Partitions Numériques de Can pour Piccolo, Piano

Can

Murray - Four Sketches - Piccolo and Piano #Piccolo, Piano #INTERMÉDIAIRE/AVANCÉ #TK Tim Murray #tkmurraycomp@aol #Murray - Four Sketches - Picco #TK #SheetMusicPlus

Instrumental Duet Instrumental Duet,Piano,Piccolo - Level 4 - SKU: A0.823986 Composed by TK Tim Murray. Concert,Contemporary. Score and parts. 12 pages....(+)

Instrumental Duet Instrumental Duet,Piano,Piccolo - Level 4 - SKU: A0.823986 Composed by TK Tim Murray. Concert,Contemporary. Score and parts. 12 pages. TK (Tim) Murray #4762619. Published by TK (Tim) Murray (A0.823986). Four Sketches contain 2 lyrical and 2 rhythmical miniature variations on a theme. They range from atmospheric to lively and make beautiful use of the Piccolo's unique character. They were commissioned and subsequently recorded by Dannielle Eden and TK Murray. (c.6 mins) Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murrayâ??s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as â??Corruscatingâ?? (Independent) and â??Highly imaginativeâ?? (The Sunday Times). Contact; tkmurraycomp@aol.com

Instrumental Solo,Piano,Piccolo - Level 4 - SKU: A0.549453 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 15 pages. Jmsgu3 #3497211. Published by jmsgu3 (A0.549453). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25.Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur Oâ€™Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeareâ€™s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â