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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Chamber Music No. 1
Non classifié
749
Piano & claviers
Piano seul
76
Piano Facile
17
1 Piano, 4 mains
8
Piano Trio: piano, violon, violoncelle
8
Piano, Voix
5
Piano Quintette: piano, 2 violons, alto, violoncelle
3
2 Pianos, 4 mains
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Orgue
2
Instruments en Do
1
Piano, Voix et Guitare
1
+ 6 instrumentations
Retracter
Guitares
Guitare
16
Guitare notes et tablatures
5
Ligne De Mélodie, (Paroles) et Accords
2
Guitare, Flûte, Clarinette
1
Basse electrique
1
2 Guitares (duo)
1
+ 1 instrumentations
Retracter
Voix
Chorale SATB
7
Voix Soprano, Piano
6
Chorale 3 parties
3
Chorale TTBB
2
Voix Alto, Piano
1
Chorale SSAA
1
Voix Baryton, Piano
1
+ 2 instrumentations
Retracter
Vents
Flûte traversière et Piano
79
Clarinette et Piano
62
Hautbois, Piano (duo)
56
Quatuor de Saxophones: 4 saxophones
49
2 Flûtes traversières (duo)
49
Quatuor de Clarinettes: 4 clarinettes
47
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
44
Flûte, Hautbois, Clarinette, Basson
33
2 Saxophones (duo)
31
Clarinette
30
Saxophone Alto et Piano
29
2 Clarinettes (duo)
24
3 Clarinettes (trio)
24
Flûte traversière
23
Quintette de Saxophone: 5 saxophones
23
Saxophone Tenor et Piano
22
Saxophone Soprano et Piano
18
3 Saxophones (trio)
18
Saxophone Alto
17
Hautbois (partie séparée)
16
Cor anglais, Piano
16
Quatuor de Flûtes : 4 flûtes
16
Saxophone Tenor
14
2 Hautbois (duo)
13
3 Flûtes à bec (trio)
13
Hautbois, Clarinette (duo)
10
Saxophone Baryton, Piano
10
2 Flûte à bec (duo)
8
Flûte à bec Soprano
8
Flûte, Clarinette (duo)
8
Saxophone Baryton
8
Trio de Flûtes: 3 flûtes
7
Saxophone Soprano
6
Ensemble de Flûtes
6
Hautbois
6
Ensemble de Clarinettes
6
Flûte, Hautbois, Basson
5
Cor Anglais
5
Flûte à bec Alto
4
Hautbois, Flûte
4
Flûte à Bec
4
Flûte, Hautbois, Piano (trio)
4
Piccolo
4
Hautbois, Basson (duo)
4
Saxophone (partie séparée)
4
Quintette de Clarinettes: 5 clarinettes
4
Flûte et Quatuor à Cordes
3
Clarinette, Quatuor à cordes et Piano
3
Clarinette Basse, Piano
3
Flûte à bec Alto, Piano
2
Quatuor de Flûtes à bec
2
Flûte, Violon, Piano
2
3 Hautbois
2
Flûte à bec Tenor
2
Flute (partie séparée)
2
Flûte à Bec, Piano
2
Flûte, Hautbois, Clarinette (trio)
2
Piccolo, Piano
1
Clarinette Basse
1
Flûte et Trio à cordes
1
Flûte, Violoncelle, Piano (trio)
1
Flûte traversière, Orchestre
1
Ensemble de saxophones
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
2 Cors Anglais Et Pianoforte
1
+ 61 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
82
Trompette, Piano
45
Cor
36
Trombone et Piano
35
Cor et Piano
28
Trompette
28
Quatuor de Cuivres
25
Trombone
24
Tuba
17
Quatuor de Cuivres : 2 trompettes, trombone, tuba
16
Cor anglais, Piano
16
2 Trombones (duo)
14
Tuba et Piano
14
2 Cors (duo)
13
Tuba et Orgue
13
2 Trompettes (duo)
12
Trio de Cuivres
8
Quatuor de cuivres: 4 trompettes
7
Quatuor de cuivres: 4 trombones
7
Trompette, Trombone (duo)
6
3 Trombones (trio)
5
Euphonium, Piano (duo)
5
Quatuor de cuivres: 4 cors
5
Cor Anglais
5
Trombone basse et Piano
4
Trombone basse
4
3 Tubas (trio)
4
Trompette, Cor (duo)
4
Trombone, Cor (duo)
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
2 Tubas (duo)
3
Trompette et Guitare
3
Ensemble de Trompettes
3
Cor, Orchestre
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
2 Euphoniums (duo)
2
Trompette (partie séparée)
2
4 Tubas
2
Cor (partie séparée)
1
Cor, Violoncelle (duo)
1
2 Cors Anglais Et Pianoforte
1
Cor, Tuba (duo)
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
+ 38 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
170
Violon et Piano
65
Violoncelle, Piano
56
Alto, Piano
49
Quintette à cordes: 2 violons, alto, violoncelle, basse
28
Violoncelle
23
Alto seul
22
Violon
21
2 Violons (duo)
18
Contre Basse
17
Trio à Cordes: violon, alto, violoncelle
16
Contrebasse, Piano (duo)
16
Violon, Alto (duo)
14
Violon, Violoncelle (duo)
11
Alto, Violoncelle (duo)
11
2 Violoncelles (duo)
9
2 Altos (duo)
8
Trio à Cordes: 3 violoncelles
6
4 Violoncelles
5
Trio à cordes: 3 violins
5
Quatuor à cordes : 4 altos
4
Alto (partie séparée)
4
Quatuor à cordes: 4 violons
4
Violon (partie séparée)
4
Trio à Cordes: 2 violons, violoncelle
4
Harpe
3
Violon, Guitare (duo)
3
Violoncelle , Guitare (duo)
2
2 Contrebasses (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Violon, Basson (duo)
1
Trio à cordes: 3 altos
1
Violoncelle, Basse continue
1
Trio à cordes
1
Trio à Cordes: 2 violons, alto
1
Piano Trio: Violon, Alto, Piano
1
Violoncelle (partie séparée)
1
Contrebasse (partie séparée)
1
+ 33 instrumentations
Retracter
Orchestre & Percussions
Orchestre
104
Orchestre de chambre
76
Orchestre à Cordes
64
Piano et Orchestre
24
Orchestre d'harmonie
5
Ensemble de cuivres
4
Orchestre, Violon
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Batterie (partie séparée)
1
Percussion (partie séparée)
1
Marimba
1
+ 6 instrumentations
Retracter
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
FANFARE - BAND…
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FLUTE TRAVERSI…
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HAUTBOIS
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Vous avez sélectionné:
Chamber Music No. 1
Clarinette Basse
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Saint-Saëns: The Swan for Bass Clarinet & Piano
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Clarinette Basse
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INTERMÉDIAIRE
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Classique
#
Camille Saint-Saens
#
James M
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Saint-Saëns: The Swan for
#
jmsgu3
#
SheetMusicPlus
Bass Clarinet,Instrumental Solo - Level 3 - SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,...
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Bass Clarinet,Instrumental Solo - Level 3 - SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Wedding. Individual part. 11 pages. Jmsgu3 #903006. Published by jmsgu3 (A0.1314265). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
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