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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
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XYLOPHONE
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Non classifié
3 297
Piano & claviers
Piano seul
1 677
Piano, Voix
892
Piano, Voix et Guitare
466
Piano Facile
348
Orgue
251
Accompagnement Piano
123
Instruments en Do
116
1 Piano, 4 mains
72
Piano Trio: piano, violon, violoncelle
50
2 Pianos, 4 mains
41
Piano grosses notes
16
Accordéon
15
Piano (partie séparée)
7
Piano Quatuor: piano, violon, alto, violoncelle
6
Clavier
5
Orgue, Trompette (duo)
5
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Clavecin
3
Orgue, Piano (duo)
2
Piano Quatuor: piano, 2 violons, violoncelle
2
2 Accordéons
2
Fake Book
1
+ 17 instrumentations
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Guitares
Guitare notes et tablatures
191
Guitare
163
Ligne De Mélodie, (Paroles) et Accords
99
Ukulele
34
Paroles et Accords
25
Basse electrique
17
2 Guitares (duo)
14
4 Guitares (Quatuor)
13
Mandoline
9
Guitare (partie séparée)
5
3 Guitares (trio)
5
Piano, Guitare (duo)
4
Ukulele Baryton
3
Banjo
3
Mandoline, Guitare (duo)
3
Ensemble de guitares
1
Dobro
1
Orchestre à Plectres
1
+ 13 instrumentations
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Voix
Chorale SATB
1 108
Chorale 3 parties
274
Pack Instrumental pour Chorale
182
Chorale Unison
170
Chorale 2 parties
144
Chorale TTBB
116
Chorale SSAA
46
Voix seule
42
Voix duo, Piano
31
Voix duo
28
Voix Soprano, Piano
28
Voix haute
18
Chorale
11
Voix Tenor, Piano
9
Voix Baryton, Piano
8
Voix Alto, Piano
8
Chorale SSATB
6
Voix moyenne, Piano
6
Chorale SSAATTBB
6
Voix basse, Piano
6
Chorale SSATTB
4
Voix Tenor
3
Voix Mezzo-Soprano, Piano
2
Chorale SATBB
2
Soli, choeur mixte et accompagnement
2
Chorale SSAB a cappella
1
Voix Soprano
1
Chorale SSAATB
1
Chorale, Orgue
1
Chorale SAATB A Cappella
1
Chorale SSAB, Piano
1
+ 26 instrumentations
Retracter
Vents
Flûte traversière et Piano
220
Clarinette et Piano
169
Flûte traversière
154
Hautbois, Piano (duo)
131
2 Saxophones (duo)
129
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
121
Clarinette
116
2 Flûtes traversières (duo)
115
Quatuor de Saxophones: 4 saxophones
111
Saxophone Alto et Piano
101
Saxophone (partie séparée)
95
Flûte, Hautbois, Clarinette, Basson
75
2 Clarinettes (duo)
74
Saxophone Tenor et Piano
73
Quatuor de Clarinettes: 4 clarinettes
69
Saxophone Alto
61
Saxophone Soprano et Piano
55
Clarinette (partie séparée)
52
Saxophone Tenor
45
Hautbois (partie séparée)
44
Quintette de Saxophone: 5 saxophones
39
Quatuor de Flûtes : 4 flûtes
37
Saxophone Baryton, Piano
34
Hautbois
34
Ensemble de Flûtes
33
2 Hautbois (duo)
33
Ensemble de Clarinettes
32
Saxophone, Clarinette (duo)
31
Flûte, Clarinette (duo)
29
Ensemble de saxophones
29
Clarinette, Violon (duo)
28
Flute (partie séparée)
28
Cor anglais, Piano
26
3 Clarinettes (trio)
25
Flûte et Guitare
22
Quintette de Clarinettes: 5 clarinettes
20
Hautbois, Basson (duo)
20
3 Flûtes à bec (trio)
20
Clarinette Basse, Piano
20
Clarinette, Trompette (duo)
16
3 Saxophones (trio)
16
Hautbois, Clarinette (duo)
16
Flûte à bec Soprano
15
Clarinette, Guitare (duo)
14
Quatuor de Flûtes à bec
14
Clarinette et Alto
14
Flûte, Saxophone (duo)
13
Flûte, Trompette (duo)
12
Flûte, Violon
12
Trio de Flûtes: 3 flûtes
12
Flûte, Alto (duo)
11
Hautbois, Flûte
10
Quintette de Flûte : 5 flûtes
9
Flûte à Bec
9
Clarinette, Violoncelle (duo)
8
Clarinette, Basson (duo)
8
Flûte, Clarinette, Piano (trio)
7
Flûte, Hautbois, Clarinette (trio)
7
Flûte, Violoncelle
7
2 Flûte à bec (duo)
6
Flûte, Hautbois (duo)
6
Flûte, Violon et Violoncelle
5
2 Saxophones, Piano
5
Ocarina
4
Cor anglais, Guitare (duo)
4
Clarinette, Harpe (duo)
4
Flûte, Hautbois, Basson
4
Flûte, Clarinette et Basson
4
Flûte, Basson et Piano
4
5 Flûtes à bec
4
Saxophone Soprano
4
2 Flûtes, Basse continue
3
Hautbois et alto (duo)
3
Flûte à bec Alto
3
Piccolo, Piano
3
Flûte, Violoncelle, Piano (trio)
3
Flûte traversière, Basse continue
3
2 Clarinettes, Piano
3
Hautbois, Guitare (duo)
3
Hautbois, Violoncelle
3
Flûte à bec Alto, Piano
3
Flûte, Alto et Piano
3
Hautbois, violon (duo)
2
Saxophone et Piano
2
Clarinette, Orchestre
2
2 Clarinettes, Basson
2
Cor Anglais
2
Flûte, Violon, Piano
2
Flûte, Hautbois, Piano (trio)
2
Ensemble De Flûte à bec
2
Flûte à bec Alto, Basse continue
2
Flûte traversière, Orgue (duo)
2
Clarinette Basse
2
2 Flûtes traversières, Piano
2
Clarinette, Violoncelle, Piano (trio)
2
Clarinette, Contrebasse (duo)
1
Harmonica
1
Saxophone et Harpe
1
Clarinette, Alto et Piano (trio)
1
Clarinette, trompette et piano
1
Flute, Cor (duo)
1
Flûte, Hautbois, Violon
1
Flûte traversière, Orchestre
1
Flûte à bec Soprano, Piano
1
Instruments en Mib
1
Flûte, trombone et piano
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte, Tuba (duo)
1
Flûte, Trombone (duo)
1
Saxophone Baryton
1
Hautbois, Clarinette, Basson (trio d'anches)
1
+ 106 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
190
Trombone et Piano
122
Cor et Piano
105
Trompette, Piano
99
Quatuor de Cuivres : 2 trompettes, trombone, tuba
82
Trompette
78
Trombone
77
Trombone (partie séparée)
67
Trompette (partie séparée)
61
Tuba
51
Cor
50
2 Trompettes (duo)
45
2 Trombones (duo)
41
Quatuor de cuivres: 4 trombones
36
Euphonium, Piano (duo)
32
Cor (partie séparée)
31
Tuba et Piano
30
Quatuor de Cuivres: 2 trompettes, Cor, trombone
28
Trompette, Trombone (duo)
28
Cor anglais, Piano
26
Trompette, Saxophone (duo)
25
Quatuor de Cuivres
23
2 Cors (duo)
22
Ensemble de Trombones
17
Tuba (partie séparée)
15
Quatuor de cuivres: 4 cors
11
2 Tubas (duo)
8
2 Euphoniums (duo)
7
Trio de Cuivres
6
2 Euphoniums et 2 Tubas
6
Ensemble de Cors
5
Quatuor de cuivres: 4 trompettes
5
Euphonium
5
Cor anglais, Guitare (duo)
4
Ensemble de Trompettes
4
4 Tubas
3
Cornet A Pistons
3
3 Trompettes (trio)
3
3 Trombones (trio)
3
Trompette, Cor (duo)
2
Trombone basse et Piano
2
Cor Anglais
2
Trompette, Trombone, Piano
2
Euphonium (partie séparée)
2
Trombone basse
2
Trompette et Guitare
2
Tuba et Orgue
2
Bass Clef Instruments
1
Ensemble de Tubas
1
Trompette, Harpe
1
2 Trompettes, Clavier (piano ou orgue)
1
Instruments en Fa
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Instruments en Sib
1
Trombone, Orgue
1
Trompette, Tuba (duo)
1
Tuba ou Euphonium ou Saxhorn
1
2 Trombones, Piano
1
Trombone, Violon (duo)
1
Trompette, Violoncelle et Piano
1
Cor et Harpe
1
+ 56 instrumentations
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Cordes
Violon et Piano
331
Quatuor à cordes: 2 violons, alto, violoncelle
329
Violoncelle, Piano
188
Violoncelle
113
Violon
108
Alto, Piano
108
2 Violons (duo)
86
Violon, Violoncelle (duo)
83
Trio à Cordes: violon, alto, violoncelle
68
2 Violoncelles (duo)
62
Alto seul
53
Violon, Alto (duo)
47
Contre Basse
44
Contrebasse, Piano (duo)
40
Harpe
40
2 Altos (duo)
39
Violon (partie séparée)
35
Quintette à cordes: 2 violons, alto, violoncelle, basse
23
Contrebasse (partie séparée)
22
Trio à Cordes: 2 violons, violoncelle
22
Alto (partie séparée)
20
4 Violoncelles
15
Violon, Guitare (duo)
13
Violoncelle (partie séparée)
13
2 Contrebasses (duo)
11
Alto, Violoncelle (duo)
9
2 Harpes (duo)
7
Quatuor à cordes: 4 violons
6
Ensemble de Violons
6
Violoncelle , Guitare (duo)
5
Trio à cordes: 3 violins
5
2 Violons, Piano
5
Trio à Cordes: 3 violoncelles
5
Harpe, Violoncelle (duo)
4
Harpe (partie séparée)
4
Violoncelle, Contrebasse (duo)
4
Piano Trio: Violon, Alto, Piano
4
Violon, Basson (duo)
3
Harpe, Violon (duo)
3
Harpe, Voix
3
Quatuor à cordes : 4 altos
3
Harpe, Flûte (duo)
2
4 Contrebasses
2
Violoncelle, Orgue
2
Harpe et Orgue
2
Alto et Harpe
2
Ensemble d'Altos
2
2 Altos, Piano
2
Violon, Clarinette, Piano (trio)
2
Alto, Guitare (duo)
2
Violoncelle, Orchestre
2
2 Violoncelles, Piano
1
Alto et Basson
1
Flûte, Contrebasse (duo)
1
Violon, Tuba (duo)
1
Trio à Cordes: 2 violons, alto
1
3 Contrebasses
1
Violon, Orgue
1
Ensemble de Violoncelles
1
Harpe, Violon, Violoncelle
1
+ 55 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
845
Cloches
572
Orchestre
273
Orchestre à Cordes
129
Ensemble de cuivres
112
Orchestre de chambre
74
Fanfare
64
Ensemble Jazz
60
Batterie
54
Ensemble de Percussions
47
Percussion (partie séparée)
24
Marimba
18
Jazz combo
15
Percussion
13
Timbales
12
Timbales (partie séparée)
7
Xylophone
6
Vibraphone
5
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Batterie (partie séparée)
3
Xylophone, Piano
3
3 Marimbas
2
Orchestre, Violon
2
2 Marimbas
2
Big band
1
2 Percussions
1
+ 21 instrumentations
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ACCORDEON
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--INSTRUMENTS--
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1
Grieg: Morning Mood from Peer Gynt Suite for Piccolo & Piano
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Piccolo, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 3 - SKU: A0.549520 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,...
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Instrumental Solo,Piano,Piccolo - Level 3 - SKU: A0.549520 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 17 pages. Jmsgu3 #3504453. Published by jmsgu3 (A0.549520). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Works particularly well on the Piccolo! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$32.95
Bach-Gounod: Ave Maria, Schwencke version for Piccolo and Piano
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Piccolo, Piano
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FACILE
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Classique
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 2 - SKU: A0.550931 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standa...
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Instrumental Solo,Piano,Piccolo - Level 2 - SKU: A0.550931 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and individual part. 12 pages. Jmsgu3 #4888397. Published by jmsgu3 (A0.550931). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st and 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bachâ??s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubertâ??s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bachâ??s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Sullivan: The Lost Chord for Piccolo & Piano
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Piccolo, Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for P
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 4 - SKU: A0.549453 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,R...
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Instrumental Solo,Piano,Piccolo - Level 4 - SKU: A0.549453 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 15 pages. Jmsgu3 #3497211. Published by jmsgu3 (A0.549453). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25.Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
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