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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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XYLOPHONE
A Conversation
Non classifié
137
Piano & claviers
Piano seul
69
Piano, Voix
35
Piano, Voix et Guitare
28
Orgue
15
Piano Facile
14
Instruments en Do
8
Piano Trio: piano, violon, violoncelle
5
2 Pianos, 4 mains
4
Piano Quatuor: piano, violon, alto, violoncelle
3
1 Piano, 4 mains
2
Piano grosses notes
2
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 7 instrumentations
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Guitares
Guitare notes et tablatures
10
Guitare
5
Ukulele
4
Paroles et Accords
3
Ligne De Mélodie, (Paroles) et Accords
2
Mandoline
2
2 Guitares (duo)
1
Basse electrique
1
Dulcimer
1
+ 4 instrumentations
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Voix
Chorale SATB
60
Chorale 2 parties
13
Chorale 3 parties
10
Chorale SSAA
9
Chorale TTBB
7
Voix seule
5
Voix duo, Piano
4
Voix duo
4
Chorale Unison
3
Voix Soprano, Piano
3
Voix Baryton, Piano
2
Voix haute
2
Voix basse, Piano
1
+ 8 instrumentations
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Vents
Saxophone Alto et Piano
12
2 Flûtes traversières (duo)
11
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
11
Flûte traversière et Piano
10
Clarinette et Piano
9
Hautbois, Piano (duo)
9
Saxophone Tenor et Piano
7
Saxophone Soprano et Piano
7
2 Saxophones (duo)
6
Quatuor de Saxophones: 4 saxophones
5
Flûte, Clarinette (duo)
5
Cor anglais, Piano
5
Hautbois, Basson (duo)
5
Ensemble de Flûtes
4
Clarinette
3
Flûte et Guitare
3
Saxophone, Clarinette (duo)
3
Flûte à Bec
3
Quatuor de Flûtes : 4 flûtes
3
2 Clarinettes (duo)
3
Hautbois (partie séparée)
3
Saxophone Baryton, Piano
3
Ensemble de Clarinettes
3
3 Saxophones (trio)
3
Flûte traversière
2
3 Clarinettes (trio)
2
Trio de Flûtes: 3 flûtes
2
Clarinette, Violon (duo)
2
Clarinette, Trompette (duo)
2
Flûte, Violoncelle
2
Clarinette Basse, Piano
2
Flûte, Hautbois, Clarinette, Basson
2
Saxophone Alto
2
Flûte, Violon
2
Flûte, Trombone (duo)
1
Saxophone Tenor
1
Hautbois, Clarinette (duo)
1
Hautbois, Flûte
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Trompette (duo)
1
Clarinette et Alto
1
Flûte, Hautbois (duo)
1
Clarinette, Violoncelle (duo)
1
Quintette de Saxophone: 5 saxophones
1
Saxophone (partie séparée)
1
Flûte à bec Soprano, Piano
1
Hautbois
1
Clarinette, Basson (duo)
1
Quatuor de Clarinettes: 4 clarinettes
1
Clarinette Basse
1
Flûte, Alto (duo)
1
Hautbois, Guitare (duo)
1
Flûte, Saxophone (duo)
1
2 Hautbois (duo)
1
Flûte, Hautbois, Basson
1
+ 50 instrumentations
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
8
Trombone et Piano
6
Trompette
6
Trombone
5
Cor anglais, Piano
5
Euphonium, Piano (duo)
4
Cor
3
Cor et Piano
3
2 Trompettes (duo)
3
Trompette, Piano
3
Tuba
3
Trompette, Trombone (duo)
2
Trompette, Basson (duo)
2
Trompette, Saxophone (duo)
2
Euphonium, Tuba (duo)
1
Ensemble de Trompettes
1
2 Trombones (duo)
1
Trompette (partie séparée)
1
Cor, Violoncelle (duo)
1
Tuba et Piano
1
Quatuor de Cuivres
1
Trombone basse et Piano
1
Cor et Basson (duo)
1
Quatuor de cuivres: 4 cors
1
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Quatuor à cordes: 2 violons, alto, violoncelle
30
Alto, Piano
10
Violoncelle, Piano
8
Violon et Piano
8
Trio à Cordes: violon, alto, violoncelle
7
Violon, Violoncelle (duo)
7
Harpe
6
Violon
5
Violoncelle
3
Contre Basse
2
Alto seul
2
Violon, Alto (duo)
2
Violon, Guitare (duo)
2
2 Violons (duo)
2
Alto, Violoncelle (duo)
1
Contrebasse, Piano (duo)
1
2 Altos (duo)
1
Contrebasse (partie séparée)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Flûte, Contrebasse (duo)
1
Violon (partie séparée)
1
Violon, Basson (duo)
1
Alto et Basson
1
2 Violons, Piano
1
Violoncelle , Guitare (duo)
1
Harpe, Flûte (duo)
1
2 Violoncelles (duo)
1
Violon, Clarinette, Piano (trio)
1
Autoharp
1
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26
Orchestre à Cordes
9
Orchestre de chambre
8
Jazz combo
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Ensemble Jazz
5
Orchestre
5
Ensemble de cuivres
4
Cloches
3
Xylophone, Piano
2
Marimba
2
Xylophone
1
Orchestre, Violon
1
Ensemble de Percussions
1
Batterie
1
Vibraphone et Marimba
1
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--INSTRUMENTS--
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ALTO
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Clarinette Basse
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Saint-Saëns: The Swan for Bass Clarinet & Piano
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Clarinette Basse
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Instrumental Solo - Level 3 - SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,...
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Bass Clarinet,Instrumental Solo - Level 3 - SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Wedding. Individual part. 11 pages. Jmsgu3 #903006. Published by jmsgu3 (A0.1314265). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
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