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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Non classifié
295
Piano & claviers
Piano seul
143
Piano, Voix
34
Piano, Voix et Guitare
26
Orgue
15
Instruments en Do
9
Piano Trio: piano, violon, violoncelle
8
1 Piano, 4 mains
4
Piano Facile
4
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Accordéon
1
Piano (partie séparée)
1
Accompagnement Piano
1
Orgue, Trompette (duo)
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 9 instrumentations
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Guitares
Guitare notes et tablatures
12
Guitare
11
Ligne De Mélodie, (Paroles) et Accords
9
Basse electrique
7
Piano, Guitare (duo)
3
Guitare (partie séparée)
2
Ukulele
2
2 Guitares (duo)
2
3 Guitares (trio)
1
4 Guitares (Quatuor)
1
Ukulele Baryton
1
Ensemble de guitares
1
+ 7 instrumentations
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Voix
Chorale SATB
69
Chorale 3 parties
19
Chorale TTBB
11
Voix duo, Piano
7
Chorale SSAA
6
Chorale 2 parties
4
Chorale Unison
3
Voix Soprano, Piano
1
Voix Tenor
1
Voix haute
1
+ 5 instrumentations
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Vents
2 Saxophones (duo)
46
Saxophone, Clarinette (duo)
21
Flûte, Hautbois, Clarinette, Basson
20
2 Clarinettes (duo)
20
Saxophone Alto et Piano
18
Flûte traversière et Piano
17
Hautbois, Piano (duo)
17
Quatuor de Saxophones: 4 saxophones
16
2 Flûtes traversières (duo)
15
Clarinette, Violon (duo)
14
Quatuor de Clarinettes: 4 clarinettes
13
Clarinette et Piano
12
Clarinette, Trompette (duo)
9
Saxophone (partie séparée)
9
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
8
Flûte, Clarinette (duo)
8
Flûte, Violon
8
2 Hautbois (duo)
8
Clarinette et Alto
7
Quintette de Saxophone: 5 saxophones
7
Quatuor de Flûtes : 4 flûtes
7
Saxophone Tenor et Piano
7
Hautbois, Clarinette (duo)
6
Hautbois, Basson (duo)
6
Flûte, Alto (duo)
6
Saxophone Soprano et Piano
6
Hautbois, Flûte
6
Flûte, Trompette (duo)
6
Clarinette
6
Saxophone Baryton, Piano
5
Flûte, Saxophone (duo)
5
Ensemble de Flûtes
5
Saxophone Alto
5
Flûte traversière
5
Clarinette Basse, Piano
4
Flûte et Guitare
4
Saxophone Tenor
4
Ensemble de saxophones
4
Saxophone
3
3 Clarinettes (trio)
3
Quintette de Clarinettes: 5 clarinettes
3
Flûte à Bec
2
Hautbois (partie séparée)
2
3 Saxophones (trio)
2
Ensemble de Clarinettes
2
Clarinette Basse
1
Hautbois, violon (duo)
1
Flûte, Violoncelle
1
Flûte, Clarinette, Violon (trio)
1
Ocarina
1
Cor anglais, Piano
1
Quintette de Flûte : 5 flûtes
1
Flûte, Hautbois (duo)
1
Flûte, Clarinette et Basson
1
Flûte à bec Alto
1
Clarinette, Violoncelle (duo)
1
Trio de Flûtes: 3 flûtes
1
+ 52 instrumentations
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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
18
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
17
Trompette, Saxophone (duo)
15
Trompette
12
2 Trompettes (duo)
9
2 Trombones (duo)
6
Trompette, Trombone (duo)
6
Trompette, Piano
6
Cor et Piano
5
Trombone (partie séparée)
5
Quatuor de cuivres: 4 trombones
5
Tuba et Piano
5
Trombone et Piano
5
Trombone
4
Trompette (partie séparée)
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Euphonium, Piano (duo)
2
Tuba
1
2 Cors (duo)
1
Cor
1
Cor anglais, Piano
1
Ensemble de Trompettes
1
Euphonium
1
Quatuor de cuivres: 4 cors
1
Quatuor de Cuivres
1
Trombone basse
1
Ensemble de Tubas
1
+ 22 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
61
Violon et Piano
23
Violon, Violoncelle (duo)
19
Violon
16
2 Violons (duo)
15
Violoncelle, Piano
13
Trio à Cordes: violon, alto, violoncelle
11
Alto, Piano
10
Trio à Cordes: 2 violons, violoncelle
10
2 Altos (duo)
9
Violon, Alto (duo)
9
2 Violoncelles (duo)
7
Harpe
5
Alto seul
5
Violoncelle
4
4 Violoncelles
2
Trio à Cordes: 3 violoncelles
2
Violon, Guitare (duo)
1
Quatuor à cordes: 4 violons
1
Quatuor à cordes : 4 altos
1
Violoncelle , Guitare (duo)
1
Harpe, Violon, Violoncelle
1
Piano Trio: Violon, Alto, Piano
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Harpe, Violon (duo)
1
Contre Basse
1
Contrebasse (partie séparée)
1
+ 22 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
28
Orchestre
18
Ensemble Jazz
17
Ensemble de cuivres
13
Orchestre à Cordes
12
Jazz combo
6
Cloches
6
Orchestre de chambre
5
Marimba
3
Fanfare
2
Ensemble de Percussions
2
Batterie
1
Batterie (partie séparée)
1
+ 8 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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COR
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CORNET
DEEJAY
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Saint-Saëns: The Swan for Bass Clarinet & Piano
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Clarinette Basse
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Instrumental Solo - Level 3 - SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,...
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Bass Clarinet,Instrumental Solo - Level 3 - SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Wedding. Individual part. 11 pages. Jmsgu3 #903006. Published by jmsgu3 (A0.1314265). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
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