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198
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173
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171
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117
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51
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16
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10
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5
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4
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3
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3
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2
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Trio: piano, violon, violoncelle
2
Accompagnement Piano
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Instrument seul et Orgue
1
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Guitares
Guitare notes et tablatures
61
Ligne De Mélodie, (Paroles) et Accords
37
Guitare
22
Paroles et Accords
22
Ukulele
12
Basse electrique
12
Guitare (partie séparée)
3
3 Guitares (trio)
2
Basse électrique (partie séparée)
2
Ukulele Baryton
1
2 Guitares (duo)
1
4 Guitares (Quatuor)
1
Banjo
1
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Chorale 2 parties
94
Chorale SATB
57
Chorale 3 parties
28
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23
Chorale TTBB
19
Pack Instrumental pour Chorale
13
Chorale Unison
8
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4
Chorale
3
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2
Voix Baryton, Piano
2
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2
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2
Voix Soprano, Piano
2
Voix Tenor, Piano
2
Voix Tenor
1
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18
Flûte traversière et Piano
18
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14
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14
Clarinette
14
Flûte traversière
11
Saxophone Alto et Piano
10
Clarinette et Piano
9
Clarinette (partie séparée)
8
Hautbois, Piano (duo)
7
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7
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7
Flûte, Hautbois, Clarinette, Basson
7
Saxophone Tenor et Piano
7
Hautbois (partie séparée)
7
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6
Cor anglais, Piano
6
2 Flûtes traversières (duo)
5
Saxophone Baryton, Piano
5
Saxophone Soprano et Piano
5
3 Saxophones (trio)
4
Clarinette Basse, Piano
4
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3
Quatuor de Flûtes : 4 flûtes
3
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3
Piccolo, Piano
2
Flûte à Bec
2
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2
Flûte à bec Alto
1
Cornemuse
1
Flûte, Violon, Piano
1
2 Clarinettes (duo)
1
Flûte et Guitare
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Hautbois
1
Clarinette, Guitare (duo)
1
Ensemble de saxophones
1
3 Clarinettes (trio)
1
+ 33 instrumentations
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Cuivres
Trompette
19
Trompette (partie séparée)
18
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
16
Trombone
15
Trombone (partie séparée)
11
Cor
11
Euphonium, Piano (duo)
8
Quatuor de Cuivres : 2 trompettes, trombone, tuba
8
Trombone et Piano
6
Cor anglais, Piano
6
2 Euphoniums et 2 Tubas
5
Cor et Piano
4
Quatuor de Cuivres
3
Trio de Cuivres
3
Tuba (partie séparée)
3
Cor (partie séparée)
3
Tuba
2
Trompette, Trombone (duo)
2
Tuba et Piano
2
Trompette, Piano
2
3 Trombones (trio)
1
Quatuor de cuivres: 4 cors
1
Ensemble de Cors
1
Quatuor de cuivres: 4 trombones
1
Ensemble de Trombones
1
Bass Clef Instruments
1
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
49
Violon
23
Violoncelle
19
Violon et Piano
14
Alto seul
13
Alto, Piano
9
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9
Trio à Cordes: violon, alto, violoncelle
8
Harpe
8
Contrebasse (partie séparée)
4
Trio à Cordes: 2 violons, violoncelle
4
Violon (partie séparée)
3
Violon, Guitare (duo)
3
Alto (partie séparée)
3
2 Altos (duo)
3
2 Violons (duo)
3
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2
Violon, Violoncelle (duo)
2
Violoncelle, Contrebasse (duo)
2
Violon, Alto (duo)
2
Ensemble de Violoncelles
1
Trio à cordes
1
Trio à cordes: 3 violins
1
Alto, Violoncelle (duo)
1
Violoncelle (partie séparée)
1
3 Harpes
1
2 Violoncelles (duo)
1
2 Contrebasses (duo)
1
4 Violoncelles
1
Contre Basse
1
Harpe, Flûte (duo)
1
Trio à Cordes: 2 violons, alto
1
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22
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19
Ensemble de cuivres
17
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17
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13
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11
Fanfare
11
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8
Cloches
6
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6
Orchestre de chambre
6
Batterie (partie séparée)
5
Ensemble de Percussions
3
Caisse Claire
1
Quintette de Cuivres: autres combinaisons
1
Quintette à Vent
1
Percussion
1
Xylophone
1
Timbales (partie séparée)
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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BOUZOUKI
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CLARINETTE
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CORNET
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Piccolo, Piano
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Bach-Gounod: Ave Maria, Schwencke version for Piccolo and Piano
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Piccolo, Piano
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FACILE
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Classique
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 2 - SKU: A0.550931 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standa...
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Instrumental Solo,Piano,Piccolo - Level 2 - SKU: A0.550931 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and individual part. 12 pages. Jmsgu3 #4888397. Published by jmsgu3 (A0.550931). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st and 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bachâ??s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubertâ??s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bachâ??s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Sullivan: The Lost Chord for Piccolo & Piano
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Piccolo, Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for P
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 4 - SKU: A0.549453 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,R...
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Instrumental Solo,Piano,Piccolo - Level 4 - SKU: A0.549453 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 15 pages. Jmsgu3 #3497211. Published by jmsgu3 (A0.549453). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25.Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
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