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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Church
Non classifié
7 312
Piano & claviers
Piano seul
3 917
Piano, Voix
2 919
Orgue
1 326
Piano, Voix et Guitare
1 047
Piano Facile
526
Accompagnement Piano
217
Piano Trio: piano, violon, violoncelle
184
Piano Quatuor: piano, 2 violons, violoncelle
110
Instruments en Do
102
1 Piano, 4 mains
92
Orgue, Piano (duo)
76
Piano Quatuor: piano, violon, alto, violoncelle
51
Orgue, Trompette (duo)
40
Piano grosses notes
37
2 Pianos, 4 mains
31
Accordéon
30
Clavecin
22
Orgue, Voix
6
Clavier
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Fake Book
2
Ensemble de Pianos
1
Piano (partie séparée)
1
+ 18 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
179
Guitare notes et tablatures
126
Guitare
58
Ukulele
39
Piano, Guitare (duo)
30
Paroles et Accords
19
2 Guitares (duo)
9
4 Guitares (Quatuor)
9
3 Guitares (trio)
8
Basse electrique
6
Dulcimer
5
Mandoline
4
Guitare (partie séparée)
2
Ensemble de Ukulélés
2
Guitare, Violon, Violoncelle (trio)
1
Banjo
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
4 135
Chorale 2 parties
3 523
Chorale 3 parties
1 720
Voix duo, Piano
1 594
Chorale Unison
1 333
Voix duo
590
Chorale TTBB
219
Chorale SSAA
81
Voix seule
71
Voix Soprano, Piano
63
Voix haute
54
Pack Instrumental pour Chorale
53
Voix moyenne, Piano
32
Voix Alto, Piano
26
Voix Baryton, Piano
22
Chorale
21
Voix Tenor, Piano
20
Voix basse, Piano
18
Chorale SSATTB
8
Voix basse
8
Chorale SSATB
6
Voix Tenor
4
Chorale SSAATTBB
4
Voix Soprano
2
Voix Mezzo-Soprano, Piano
2
Chorale, Orgue
1
Chorale SATTBB A Cappella
1
Chorale SSAB a cappella
1
+ 23 instrumentations
Retracter
Vents
Saxophone Tenor et Piano
695
Saxophone Alto et Piano
609
Flûte traversière et Piano
583
Saxophone Soprano et Piano
573
Clarinette et Piano
521
2 Saxophones (duo)
498
Quatuor de Saxophones: 4 saxophones
490
Hautbois, Piano (duo)
474
Flûte, Hautbois, Clarinette, Basson
380
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
242
2 Flûtes traversières (duo)
208
Flûte, Clarinette (duo)
204
Quintette de Saxophone: 5 saxophones
194
Saxophone Baryton, Piano
187
Flûte traversière
182
3 Saxophones (trio)
167
Quatuor de Clarinettes: 4 clarinettes
154
Saxophone Alto
152
Clarinette
149
2 Clarinettes (duo)
132
Ensemble de saxophones
101
Ensemble de Clarinettes
92
Saxophone (partie séparée)
89
Quatuor de Flûtes : 4 flûtes
82
Saxophone Tenor
80
3 Clarinettes (trio)
73
Trio de Flûtes: 3 flûtes
68
Clarinette Basse, Piano
66
Cor anglais, Piano
56
Hautbois (partie séparée)
55
Flûte, Violon, Piano
54
Ensemble de Flûtes
50
Quintette de Clarinettes: 5 clarinettes
49
2 Hautbois (duo)
47
Flûte, Clarinette et Basson
43
Flûte, Clarinette, Piano (trio)
39
Quintette de Flûte : 5 flûtes
38
Hautbois
37
Flute (partie séparée)
35
Saxophone et Orgue
33
Flûte, Hautbois, Basson
32
2 Saxophones, Piano
31
Clarinette (partie séparée)
31
2 Flûtes traversières, Piano
30
Flûte, Violon et Violoncelle
29
Hautbois, Basson (duo)
29
Clarinette, Violon (duo)
28
Flûte, Violoncelle, Piano (trio)
28
2 Clarinettes, Piano
25
Clarinette, Violoncelle, Piano (trio)
23
Flûte, trombone et piano
23
Flûte, Alto et Piano
22
3 Hautbois
22
4 Hautbois
22
Saxophone Soprano
21
Flûte, Hautbois, Piano (trio)
20
Flûte à Bec
18
Saxophone, Clarinette (duo)
18
Flûte, Violon
18
Flûte, Basson et Piano
17
Hautbois, Clarinette (duo)
16
Flûte, Trombone (duo)
14
Flûte, Violoncelle
14
Flûte et Guitare
13
Hautbois, Flûte
13
Flute, Cor (duo)
11
Clarinette, Basson (duo)
11
Flûte, Hautbois, Clarinette (trio)
11
Flûte, Violon, Violoncelle et Piano
10
Clarinette et Alto
9
Flûte, Saxophone (duo)
9
Saxophone Baryton
9
Clarinette, trompette et piano
9
Clarinette, Basson, Piano (trio)
9
Cor Anglais
8
Harmonica
7
Clarinette, Trompette (duo)
6
Piccolo, Piano
6
Flûte, Trompette (duo)
5
2 Flûte à bec (duo)
5
Flûte, Hautbois (duo)
5
Flûte, Alto (duo)
5
Flûte, Hautbois, Violon
5
Clarinette, Orgue
5
Quatuor de Flûtes à bec
5
Flûte, Violoncelle, Guitare
4
Clarinette, Violoncelle (duo)
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Clarinette, Alto et Piano (trio)
4
Flûte à bec Soprano
4
Hautbois, Clarinette et Piano (Trio)
3
Hautbois, Violoncelle
3
Flûte traversière, Orgue (duo)
3
Flûte, Violon, Guitare
3
Clarinette, Harpe (duo)
3
Hautbois, Harpe
3
Flûte à bec Soprano, Piano
2
Ensemble De Flûte à bec
2
Ensemble de Hautbois
2
Instruments en Mib
2
3 Flûtes à bec (trio)
2
Flûte à bec Tenor
2
Flûte, Clarinette, Violon (trio)
1
Hautbois, violon (duo)
1
Flûte traversière, Basse continue
1
Flûte à bec Alto
1
Hautbois, Basson et Piano
1
Piccolo
1
Clarinette, Guitare (duo)
1
Hautbois, Violoncelle et Piano
1
Clarinette Basse
1
Hautbois et alto (duo)
1
Clarinette, Saxophone, Piano
1
2 Clarinettes, Basson
1
Flute, harpe et violon
1
Ensemble à vent
1
Saxophone
1
Flûte, Harpe et Violoncelle
1
Flûte à bec Alto, Piano
1
Flûte et Trio à cordes
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
+ 116 instrumentations
Retracter
Cuivres
Trombone et Piano
732
Trompette, Piano
595
Cor et Piano
374
Trompette
325
Quatuor de Cuivres: 2 trompettes, Cor, trombone
301
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
261
Quatuor de Cuivres : 2 trompettes, trombone, tuba
245
2 Trompettes (duo)
196
Trompette, Trombone (duo)
153
Trompette, Cor (duo)
152
2 Trombones (duo)
137
Trombone
109
Euphonium, Piano (duo)
85
Cor
84
Tuba et Piano
74
Quatuor de Cuivres
66
Trompette (partie séparée)
62
2 Cors (duo)
62
Ensemble de Trompettes
56
Cor anglais, Piano
56
Quatuor de cuivres: 2 trompettes, 2 trombones
49
Ensemble de Trombones
44
Quatuor de cuivres: 4 trombones
38
Quatuor de cuivres: 4 cors
31
Tuba
27
Quatuor de cuivres: 4 trompettes
25
Trombone, Orgue
24
Trombone (partie séparée)
22
Trompette, Violoncelle et Piano
19
Trompette, Saxophone (duo)
13
Trio de Cuivres
12
Cor et Orgue
11
3 Trombones (trio)
10
3 Trompettes (trio)
10
Trompette, Trombone, Piano
9
Cor Anglais
8
2 Trompettes, Clavier (piano ou orgue)
8
Ensemble de Cors
7
Euphonium
5
Clarinette, Cor (duo)
5
2 Tubas (duo)
5
2 Trombones, Piano
5
Trompette et Guitare
4
Cor (partie séparée)
4
Euphonium, Tuba (duo)
3
2 Euphoniums et 2 Tubas
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
3 Cors (trio)
3
Tuba et Orgue
3
Bass Clef Instruments
3
Trombone, Tuba (duo)
2
Trombone, Cor (duo)
2
Trombone basse et Piano
2
Instruments en Sib
2
4 Tubas
2
Trombone basse
2
Trompette, violon (duo)
1
2 Euphoniums (duo)
1
Cor, Trompette, Trombone (trio)
1
Trompette, Tuba (duo)
1
Instruments en Fa
1
Trombone, Violon (duo)
1
4 Euphoniums
1
Cor, Violoncelle et Piano
1
3 Tubas (trio)
1
+ 60 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
882
Violon et Piano
679
Violoncelle, Piano
635
Alto, Piano
568
Violon, Violoncelle (duo)
365
Violon
305
Trio à Cordes: violon, alto, violoncelle
252
2 Violoncelles (duo)
195
Piano Trio: Violon, Alto, Piano
176
Violoncelle
167
2 Violons (duo)
143
Violon, Alto (duo)
113
Alto seul
98
Harpe
96
Contrebasse, Piano (duo)
69
2 Altos (duo)
62
Trio à Cordes: 2 violons, violoncelle
59
Trio à cordes: 3 violins
54
Quintette à cordes: 2 violons, alto, violoncelle, basse
48
Trio à Cordes: 3 violoncelles
36
4 Violoncelles
34
Violon (partie séparée)
33
Alto (partie séparée)
30
Ensemble de Violons
30
Alto, Violoncelle (duo)
29
Contre Basse
28
Ensemble d'Altos
26
Quatuor à cordes: 4 violons
23
Harpe, Flûte (duo)
20
Harpe, Violon (duo)
17
Violoncelle, Orgue
16
Violoncelle (partie séparée)
15
Violon, Basson (duo)
14
Trio à Cordes: 2 violons, alto
14
2 Harpes (duo)
13
Alto et Harpe
12
Harpe, Violoncelle (duo)
12
Violon, Clarinette, Piano (trio)
10
Trio à cordes: 3 altos
9
Violon, Orgue
9
Alto, Orgue
5
2 Violons, Piano
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Violoncelle , Guitare (duo)
4
Harpe, Voix
4
Violon, Trompette et Piano
3
Violon, Guitare (duo)
3
2 Contrebasses (duo)
3
Quatuor à cordes : 4 altos
3
Violoncelle, Contrebasse (duo)
2
Harpe (partie séparée)
2
2 Violoncelles, Piano
2
4 Harpes
2
Contrebasse (partie séparée)
2
Trio à cordes
1
Ensemble de Violoncelles
1
4 Contrebasses
1
+ 52 instrumentations
Retracter
Orchestre & Percussions
Ensemble de cuivres
352
Jazz combo
317
Cloches
316
Orchestre à Cordes
197
Orchestre d'harmonie
153
Orchestre
141
Orchestre de chambre
94
Ensemble Jazz
64
Ensemble de Percussions
26
Xylophone, Piano
18
Marimba
7
Fanfare
6
Batterie
6
Xylophone
4
3 Marimbas
2
Percussion (partie séparée)
2
Timbales
2
Percussion
2
Instrumentation Flexible
2
Batterie (partie séparée)
1
+ 15 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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BOUZOUKI
CHORALE - CHAN…
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CLAIRON
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Vous avez sélectionné:
Church
Piccolo, Piano
Partitions à imprimer
6 partitions trouvées
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1
Bach-Gounod: Ave Maria, Schwencke version for Piccolo and Piano
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Piccolo, Piano
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FACILE
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Classique
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 2 - SKU: A0.550931 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standa...
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Instrumental Solo,Piano,Piccolo - Level 2 - SKU: A0.550931 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and individual part. 12 pages. Jmsgu3 #4888397. Published by jmsgu3 (A0.550931). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st and 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bachâ??s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubertâ??s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bachâ??s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Vivaldi: Sonata No. 6 for Piccolo & Piano
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Piccolo, Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 6 for Picc
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 3 - SKU: A0.550523 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,St...
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Instrumental Solo,Piano,Piccolo - Level 3 - SKU: A0.550523 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and individual part. 23 pages. Jmsgu3 #4719719. Published by jmsgu3 (A0.550523). Sonata da Chiesa No. 6 in Bb Major for Piccolo & Piano by Antonio Vivaldi in Four movements. Duration: ca. 12:10. Score: 16 pages. Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Vivaldi: Sonata No. 1 for Piccolo & Piano
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Piccolo, Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 1 for Picc
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 3 - SKU: A0.550414 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Sacred. S...
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Instrumental Solo,Piano,Piccolo - Level 3 - SKU: A0.550414 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Sacred. Score and individual part. 33 pages. Jmsgu3 #4630105. Published by jmsgu3 (A0.550414). Sonata da Chiesa in Bb for Piccolo & Piano by Antonio Vivaldi in Four movements. Duration: ca. 11:45. Score: 14 pages. 205 measures.Antonio Vivaldi (1678-1741) was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Schubert: Moment Musicaux for Piccolo & Piano
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Piccolo, Piano
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FACILE
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Classique
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Franz Schubert
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James M
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Schubert: Moment Musicaux for
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 2 - SKU: A0.549025 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacr...
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Instrumental Solo,Piano,Piccolo - Level 2 - SKU: A0.549025 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and individual part. 10 pages. Jmsgu3 #3447467. Published by jmsgu3 (A0.549025). Description Schubert Piccolo version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score: 6 pg. Piccolo part: 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is a great recital encore because it's short and very expressive. Piccolo The Piccolo works very well in this arrangement. The music portrays a melancholy character that the Piccolo can express quite naturally. Works well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. Performance
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Sullivan: The Lost Chord for Piccolo & Piano
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Piccolo, Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for P
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 4 - SKU: A0.549453 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,R...
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Instrumental Solo,Piano,Piccolo - Level 4 - SKU: A0.549453 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 15 pages. Jmsgu3 #3497211. Published by jmsgu3 (A0.549453). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25.Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
Grieg: Morning Mood from Peer Gynt Suite for Piccolo & Piano
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Piccolo, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 3 - SKU: A0.549520 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,...
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Instrumental Solo,Piano,Piccolo - Level 3 - SKU: A0.549520 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 17 pages. Jmsgu3 #3504453. Published by jmsgu3 (A0.549520). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Works particularly well on the Piccolo! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$32.95
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