Partitions Numériques de Flute pour Piccolo, Piano

Flute

Whirlwind | Trio for Piccolo, Flute, and Piano

Whirlwind | Trio for Piccolo, Flute, and Piano
Whirlwind | Trio for Piccolo, Flute, and Piano #Piccolo, Piano #INTERMÉDIAIRE/AVANCÉ #Contemporain #Michael Barrera #Whirlwind | Trio for Piccolo, #Michael Barrera #SheetMusicPlus

Flute,Piano,Piccolo - Level 4 - SKU: A0.1084483 Composed by Michael Barrera. Classical,Contemporary. 55 pages. Michael Barrera #688661. Published by Mic...(+)

Flute,Piano,Piccolo - Level 4 - SKU: A0.1084483 Composed by Michael Barrera. Classical,Contemporary. 55 pages. Michael Barrera #688661. Published by Michael Barrera (A0.1084483). Https://www.michaelbarreraflute.com/shop/p/whirlwind Program Notes Whirlwind is a quick swirling waltz. It takes the form of a rondo, a series of returning themes, which mimics the spinning nature of its namesake. The music itself often lifts into the air and glides back to the main theme. This is a complete rework of the very first piece I wrote, by the name of Fire Tornado. Most of the main ideas survived, but now they are much more colorful and developed. I am very proud with how this piece turned out, especially looking back and seeing how much has improved over time. Instrumentation Chamber trio of - Piccolo Flute Piano.

Root Beer Rag
Root Beer Rag #Piccolo, Piano #INTERMÉDIAIRE/AVANCÉ #Billy Joel #Fiona Alice Hickie #Root Beer Rag #Fiona Alice Hickie #SheetMusicPlus

Flute,Piano,Piccolo - Level 4 - SKU: A0.1319834 By Billy Joel. By Billy Joel. Arranged by Fiona Alice Hickie. Pop,Ragtime. Score and part. 17 pages. Fio...(+)

Flute,Piano,Piccolo - Level 4 - SKU: A0.1319834 By Billy Joel. By Billy Joel. Arranged by Fiona Alice Hickie. Pop,Ragtime. Score and part. 17 pages. Fiona Alice Hickie #908393. Published by Fiona Alice Hickie (A0.1319834). Billy Joel's classic ragtime number for piccolo and piano.

Instrumental Solo,Piano,Piccolo - Level 4 - SKU: A0.549453 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 15 pages. Jmsgu3 #3497211. Published by jmsgu3 (A0.549453). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25.Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur Oâ€™Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeareâ€™s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â