world that many of the miniatures that he performed were composed by him and not works ascribed to earlier composers such as Gaetano Pugnani. ?The Praeludium and Allegro had been published in 1905, thirty-one years before this confession. ?By that time it had found its way in the hearts of violinists and audiences alike. ?The dramatic Praeludium gives way to the lively Allegro. ?No one will ever know if Gaetano Pugnani (1731?98) would have enjoyed Kreisler's fun piece, but violinists certainly do!<br> <br> The PDF file contains the score and all string parts.
$24.99 22.66 € #Orchestre, Violon #Fritz Kreisler (1875-1962) #Paul Wood #Kreisler Praeludium and Allegro for Violin and String Orchestra # MyMusicScores.com #SheetMusicPlus

Concerto D Major
Orchestre, Violon

Violin and orchestra - intermediate to advanced - Digital Download Adelaide. Composed…(+)

Violin and orchestra - intermediate to advanced - Digital Download Adelaide. Composed by Wolfgang Amadeus Mozart (1756-1791). This edition: piano reduction with solo part. Madame Adelaide, Violin concerto, Paris. Downloadable. Schott Music - Digital #Q54917. Published by Schott Music - Digital
As can be seen from the dedication, this piece is the first violin concerto Mozart wrote in spring 1766 while staying at the French court for several weeks when he came to Paris for the second time with his father and sister after their return back from England. The work probably came into being because the astonishing abilities of the young artist were often called into question and he was therefore set a task which had to be completed in the presence of the commissioner. And this is how Mozart composed this violin concerto for Madame Adelaide of France, the eldest daughter of Louis XV.As can be seen from the dedication, this piece is the first violin concerto Mozart wrote in spring 1766 while staying at the French court for several weeks when he came to Paris for the second time with his father and sister after their return back from England. The work probably came into being because the astonishing abilities of the young artist were often called into question and he was therefore set a task which had to be completed in the presence of the commissioner. And this is how Mozart composed this violin concerto for Madame Adelaide of France, the eldest daughter of Louis XV.
$16.99 15.4 € #Orchestre, Violon # Wolfgang Amadeus Mozart (1756-1791) #Concerto D Major # Schott Music - Digital #SheetMusicPlus