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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
There Is
Sheetmusicplus
Non classifié
5 868
Piano & claviers
Piano grosses notes
3 301
Piano seul
2 802
Orgue
1 765
Piano, Voix
871
Piano Facile
640
Piano, Voix et Guitare
398
Instruments en Do
231
Accompagnement Piano
134
1 Piano, 4 mains
82
Clavier
65
Piano Trio: piano, violon, violoncelle
65
2 Pianos, 4 mains
55
Piano (partie séparée)
42
Piano Quatuor: piano, violon, alto, violoncelle
15
Orgue, Piano (duo)
12
Orgue, Trompette (duo)
10
Accordéon
8
Piano Quintette: piano, 2 violons, alto, violoncelle
7
Clavecin
6
Piano Quatuor: piano, 2 violons, violoncelle
4
2 Pianos, 8 mains
4
2 Accordéons
2
Ensemble d'Accordéons
1
1 Piano, 6 mains
1
Fake Book
1
+ 20 instrumentations
Retracter
Guitares
Guitare
356
Basse electrique
325
Guitare notes et tablatures
294
Guitare (partie séparée)
87
Ligne De Mélodie, (Paroles) et Accords
77
2 Guitares (duo)
52
Ukulele
50
4 Guitares (Quatuor)
24
Paroles et Accords
21
Mandoline
18
Banjo
15
Dulcimer
15
3 Guitares (trio)
8
Ensemble de guitares
8
Piano, Guitare (duo)
7
Mandoline, Guitare (duo)
2
Guitare, Orchestre
2
2 Mandolines (duo)
2
2 Dulcimers (duo)
2
+ 14 instrumentations
Retracter
Voix
Chorale SATB
1 627
Chorale 3 parties
477
Chorale Unison
436
Chorale 2 parties
347
Chorale TTBB
234
Chorale SSAA
168
Voix duo, Piano
99
Voix Alto, Piano
95
Voix Soprano, Piano
76
Voix Tenor, Piano
63
Voix duo
39
Voix Baryton, Piano
34
Pack Instrumental pour Chorale
29
Voix Tenor
28
Voix Soprano
25
Chorale
22
Voix haute
19
Voix moyenne, Piano
17
Voix seule
16
Chorale SSAATTBB
5
Voix basse, Piano
4
Chorale SSATTB
3
Voix Mezzo-Soprano, Piano
2
Soli, choeur mixte et accompagnement
2
Chorale SSAB, Piano
1
Chorale SSAB a cappella
1
+ 21 instrumentations
Retracter
Vents
2 Saxophones (duo)
922
Flûte traversière et Piano
662
2 Clarinettes (duo)
431
Saxophone, Clarinette (duo)
427
Hautbois, Piano (duo)
416
2 Flûtes traversières (duo)
386
Clarinette et Piano
335
Clarinette, Violon (duo)
301
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
287
Saxophone (partie séparée)
257
Saxophone Alto et Piano
256
Clarinette, Trompette (duo)
255
Quatuor de Saxophones: 4 saxophones
215
Flûte, Clarinette (duo)
198
Flûte traversière
194
2 Hautbois (duo)
175
Flûte, Hautbois, Clarinette, Basson
174
Flûte, Violon
158
Clarinette
158
Hautbois, Clarinette (duo)
157
Hautbois, Basson (duo)
156
Clarinette et Alto
156
Saxophone Tenor et Piano
155
Quintette de Saxophone: 5 saxophones
147
Flûte, Saxophone (duo)
143
Quatuor de Clarinettes: 4 clarinettes
133
Saxophone Alto
132
Hautbois, Flûte
127
Flûte, Alto (duo)
126
Flûte, Trompette (duo)
119
Cor anglais, Piano
106
Ensemble de saxophones
104
Ensemble de Clarinettes
103
Ensemble de Flûtes
103
Saxophone Soprano et Piano
97
Quatuor de Flûtes : 4 flûtes
91
Saxophone Tenor
86
Flûte irlandaise
83
Saxophone Baryton, Piano
69
Hautbois (partie séparée)
55
Quintette de Flûte : 5 flûtes
49
Flûte et Guitare
49
Hautbois
48
2 Flûte à bec (duo)
46
Quintette de Clarinettes: 5 clarinettes
46
3 Clarinettes (trio)
45
Flûte, Harpe et Violoncelle
42
Clarinette Basse, Piano
42
3 Saxophones (trio)
41
Flûte à Bec
39
2 Flûtes traversières, Piano
34
Flute (partie séparée)
33
Trio de Flûtes: 3 flûtes
32
Flûte, Hautbois (duo)
22
Saxophone Soprano
22
Flûte à bec Soprano
22
Flûte, Violon, Piano
20
Flûte, Clarinette, Piano (trio)
19
Clarinette (partie séparée)
18
Clarinette, Guitare (duo)
17
Flûte, Hautbois, Clarinette (trio)
17
Hautbois, violon (duo)
14
Clarinette, Harpe (duo)
13
Flute, harpe et violon
13
Clarinette, Basson (duo)
13
Hautbois, Clarinette, Basson (trio d'anches)
12
Flûte, Violoncelle
12
Quatuor de Flûtes à bec
12
2 Clarinettes, Piano
11
Harmonica
10
3 Flûtes à bec (trio)
10
Clarinette, Trombone (duo)
9
Flûte, Clarinette et Basson
9
Flûte à bec Soprano, Piano
9
Flûte, Hautbois, Piano (trio)
8
Flûte à bec Tenor
8
Flûte à bec Alto
7
Flûte à bec Alto, Piano
7
Clarinette, Violoncelle (duo)
7
Cor Anglais
6
Saxophone et Guitare
6
Hautbois, Guitare (duo)
6
Cor anglais, Guitare (duo)
6
Ensemble De Flûte à bec
5
2 Saxophones, Piano
4
2 Hautbois, Piano
4
Flûte, Alto et Piano
4
Saxophone Baryton
4
Flûte, Hautbois, Basson
4
Ocarina
3
Hautbois, Harpe
3
3 Hautbois
3
Piccolo, Piano
3
Saxophone et Harpe
3
Saxophone
3
Flûte à Bec, Piano
2
Hautbois, Basson et Piano
2
Flûte, Clarinette, Violon (trio)
2
Flûte, Basson et Piano
2
Flûte, trombone et piano
2
Saxophone et Orgue
2
2 Cors Anglais Et Pianoforte
2
Hautbois, Clarinette et Piano (Trio)
2
Clarinette, Violoncelle, Piano (trio)
2
2 Clarinettes, Basson
2
Flûte, Violoncelle, Piano (trio)
2
Flûte traversière, Orgue (duo)
1
Clarinette, Basson, Piano (trio)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Violon et Violoncelle
1
Hautbois, Violon, Piano
1
Instruments en Mib
1
5 Flûtes à bec
1
Flûte, Violon, Violoncelle et Piano
1
Piccolo
1
Flûte, Hautbois, Violon
1
Flûte, Violoncelle, Guitare
1
2 Flûtes traversières, Harpe
1
Ensemble de Hautbois
1
Clarinette Basse
1
Ensemble à vent
1
+ 116 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
324
Trompette, Saxophone (duo)
301
Quatuor de Cuivres : 2 trompettes, trombone, tuba
231
Trombone et Piano
222
Trombone (partie séparée)
219
Trompette
200
Trompette, Piano
179
2 Trombones (duo)
178
Trompette, Trombone (duo)
177
Cor et Piano
174
2 Trompettes (duo)
172
Trompette (partie séparée)
165
Trombone
131
Cor anglais, Piano
106
Euphonium, Piano (duo)
71
Cor
70
Tuba et Piano
69
Quatuor de Cuivres
67
Ensemble de Trombones
57
Quatuor de Cuivres: 2 trompettes, Cor, trombone
57
Ensemble de Trompettes
52
Tuba
52
Quatuor de cuivres: 4 trombones
39
Cor (partie séparée)
37
2 Cors (duo)
32
Tuba (partie séparée)
27
Quatuor de cuivres: 4 cors
17
3 Trompettes (trio)
14
3 Trombones (trio)
13
2 Tubas (duo)
12
Ensemble de Cors
9
Quatuor de cuivres: 4 trompettes
9
Trio de Cuivres
9
2 Euphoniums (duo)
8
2 Euphoniums et 2 Tubas
8
4 Tubas
7
Cor Anglais
6
Euphonium
6
Trompette, Tuba (duo)
6
2 Trompettes, Clavier (piano ou orgue)
6
Cor anglais, Guitare (duo)
6
Bass Clef Instruments
5
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
5
Trombone, Cor (duo)
5
Trompette, Cor (duo)
5
Cor, Tuba (duo)
4
3 Cors (trio)
4
Trombone, Tuba (duo)
4
2 Cors, Piano
4
Euphonium, Tuba (duo)
3
Trompette, Harpe
2
Tuba et Orgue
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trombone basse
2
2 Cors Anglais Et Pianoforte
2
Trompette, Trombone, Piano
2
3 Euphoniums
2
Instruments en Sib
2
Trombone, Orgue
2
3 Tubas (trio)
2
Trompette, Euphonium (duo)
1
Trombone basse et Piano
1
Clarinette, Cor (duo)
1
Cor et Harpe
1
Trombone, Violon (duo)
1
+ 60 instrumentations
Retracter
Cordes
Harpe
1 131
Quatuor à cordes: 2 violons, alto, violoncelle
820
Violon et Piano
778
Violon, Violoncelle (duo)
384
Violon
339
Violoncelle, Piano
313
Alto, Piano
284
Trio à Cordes: violon, alto, violoncelle
265
2 Violons (duo)
234
Violon, Alto (duo)
211
Violoncelle
189
2 Altos (duo)
189
2 Violoncelles (duo)
188
Alto seul
108
Quintette à cordes: 2 violons, alto, violoncelle, basse
99
Contrebasse (partie séparée)
58
Trio à Cordes: 2 violons, violoncelle
56
2 Harpes (duo)
56
Contrebasse, Piano (duo)
42
Harpe, Flûte (duo)
42
Contre Basse
40
Harpe, Violon (duo)
32
Violon (partie séparée)
28
Alto (partie séparée)
27
Trio à cordes: 3 violins
25
Alto, Violoncelle (duo)
22
Ensemble de Violons
17
Ensemble d'Altos
16
4 Violoncelles
15
Violoncelle, Contrebasse (duo)
13
Violon, Guitare (duo)
13
2 Violons, Piano
11
Piano Trio: Violon, Alto, Piano
11
Harpe, Voix
10
Quintette à cordes: 2 violons, 2 altos, violoncelle
10
Trio à Cordes: 3 violoncelles
10
Violoncelle , Guitare (duo)
7
2 Contrebasses (duo)
7
Trio à Cordes: 2 violons, alto
7
Violoncelle (partie séparée)
7
Trio à cordes: 3 altos
7
Quatuor à cordes: 4 violons
6
Flûte, Contrebasse (duo)
5
Violon, Clarinette, Piano (trio)
4
Quatuor à cordes : 4 altos
4
Alto et Harpe
3
4 Contrebasses
3
2 Altos, Piano
3
2 Violoncelles, Piano
3
Ensemble de Violoncelles
3
3 Contrebasses
2
Harpe, Violoncelle (duo)
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Violoncelle, Orgue
2
Harpe, Trombone (duo)
1
Harpe, Violon, Violoncelle
1
Harpe et Piano
1
Alto et Basson
1
Violoncelle, Orchestre
1
Violoncelle, Basse continue
1
Alto, Guitare (duo)
1
Violon, Orgue
1
+ 57 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 390
Orchestre à Cordes
554
Ensemble Jazz
441
Orchestre
361
Cloches
240
Ensemble de cuivres
232
Orchestre de chambre
144
Jazz combo
92
Fanfare
51
Ensemble de Percussions
50
Batterie (partie séparée)
44
Batterie
24
Percussion (partie séparée)
16
Marimba
9
Vibraphone
5
2 Xylophones
4
Percussion
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Piano et Orchestre
1
Bodhran
1
Conga
1
Quintette de Cuivres: autres combinaisons
1
2 Marimbas
1
Xylophone, Piano
1
Quintette à Vent
1
Bongos
1
Vibraphone et Marimba
1
Xylophone
1
Ensemble d'École
1
Orchestre, Violon
1
+ 25 instrumentations
Retracter
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Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
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BASSE
BASSON
BATTERIE
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EUPHONIUM
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GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
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SAXOPHONE
SYNTHE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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CLAIRON
CLARINETTE
CLAVECIN
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COR
COR ANGLAIS
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CORNET
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1
Bach-Gounod: Ave Maria, Schwencke version for Piccolo and Piano
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Piccolo, Piano
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FACILE
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Classique
#
J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 2 - SKU: A0.550931 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standa...
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Instrumental Solo,Piano,Piccolo - Level 2 - SKU: A0.550931 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and individual part. 12 pages. Jmsgu3 #4888397. Published by jmsgu3 (A0.550931). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st and 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bachâ??s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubertâ??s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bachâ??s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Grieg: Morning Mood from Peer Gynt Suite for Piccolo & Piano
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Piccolo, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 3 - SKU: A0.549520 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,...
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Instrumental Solo,Piano,Piccolo - Level 3 - SKU: A0.549520 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 17 pages. Jmsgu3 #3504453. Published by jmsgu3 (A0.549520). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Works particularly well on the Piccolo! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$32.95
Sullivan: The Lost Chord for Piccolo & Piano
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Piccolo, Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for P
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 4 - SKU: A0.549453 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,R...
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Instrumental Solo,Piano,Piccolo - Level 4 - SKU: A0.549453 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 15 pages. Jmsgu3 #3497211. Published by jmsgu3 (A0.549453). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25.Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
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