English version
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
That\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\'s All: Score
Sheetmusicplus
Non classifié
4 342
Piano & claviers
Piano seul
2 050
Piano, Voix
1 010
Piano Facile
726
Piano, Voix et Guitare
511
Orgue
109
Accompagnement Piano
57
1 Piano, 4 mains
42
Piano Trio: piano, violon, violoncelle
33
Instruments en Do
30
Piano grosses notes
23
Accordéon
21
2 Pianos, 4 mains
20
Piano Quatuor: piano, violon, alto, violoncelle
15
Piano Quintette: piano, 2 violons, alto, violoncelle
6
Piano (partie séparée)
5
Piano Quatuor: piano, 2 violons, violoncelle
4
Clavecin
3
Orgue, Trompette (duo)
3
2 Pianos, 8 mains
3
Clavier
2
Orgue, Piano (duo)
1
+ 16 instrumentations
Retracter
Guitares
Guitare
54
Basse electrique
47
Ukulele
42
Guitare notes et tablatures
33
2 Guitares (duo)
26
4 Guitares (Quatuor)
20
Guitare (partie séparée)
12
Piano, Guitare (duo)
12
3 Guitares (trio)
12
Banjo
6
Mandoline
6
Mandoline, Guitare (duo)
4
Ensemble de guitares
3
2 Dulcimers (duo)
2
Ligne De Mélodie, (Paroles) et Accords
2
Guitare, Violon, Violoncelle (trio)
1
Ensemble de Ukulélés
1
Mandoline, Piano (duo)
1
Orchestre à Plectres
1
+ 14 instrumentations
Retracter
Voix
Chorale SATB
288
Chorale 3 parties
80
Chorale 2 parties
78
Chorale Unison
56
Chorale TTBB
32
Voix Tenor, Piano
28
Voix Soprano, Piano
24
Chorale SSAA
19
Voix Alto, Piano
17
Voix Baryton, Piano
15
Voix duo, Piano
12
Voix duo
7
Voix basse, Piano
3
Chorale
3
Voix haute
2
Soli, choeur mixte et accompagnement
2
Voix, Guitare
1
Chorale SSATTB
1
Voix Tenor
1
+ 14 instrumentations
Retracter
Vents
2 Saxophones (duo)
382
Flûte traversière et Piano
340
Clarinette et Piano
302
Hautbois, Piano (duo)
280
2 Flûtes traversières (duo)
237
Saxophone Alto et Piano
231
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
224
2 Clarinettes (duo)
189
Quintette de Saxophone: 5 saxophones
185
Saxophone Tenor et Piano
176
Saxophone Soprano et Piano
151
Quatuor de Saxophones: 4 saxophones
137
Ensemble de saxophones
103
Saxophone Baryton, Piano
98
2 Hautbois (duo)
89
Flûte, Hautbois, Clarinette, Basson
84
Saxophone, Clarinette (duo)
83
Quatuor de Clarinettes: 4 clarinettes
74
Clarinette, Violon (duo)
67
Quatuor de Flûtes : 4 flûtes
55
2 Flûte à bec (duo)
51
Quintette de Flûte : 5 flûtes
51
Ensemble de Clarinettes
49
Saxophone (partie séparée)
49
Clarinette
48
Cor anglais, Piano
47
Flûte, Clarinette (duo)
44
Clarinette Basse, Piano
39
Ensemble de Flûtes
37
Clarinette, Trompette (duo)
36
Flûte traversière
36
Hautbois, Basson (duo)
36
Clarinette et Alto
34
Flûte, Violon
31
Hautbois, Flûte
29
Hautbois, Clarinette (duo)
29
Quintette de Clarinettes: 5 clarinettes
27
Flûte, Alto (duo)
27
Flûte et Guitare
27
Hautbois (partie séparée)
25
Flûte, Saxophone (duo)
25
3 Saxophones (trio)
22
Saxophone Alto
22
Flûte, Trompette (duo)
19
Saxophone Tenor
17
Clarinette (partie séparée)
17
Quatuor de Flûtes à bec
14
3 Clarinettes (trio)
14
Flûte, Clarinette, Piano (trio)
14
Flute (partie séparée)
11
Clarinette, Trombone (duo)
11
Flûte, Hautbois, Piano (trio)
11
Flûte, Hautbois, Clarinette (trio)
10
Hautbois
10
Flûte, Violon et Violoncelle
9
Flûte, trombone et piano
9
Clarinette, Violoncelle, Piano (trio)
9
Saxophone Baryton
8
Saxophone Soprano
8
Ocarina
8
Flûte, Alto et Piano
8
Flûte irlandaise
8
Trio de Flûtes: 3 flûtes
8
Hautbois, Clarinette, Basson (trio d'anches)
8
Flûte, Violoncelle
7
Flûte à bec Soprano
7
Clarinette, Guitare (duo)
6
Hautbois, Guitare (duo)
6
Flûte, Basson et Piano
5
Flûte, Violoncelle, Piano (trio)
5
Clarinette, Violoncelle (duo)
5
2 Flûtes traversières, Piano
5
Clarinette, Basson (duo)
4
Clarinette, trompette et piano
4
Flute, harpe et violon
3
Piccolo, Piano
3
Flûte, Violoncelle, Guitare
3
Flûte à bec Alto
3
2 Clarinettes, Piano
3
Flûte, Violon, Violoncelle et Piano
3
Flûte, Hautbois, Basson
3
Saxophone et Guitare
2
Flûte, Clarinette et Basson
2
Flûte à bec Soprano, Piano
2
Flûte, Violon, Guitare
2
2 Saxophones, Piano
2
Flûte à bec Alto, Piano
2
Ensemble De Flûte à bec
2
2 Cors Anglais Et Pianoforte
2
3 Flûtes à bec (trio)
2
Flûte à bec Tenor
1
Cor anglais, Guitare (duo)
1
Cor Anglais
1
Ensemble de Hautbois
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Clarinette, Contrebasse (duo)
1
Flûte, Hautbois (duo)
1
Harmonica
1
4 Hautbois
1
Flûte, Violon, Piano
1
Flûte à Bec
1
5 Flûtes à bec
1
Flûte et Trio à cordes
1
Clarinette, Tuba
1
Clarinette, Harpe (duo)
1
Flûte, Trombone (duo)
1
Cor anglais et Harpe (duo)
1
Flûte, Hautbois, Violon
1
Saxophone et Orgue
1
+ 104 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
252
Quatuor de Cuivres : 2 trompettes, trombone, tuba
242
Trompette, Piano
239
Trombone et Piano
238
Cor et Piano
234
Tuba et Piano
116
2 Trompettes (duo)
105
2 Trombones (duo)
104
Quatuor de Cuivres: 2 trompettes, Cor, trombone
90
Ensemble de Trombones
80
Ensemble de Trompettes
71
Euphonium, Piano (duo)
61
Trompette, Saxophone (duo)
59
Trompette
56
Cor anglais, Piano
47
2 Cors (duo)
45
Trompette, Trombone (duo)
38
Trombone (partie séparée)
37
Trompette (partie séparée)
31
Quatuor de cuivres: 4 trombones
25
Trombone
25
Cor
22
Quatuor de Cuivres
20
Tuba
19
2 Euphoniums (duo)
13
Cor (partie séparée)
12
Tuba (partie séparée)
10
Quatuor de cuivres: 4 trompettes
9
Trio de Cuivres
8
2 Tubas (duo)
6
Ensemble de Cors
6
4 Tubas
5
Quatuor de cuivres: 4 cors
4
2 Euphoniums et 2 Tubas
3
Trompette, Cor (duo)
3
3 Trompettes (trio)
3
Tuba et Orgue
2
Trombone basse et Piano
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
2 Cors Anglais Et Pianoforte
2
Trompette, Trombone, Piano
1
Cor anglais, Guitare (duo)
1
Cor Anglais
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Trombone, Orgue
1
Cor, Violoncelle et Piano
1
Euphonium, Tuba (duo)
1
Ensemble de Tubas
1
2 Trompettes, Clavier (piano ou orgue)
1
Cor anglais et Harpe (duo)
1
3 Euphoniums
1
+ 46 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
687
Violoncelle, Piano
294
Alto, Piano
291
Violon, Violoncelle (duo)
277
Trio à Cordes: violon, alto, violoncelle
274
Violon
217
Violon et Piano
131
Quintette à cordes: 2 violons, alto, violoncelle, basse
118
2 Violoncelles (duo)
118
Contrebasse, Piano (duo)
106
2 Altos (duo)
103
Harpe
99
Violon, Alto (duo)
76
2 Violons (duo)
47
Alto seul
41
Violoncelle
37
Alto (partie séparée)
31
2 Harpes (duo)
30
Ensemble de Violons
26
Violon (partie séparée)
23
Ensemble d'Altos
22
Contre Basse
21
Trio à Cordes: 2 violons, violoncelle
20
4 Violoncelles
19
Alto, Violoncelle (duo)
19
Contrebasse (partie séparée)
15
Quintette à cordes: 2 violons, 2 altos, violoncelle
15
Violon, Basson (duo)
11
Trio à cordes: 3 violins
11
Violoncelle, Contrebasse (duo)
10
Harpe, Flûte (duo)
9
Trio à Cordes: 3 violoncelles
6
2 Contrebasses (duo)
6
Quatuor à cordes: 4 violons
6
Violoncelle , Guitare (duo)
6
Flûte, Contrebasse (duo)
5
Quintette à cordes : 2 violons, alto et 2 violoncelles
5
Violon, Guitare (duo)
4
Piano Trio: Violon, Alto, Piano
4
Harpe, Violon (duo)
3
2 Violons, Piano
3
Quatuor à cordes : 4 altos
2
Trio à Cordes: 2 violons, alto
2
4 Contrebasses
2
Ensemble de Violoncelles
2
Trio à cordes: 3 altos
1
Alto, Guitare (duo)
1
Alto et Basson
1
Violoncelle, Orchestre
1
Violoncelle (partie séparée)
1
Harpe, Voix
1
Harpe et Piano
1
Violon, Orgue
1
+ 48 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
652
Orchestre à Cordes
368
Orchestre
360
Ensemble Jazz
156
Ensemble de cuivres
149
Cloches
124
Orchestre de chambre
102
Fanfare
38
Ensemble de Percussions
38
Jazz combo
35
Batterie
15
Percussion (partie séparée)
13
Batterie (partie séparée)
6
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
6
Orchestre, Violon
3
Vibraphone
3
Ensemble d'École
3
Marimba
2
Xylophone
1
Piano et Orchestre
1
Vibraphone et Marimba
1
Xylophone, Piano
1
+ 17 instrumentations
Retracter
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BASSE
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CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
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COR ANGLAIS
CORNEMUSE
CORNET
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DULCIMER
EUPHONIUM
FANFARE - B…
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
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GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
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SAXOPHONE
SYNTHE
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TROMPETTE
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VIOLONCELLE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
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LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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PIANO
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1
Kreisler Praeludium and Allegro for Violin and String Orchestra
Orchestre, Violon
Composed by Fritz Kreisler (1875-1962). Arranged by Paul Wood. 20th Century, Romantic …
(+)
Composed by Fritz Kreisler (1875-1962). Arranged by Paul Wood. 20th Century, Romantic Period. Score, Set of Parts. 33 pages. Published by MyMusicScores.com
In 1936 Fritz Kreisler revealed to the world that many of the miniatures that he performed were composed by him and not works ascribed to earlier composers such as Gaetano Pugnani. ?The Praeludium and Allegro had been published in 1905, thirty-one years before this confession. ?By that time it had found its way in the hearts of violinists and audiences alike. ?The dramatic Praeludium gives way to the lively Allegro. ?No one will ever know if Gaetano Pugnani (1731?98) would have enjoyed Kreisler's fun piece, but violinists certainly do!<br> <br> The PDF file contains the score and all string parts.In 1936 Fritz Kreisler revealed to the world that many of the miniatures that he performed were composed by him and not works ascribed to earlier composers such as Gaetano Pugnani. ?The Praeludium and Allegro had been published in 1905, thirty-one years before this confession. ?By that time it had found its way in the hearts of violinists and audiences alike. ?The dramatic Praeludium gives way to the lively Allegro. ?No one will ever know if Gaetano Pugnani (1731?98) would have enjoyed Kreisler's fun piece, but violinists certainly do!<br> <br> The PDF file contains the score and all string parts.
$24.99
22.93 €
#
Orchestre, Violon
#
Fritz Kreisler (1875-1962)
#
Paul Wood
#
Kreisler Praeludium and Allegro for Violin and String Orchestra
#
MyMusicScores.com
#
SheetMusicPlus
Nocturne for violin and orchestra
Orchestre, Violon
Violin and orchestra - Digital Download Completed and orchestrated after the sketches…
(+)
Violin and orchestra - Digital Download Completed and orchestrated after the sketches of Debussy by Robert Orledge. Composed by Robert Orledge and Claude Debussy (1862-1918). Arranged by Robert Orledge. This edition: vocal/piano score. Violin Library. Downloadable. Duration 10 minutes. Schott Music - Digital #Q46518. Published by Schott Music - Digital
The Belgian violinist, Eugene Ysaye (1858-1931), with his impressive blend of virtuosity and poetry, was a great admirer of the young Debussy's music who led the Paris premiere of his only string quartet in December 1893. In September 1892, Debussy was planning an American tour with the financial support of Prince Andre Poniatowski that was to include his 'nearly completed three Scenes au crepuscule', inspired by the Symbolist poetry of his friend Henri de Regnier. He made 'extensive revisions' to them in 1893, even if all that seems to have survived is a series of sketches in Bibliotheque Nationale de France, MS 20632(2), most of which appear to be for violin and orchestra in E or B major. Another related, and more virtuosic, theme emerged in a Parisian sale in June 2006, which opens the main part of the present Nocturne (after a slow introduction).<br> <br> We also learn from Ernest Chausson in April 1893 that Debussy was composing a work for Ysaye's first American tour in 1894-95, which at one stage was described as a 'concerto'. Then, as Debussy was putting the finishing touches to L'Apres-midi d'un faune in 1894, he told Ysaye he was now working on 'three Nocturnes for solo violin and orchestra which are destined for you', and which undoubtedly derived from his earlier 'Twilight scenes'. The first was to be 'for strings only'. the second for three flutes, four horns, three trumpets and two harps. the third combines all these instruments'. He also informed Ysaye, perhaps with Whistler's Nocturnes in mind, that they were to be like 'a study in grey in painting'. Debussy only abandoned this project in November 1896 after Ysaye told him he would not be able to premiere the Nocturnes in Brussels 'for financial reasons'.<br> <br> My completion comes closest to the third Nocturne Debussy planned and to being a rondo with related episodes. The dynamic idea that emerged in 2006, which was scored by Debussy, leads naturally into the 'twilight' theme in B major beginning on solo cello and doublebasses, with the high, haunting three-note idea first heard at the outset floating above on solo violin, exactly as Debussy conceived it. All five of Debussy's themes are harmonized and they vary in length between three and thirteen bars: none of them relate to the orchestral Nocturnes of 1897-99. Rather than develop any of these themes, they are presented in changing harmonic backgrounds in the contemporary manner of L'Apres-midi d'un faune, and the whole work centres on an expansive scalar which joins the various aspects of Debussy's 'twilight' themes together in a new perspective.The Belgian violinist, Eugene Ysaye (1858-1931), with his impressive blend of virtuosity and poetry, was a great admirer of the young Debussy's music who led the Paris premiere of his only string quartet in December 1893. In September 1892, Debussy was planning an American tour with the financial support of Prince Andre Poniatowski that was to include his 'nearly completed three Scenes au crepuscule', inspired by the Symbolist poetry of his friend Henri de Regnier. He made 'extensive revisions' to them in 1893, even if all that seems to have survived is a series of sketches in Bibliotheque Nationale de France, MS 20632(2), most of which appear to be for violin and orchestra in E or B major. Another related, and more virtuosic, theme emerged in a Parisian sale in June 2006, which opens the main part of the present Nocturne (after a slow introduction).<br> <br> We also learn from Ernest Chausson in April 1893 that Debussy was composing a work for Ysaye's first American tour in 1894-95, which at one stage was described as a 'concerto'. Then, as Debussy was putting the finishing touches to L'Apres-midi d'un faune in 1894, he told Ysaye he was now working on 'three Nocturnes for solo violin and orchestra which are destined for you', and which undoubtedly derived from his earlier 'Twilight scenes'. The first was to be 'for strings only'. the second for three flutes, four horns, three trumpets and two harps. the third combines all these instruments'. He also informed Ysaye, perhaps with Whistler's Nocturnes in mind, that they were to be like 'a study in grey in painting'. Debussy only abandoned this project in November 1896 after Ysaye told him he would not be able to premiere the Nocturnes in Brussels 'for financial reasons'.<br> <br> My completion comes closest to the third Nocturne Debussy planned and to being a rondo with related episodes. The dynamic idea that emerged in 2006, which was scored by Debussy, leads naturally into the 'twilight' theme in B major beginning on solo cello and doublebasses, with the high, haunting three-note idea first heard at the outset floating above on solo violin, exactly as Debussy conceived it. All five of Debussy's themes are harmonized and they vary in length between three and thirteen bars: none of them relate to the orchestral Nocturnes of 1897-99. Rather than develop any of these themes, they are presented in changing harmonic backgrounds in the contemporary manner of L'Apres-midi d'un faune, and the whole work centres on an expansive scalar which joins the various aspects of Debussy's 'twilight' themes together in a new perspective.
$19.99
18.34 €
#
Orchestre, Violon
#
Nocturne for violin and orchestra
#
Schott Music - Digital
#
SheetMusicPlus
Cadenzas
Orchestre, Violon
Violin - difficult - Digital Download Concerto for violin and orchestra. Composed by …
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Violin - difficult - Digital Download Concerto for violin and orchestra. Composed by Thomas Ades (1971-). This edition: single sheet. Cadenza. Downloadable. Duration 2 minutes 30 seconds. Schott Music - Digital #Q18204. Published by Schott Music - Digital
In a conversation with the violinist Peter Herresthal, we touched on the "invitation" in the score of Ligeti's Violin concerto to provide a cadenza for the work. Peter suggested that I answer this invitation and I was happy to accept. I followed all the composer's directions exactly: the cadenza may use material from all five movements, and should be of "hectic" character throughout. I also aimed to write a cadenza of which the closing orchestral coda would be an inevitable result. (Thomas Ades)<br> <br> The cadenza can also be composed by the soloist and can last up to 1-2 minutes. It should be hectic throughout (continuation of the appassionata agitato molto), but can incorporate melodic material ad lib. from all five movements. Towards the end, the tempo should be prestissimo with alternating arco and left hand pizz. in mad virtuosity. The cadenza has no real end and is suddenly interrupted by the orchestra at R (as agreed between soloist and conductor). This interruption occurs suddenly as if unprepared. The soloist should at this point be playing in high positions (on the top string) at maximum velocity. The solo violin abruptly falls silent on the entry of the high woodblock. Gyorgy LigetiIn a conversation with the violinist Peter Herresthal, we touched on the "invitation" in the score of Ligeti's Violin concerto to provide a cadenza for the work. Peter suggested that I answer this invitation and I was happy to accept. I followed all the composer's directions exactly: the cadenza may use material from all five movements, and should be of "hectic" character throughout. I also aimed to write a cadenza of which the closing orchestral coda would be an inevitable result. (Thomas Ades)<br> <br> The cadenza can also be composed by the soloist and can last up to 1-2 minutes. It should be hectic throughout (continuation of the appassionata agitato molto), but can incorporate melodic material ad lib. from all five movements. Towards the end, the tempo should be prestissimo with alternating arco and left hand pizz. in mad virtuosity. The cadenza has no real end and is suddenly interrupted by the orchestra at R (as agreed between soloist and conductor). This interruption occurs suddenly as if unprepared. The soloist should at this point be playing in high positions (on the top string) at maximum velocity. The solo violin abruptly falls silent on the entry of the high woodblock. Gyorgy Ligeti
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6.41 €
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Orchestre, Violon
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Thomas Ades
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Cadenzas
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Schott Music - Digital
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SheetMusicPlus
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