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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Bin There
Non classifié
299
Piano & claviers
Piano seul
147
Piano, Voix
27
Piano, Voix et Guitare
25
Orgue
23
Piano grosses notes
19
Piano Trio: piano, violon, violoncelle
13
1 Piano, 4 mains
11
Piano Facile
10
Accompagnement Piano
7
2 Pianos, 4 mains
7
Instruments en Do
4
Piano Quatuor: piano, 2 violons, violoncelle
2
Clavier
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano (partie séparée)
1
+ 10 instrumentations
Retracter
Guitares
Guitare
19
Guitare notes et tablatures
9
4 Guitares (Quatuor)
5
2 Mandolines (duo)
2
Ligne De Mélodie, (Paroles) et Accords
2
Paroles et Accords
1
Mandoline
1
2 Guitares (duo)
1
Ukulele
1
Mandoline, Guitare (duo)
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
70
Chorale 2 parties
28
Chorale 3 parties
21
Chorale TTBB
10
Chorale Unison
9
Voix duo, Piano
8
Chorale SSAA
7
Chorale SSAATTBB
2
Voix Soprano, Piano
2
Voix basse, Piano
1
Chorale SSATTB
1
Voix haute
1
Voix seule
1
+ 8 instrumentations
Retracter
Vents
2 Saxophones (duo)
40
Flûte, Violon, Piano
31
Flûte traversière et Piano
25
Saxophone, Clarinette (duo)
22
Saxophone Alto et Piano
19
2 Clarinettes (duo)
16
Flûte, Hautbois, Clarinette, Basson
15
Clarinette, Violon (duo)
15
Clarinette, Trompette (duo)
15
2 Flûtes traversières (duo)
14
Clarinette et Piano
13
Saxophone Soprano et Piano
13
Saxophone Tenor et Piano
12
Cor anglais, Piano
12
Hautbois, Piano (duo)
10
Quatuor de Saxophones: 4 saxophones
9
2 Hautbois (duo)
8
Hautbois, Clarinette (duo)
8
Clarinette et Alto
8
Flûte, Clarinette (duo)
8
Flûte, Trompette (duo)
8
Hautbois, Basson (duo)
8
Flûte, Violon
8
Hautbois, Flûte
7
Saxophone Baryton, Piano
7
Ensemble de Clarinettes
6
Clarinette
6
Flûte, Alto (duo)
6
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6
Flûte traversière
6
Clarinette Basse, Piano
6
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
Ensemble de saxophones
5
Quintette de Saxophone: 5 saxophones
4
3 Saxophones (trio)
4
Saxophone Alto
4
Quatuor de Clarinettes: 4 clarinettes
4
Saxophone Tenor
3
Ensemble de Flûtes
3
Hautbois (partie séparée)
3
Quatuor de Flûtes : 4 flûtes
2
Flûte à bec Soprano, Piano
2
Flûte irlandaise
2
Saxophone (partie séparée)
2
Piccolo, Piano
2
Quintette de Clarinettes: 5 clarinettes
2
Trio de Flûtes: 3 flûtes
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte et Guitare
1
Quatuor de Flûtes à bec
1
Flûte, Violoncelle
1
Ensemble De Flûte à bec
1
3 Hautbois
1
Quintette de Flûte : 5 flûtes
1
3 Clarinettes (trio)
1
Flute, harpe et violon
1
+ 51 instrumentations
Retracter
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
33
Trompette, Saxophone (duo)
16
Trombone et Piano
13
Cor anglais, Piano
12
Trompette, Piano
9
Euphonium, Piano (duo)
9
Trompette, Trombone (duo)
8
Quatuor de Cuivres : 2 trompettes, trombone, tuba
8
2 Trombones (duo)
6
Trompette
6
2 Trompettes (duo)
5
Cor et Piano
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Trombone
4
Tuba
3
Cor
3
Ensemble de Trombones
2
Trompette, Cor (duo)
2
Trompette (partie séparée)
2
3 Trombones (trio)
1
Quatuor de cuivres: 4 cors
1
2 Cors (duo)
1
Quatuor de cuivres: 4 trombones
1
+ 18 instrumentations
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Cordes
Harpe
43
Quatuor à cordes: 2 violons, alto, violoncelle
34
Violon et Piano
27
Violoncelle, Piano
18
Violon, Violoncelle (duo)
17
2 Violons (duo)
14
Alto, Piano
11
Trio à Cordes: violon, alto, violoncelle
10
2 Altos (duo)
9
2 Violoncelles (duo)
8
Violon, Alto (duo)
7
Violon
4
Trio à Cordes: 2 violons, violoncelle
4
Violoncelle
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Harpe, Flûte (duo)
3
2 Violons, Piano
3
Alto seul
2
Piano Trio: Violon, Alto, Piano
2
Ensemble d'Altos
1
Trio à cordes: 3 altos
1
Trio à Cordes: 3 violoncelles
1
Contrebasse, Piano (duo)
1
4 Contrebasses
1
Harpe, Voix
1
Contrebasse (partie séparée)
1
Ensemble de Violons
1
+ 22 instrumentations
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Orchestre d'harmonie
87
Orchestre
18
Orchestre de chambre
17
Orchestre à Cordes
17
Cloches
14
Ensemble de cuivres
12
Ensemble de Percussions
8
Ensemble Jazz
7
Jazz combo
4
Fanfare
2
2 Marimbas
1
Bodhran
1
Marimba
1
Batterie
1
Quintette de Cuivres: autres combinaisons
1
Percussion
1
+ 11 instrumentations
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Piccolo, Piano
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2 partitions trouvées
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1
Bach-Gounod: Ave Maria, Schwencke version for Piccolo and Piano
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Piccolo, Piano
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FACILE
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Classique
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 2 - SKU: A0.550931 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standa...
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Instrumental Solo,Piano,Piccolo - Level 2 - SKU: A0.550931 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and individual part. 12 pages. Jmsgu3 #4888397. Published by jmsgu3 (A0.550931). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st and 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bachâ??s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubertâ??s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bachâ??s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Sullivan: The Lost Chord for Piccolo & Piano
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Piccolo, Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for P
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 4 - SKU: A0.549453 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,R...
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Instrumental Solo,Piano,Piccolo - Level 4 - SKU: A0.549453 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 15 pages. Jmsgu3 #3497211. Published by jmsgu3 (A0.549453). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25.Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
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