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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Meditations
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Non classifié
730
Piano & claviers
Piano seul
1 125
Orgue
616
Piano, Voix
186
Piano Facile
91
Piano, Voix et Guitare
28
Orgue, Trompette (duo)
17
Accompagnement Piano
16
Piano Trio: piano, violon, violoncelle
13
Instruments en Do
12
Piano Quatuor: piano, violon, alto, violoncelle
9
1 Piano, 4 mains
5
Piano grosses notes
3
Orgue, Piano (duo)
3
2 Pianos, 4 mains
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano (partie séparée)
2
2 Orgues (duo)
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 13 instrumentations
Retracter
Guitares
Guitare
62
Guitare notes et tablatures
41
Guitare Pedal Steel
14
Ligne De Mélodie, (Paroles) et Accords
12
2 Guitares (duo)
5
Ukulele
5
Paroles et Accords
4
Dulcimer
4
Piano, Guitare (duo)
2
Mandoline
1
+ 5 instrumentations
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Voix
Chorale SATB
366
Chorale 2 parties
231
Voix duo, Piano
133
Chorale 3 parties
114
Chorale Unison
63
Voix duo
30
Chorale TTBB
16
Chorale SSAA
12
Voix haute
4
Chorale SSAATTBB
3
Chorale SSATB
3
Voix Soprano, Piano
3
Voix moyenne, Piano
3
Voix seule
2
Voix Moyenne
2
Soli, choeur mixte et accompagnement
1
Chorale SSATTB
1
Voix Tenor
1
Voix Mezzo-Soprano, Piano
1
Voix Tenor, Piano
1
Chorale
1
+ 16 instrumentations
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Vents
Flûte traversière et Piano
99
Hautbois, Piano (duo)
66
Clarinette et Piano
54
Saxophone Alto et Piano
36
Flûte traversière
30
Saxophone Tenor et Piano
24
2 Flûtes traversières (duo)
22
Saxophone Soprano et Piano
22
Quatuor de Saxophones: 4 saxophones
21
Cor anglais, Piano
19
Clarinette
19
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
17
Saxophone Baryton, Piano
14
Quatuor de Clarinettes: 4 clarinettes
14
Clarinette Basse, Piano
13
2 Clarinettes (duo)
11
Quatuor de Flûtes : 4 flûtes
10
Ensemble de Clarinettes
9
Ensemble de Flûtes
9
Flûte, Violon, Piano
7
Saxophone Alto
7
Flûte, Hautbois, Clarinette, Basson
7
2 Saxophones (duo)
6
Ensemble de saxophones
5
Hautbois (partie séparée)
5
2 Hautbois (duo)
5
Flûte et Guitare
5
Flûte, Clarinette et Basson
5
Saxophone Tenor
4
Flûte, Clarinette (duo)
4
Quintette de Saxophone: 5 saxophones
4
Saxophone et Orgue
4
Piccolo, Piano
3
Hautbois, Violoncelle
3
3 Clarinettes (trio)
3
Flûte, Hautbois (duo)
3
Clarinette, Violon (duo)
3
Flûte à Bec
3
Clarinette, Harpe (duo)
3
Flûte, Violoncelle
3
Harmonica
2
Quintette de Flûte : 5 flûtes
2
Flûte, Violoncelle, Piano (trio)
2
Hautbois, Orgue
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte à bec Soprano
2
Saxophone et Piano
2
Instruments en Mib
2
Clarinette, Guitare (duo)
2
Flûte traversière, Orgue (duo)
2
Hautbois, Harpe
2
Hautbois, Basson (duo)
2
Trio de Flûtes: 3 flûtes
2
Clarinette, Violoncelle, Piano (trio)
2
Flûte, Saxophone (duo)
2
Flûte à bec Alto
2
Flûte, Violon, Violoncelle et Piano
1
Hautbois
1
Clarinette et Alto
1
Clarinette, Violoncelle (duo)
1
Piccolo
1
Hautbois, violon (duo)
1
Flûte, Hautbois, Basson
1
Quintette de Clarinettes: 5 clarinettes
1
Quatuor de Flûtes à bec
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Saxophone
1
Hautbois et alto (duo)
1
Flute (partie séparée)
1
Cor anglais, Guitare (duo)
1
Flûte, Violoncelle, Guitare
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Basson et Piano
1
2 Clarinettes, Piano
1
Flûte, Alto (duo)
1
Saxophone Soprano
1
Flûte et Trio à cordes
1
Clarinette, Orgue
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Violon
1
Flute, harpe et violon
1
+ 76 instrumentations
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Cuivres
Trombone et Piano
35
Trompette, Piano
28
Cor et Piano
24
Euphonium, Piano (duo)
23
Cor anglais, Piano
19
Trompette
19
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
16
Trombone
13
Quatuor de Cuivres : 2 trompettes, trombone, tuba
9
Cor
8
Tuba et Piano
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Ensemble de Trombones
4
2 Cors (duo)
3
Trompette (partie séparée)
3
2 Trombones (duo)
3
Quatuor de cuivres: 4 cors
2
Trombone, Orgue
2
2 Trompettes, Clavier (piano ou orgue)
2
Trombone basse
1
Tuba
1
Cornet et orchestre
1
Euphonium, Tuba (duo)
1
Quatuor de Cuivres
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Trompette, Trombone (duo)
1
Cor anglais, Guitare (duo)
1
Trompette, violon (duo)
1
Trompette, Cor (duo)
1
Trombone basse et Piano
1
+ 25 instrumentations
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Cordes
Harpe
280
Violon et Piano
122
Quatuor à cordes: 2 violons, alto, violoncelle
79
Violoncelle, Piano
65
Alto, Piano
49
Violoncelle
30
Violon
28
Trio à Cordes: violon, alto, violoncelle
17
2 Violons (duo)
17
Alto seul
12
2 Harpes (duo)
8
Violon, Alto (duo)
8
2 Violoncelles (duo)
8
Trio à Cordes: 2 violons, violoncelle
8
Violon (partie séparée)
7
Violon, Violoncelle (duo)
7
Contrebasse, Piano (duo)
6
Harpe, Flûte (duo)
6
2 Altos (duo)
6
Violon, Orgue
5
Violon, Guitare (duo)
5
Alto, Violoncelle (duo)
4
Harpe, Violoncelle (duo)
4
Alto (partie séparée)
4
Harpe, Violon (duo)
4
Contre Basse
4
Violoncelle, Orgue
3
Trio à Cordes: 3 violoncelles
2
Violoncelle (partie séparée)
2
Harpe, Voix
1
4 Violoncelles
1
Alto, Orgue
1
Ensemble d'Altos
1
Alto, Guitare (duo)
1
Trio à cordes
1
Ensemble de Violons
1
Alto et Basson
1
Piano Trio: Violon, Alto, Piano
1
Violoncelle, Contrebasse (duo)
1
Violon, Basson (duo)
1
Trio à Cordes: 2 violons, alto
1
Contrebasse (partie séparée)
1
Violoncelle , Guitare (duo)
1
+ 38 instrumentations
Retracter
Orchestre & Percussions
Cloches
103
Orchestre d'harmonie
48
Orchestre
31
Orchestre à Cordes
30
Orchestre de chambre
10
Ensemble de cuivres
10
Vibraphone
8
Jazz combo
3
Ensemble de Percussions
3
Orchestre, Violon
3
Ensemble Jazz
3
Marimba
2
Percussion
1
Xylophone
1
3 Percussions
1
Quatuor à Vent : 4 instruments à vents
1
+ 11 instrumentations
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--INSTRUMENTS--
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BASSE
BASSON
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Vous avez sélectionné:
Meditations
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Bach-Gounod: Ave Maria, Schwencke version for Piccolo and Piano
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Piccolo, Piano
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FACILE
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Classique
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 2 - SKU: A0.550931 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standa...
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Instrumental Solo,Piano,Piccolo - Level 2 - SKU: A0.550931 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and individual part. 12 pages. Jmsgu3 #4888397. Published by jmsgu3 (A0.550931). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st and 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bachâ??s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubertâ??s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bachâ??s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Sullivan: The Lost Chord for Piccolo & Piano
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Piccolo, Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for P
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 4 - SKU: A0.549453 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,R...
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Instrumental Solo,Piano,Piccolo - Level 4 - SKU: A0.549453 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 15 pages. Jmsgu3 #3497211. Published by jmsgu3 (A0.549453). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25.Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
Grieg: Morning Mood from Peer Gynt Suite for Piccolo & Piano
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Piccolo, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 3 - SKU: A0.549520 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,...
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Instrumental Solo,Piano,Piccolo - Level 3 - SKU: A0.549520 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 17 pages. Jmsgu3 #3504453. Published by jmsgu3 (A0.549520). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Works particularly well on the Piccolo! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$32.95
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