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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ide Were Were
Non classifié
757
Piano & claviers
Piano seul
659
Piano, Voix et Guitare
203
Piano, Voix
190
Piano Facile
74
Orgue
31
Instruments en Do
26
Piano grosses notes
18
2 Pianos, 4 mains
14
1 Piano, 4 mains
9
Piano Trio: piano, violon, violoncelle
9
Accompagnement Piano
7
Piano Quatuor: piano, violon, alto, violoncelle
6
Accordéon
4
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Clavecin
1
Orgue, Piano (duo)
1
+ 12 instrumentations
Retracter
Guitares
Guitare
47
Ukulele
32
Guitare notes et tablatures
26
Piano, Guitare (duo)
7
2 Guitares (duo)
5
Ligne De Mélodie, (Paroles) et Accords
4
3 Guitares (trio)
3
Basse electrique
3
Mandoline
3
Dulcimer
2
4 Guitares (Quatuor)
1
Banjo
1
+ 7 instrumentations
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Voix
Chorale SATB
215
Chorale 3 parties
35
Chorale 2 parties
21
Chorale TTBB
15
Chorale Unison
12
Chorale SSAA
10
Voix Soprano, Piano
6
Voix duo
4
Voix moyenne, Piano
4
Voix duo, Piano
4
Voix haute
4
Voix Tenor
3
Voix seule
2
Voix Baryton, Piano
2
Chorale SSATTB
2
Voix, Guitare
1
Chorale SSATB
1
Voix Mezzo-Soprano, Piano
1
+ 13 instrumentations
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Vents
2 Saxophones (duo)
87
Flûte traversière et Piano
77
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
55
Clarinette et Piano
49
Saxophone, Clarinette (duo)
48
Saxophone Alto et Piano
46
Quatuor de Saxophones: 4 saxophones
45
Hautbois, Piano (duo)
42
2 Flûtes traversières (duo)
41
2 Clarinettes (duo)
38
Saxophone Soprano et Piano
35
Clarinette, Violon (duo)
33
Flûte, Violon, Piano
31
Saxophone Tenor et Piano
29
Ensemble de saxophones
28
Clarinette, Trompette (duo)
28
Cor anglais, Piano
26
2 Flûtes traversières, Piano
25
Saxophone Baryton, Piano
25
Quintette de Saxophone: 5 saxophones
24
Flûte traversière
23
Flûte, Clarinette (duo)
21
Clarinette
21
Quatuor de Clarinettes: 4 clarinettes
20
Flûte, Hautbois, Clarinette, Basson
17
Clarinette et Alto
16
Hautbois, Basson (duo)
16
Hautbois, Flûte
16
Flûte, Saxophone (duo)
14
2 Hautbois (duo)
14
Hautbois, Clarinette (duo)
14
Clarinette Basse, Piano
13
Ensemble de Clarinettes
12
Quintette de Clarinettes: 5 clarinettes
12
Flûte, Violon
12
Saxophone Alto
12
Flûte, Alto (duo)
11
Ensemble de Flûtes
10
3 Saxophones (trio)
9
Quatuor de Flûtes : 4 flûtes
8
Saxophone Tenor
8
Quintette de Flûte : 5 flûtes
7
Hautbois (partie séparée)
7
Flûte, Trompette (duo)
6
Flûte à bec Soprano
6
3 Clarinettes (trio)
6
Trio de Flûtes: 3 flûtes
5
Cor Anglais
5
Saxophone (partie séparée)
4
Saxophone Soprano
4
Flûte, Clarinette, Piano (trio)
4
Flûte, Hautbois, Clarinette (trio)
4
Piccolo, Piano
4
Clarinette (partie séparée)
3
Flûte à Bec
3
Flûte, Hautbois, Basson
2
Flûte à bec Alto, Piano
2
Flûte, Violoncelle
2
3 Flûtes à bec (trio)
2
Flûte à bec Soprano, Piano
2
Saxophone et Orgue
2
2 Flûte à bec (duo)
2
Flute, harpe et violon
1
Flûte et Guitare
1
Clarinette, Harpe (duo)
1
Flûte à bec Alto
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flute (partie séparée)
1
5 Flûtes à bec
1
Clarinette Basse
1
Hautbois
1
Hautbois, Guitare (duo)
1
2 Clarinettes, Basson
1
Flûte à bec Alto, Basse continue
1
Clarinette, Basson (duo)
1
Quatuor de Flûtes à bec
1
Flûte à bec Tenor
1
Clarinette, Violoncelle (duo)
1
+ 73 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
71
Quatuor de Cuivres : 2 trompettes, trombone, tuba
40
Trompette, Saxophone (duo)
35
Trombone et Piano
33
Euphonium, Piano (duo)
30
Trompette, Piano
30
Cor anglais, Piano
26
Cor et Piano
25
Trompette
24
Trompette, Trombone (duo)
18
2 Trombones (duo)
17
Trombone
15
Ensemble de Trombones
13
2 Trompettes (duo)
12
Quatuor de cuivres: 4 trombones
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
11
Ensemble de Trompettes
7
Tuba et Piano
7
Quatuor de cuivres: 4 cors
7
Trompette (partie séparée)
6
Tuba
6
Trombone (partie séparée)
5
Cor Anglais
5
2 Cors (duo)
4
Quatuor de Cuivres
4
Euphonium
2
Cor (partie séparée)
2
Quatuor de cuivres: 4 trompettes
2
Cor
2
3 Trompettes (trio)
2
2 Tubas (duo)
2
Trombone basse
2
4 Tubas
2
2 Euphoniums et 2 Tubas
2
Cor et Harpe
1
Trompette, Harpe
1
Trompette, Cor (duo)
1
3 Trombones (trio)
1
Trombone et orchestre
1
Trombone, Tuba (duo)
1
Tuba et Orgue
1
Tuba (partie séparée)
1
Ensemble de Tubas
1
3 Euphoniums
1
Ensemble de Cors
1
+ 40 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
151
Violon et Piano
71
Violoncelle, Piano
44
Alto, Piano
44
Violon, Violoncelle (duo)
40
Trio à Cordes: violon, alto, violoncelle
39
2 Harpes (duo)
39
Violon
31
Harpe
30
2 Violons (duo)
29
Violon, Alto (duo)
23
2 Altos (duo)
20
Violoncelle
20
2 Violoncelles (duo)
16
Alto seul
8
4 Violoncelles
7
Violon (partie séparée)
5
Contrebasse, Piano (duo)
5
Trio à Cordes: 2 violons, violoncelle
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Ensemble d'Altos
4
Quatuor à cordes : 4 altos
4
Ensemble de Violons
4
Contre Basse
2
Violon, Guitare (duo)
2
Quatuor à cordes: 4 violons
2
Harpe, Violon (duo)
2
Alto (partie séparée)
2
Alto, Violoncelle (duo)
2
Trio à Cordes: 3 violoncelles
2
Violoncelle , Guitare (duo)
2
Alto et Harpe
2
Harpe, Flûte (duo)
2
Violoncelle, Orgue
1
Trio à cordes: 3 violins
1
Trio à cordes: 3 altos
1
Violon, Clarinette, Piano (trio)
1
Ensemble de Violoncelles
1
Harpe, Violoncelle (duo)
1
Harpe et Piano
1
Contrebasse (partie séparée)
1
Violoncelle, Basse continue
1
+ 37 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
168
Orchestre à Cordes
80
Orchestre
67
Orchestre de chambre
37
Ensemble de cuivres
34
Cloches
11
Ensemble Jazz
9
Ensemble de Percussions
8
Jazz combo
7
Vibraphone
3
Batterie
3
Orchestre, Violon
2
Quintette de Cuivres: autres combinaisons
2
Marimba
2
Piano et Orchestre
1
Percussion (partie séparée)
1
Fanfare
1
+ 12 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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ORGUE
OUD
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SAXOPHONE
SYNTHE
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VIBRAPHONE
VIELLE A RO…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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Clarinette Basse
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Saint-Saëns: The Swan for Bass Clarinet & Piano
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Clarinette Basse
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Instrumental Solo - Level 3 - SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,...
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Bass Clarinet,Instrumental Solo - Level 3 - SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Wedding. Individual part. 11 pages. Jmsgu3 #903006. Published by jmsgu3 (A0.1314265). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
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