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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
James Guthrie, ASCAP
Non classifié
587
Piano & claviers
Piano Quatuor: piano, violon, alto, violoncelle
25
Piano seul
11
Piano Trio: piano, violon, violoncelle
9
Piano Facile
2
Orgue
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 1 instrumentations
Retracter
Guitares
Piano, Guitare (duo)
7
Voix
Chorale SATB
3
Vents
Flûte traversière et Piano
232
Clarinette et Piano
155
Hautbois, Piano (duo)
138
Saxophone Alto et Piano
119
Saxophone Tenor et Piano
115
Saxophone Soprano et Piano
115
Saxophone Baryton, Piano
111
Clarinette Basse, Piano
84
Cor anglais, Piano
78
2 Clarinettes (duo)
55
2 Flûtes traversières (duo)
52
2 Saxophones (duo)
49
Clarinette
48
2 Hautbois (duo)
15
Flûte, Violoncelle
10
Clarinette, Violoncelle (duo)
10
Piccolo, Piano
9
Ensemble de Flûtes
9
2 Cors Anglais Et Pianoforte
8
Hautbois, Basson (duo)
8
Quatuor de Saxophones: 4 saxophones
8
Trio de Flûtes: 3 flûtes
7
3 Clarinettes (trio)
7
Hautbois, Violoncelle
5
Ensemble de Clarinettes
5
3 Saxophones (trio)
4
Quatuor de Clarinettes: 4 clarinettes
4
Saxophone et violoncelle
3
Flûte, Alto (duo)
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Flûte traversière
2
Flûte, Violon et Violoncelle
2
Flûte, Violon
2
Saxophone, Basson (duo)
2
Flûte à Bec, Piano
2
Quatuor de Flûtes : 4 flûtes
2
Flûte, Clarinette (duo)
1
2 Flûtes traversières, Piano
1
Flûte, Clarinette, Piano (trio)
1
Hautbois et alto (duo)
1
Flûte, Hautbois, Clarinette, Basson
1
Saxophone Baryton
1
Flûte, Basson et Piano
1
Flûte, Violoncelle, Piano (trio)
1
Clarinette, Violon (duo)
1
Flûte, Hautbois (duo)
1
Clarinette Basse
1
Saxophone Alto
1
Hautbois
1
Clarinette, Basson (duo)
1
+ 45 instrumentations
Retracter
Cuivres
Euphonium, Piano (duo)
102
Cor et Piano
92
Trombone et Piano
91
Cor anglais, Piano
78
Trompette, Piano
66
Tuba et Piano
36
Trompette
34
2 Trombones (duo)
12
2 Trompettes (duo)
12
2 Cors (duo)
12
2 Euphoniums (duo)
11
2 Cors Anglais Et Pianoforte
8
Cor, Violoncelle (duo)
5
Trompette, Trombone (duo)
5
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Euphonium, Tuba (duo)
4
Cor
3
Tuba et Orgue
3
Euphonium
2
Trombone, violoncelle (duo)
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Tuba
2
Ensemble de Trombones
2
Trompette, Tuba (duo)
1
Trio de Cuivres
1
Trompette, Violoncelle (duo)
1
3 Trombones (trio)
1
Quatuor de cuivres: 4 trombones
1
Trombone, Tuba (duo)
1
Trombone basse
1
Trombone basse et Piano
1
+ 27 instrumentations
Retracter
Cordes
Violon et Piano
139
Alto, Piano
117
Violoncelle, Piano
116
Quatuor à cordes: 2 violons, alto, violoncelle
97
Trio à Cordes: violon, alto, violoncelle
36
2 Violoncelles (duo)
23
2 Altos (duo)
17
2 Violons (duo)
15
Violon, Violoncelle (duo)
12
Alto, Violoncelle (duo)
12
Harpe
8
Violon, Alto (duo)
8
Violoncelle
7
Trio à cordes
4
Trio à Cordes: 2 violons, violoncelle
3
Violon
2
Harpe, Violon (duo)
1
Violon, Orgue
1
Trio à Cordes: 3 violoncelles
1
4 Violoncelles
1
Trio à Cordes: 2 violons, alto
1
+ 16 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
18
Ensemble de cuivres
8
Orchestre de chambre
5
Cloches
2
Orchestre d'harmonie
2
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
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Vous avez sélectionné:
James Guthrie, ASCAP
Piccolo, Piano
Partitions à imprimer
9 partitions trouvées
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1
Saint-Saens: The Swan for Piccolo and Piano
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Piccolo, Piano
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Classique
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Camille Saint-Saens
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James M
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Saint-Saens: The Swan for Picc
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jmsgu3
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SheetMusicPlus
Composed by Camille Saint-Saens (1835-1921). Arranged by James M. Guthrie, ASCAP. Romantic Period, Repertoire, General Instructional, Technique Training, Recita...
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Composed by Camille Saint-Saens (1835-1921). Arranged by James M. Guthrie, ASCAP. Romantic Period, Repertoire, General Instructional, Technique Training, Recital. Score, Set of Parts. 9 pages. Published by jmsgu3 (S0.319123). - Score,Set of Parts - Romantic Period,Repertoire,General Instructional,Technique Training,Recital - jmsgu3
$32.95
Phil Collins: A Groovy Kind Of Love for Piccolo & Piano
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Piccolo, Piano
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Phil Collins
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James M
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Phil Collins: A Groovy Kind Of
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jmsgu3
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SheetMusicPlus
By Phil Collins. Arranged by James M. Guthrie, ASCAP. Score, Solo Part. 7 pages. Published by jmsgu3 (H0.218639-297698). - Score,Solo Part - - jmsgu3...
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By Phil Collins. Arranged by James M. Guthrie, ASCAP. Score, Solo Part. 7 pages. Published by jmsgu3 (H0.218639-297698). - Score,Solo Part - - jmsgu3
$47.95
Bach-Gounod: Ave Maria, Schwencke version for Piccolo and Piano
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Piccolo, Piano
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FACILE
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Classique
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 2 - SKU: A0.550931 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standa...
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Instrumental Solo,Piano,Piccolo - Level 2 - SKU: A0.550931 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and individual part. 12 pages. Jmsgu3 #4888397. Published by jmsgu3 (A0.550931). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st and 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bachâ??s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubertâ??s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bachâ??s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Vivaldi: Sonata No. 6 for Piccolo & Piano
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Piccolo, Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 6 for Picc
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 3 - SKU: A0.550523 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,St...
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Instrumental Solo,Piano,Piccolo - Level 3 - SKU: A0.550523 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and individual part. 23 pages. Jmsgu3 #4719719. Published by jmsgu3 (A0.550523). Sonata da Chiesa No. 6 in Bb Major for Piccolo & Piano by Antonio Vivaldi in Four movements. Duration: ca. 12:10. Score: 16 pages. Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Mozart: Eine kleine Nachtmusik for Piccolo & Piano
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Piccolo, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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James M
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Mozart: Eine kleine Nachtmusik
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 4 - SKU: A0.549008 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Classical,Concert,H...
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Instrumental Solo,Piano,Piccolo - Level 4 - SKU: A0.549008 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Holiday,Standards,Wedding. Score and individual part. 65 pages. Jmsgu3 #3447089. Published by jmsgu3 (A0.549008). Eine kleine Nachtmusik (A Little Night Music, or A Little Serenade) Serenade No. 13, k. 525 (1787) in 4 mvt.
$24.95
Bach: I Stand At The Threshold for Piccolo & Piano
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Piccolo, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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up
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Bach: I Stand At The Threshold
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 2 - SKU: A0.549137 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standa...
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Instrumental Solo,Piano,Piccolo - Level 2 - SKU: A0.549137 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards. Score and individual part. 5 pages. Jmsgu3 #3453259. Published by jmsgu3 (A0.549137). J. S. Bach: Sinfonia to the Cantata BWV 156 - I Stand At The Threshold. Composed for the 3rd Sunday of Epiphany. Duration: 2:50, Score 2 pg, solo part 1 pg. piano part - 2 pg. Performance level: Early intermediate & up. Program this during Epiphany, Lent, or Easter. Also makes a great recital encore to demonstrate phrasing control and melodic shaping.
$32.95
Schubert: Moment Musicaux for Piccolo & Piano
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Piccolo, Piano
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FACILE
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Classique
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Franz Schubert
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James M
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Schubert: Moment Musicaux for
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 2 - SKU: A0.549025 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacr...
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Instrumental Solo,Piano,Piccolo - Level 2 - SKU: A0.549025 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and individual part. 10 pages. Jmsgu3 #3447467. Published by jmsgu3 (A0.549025). Description Schubert Piccolo version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score: 6 pg. Piccolo part: 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is a great recital encore because it's short and very expressive. Piccolo The Piccolo works very well in this arrangement. The music portrays a melancholy character that the Piccolo can express quite naturally. Works well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. Performance
$32.95
Sullivan: The Lost Chord for Piccolo & Piano
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Piccolo, Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for P
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 4 - SKU: A0.549453 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,R...
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Instrumental Solo,Piano,Piccolo - Level 4 - SKU: A0.549453 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 15 pages. Jmsgu3 #3497211. Published by jmsgu3 (A0.549453). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25.Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
Grieg: Morning Mood from Peer Gynt Suite for Piccolo & Piano
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Piccolo, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 3 - SKU: A0.549520 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,...
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Instrumental Solo,Piano,Piccolo - Level 3 - SKU: A0.549520 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 17 pages. Jmsgu3 #3504453. Published by jmsgu3 (A0.549520). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Works particularly well on the Piccolo! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$32.95
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