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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Sing! - Trombone
Non classifié
19 051
Piano & claviers
Piano, Voix et Guitare
20 597
Piano, Voix
20 193
Piano seul
16 680
Piano Facile
7 201
Instruments en Do
1 893
Orgue
1 115
1 Piano, 4 mains
656
Accompagnement Piano
577
Piano grosses notes
388
2 Pianos, 4 mains
187
Accordéon
153
Piano Trio: piano, violon, violoncelle
144
Piano (partie séparée)
41
1 Piano, 6 mains
37
Piano Quatuor: piano, 2 violons, violoncelle
35
Piano Quatuor: piano, violon, alto, violoncelle
32
Clavecin
28
Ligne De Mélodie, Piano
23
Orgue, Piano (duo)
22
Piano Quintette: piano, 2 violons, alto, violoncelle
22
Orgue, Trompette (duo)
21
Accordéon, Voix
16
2 Pianos, 8 mains
12
Orgue, Voix
11
Clavier
8
Instrument seul et Orgue
5
2 Accordéons
3
Ensemble d'Accordéons
3
3 Pianos
2
Ensemble de Pianos
1
+ 25 instrumentations
Retracter
Guitares
Guitare notes et tablatures
3 741
Ligne De Mélodie, (Paroles) et Accords
1 442
Ukulele
1 115
Guitare
1 105
Basse electrique
632
Paroles et Accords
338
2 Guitares (duo)
115
Piano, Guitare (duo)
92
Guitare Pedal Steel
77
Dulcimer
71
Mandoline
54
Guitare (partie séparée)
45
4 Guitares (Quatuor)
39
Banjo
38
Ensemble de guitares
17
3 Guitares (trio)
15
Ukulele Baryton
11
2 Ukuleles
7
Mandoline, Guitare (duo)
6
Bouzouki
4
Partitions De Groupes
4
Basse électrique (partie séparée)
3
Ensemble de Ukulélés
2
2 Dulcimers (duo)
2
Cithare
1
Guitare, Orchestre
1
Luth
1
Dobro
1
+ 23 instrumentations
Retracter
Voix
Chorale SATB
9 752
Voix seule
6 147
Chorale 3 parties
4 040
Chorale 2 parties
2 888
Chorale Unison
1 807
Chorale TTBB
1 797
Chorale SSAA
1 210
Voix duo, Piano
886
Pack Instrumental pour Chorale
687
Chorale
583
Voix Soprano, Piano
243
Voix duo
191
Voix Alto, Piano
159
Voix Tenor, Piano
136
Voix haute
121
Voix Baryton, Piano
102
Voix moyenne, Piano
82
Voix basse, Piano
68
Voix, Guitare
63
Voix Tenor
49
Voix Soprano
37
Chorale SSATB
32
Chorale SSAATTBB
22
Voix Mezzo-Soprano, Piano
17
Chorale SSATTB
16
Chorale, Orgue
14
Chorale SSAB a cappella
11
Voix basse
9
Chorale SSATBB
5
Chorale SSAB, Piano
4
Chorale SAATB A Cappella
4
Soli, choeur mixte et accompagnement
4
Chorale SSAATB
3
Chorale SATTBB A Cappella
2
Voix duo, Orgue
2
Voix haute, Piano
2
Voix Moyenne
2
Chorale SSAATB A Cappella
2
Chorale SATBB
2
Chorale SATTB
1
Voix Soprano, Orchestre
1
+ 36 instrumentations
Retracter
Vents
Flûte traversière et Piano
1 313
Flûte traversière
1 060
Saxophone Alto
982
Clarinette et Piano
942
Quatuor de Saxophones: 4 saxophones
892
Saxophone Alto et Piano
846
Hautbois, Piano (duo)
752
Clarinette
748
Saxophone Tenor
729
Flûte, Hautbois, Clarinette, Basson
659
2 Saxophones (duo)
646
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
622
Saxophone (partie séparée)
597
2 Flûtes traversières (duo)
567
Saxophone Tenor et Piano
526
2 Clarinettes (duo)
456
Quatuor de Clarinettes: 4 clarinettes
398
Hautbois (partie séparée)
352
Saxophone Soprano et Piano
302
Quintette de Saxophone: 5 saxophones
258
Flûte, Clarinette (duo)
231
Flûte et Guitare
216
Quatuor de Flûtes : 4 flûtes
213
Hautbois
180
Saxophone Baryton, Piano
179
Trio de Flûtes: 3 flûtes
163
2 Hautbois (duo)
161
Clarinette (partie séparée)
160
Saxophone, Clarinette (duo)
158
Saxophone Soprano
147
Clarinette, Violon (duo)
135
3 Clarinettes (trio)
129
Ensemble de Clarinettes
124
3 Saxophones (trio)
115
Hautbois, Basson (duo)
113
Flute (partie séparée)
109
Ensemble de Flûtes
107
Cor anglais, Piano
105
Saxophone
104
Flûte, Violon
100
2 Flûte à bec (duo)
99
Hautbois, Clarinette (duo)
97
Ensemble de saxophones
91
Clarinette, Trompette (duo)
90
Flûte irlandaise
87
Flûte à bec Soprano
85
Quintette de Clarinettes: 5 clarinettes
82
Flûte à Bec
71
Clarinette Basse, Piano
66
Hautbois, Flûte
66
Saxophone et Piano
65
Clarinette et Alto
62
Saxophone Baryton
62
Flûte, Violon, Piano
60
Clarinette, Basson (duo)
59
Flûte, Hautbois, Clarinette (trio)
57
Flûte à bec Alto
56
Flûte, Alto (duo)
56
Cor Anglais
56
Flûte, Saxophone (duo)
48
Flûte, Trompette (duo)
47
Flûte, Violoncelle
46
Piccolo
41
Clarinette, Harpe (duo)
41
Quatuor de Flûtes à bec
40
Quintette de Flûte : 5 flûtes
39
Ensemble De Flûte à bec
39
Hautbois, Violoncelle
38
Clarinette, Guitare (duo)
37
Flûte, Clarinette, Piano (trio)
34
Flûte, Clarinette et Basson
34
2 Flûtes traversières, Piano
31
Flûte, Violoncelle, Piano (trio)
31
Clarinette, Violoncelle (duo)
30
Flûte, Hautbois (duo)
29
Flûte à bec Tenor
26
Hautbois, Clarinette, Basson (trio d'anches)
26
Instruments en Mib
24
Ocarina
21
Harmonica
20
3 Flûtes à bec (trio)
19
Flûte à Bec, Piano
18
Flûte, Hautbois, Violon
18
2 Clarinettes, Piano
16
Flûte, Basson et Piano
15
Clarinette, Violoncelle, Piano (trio)
15
Flûte à bec Soprano, Piano
14
Hautbois et alto (duo)
13
Hautbois, Guitare (duo)
13
Flûte, Hautbois, Piano (trio)
13
2 Saxophones, Piano
12
Flûte, Hautbois, Basson
12
5 Flûtes à bec
11
Flûte, Harpe et Violoncelle
11
Hautbois, violon (duo)
11
Saxophone et Guitare
10
3 Hautbois
8
Flûte, Alto et Piano
8
Flûte, Guitare, Piano
7
Flûte et Quatuor à Cordes
7
Cor anglais, Guitare (duo)
7
Clarinette Basse
7
Flûte, Clarinette, Cor, Basson (Quartet)
7
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
7
Flûte à bec, Guitare (duo)
6
Flûte, Violon et Violoncelle
6
Saxophone et Orgue
6
Flûte à bec Alto, Piano
6
Clarinette, Basson, Piano (trio)
6
Flûte, Clarinette, Violon (trio)
5
Flûte, Violon, Violoncelle et Piano
5
Hautbois, Harpe
5
Flute, harpe et violon
5
Piccolo, Piano
4
Hautbois, Violon, Piano
3
2 Clarinettes, Basson
3
2 Flûtes à bec, Piano
3
Flûte, alto et harpe
3
Flûte traversière, Orgue (duo)
3
Clarinette, Orgue
3
Ensemble à vent
3
Saxophone et Harpe
3
Hautbois, Clarinette et Piano (Trio)
2
Clarinette, Orchestre
2
Flûte et Trio à cordes
2
Hautbois, Violoncelle et Piano
2
2 Flûtes, 2 Clarinettes (Quatuor)
2
Clarinette, Alto et Piano (trio)
2
Flûte, Violon, Guitare
2
4 Hautbois
2
Hautbois, Basson et Piano
2
Clarinette, Tuba
2
Flûte traversière, Orchestre
2
2 Flûtes traversières, Harpe
2
Flûte, trombone et piano
2
Flute, Cor (duo)
2
Clarinette, trompette et piano
2
Flûte de Pan
2
Clarinette, Contrebasse (duo)
2
Flûte, Tuba (duo)
1
Saxophone, Basson (duo)
1
2 Flûtes à bec, Guitare
1
2 Cors Anglais Et Pianoforte
1
2 Flûtes traversières, Guitare
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
+ 141 instrumentations
Retracter
Cuivres
Trompette
867
Trompette, Piano
737
Cor et Piano
506
Cor
394
Trompette (partie séparée)
380
Tuba et Piano
239
Tuba
223
2 Trompettes (duo)
217
2 Cors (duo)
128
Trompette, Saxophone (duo)
106
Cor anglais, Piano
105
Euphonium, Piano (duo)
93
Euphonium
80
Cor (partie séparée)
76
Cor Anglais
56
Tuba (partie séparée)
54
Quatuor de cuivres: 4 cors
50
2 Tubas (duo)
39
2 Euphoniums et 2 Tubas
36
Trompette, Cor (duo)
34
Instruments en Sib
28
Ensemble de Trompettes
19
Quatuor de Cuivres
19
Bass Clef Instruments
16
Ensemble de Cors
15
Trompette, Tuba (duo)
13
Quatuor de cuivres: 4 trompettes
13
4 Tubas
13
3 Trompettes (trio)
12
2 Trompettes, Clavier (piano ou orgue)
11
Tuba et Orgue
10
Trompette, Violoncelle et Piano
7
Cor anglais, Guitare (duo)
7
Euphonium, Tuba (duo)
6
3 Cors (trio)
6
Cor, Violoncelle (duo)
5
Trio de Cuivres
5
G Instruments
4
Cor, Tuba (duo)
4
Trompette, violon (duo)
4
2 Euphoniums (duo)
4
Instruments en Fa
3
3 Euphoniums
2
Trompette et Guitare
2
3 Tubas (trio)
2
Trompette, Harpe
2
Trompette, Basson (duo)
2
Cor et Harpe
2
Trompette, Violoncelle (duo)
2
2 Cors, Piano
2
Clarinette, Cor (duo)
2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
Tuba ou Euphonium ou Saxhorn
1
Ensemble de Tubas
1
Cor et Orgue
1
2 Cors Anglais Et Pianoforte
1
+ 51 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
2 550
Violon et Piano
1 697
Violon
1 451
Harpe
1 030
Violoncelle
1 012
Violoncelle, Piano
961
Alto, Piano
840
Alto seul
645
2 Violons (duo)
471
Violon, Violoncelle (duo)
471
Trio à Cordes: violon, alto, violoncelle
352
2 Violoncelles (duo)
298
Contre Basse
261
Violon, Alto (duo)
230
2 Altos (duo)
227
Violon (partie séparée)
215
Contrebasse, Piano (duo)
214
Trio à Cordes: 2 violons, violoncelle
211
Quintette à cordes: 2 violons, alto, violoncelle, basse
203
Alto (partie séparée)
199
Contrebasse (partie séparée)
119
2 Harpes (duo)
117
Harpe, Flûte (duo)
116
Alto, Violoncelle (duo)
77
Piano Trio: Violon, Alto, Piano
64
Trio à cordes: 3 violins
57
Violoncelle (partie séparée)
53
Violon, Guitare (duo)
53
2 Contrebasses (duo)
40
Trio à Cordes: 3 violoncelles
37
4 Violoncelles
35
Violoncelle , Guitare (duo)
32
Quatuor à cordes: 4 violons
32
Violon, Basson (duo)
30
Harpe, Violon (duo)
29
Trio à Cordes: 2 violons, alto
26
Harpe, Voix
24
Violoncelle, Contrebasse (duo)
23
Trio à cordes
19
2 Violons, Piano
18
Alto, Guitare (duo)
16
3 Harpes
15
Trio à cordes: 3 altos
13
Quintette à cordes : 2 violons, alto et 2 violoncelles
12
Ensemble de Violons
12
Quatuor à cordes : 4 altos
12
Violon, Clarinette, Piano (trio)
11
2 Violoncelles, Piano
9
Ensemble d'Altos
9
Flûte, Contrebasse (duo)
7
Quintette à cordes: 2 violons, 2 altos, violoncelle
7
Harpe, Violoncelle (duo)
6
4 Contrebasses
5
Alto et Basson
5
Violon, Tuba (duo)
4
Harpe, Quatuor à cordes
4
Alto et Harpe
3
Autoharp
3
Violoncelle, Orgue
3
Violon, Orgue
3
2 Altos, Piano
2
Harpe et mandoline
2
Harpe et Piano
2
3 Contrebasses
1
Violoncelle, Orchestre
1
Alto, Orgue
1
Violon, Trompette et Piano
1
Ensemble de Violoncelles
1
Harpe, Violon, Violoncelle
1
Violoncelle, Basse continue
1
Violon, Violoncelle, Clarinette
1
4 Harpes
1
+ 67 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
3 752
Cloches
1 331
Orchestre
1 034
Orchestre à Cordes
918
Fanfare
445
Ensemble Jazz
430
Ensemble de cuivres
385
Orchestre de chambre
301
Batterie
278
Jazz combo
144
Percussion (partie séparée)
125
Ensemble de Percussions
74
Marimba
49
Batterie (partie séparée)
48
Percussion
26
Vibraphone
25
Xylophone, Piano
22
Piano et Orchestre
21
Timbales (partie séparée)
18
Xylophone
13
Quintette à Vent
8
Xylophone ou Marimba ou Vibraphone
8
Instrumentation Flexible
5
Timbales
5
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
2 Xylophones
4
Caisse Claire
4
Quatuor à Vent : 4 instruments à vents
3
Orchestre, Violon
2
Voix Mezzo-Soprano, Orchestre
1
Bodhran
1
Marimba ou Xylophone et Piano
1
2 Marimbas
1
Marimba, Piano (duo)
1
3 Percussions
1
Vibraphone et Marimba
1
Marimba et Orgue
1
+ 32 instrumentations
Retracter
Autres
Papeterie
15
Formation musicale - Solfège
14
Théorie de la musique
10
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Sing! - Trombone
Orchestre, Violon
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Orchestre, Violon
Violin - difficult - Digital Download Concerto for violin and orchestra. Composed by …
(+)
Violin - difficult - Digital Download Concerto for violin and orchestra. Composed by Thomas Ades (1971-). This edition: single sheet. Cadenza. Downloadable. Duration 2 minutes 30 seconds. Schott Music - Digital #Q18204. Published by Schott Music - Digital
In a conversation with the violinist Peter Herresthal, we touched on the "invitation" in the score of Ligeti's Violin concerto to provide a cadenza for the work. Peter suggested that I answer this invitation and I was happy to accept. I followed all the composer's directions exactly: the cadenza may use material from all five movements, and should be of "hectic" character throughout. I also aimed to write a cadenza of which the closing orchestral coda would be an inevitable result. (Thomas Ades)<br> <br> The cadenza can also be composed by the soloist and can last up to 1-2 minutes. It should be hectic throughout (continuation of the appassionata agitato molto), but can incorporate melodic material ad lib. from all five movements. Towards the end, the tempo should be prestissimo with alternating arco and left hand pizz. in mad virtuosity. The cadenza has no real end and is suddenly interrupted by the orchestra at R (as agreed between soloist and conductor). This interruption occurs suddenly as if unprepared. The soloist should at this point be playing in high positions (on the top string) at maximum velocity. The solo violin abruptly falls silent on the entry of the high woodblock. Gyorgy LigetiIn a conversation with the violinist Peter Herresthal, we touched on the "invitation" in the score of Ligeti's Violin concerto to provide a cadenza for the work. Peter suggested that I answer this invitation and I was happy to accept. I followed all the composer's directions exactly: the cadenza may use material from all five movements, and should be of "hectic" character throughout. I also aimed to write a cadenza of which the closing orchestral coda would be an inevitable result. (Thomas Ades)<br> <br> The cadenza can also be composed by the soloist and can last up to 1-2 minutes. It should be hectic throughout (continuation of the appassionata agitato molto), but can incorporate melodic material ad lib. from all five movements. Towards the end, the tempo should be prestissimo with alternating arco and left hand pizz. in mad virtuosity. The cadenza has no real end and is suddenly interrupted by the orchestra at R (as agreed between soloist and conductor). This interruption occurs suddenly as if unprepared. The soloist should at this point be playing in high positions (on the top string) at maximum velocity. The solo violin abruptly falls silent on the entry of the high woodblock. Gyorgy Ligeti
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Orchestre, Violon
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Thomas Ades
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Cadenzas
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Schott Music - Digital
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SheetMusicPlus
Nocturne for violin and orchestra
Orchestre, Violon
Violin and orchestra - Digital Download Completed and orchestrated after the sketches…
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Violin and orchestra - Digital Download Completed and orchestrated after the sketches of Debussy by Robert Orledge. Composed by Robert Orledge and Claude Debussy (1862-1918). Arranged by Robert Orledge. This edition: vocal/piano score. Violin Library. Downloadable. Duration 10 minutes. Schott Music - Digital #Q46518. Published by Schott Music - Digital
The Belgian violinist, Eugene Ysaye (1858-1931), with his impressive blend of virtuosity and poetry, was a great admirer of the young Debussy's music who led the Paris premiere of his only string quartet in December 1893. In September 1892, Debussy was planning an American tour with the financial support of Prince Andre Poniatowski that was to include his 'nearly completed three Scenes au crepuscule', inspired by the Symbolist poetry of his friend Henri de Regnier. He made 'extensive revisions' to them in 1893, even if all that seems to have survived is a series of sketches in Bibliotheque Nationale de France, MS 20632(2), most of which appear to be for violin and orchestra in E or B major. Another related, and more virtuosic, theme emerged in a Parisian sale in June 2006, which opens the main part of the present Nocturne (after a slow introduction).<br> <br> We also learn from Ernest Chausson in April 1893 that Debussy was composing a work for Ysaye's first American tour in 1894-95, which at one stage was described as a 'concerto'. Then, as Debussy was putting the finishing touches to L'Apres-midi d'un faune in 1894, he told Ysaye he was now working on 'three Nocturnes for solo violin and orchestra which are destined for you', and which undoubtedly derived from his earlier 'Twilight scenes'. The first was to be 'for strings only'. the second for three flutes, four horns, three trumpets and two harps. the third combines all these instruments'. He also informed Ysaye, perhaps with Whistler's Nocturnes in mind, that they were to be like 'a study in grey in painting'. Debussy only abandoned this project in November 1896 after Ysaye told him he would not be able to premiere the Nocturnes in Brussels 'for financial reasons'.<br> <br> My completion comes closest to the third Nocturne Debussy planned and to being a rondo with related episodes. The dynamic idea that emerged in 2006, which was scored by Debussy, leads naturally into the 'twilight' theme in B major beginning on solo cello and doublebasses, with the high, haunting three-note idea first heard at the outset floating above on solo violin, exactly as Debussy conceived it. All five of Debussy's themes are harmonized and they vary in length between three and thirteen bars: none of them relate to the orchestral Nocturnes of 1897-99. Rather than develop any of these themes, they are presented in changing harmonic backgrounds in the contemporary manner of L'Apres-midi d'un faune, and the whole work centres on an expansive scalar which joins the various aspects of Debussy's 'twilight' themes together in a new perspective.The Belgian violinist, Eugene Ysaye (1858-1931), with his impressive blend of virtuosity and poetry, was a great admirer of the young Debussy's music who led the Paris premiere of his only string quartet in December 1893. In September 1892, Debussy was planning an American tour with the financial support of Prince Andre Poniatowski that was to include his 'nearly completed three Scenes au crepuscule', inspired by the Symbolist poetry of his friend Henri de Regnier. He made 'extensive revisions' to them in 1893, even if all that seems to have survived is a series of sketches in Bibliotheque Nationale de France, MS 20632(2), most of which appear to be for violin and orchestra in E or B major. Another related, and more virtuosic, theme emerged in a Parisian sale in June 2006, which opens the main part of the present Nocturne (after a slow introduction).<br> <br> We also learn from Ernest Chausson in April 1893 that Debussy was composing a work for Ysaye's first American tour in 1894-95, which at one stage was described as a 'concerto'. Then, as Debussy was putting the finishing touches to L'Apres-midi d'un faune in 1894, he told Ysaye he was now working on 'three Nocturnes for solo violin and orchestra which are destined for you', and which undoubtedly derived from his earlier 'Twilight scenes'. The first was to be 'for strings only'. the second for three flutes, four horns, three trumpets and two harps. the third combines all these instruments'. He also informed Ysaye, perhaps with Whistler's Nocturnes in mind, that they were to be like 'a study in grey in painting'. Debussy only abandoned this project in November 1896 after Ysaye told him he would not be able to premiere the Nocturnes in Brussels 'for financial reasons'.<br> <br> My completion comes closest to the third Nocturne Debussy planned and to being a rondo with related episodes. The dynamic idea that emerged in 2006, which was scored by Debussy, leads naturally into the 'twilight' theme in B major beginning on solo cello and doublebasses, with the high, haunting three-note idea first heard at the outset floating above on solo violin, exactly as Debussy conceived it. All five of Debussy's themes are harmonized and they vary in length between three and thirteen bars: none of them relate to the orchestral Nocturnes of 1897-99. Rather than develop any of these themes, they are presented in changing harmonic backgrounds in the contemporary manner of L'Apres-midi d'un faune, and the whole work centres on an expansive scalar which joins the various aspects of Debussy's 'twilight' themes together in a new perspective.
$19.99
18.43 €
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Orchestre, Violon
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Nocturne for violin and orchestra
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Schott Music - Digital
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SheetMusicPlus
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