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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Who
Non classifié
6 197
Piano & claviers
Piano seul
8 967
Piano, Voix
4 438
Piano Facile
2 422
Piano, Voix et Guitare
2 175
Orgue
511
Instruments en Do
384
Accompagnement Piano
244
1 Piano, 4 mains
181
Piano grosses notes
68
Piano Trio: piano, violon, violoncelle
59
2 Pianos, 4 mains
53
Accordéon
40
Piano (partie séparée)
15
Piano Quatuor: piano, violon, alto, violoncelle
14
Piano Quintette: piano, 2 violons, alto, violoncelle
11
Orgue, Piano (duo)
11
Piano Quatuor: piano, 2 violons, violoncelle
8
Clavecin
7
1 Piano, 6 mains
5
Orgue, Trompette (duo)
4
Ligne De Mélodie, Piano
3
2 Pianos, 8 mains
2
Clavier
2
Ensemble de Pianos
1
Accordéon, Voix
1
Fake Book
1
+ 21 instrumentations
Retracter
Guitares
Guitare notes et tablatures
1 157
Guitare
487
Ligne De Mélodie, (Paroles) et Accords
415
Paroles et Accords
224
Ukulele
215
Basse electrique
171
2 Guitares (duo)
73
Piano, Guitare (duo)
29
Mandoline
28
Guitare (partie séparée)
24
Dulcimer
22
Banjo
21
3 Guitares (trio)
14
4 Guitares (Quatuor)
14
Ukulele Baryton
8
Ensemble de guitares
7
Mandoline, Guitare (duo)
3
Ensemble de Ukulélés
2
Basse électrique (partie séparée)
2
Guitare, Flûte, Clarinette
2
2 Dulcimers (duo)
1
Guitare Pedal Steel
1
2 Ukuleles
1
Guitare, Violon, Violoncelle (trio)
1
Orchestre à Plectres
1
+ 20 instrumentations
Retracter
Voix
Chorale SATB
3 366
Chorale 3 parties
624
Chorale 2 parties
477
Chorale TTBB
314
Chorale Unison
293
Chorale SSAA
178
Voix duo, Piano
155
Voix Soprano, Piano
104
Voix Alto, Piano
91
Voix Tenor, Piano
77
Voix seule
76
Voix Baryton, Piano
68
Pack Instrumental pour Chorale
67
Voix duo
56
Chorale
54
Voix haute
53
Voix Tenor
35
Voix Soprano
26
Voix moyenne, Piano
18
Voix basse, Piano
10
Voix Mezzo-Soprano, Piano
10
Chorale SSATTB
6
Chorale SSAATTBB
4
Chorale SSATB
4
Soli, choeur mixte et accompagnement
3
Voix, Guitare
2
Voix basse
2
Chorale SSAB, Piano
2
Chorale SSAATB
1
+ 24 instrumentations
Retracter
Vents
Flûte traversière et Piano
477
Clarinette et Piano
427
Quatuor de Saxophones: 4 saxophones
397
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
379
Flûte traversière
370
2 Saxophones (duo)
335
Clarinette
313
Hautbois, Piano (duo)
313
Saxophone Alto et Piano
300
Flûte, Hautbois, Clarinette, Basson
269
Saxophone Alto
255
Saxophone (partie séparée)
245
2 Flûtes traversières (duo)
209
Quatuor de Clarinettes: 4 clarinettes
204
2 Clarinettes (duo)
190
Saxophone Tenor et Piano
185
Saxophone Soprano et Piano
163
Saxophone Tenor
160
Hautbois (partie séparée)
158
Quintette de Saxophone: 5 saxophones
143
Saxophone
110
Saxophone Baryton, Piano
107
3 Saxophones (trio)
91
Flûte, Clarinette (duo)
85
Ensemble de Clarinettes
83
Ensemble de Flûtes
81
Quatuor de Flûtes : 4 flûtes
78
Cor anglais, Piano
77
2 Hautbois (duo)
72
3 Clarinettes (trio)
69
Flûte et Guitare
60
Hautbois, Basson (duo)
56
Saxophone, Clarinette (duo)
51
Clarinette (partie séparée)
50
Clarinette, Violon (duo)
46
Ensemble de saxophones
45
Clarinette Basse, Piano
44
Quatuor de Flûtes à bec
42
2 Flûte à bec (duo)
42
Quintette de Clarinettes: 5 clarinettes
42
Saxophone Soprano
37
Flûte à Bec
37
Clarinette, Guitare (duo)
37
Flûte à bec Soprano
35
Trio de Flûtes: 3 flûtes
34
Hautbois
33
Clarinette, Basson (duo)
33
Flute (partie séparée)
32
Flûte, Violon
29
Hautbois, Clarinette (duo)
28
Quintette de Flûte : 5 flûtes
28
Flûte, Hautbois, Clarinette (trio)
27
Cor Anglais
26
Clarinette et Alto
25
5 Flûtes à bec
24
Clarinette, Trompette (duo)
24
Harmonica
19
Hautbois, Clarinette, Basson (trio d'anches)
19
Flûte, Violoncelle
18
Flûte à bec Alto
17
Flûte, Trompette (duo)
17
Hautbois, Flûte
17
Saxophone Baryton
17
Flûte, Alto (duo)
16
Flûte, Saxophone (duo)
16
Flûte, Clarinette et Basson
15
Flûte, Clarinette, Piano (trio)
14
Ocarina
13
Clarinette, Violoncelle (duo)
12
3 Flûtes à bec (trio)
12
Hautbois, Violoncelle
10
Flûte, Hautbois (duo)
10
Flûte à bec Alto, Piano
9
Flûte, Violon, Piano
9
Flûte à bec Soprano, Piano
8
Cor anglais, Guitare (duo)
8
2 Clarinettes, Piano
7
Flûte à bec, Guitare (duo)
7
Instruments en Mib
7
Ensemble De Flûte à bec
7
Flûte à bec Tenor
6
2 Flûtes traversières, Piano
6
Flûte irlandaise
6
Flûte, Hautbois, Piano (trio)
5
Saxophone et Guitare
5
Flûte, Basson et Piano
5
Piccolo, Piano
5
Clarinette, Harpe (duo)
4
Hautbois, violon (duo)
4
4 Hautbois
4
Saxophone et Harpe
4
Saxophone et Orgue
4
Flûte, Hautbois, Basson
4
3 Hautbois
4
Hautbois, Guitare (duo)
3
2 Hautbois, Piano
3
Clarinette Basse
3
Flûte, Clarinette, Violon (trio)
3
2 Cors Anglais Et Pianoforte
3
Hautbois, Basson et Piano
3
Hautbois et alto (duo)
3
Flûte à bec Alto, Basse continue
2
2 Harmonicas
2
Hautbois, Harpe
2
Hautbois, Clarinette et Piano (Trio)
2
Flûte, Trombone (duo)
2
Piccolo
2
Flûte à Bec, Piano
2
Cornemuse
2
Flûte et Quatuor à Cordes
2
2 Saxophones, Piano
2
2 Clarinettes, Basson
2
Flûte, Violoncelle, Guitare
2
Clarinette, Trombone (duo)
2
Flute, harpe et violon
2
Flûte, Violoncelle, Piano (trio)
2
Flûte, Hautbois, Violon
1
2 Flûtes à bec, Piano
1
Flûte, Violon et Violoncelle
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Clarinette, Basson, Piano (trio)
1
Ensemble de Hautbois
1
Flûte, trombone et piano
1
Cor anglais et Harpe (duo)
1
Flûte à bec, Harpe
1
Flûte, Violon, Violoncelle et Piano
1
Flûte traversière, Orgue (duo)
1
Flûte, alto et harpe
1
+ 123 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
383
Trompette
326
Trombone et Piano
281
Trompette, Piano
262
Trombone
249
Cor et Piano
221
Quatuor de Cuivres : 2 trompettes, trombone, tuba
210
Cor
165
Trombone (partie séparée)
132
Trompette (partie séparée)
131
Tuba
131
Tuba et Piano
121
2 Trompettes (duo)
95
2 Trombones (duo)
82
Cor anglais, Piano
77
Euphonium, Piano (duo)
76
2 Cors (duo)
59
Quatuor de Cuivres: 2 trompettes, Cor, trombone
49
Trompette, Trombone (duo)
48
Quatuor de Cuivres
41
Quatuor de cuivres: 4 trombones
35
Trompette, Saxophone (duo)
32
2 Tubas (duo)
30
Cor (partie séparée)
27
Cor Anglais
26
Tuba (partie séparée)
25
Trompette, Cor (duo)
20
Ensemble de Trombones
20
Quatuor de cuivres: 4 trompettes
19
Quatuor de cuivres: 4 cors
18
3 Trombones (trio)
17
2 Euphoniums et 2 Tubas
13
Ensemble de Trompettes
12
Tuba et Orgue
12
Ensemble de Cors
12
Trio de Cuivres
11
4 Tubas
10
Euphonium
9
Instruments en Sib
9
Cor anglais, Guitare (duo)
8
Bass Clef Instruments
8
Trombone, Cor (duo)
7
Trombone basse et Piano
6
Quatuor de cuivres: 2 trompettes, 2 trombones
6
Cor, Tuba (duo)
5
2 Euphoniums (duo)
5
Trompette, Tuba (duo)
5
Cor, Violoncelle (duo)
5
Trombone, Tuba (duo)
5
3 Trompettes (trio)
3
Trompette, Violoncelle et Piano
3
Euphonium, Tuba (duo)
3
Cor et Harpe
3
Trombone basse
3
2 Cors Anglais Et Pianoforte
3
Instruments en Fa
3
Trompette, Harpe
3
2 Trompettes, Clavier (piano ou orgue)
2
3 Tubas (trio)
2
2 Cors, Piano
2
Trompette et Guitare
2
Cor et Orgue
1
Tuba ou Euphonium ou Saxhorn
1
Cor et Basson (duo)
1
Ensemble de Tubas
1
3 Cors (trio)
1
4 Euphoniums
1
Trompette, violon (duo)
1
Cor anglais et Harpe (duo)
1
Trombone et orchestre
1
2 Trombones, Piano
1
Trombone, Violon (duo)
1
+ 67 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
998
Violon et Piano
599
Violon
545
Violoncelle, Piano
401
Violoncelle
344
Alto, Piano
324
Harpe
311
Alto seul
216
2 Violons (duo)
193
Violon, Violoncelle (duo)
188
Trio à Cordes: violon, alto, violoncelle
165
2 Violoncelles (duo)
121
Contre Basse
102
Violon, Alto (duo)
102
Contrebasse, Piano (duo)
99
2 Altos (duo)
95
Alto (partie séparée)
66
Quintette à cordes: 2 violons, alto, violoncelle, basse
63
Trio à Cordes: 2 violons, violoncelle
58
Contrebasse (partie séparée)
43
Violon, Guitare (duo)
43
Violon (partie séparée)
42
Alto, Violoncelle (duo)
40
4 Violoncelles
35
Violoncelle , Guitare (duo)
24
Trio à cordes: 3 violins
24
Trio à Cordes: 3 violoncelles
23
Alto, Guitare (duo)
22
Harpe, Violon (duo)
21
Piano Trio: Violon, Alto, Piano
19
Quatuor à cordes : 4 altos
19
Harpe, Voix
19
Violon, Basson (duo)
18
2 Contrebasses (duo)
17
2 Harpes (duo)
14
Quatuor à cordes: 4 violons
14
Trio à cordes: 3 altos
14
Violoncelle (partie séparée)
13
Violoncelle, Contrebasse (duo)
10
Harpe, Flûte (duo)
9
2 Violons, Piano
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Alto et Basson
5
Quintette à cordes : 2 violons, alto et 2 violoncelles
5
Trio à Cordes: 2 violons, alto
5
4 Contrebasses
4
2 Violoncelles, Piano
4
Alto et Harpe
4
Trio à cordes
4
Ensemble de Violons
3
Violoncelle, Orgue
3
3 Harpes
3
Ensemble de Violoncelles
3
Alto et orchestre
2
5 Harpes
2
Violon, Orgue
1
Harpe, Violon, Violoncelle
1
Violoncelle, Orchestre
1
Alto, Orgue
1
Harpe (partie séparée)
1
Violon, Clarinette, Piano (trio)
1
Harpe, Quatuor à cordes
1
Harpe et Piano
1
Ensemble d'Altos
1
Harpe, Violoncelle (duo)
1
2 Altos, Piano
1
Harpe, Trombone (duo)
1
+ 62 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
2 088
Orchestre
444
Orchestre à Cordes
441
Ensemble Jazz
283
Ensemble de cuivres
244
Cloches
190
Orchestre de chambre
180
Batterie
163
Fanfare
124
Jazz combo
93
Ensemble de Percussions
55
Percussion (partie séparée)
43
Batterie (partie séparée)
27
Marimba
16
Timbales (partie séparée)
9
Percussion
9
Xylophone
8
Vibraphone
6
Ensemble d'École
6
2 Xylophones
6
Xylophone, Piano
5
Piano et Orchestre
2
Quintette à Vent
2
Quintette de Cuivres: autres combinaisons
2
Orchestre, Violon
1
2 Marimbas
1
Vibraphone et Marimba
1
Marimba, Piano (duo)
1
Bongos
1
Xylophone (partie séparée)
1
Instrumentation Flexible
1
Conga
1
Bodhran
1
Marimba et Orgue
1
+ 29 instrumentations
Retracter
Autres
Théorie de la musique
4
Formation musicale - Solfège
3
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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VIBRAPHONE
VIELLE A RO…
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--INSTRUMENTS--
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AUTOHARPE
BANJO
BASSE
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BOUZOUKI
CHORALE - CHAN…
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MEDIEVAL - RENAISSAN…
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METHODE : ETUDES
METHODE : TECHNIQUES
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OPERA
PATRIOTIQUE
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
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Piccolo, Piano
Partitions à imprimer
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1
Sullivan: The Lost Chord for Piccolo & Piano
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Piccolo, Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for P
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 4 - SKU: A0.549453 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,R...
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Instrumental Solo,Piano,Piccolo - Level 4 - SKU: A0.549453 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 15 pages. Jmsgu3 #3497211. Published by jmsgu3 (A0.549453). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25.Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
Bach-Gounod: Ave Maria, Schwencke version for Piccolo and Piano
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Piccolo, Piano
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FACILE
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Classique
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 2 - SKU: A0.550931 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standa...
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Instrumental Solo,Piano,Piccolo - Level 2 - SKU: A0.550931 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and individual part. 12 pages. Jmsgu3 #4888397. Published by jmsgu3 (A0.550931). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st and 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bachâ??s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubertâ??s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bachâ??s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Vivaldi: Sonata No. 6 for Piccolo & Piano
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Piccolo, Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 6 for Picc
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 3 - SKU: A0.550523 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,St...
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Instrumental Solo,Piano,Piccolo - Level 3 - SKU: A0.550523 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and individual part. 23 pages. Jmsgu3 #4719719. Published by jmsgu3 (A0.550523). Sonata da Chiesa No. 6 in Bb Major for Piccolo & Piano by Antonio Vivaldi in Four movements. Duration: ca. 12:10. Score: 16 pages. Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Vivaldi: Sonata No. 1 for Piccolo & Piano
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Piccolo, Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 1 for Picc
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 3 - SKU: A0.550414 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Sacred. S...
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Instrumental Solo,Piano,Piccolo - Level 3 - SKU: A0.550414 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Sacred. Score and individual part. 33 pages. Jmsgu3 #4630105. Published by jmsgu3 (A0.550414). Sonata da Chiesa in Bb for Piccolo & Piano by Antonio Vivaldi in Four movements. Duration: ca. 11:45. Score: 14 pages. 205 measures.Antonio Vivaldi (1678-1741) was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Grieg: Morning Mood from Peer Gynt Suite for Piccolo & Piano
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Piccolo, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 3 - SKU: A0.549520 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,...
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Instrumental Solo,Piano,Piccolo - Level 3 - SKU: A0.549520 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 17 pages. Jmsgu3 #3504453. Published by jmsgu3 (A0.549520). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Works particularly well on the Piccolo! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$32.95
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