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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TUBA
UKULELE
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Amber Mark
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293
Piano & claviers
Piano, Voix
99
Piano seul
22
Piano Facile
5
Piano Trio: piano, violon, violoncelle
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Orgue
2
Piano (partie séparée)
1
+ 3 instrumentations
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Guitares
Guitare
9
2 Guitares (duo)
2
Guitare notes et tablatures
1
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1
Guitare (partie séparée)
1
3 Guitares (trio)
1
+ 1 instrumentations
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Voix
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49
Pack Instrumental pour Chorale
10
Chorale TTBB
7
Chorale 3 parties
6
Voix Soprano, Piano
6
Chorale SSAA
3
Soli, choeur mixte et accompagnement
2
Chorale Unison
2
Voix Baryton, Piano
1
Voix Alto, Piano
1
Voix duo, Piano
1
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Quatuor de Clarinettes: 4 clarinettes
101
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94
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92
2 Saxophones (duo)
54
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40
Flûte traversière et Piano
18
Quintette de Saxophone: 5 saxophones
17
Hautbois, Piano (duo)
15
Saxophone Alto et Piano
15
2 Clarinettes (duo)
15
Clarinette et Piano
14
2 Flûtes traversières (duo)
13
Clarinette
11
2 Hautbois (duo)
9
Saxophone Baryton, Piano
9
Flûte traversière
9
Saxophone (partie séparée)
8
Saxophone Soprano et Piano
8
Hautbois (partie séparée)
7
Saxophone Alto
7
Saxophone Tenor et Piano
7
Ensemble de Clarinettes
6
Saxophone Tenor
6
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5
Quintette de Clarinettes: 5 clarinettes
4
Ensemble de Flûtes
3
Flute (partie séparée)
2
Hautbois
2
Saxophone Baryton
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
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1
Saxophone Soprano
1
3 Clarinettes (trio)
1
Clarinette (partie séparée)
1
Clarinette Basse
1
Ensemble de saxophones
1
Clarinette, Violoncelle, Piano (trio)
1
Clarinette, Violoncelle (duo)
1
Clarinette Basse, Piano
1
3 Saxophones (trio)
1
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1
Cor anglais et Harpe (duo)
1
Flûte et Guitare
1
Clarinette, Alto et Piano (trio)
1
Cor anglais, Piano
1
+ 40 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
45
Quatuor de Cuivres: 2 trompettes, Cor, trombone
15
Quatuor de Cuivres
11
Trompette, Piano
11
Cor et Piano
10
2 Trombones (duo)
9
2 Trompettes (duo)
9
Trombone et Piano
9
Tuba et Piano
9
Cor
8
Trombone
8
Trompette
8
2 Cors (duo)
7
Tuba
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Trompette (partie séparée)
4
Euphonium, Piano (duo)
3
2 Tubas (duo)
3
Trio de Cuivres
3
Trompette, Trombone (duo)
2
Quatuor de cuivres: 4 trompettes
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Trompette, Violoncelle (duo)
1
Cor anglais et Harpe (duo)
1
Ensemble de Cors
1
Quatuor de cuivres: 4 trombones
1
Cor (partie séparée)
1
Trompette, Basson (duo)
1
2 Euphoniums et 2 Tubas
1
Cor anglais, Piano
1
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141
Trio à Cordes: violon, alto, violoncelle
19
Violon et Piano
18
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15
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15
Alto, Piano
14
Violoncelle
14
Violon
13
2 Violoncelles (duo)
13
2 Violons (duo)
13
Contre Basse
11
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10
2 Altos (duo)
8
Alto seul
7
Alto (partie séparée)
7
Violon, Violoncelle (duo)
6
Violon (partie séparée)
6
2 Harpes (duo)
5
Trio à Cordes: 2 violons, violoncelle
4
2 Contrebasses (duo)
4
Violon, Alto (duo)
4
Trio à Cordes: 3 violoncelles
3
Violoncelle (partie séparée)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Harpe, Flûte (duo)
2
Contrebasse (partie séparée)
1
4 Violoncelles
1
Harpe, Quatuor à cordes
1
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Orchestre de chambre
108
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27
Orchestre d'harmonie
8
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7
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4
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3
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2
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2
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1
Piano et Orchestre
1
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1
Batterie (partie séparée)
1
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Saint-Saëns: The Swan for Bass Clarinet & Piano
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Clarinette Basse
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Instrumental Solo - Level 3 - SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,...
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Bass Clarinet,Instrumental Solo - Level 3 - SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Wedding. Individual part. 11 pages. Jmsgu3 #903006. Published by jmsgu3 (A0.1314265). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
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