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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
ASCAP.
Sheetmusicplus
Non classifié
1 832
Piano & claviers
Piano seul
5 322
Orgue
743
Piano, Voix et Guitare
442
Piano, Voix
317
Piano Facile
170
1 Piano, 4 mains
69
Orgue, Piano (duo)
60
Piano Trio: piano, violon, violoncelle
39
Accompagnement Piano
29
Piano Quatuor: piano, violon, alto, violoncelle
27
Instruments en Do
22
2 Pianos, 4 mains
17
2 Pianos, 8 mains
4
1 Piano, 6 mains
3
Orgue, Trompette (duo)
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Clavecin
2
+ 12 instrumentations
Retracter
Guitares
Guitare notes et tablatures
173
Guitare
64
2 Guitares (duo)
15
Ligne De Mélodie, (Paroles) et Accords
14
Piano, Guitare (duo)
10
Basse electrique
3
Ukulele
1
4 Guitares (Quatuor)
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
1 393
Chorale Unison
145
Chorale 3 parties
108
Chorale TTBB
49
Voix duo
45
Chorale 2 parties
45
Chorale SSAA
23
Voix haute
23
Voix Alto, Piano
16
Voix Soprano, Piano
15
Voix seule
14
Voix duo, Piano
13
Voix basse, Piano
9
Voix Baryton, Piano
8
Voix basse
4
Voix Tenor, Piano
4
Voix Tenor
2
Voix moyenne, Piano
2
Voix Soprano
1
+ 14 instrumentations
Retracter
Vents
Flûte traversière et Piano
1 021
Hautbois, Piano (duo)
584
Clarinette et Piano
336
Saxophone Alto et Piano
243
Cor anglais, Piano
161
Saxophone Tenor et Piano
140
Saxophone Soprano et Piano
126
Saxophone Baryton, Piano
112
Clarinette Basse, Piano
87
2 Flûtes traversières (duo)
71
Clarinette
71
2 Saxophones (duo)
69
2 Clarinettes (duo)
64
Flûte et Guitare
59
Quatuor de Saxophones: 4 saxophones
56
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
41
Flûte traversière
40
Quatuor de Clarinettes: 4 clarinettes
35
Ensemble de Flûtes
27
Flûte, Hautbois, Clarinette, Basson
24
3 Clarinettes (trio)
21
2 Hautbois (duo)
18
3 Saxophones (trio)
17
Ensemble de Clarinettes
16
Flûte, Violoncelle
14
Quatuor de Flûtes : 4 flûtes
13
Clarinette, Violoncelle (duo)
12
Flûte, Clarinette (duo)
11
Hautbois, Basson (duo)
11
Quintette de Clarinettes: 5 clarinettes
11
Trio de Flûtes: 3 flûtes
10
Clarinette, Guitare (duo)
9
Piccolo, Piano
9
Quintette de Saxophone: 5 saxophones
9
2 Cors Anglais Et Pianoforte
8
Saxophone Tenor
8
Flûte, Clarinette, Piano (trio)
8
Flûte, Guitare, Piano
7
Saxophone Alto
7
Hautbois (partie séparée)
6
Saxophone
6
Hautbois, Violoncelle
5
Clarinette, Basson (duo)
5
Flûte, Violon, Piano
5
Flûte, Violoncelle, Piano (trio)
4
Flûte, Alto (duo)
3
Clarinette et Alto
3
Saxophone Baryton
3
Flûte, Violon
3
Saxophone (partie séparée)
3
Flûte et Quatuor à Cordes
3
Saxophone et violoncelle
3
Flûte, Violon et Violoncelle
3
Flûte traversière, Orgue (duo)
2
Saxophone et Guitare
2
Hautbois, Clarinette, Basson (trio d'anches)
2
2 Flûtes traversières, Piano
2
Saxophone, Basson (duo)
2
Flute (partie séparée)
2
Quintette de Flûte : 5 flûtes
2
Flûte, Clarinette et Basson
2
Flûte à Bec, Piano
2
Saxophone Soprano
2
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Harpe et Violoncelle
1
Hautbois
1
Flûte, Trompette (duo)
1
2 Flûte à bec (duo)
1
4 Hautbois
1
Clarinette Basse
1
Flûte à bec Soprano, Piano
1
Hautbois, Flûte
1
Flute, harpe et violon
1
Flûte, alto et harpe
1
Clarinette, Orgue
1
2 Clarinettes, Basson
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Saxophone (duo)
1
Flûte, Clarinette, Violon (trio)
1
Flûte, Basson et Piano
1
Flûte, Hautbois (duo)
1
Hautbois et alto (duo)
1
Clarinette, Violon (duo)
1
Ensemble De Flûte à bec
1
Hautbois, Clarinette (duo)
1
Saxophone, Clarinette (duo)
1
+ 81 instrumentations
Retracter
Cuivres
Trombone et Piano
166
Cor anglais, Piano
161
Cor et Piano
149
Trompette, Piano
137
Euphonium, Piano (duo)
106
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
99
Trompette
57
Tuba et Piano
40
Quatuor de Cuivres : 2 trompettes, trombone, tuba
25
2 Trompettes (duo)
20
3 Trombones (trio)
17
2 Cors (duo)
16
2 Trombones (duo)
16
Trombone
12
2 Euphoniums (duo)
11
Cor
10
Ensemble de Trombones
9
2 Cors Anglais Et Pianoforte
8
Tuba
6
Trompette, Trombone (duo)
6
Quatuor de Cuivres
5
Cor, Violoncelle (duo)
5
Trompette (partie séparée)
5
Euphonium, Tuba (duo)
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Tuba et Orgue
3
Euphonium
3
Trombone (partie séparée)
3
Trio de Cuivres
3
Trombone, Tuba (duo)
3
2 Tubas (duo)
2
Trombone, violoncelle (duo)
2
Quatuor de cuivres: 4 trombones
2
3 Trompettes (trio)
2
Trombone basse
2
2 Euphoniums et 2 Tubas
1
Trompette, Trombone, Piano
1
Trompette, Cor (duo)
1
Trompette, Violoncelle (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trompette, Tuba (duo)
1
Trombone basse et Piano
1
2 Trompettes, Clavier (piano ou orgue)
1
Cor et Orgue
1
+ 39 instrumentations
Retracter
Cordes
Violon et Piano
1 074
Quatuor à cordes: 2 violons, alto, violoncelle
299
Violoncelle, Piano
267
Alto, Piano
243
Trio à Cordes: violon, alto, violoncelle
113
Violon, Violoncelle (duo)
62
2 Violons (duo)
42
Harpe
41
Violoncelle , Guitare (duo)
32
Violon
32
2 Violoncelles (duo)
29
Violon, Alto (duo)
28
Violoncelle
28
2 Altos (duo)
18
4 Violoncelles
16
Alto, Violoncelle (duo)
13
Violon, Guitare (duo)
10
Alto, Guitare (duo)
8
Alto seul
8
Piano Trio: Violon, Alto, Piano
7
Trio à cordes
5
Trio à Cordes: 2 violons, violoncelle
5
Trio à Cordes: 3 violoncelles
5
Trio à cordes: 3 violins
4
Harpe, Flûte (duo)
3
Trio à Cordes: 2 violons, alto
3
Contre Basse
2
Alto, Orgue
2
Violoncelle, Contrebasse (duo)
2
Violoncelle, Orgue
2
Contrebasse, Piano (duo)
2
Violon, Orgue
1
Harpe, Violon (duo)
1
Harpe, Violoncelle (duo)
1
2 Harpes (duo)
1
4 Harpes
1
Ensemble de Violoncelles
1
Harpe, Violon, Violoncelle
1
Alto et Basson
1
Alto (partie séparée)
1
Flûte, Contrebasse (duo)
1
+ 36 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
147
Ensemble de cuivres
143
Orchestre
137
Orchestre d'harmonie
101
Ensemble Jazz
94
Cloches
50
Orchestre de chambre
40
Jazz combo
38
Fanfare
12
Batterie
6
Marimba
4
Ensemble de Percussions
4
Marimba et Orgue
3
Quintette à Vent
2
Vibraphone et Marimba
1
+ 10 instrumentations
Retracter
Autres
Théorie de la musique
1
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Instruments
ACCORDEON
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BANJO
BASSE
BASSON
BATTERIE
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CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
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PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
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SAXOPHONE
SYNTHETISEUR
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TROMPETTE
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UKULELE
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VIOLONCELLE
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GOSPEL - SPIRITUEL -…
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JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
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Partitions à imprimer
9 partitions trouvées
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1
Saint-Saens: The Swan for Piccolo and Piano
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Piccolo, Piano
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Classique
#
Camille Saint-Saens
#
James M
#
Saint-Saens: The Swan for Picc
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jmsgu3
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SheetMusicPlus
Composed by Camille Saint-Saens (1835-1921). Arranged by James M. Guthrie, ASCAP. Romantic Period, Repertoire, General Instructional, Technique Training, Recita...
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Composed by Camille Saint-Saens (1835-1921). Arranged by James M. Guthrie, ASCAP. Romantic Period, Repertoire, General Instructional, Technique Training, Recital. Score, Set of Parts. 9 pages. Published by jmsgu3 (S0.319123). - Score,Set of Parts - Romantic Period,Repertoire,General Instructional,Technique Training,Recital - jmsgu3
$32.95
Phil Collins: A Groovy Kind Of Love for Piccolo & Piano
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Piccolo, Piano
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Phil Collins
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James M
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Phil Collins: A Groovy Kind Of
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jmsgu3
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SheetMusicPlus
By Phil Collins. Arranged by James M. Guthrie, ASCAP. Score, Solo Part. 7 pages. Published by jmsgu3 (H0.218639-297698). - Score,Solo Part - - jmsgu3...
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By Phil Collins. Arranged by James M. Guthrie, ASCAP. Score, Solo Part. 7 pages. Published by jmsgu3 (H0.218639-297698). - Score,Solo Part - - jmsgu3
$47.95
Bach-Gounod: Ave Maria, Schwencke version for Piccolo and Piano
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Piccolo, Piano
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FACILE
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Classique
#
J
#
James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
#
SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 2 - SKU: A0.550931 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standa...
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Instrumental Solo,Piano,Piccolo - Level 2 - SKU: A0.550931 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and individual part. 12 pages. Jmsgu3 #4888397. Published by jmsgu3 (A0.550931). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st and 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bachâ??s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubertâ??s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bachâ??s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Vivaldi: Sonata No. 6 for Piccolo & Piano
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Piccolo, Piano
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INTERMÉDIAIRE
#
Classique
#
Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 6 for Picc
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jmsgu3
#
SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 3 - SKU: A0.550523 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,St...
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Instrumental Solo,Piano,Piccolo - Level 3 - SKU: A0.550523 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and individual part. 23 pages. Jmsgu3 #4719719. Published by jmsgu3 (A0.550523). Sonata da Chiesa No. 6 in Bb Major for Piccolo & Piano by Antonio Vivaldi in Four movements. Duration: ca. 12:10. Score: 16 pages. Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Mozart: Eine kleine Nachtmusik for Piccolo & Piano
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Piccolo, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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James M
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Mozart: Eine kleine Nachtmusik
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jmsgu3
#
SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 4 - SKU: A0.549008 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Classical,Concert,H...
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Instrumental Solo,Piano,Piccolo - Level 4 - SKU: A0.549008 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Holiday,Standards,Wedding. Score and individual part. 65 pages. Jmsgu3 #3447089. Published by jmsgu3 (A0.549008). Eine kleine Nachtmusik (A Little Night Music, or A Little Serenade) Serenade No. 13, k. 525 (1787) in 4 mvt.
$24.95
Bach: I Stand At The Threshold for Piccolo & Piano
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Piccolo, Piano
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FACILE
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Classique
#
Johann Sebastian Bach
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James M
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up
#
Bach: I Stand At The Threshold
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jmsgu3
#
SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 2 - SKU: A0.549137 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standa...
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Instrumental Solo,Piano,Piccolo - Level 2 - SKU: A0.549137 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards. Score and individual part. 5 pages. Jmsgu3 #3453259. Published by jmsgu3 (A0.549137). J. S. Bach: Sinfonia to the Cantata BWV 156 - I Stand At The Threshold. Composed for the 3rd Sunday of Epiphany. Duration: 2:50, Score 2 pg, solo part 1 pg. piano part - 2 pg. Performance level: Early intermediate & up. Program this during Epiphany, Lent, or Easter. Also makes a great recital encore to demonstrate phrasing control and melodic shaping.
$32.95
Schubert: Moment Musicaux for Piccolo & Piano
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Piccolo, Piano
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FACILE
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Classique
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Franz Schubert
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James M
#
Schubert: Moment Musicaux for
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jmsgu3
#
SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 2 - SKU: A0.549025 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacr...
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Instrumental Solo,Piano,Piccolo - Level 2 - SKU: A0.549025 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and individual part. 10 pages. Jmsgu3 #3447467. Published by jmsgu3 (A0.549025). Description Schubert Piccolo version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score: 6 pg. Piccolo part: 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is a great recital encore because it's short and very expressive. Piccolo The Piccolo works very well in this arrangement. The music portrays a melancholy character that the Piccolo can express quite naturally. Works well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. Performance
$32.95
Sullivan: The Lost Chord for Piccolo & Piano
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Piccolo, Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for P
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 4 - SKU: A0.549453 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,R...
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Instrumental Solo,Piano,Piccolo - Level 4 - SKU: A0.549453 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 15 pages. Jmsgu3 #3497211. Published by jmsgu3 (A0.549453). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25.Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
Grieg: Morning Mood from Peer Gynt Suite for Piccolo & Piano
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Piccolo, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 3 - SKU: A0.549520 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,...
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Instrumental Solo,Piano,Piccolo - Level 3 - SKU: A0.549520 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 17 pages. Jmsgu3 #3504453. Published by jmsgu3 (A0.549520). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Works particularly well on the Piccolo! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$32.95
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