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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Sheetmusicplus
Non classifié
392
Piano & claviers
Piano seul
618
Piano, Voix
466
Piano Facile
129
Piano, Voix et Guitare
87
Orgue
18
1 Piano, 4 mains
11
Instruments en Do
8
Piano grosses notes
7
Piano Trio: piano, violon, violoncelle
7
Accompagnement Piano
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
2 Pianos, 4 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Clavecin
2
Accordéon
1
Piano (partie séparée)
1
Orgue, Piano (duo)
1
+ 12 instrumentations
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Guitares
Guitare
24
Guitare notes et tablatures
8
Ligne De Mélodie, (Paroles) et Accords
5
Guitare (partie séparée)
4
Piano, Guitare (duo)
3
4 Guitares (Quatuor)
2
Ensemble de guitares
2
2 Guitares (duo)
2
Mandoline, Piano (duo)
1
3 Guitares (trio)
1
+ 5 instrumentations
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Voix
Chorale SATB
76
Chorale 3 parties
19
Voix Soprano, Piano
17
Voix basse, Piano
12
Voix Baryton, Piano
12
Voix haute
12
Voix Tenor, Piano
6
Pack Instrumental pour Chorale
6
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4
Chorale 2 parties
4
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3
Voix duo
3
Chorale TTBB
3
Voix Mezzo-Soprano, Piano
2
Voix duo, Piano
2
Voix basse
1
Voix Alto, Piano
1
Chorale SSAA
1
Voix Tenor
1
+ 14 instrumentations
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Vents
Flûte traversière et Piano
73
Clarinette et Piano
44
Hautbois, Piano (duo)
44
Saxophone Alto et Piano
42
Quatuor de Saxophones: 4 saxophones
27
Saxophone Tenor et Piano
26
Saxophone Soprano et Piano
22
Clarinette
20
Flûte traversière
16
Saxophone Baryton, Piano
15
Saxophone (partie séparée)
12
Saxophone Alto
10
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
10
Flûte, Hautbois, Clarinette, Basson
10
Saxophone Tenor
9
Clarinette Basse, Piano
9
Cor anglais, Piano
7
Piccolo, Piano
6
Ocarina
6
2 Saxophones (duo)
6
Flûte, Violon, Piano
6
Quatuor de Clarinettes: 4 clarinettes
6
Saxophone Soprano
5
3 Saxophones (trio)
4
Quintette de Saxophone: 5 saxophones
3
Flûte à bec Soprano, Piano
3
Flûte à Bec, Piano
3
Saxophone et Piano
3
Hautbois
2
Flute (partie séparée)
2
Quintette de Clarinettes: 5 clarinettes
2
Flûte à bec Alto, Piano
2
Saxophone Baryton
2
Ensemble de Clarinettes
2
2 Clarinettes (duo)
2
Flûte à bec Tenor
2
2 Flûtes traversières (duo)
2
Hautbois (partie séparée)
1
Saxophone et Guitare
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte et Guitare
1
2 Clarinettes, Piano
1
Ensemble de saxophones
1
Clarinette, Violoncelle, Piano (trio)
1
2 Flûte à bec (duo)
1
+ 40 instrumentations
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Cuivres
Trombone et Piano
40
Cor et Piano
27
Trompette, Piano
26
Trompette
17
Quatuor de Cuivres : 2 trompettes, trombone, tuba
17
Tuba et Piano
14
Euphonium, Piano (duo)
14
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
13
Trombone
8
Cor anglais, Piano
7
Trombone (partie séparée)
6
Trombone basse et Piano
5
Cor
4
Trompette (partie séparée)
3
Tuba (partie séparée)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Quatuor de cuivres: 4 cors
2
Trompette, Violoncelle et Piano
1
Quatuor de Cuivres
1
2 Trompettes, Clavier (piano ou orgue)
1
Trombone, Orgue
1
Quatuor de cuivres: 4 trombones
1
Cor (partie séparée)
1
+ 18 instrumentations
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Cordes
Violon et Piano
85
Violoncelle, Piano
65
Alto, Piano
44
Quatuor à cordes: 2 violons, alto, violoncelle
31
Harpe
14
Violoncelle
13
Violon
13
Contrebasse, Piano (duo)
6
Alto seul
4
2 Violons (duo)
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Contrebasse (partie séparée)
2
Piano Trio: Violon, Alto, Piano
2
2 Violoncelles (duo)
2
Trio à Cordes: 2 violons, violoncelle
1
Harpe et Piano
1
2 Violons, Piano
1
4 Violoncelles
1
Violon (partie séparée)
1
+ 14 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
14
Orchestre à Cordes
14
Orchestre
14
Orchestre de chambre
7
Ensemble de cuivres
6
Ensemble Jazz
4
Batterie (partie séparée)
2
Jazz combo
2
Piano et Orchestre
2
Ensemble de Percussions
1
Cloches
1
Orchestre, Violon
1
Batterie
1
Marimba
1
Cajon
1
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HARMONICA
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Nocturne for violin and orchestra
Orchestre, Violon
Violin and orchestra - Digital Download Completed and orchestrated after the sketches…
(+)
Violin and orchestra - Digital Download Completed and orchestrated after the sketches of Debussy by Robert Orledge. Composed by Robert Orledge and Claude Debussy (1862-1918). Arranged by Robert Orledge. This edition: vocal/piano score. Violin Library. Downloadable. Duration 10 minutes. Schott Music - Digital #Q46518. Published by Schott Music - Digital
The Belgian violinist, Eugene Ysaye (1858-1931), with his impressive blend of virtuosity and poetry, was a great admirer of the young Debussy's music who led the Paris premiere of his only string quartet in December 1893. In September 1892, Debussy was planning an American tour with the financial support of Prince Andre Poniatowski that was to include his 'nearly completed three Scenes au crepuscule', inspired by the Symbolist poetry of his friend Henri de Regnier. He made 'extensive revisions' to them in 1893, even if all that seems to have survived is a series of sketches in Bibliotheque Nationale de France, MS 20632(2), most of which appear to be for violin and orchestra in E or B major. Another related, and more virtuosic, theme emerged in a Parisian sale in June 2006, which opens the main part of the present Nocturne (after a slow introduction).<br> <br> We also learn from Ernest Chausson in April 1893 that Debussy was composing a work for Ysaye's first American tour in 1894-95, which at one stage was described as a 'concerto'. Then, as Debussy was putting the finishing touches to L'Apres-midi d'un faune in 1894, he told Ysaye he was now working on 'three Nocturnes for solo violin and orchestra which are destined for you', and which undoubtedly derived from his earlier 'Twilight scenes'. The first was to be 'for strings only'. the second for three flutes, four horns, three trumpets and two harps. the third combines all these instruments'. He also informed Ysaye, perhaps with Whistler's Nocturnes in mind, that they were to be like 'a study in grey in painting'. Debussy only abandoned this project in November 1896 after Ysaye told him he would not be able to premiere the Nocturnes in Brussels 'for financial reasons'.<br> <br> My completion comes closest to the third Nocturne Debussy planned and to being a rondo with related episodes. The dynamic idea that emerged in 2006, which was scored by Debussy, leads naturally into the 'twilight' theme in B major beginning on solo cello and doublebasses, with the high, haunting three-note idea first heard at the outset floating above on solo violin, exactly as Debussy conceived it. All five of Debussy's themes are harmonized and they vary in length between three and thirteen bars: none of them relate to the orchestral Nocturnes of 1897-99. Rather than develop any of these themes, they are presented in changing harmonic backgrounds in the contemporary manner of L'Apres-midi d'un faune, and the whole work centres on an expansive scalar which joins the various aspects of Debussy's 'twilight' themes together in a new perspective.The Belgian violinist, Eugene Ysaye (1858-1931), with his impressive blend of virtuosity and poetry, was a great admirer of the young Debussy's music who led the Paris premiere of his only string quartet in December 1893. In September 1892, Debussy was planning an American tour with the financial support of Prince Andre Poniatowski that was to include his 'nearly completed three Scenes au crepuscule', inspired by the Symbolist poetry of his friend Henri de Regnier. He made 'extensive revisions' to them in 1893, even if all that seems to have survived is a series of sketches in Bibliotheque Nationale de France, MS 20632(2), most of which appear to be for violin and orchestra in E or B major. Another related, and more virtuosic, theme emerged in a Parisian sale in June 2006, which opens the main part of the present Nocturne (after a slow introduction).<br> <br> We also learn from Ernest Chausson in April 1893 that Debussy was composing a work for Ysaye's first American tour in 1894-95, which at one stage was described as a 'concerto'. Then, as Debussy was putting the finishing touches to L'Apres-midi d'un faune in 1894, he told Ysaye he was now working on 'three Nocturnes for solo violin and orchestra which are destined for you', and which undoubtedly derived from his earlier 'Twilight scenes'. The first was to be 'for strings only'. the second for three flutes, four horns, three trumpets and two harps. the third combines all these instruments'. He also informed Ysaye, perhaps with Whistler's Nocturnes in mind, that they were to be like 'a study in grey in painting'. Debussy only abandoned this project in November 1896 after Ysaye told him he would not be able to premiere the Nocturnes in Brussels 'for financial reasons'.<br> <br> My completion comes closest to the third Nocturne Debussy planned and to being a rondo with related episodes. The dynamic idea that emerged in 2006, which was scored by Debussy, leads naturally into the 'twilight' theme in B major beginning on solo cello and doublebasses, with the high, haunting three-note idea first heard at the outset floating above on solo violin, exactly as Debussy conceived it. All five of Debussy's themes are harmonized and they vary in length between three and thirteen bars: none of them relate to the orchestral Nocturnes of 1897-99. Rather than develop any of these themes, they are presented in changing harmonic backgrounds in the contemporary manner of L'Apres-midi d'un faune, and the whole work centres on an expansive scalar which joins the various aspects of Debussy's 'twilight' themes together in a new perspective.
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Orchestre, Violon
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Nocturne for violin and orchestra
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Schott Music - Digital
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