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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
In Dee - Viola and Piano
Non classifié
719
Piano & claviers
Piano seul
918
Piano, Voix
215
Piano, Voix et Guitare
191
Piano Facile
184
1 Piano, 4 mains
70
Accompagnement Piano
21
Piano Trio: piano, violon, violoncelle
19
Piano grosses notes
18
Instruments en Do
17
Orgue
15
2 Pianos, 4 mains
12
Clavecin
5
1 Piano, 6 mains
4
Clavier
4
Piano (partie séparée)
3
Orgue, Piano (duo)
2
Piano Quatuor: piano, 2 violons, violoncelle
2
2 Pianos, 8 mains
1
+ 13 instrumentations
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Guitares
Ligne De Mélodie, (Paroles) et Accords
7
Guitare
3
Piano, Guitare (duo)
2
Paroles et Accords
1
Guitare notes et tablatures
1
2 Guitares (duo)
1
Ukulele
1
+ 2 instrumentations
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Voix
Chorale SATB
158
Voix Alto, Piano
85
Voix Soprano, Piano
67
Chorale 3 parties
63
Voix Tenor, Piano
60
Voix Baryton, Piano
53
Chorale 2 parties
36
Voix Tenor
25
Voix Soprano
23
Voix duo, Piano
19
Chorale Unison
16
Chorale SSAA
13
Chorale TTBB
11
Voix moyenne, Piano
7
Voix duo
6
Chorale
4
Voix haute
3
Voix Mezzo-Soprano, Piano
2
Voix basse, Piano
2
+ 14 instrumentations
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Vents
Clarinette et Piano
109
Saxophone Alto et Piano
105
Flûte traversière et Piano
91
Hautbois, Piano (duo)
76
Saxophone Tenor et Piano
47
Saxophone Soprano et Piano
36
Flûte, Violon, Piano
34
Saxophone Baryton, Piano
29
2 Saxophones (duo)
23
Clarinette
22
Cor anglais, Piano
21
Quatuor de Saxophones: 4 saxophones
18
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
14
Clarinette Basse, Piano
12
2 Flûtes traversières (duo)
11
2 Clarinettes (duo)
10
Flûte, Hautbois, Clarinette, Basson
8
Flûte, Clarinette, Piano (trio)
6
Quintette de Saxophone: 5 saxophones
6
Flûte traversière
5
2 Hautbois (duo)
5
Saxophone Alto
4
Flûte, Clarinette (duo)
4
Flûte à bec Soprano
4
Flûte à Bec
3
2 Flûtes traversières, Piano
3
Flûte, Hautbois, Piano (trio)
3
2 Flûte à bec (duo)
3
Flûte à bec Alto
2
Quatuor de Flûtes : 4 flûtes
2
2 Hautbois, Piano
2
Quatuor de Clarinettes: 4 clarinettes
2
Clarinette, Trompette (duo)
2
2 Clarinettes, Piano
2
Saxophone, Clarinette (duo)
2
Clarinette, Violon (duo)
2
Flûte à bec Alto, Piano
2
Ensemble de Clarinettes
2
Saxophone Tenor
2
Clarinette, Violoncelle, Piano (trio)
2
Hautbois
2
Clarinette, Basson, Piano (trio)
1
Flûte à bec Soprano, Piano
1
3 Saxophones (trio)
1
Hautbois (partie séparée)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
2 Saxophones, Piano
1
Flûte, Trompette (duo)
1
Flûte, Violon
1
Saxophone (partie séparée)
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Hautbois, Clarinette (trio)
1
Hautbois, Clarinette (duo)
1
Flûte, Saxophone (duo)
1
Clarinette (partie séparée)
1
Flute (partie séparée)
1
Clarinette Basse
1
Flûte, Basson et Piano
1
Hautbois, Flûte
1
Hautbois, Basson (duo)
1
Hautbois, Clarinette et Piano (Trio)
1
+ 56 instrumentations
Retracter
Cuivres
Trombone et Piano
93
Cor et Piano
82
Trompette, Piano
81
Tuba et Piano
55
Euphonium, Piano (duo)
23
Cor anglais, Piano
21
Trompette
15
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
9
2 Trompettes (duo)
9
2 Cors (duo)
8
2 Trombones (duo)
8
Cor
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Tuba
4
2 Trompettes, Clavier (piano ou orgue)
4
Trombone basse et Piano
3
Trombone
2
2 Cors, Piano
2
Trompette, Violoncelle et Piano
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Trompette, Saxophone (duo)
2
Quatuor de Cuivres
2
Trompette, Cor (duo)
1
Cor (partie séparée)
1
Trio de Cuivres
1
Tuba et Orgue
1
Quatuor de cuivres: 4 cors
1
Trompette (partie séparée)
1
Trompette, Trombone (duo)
1
Trompette, Trombone, Piano
1
+ 25 instrumentations
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Cordes
Violon et Piano
149
Violoncelle, Piano
92
Contrebasse, Piano (duo)
23
2 Violons (duo)
9
2 Violoncelles (duo)
7
Violon
7
Violoncelle
6
2 Violons, Piano
5
2 Violoncelles, Piano
2
Contre Basse
2
Violon, Violoncelle (duo)
2
Violon (partie séparée)
1
Harpe
1
Trio à Cordes: 2 violons, violoncelle
1
+ 9 instrumentations
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Orchestre & Percussions
Cloches
202
Orchestre d'harmonie
31
Orchestre
20
Jazz combo
15
Orchestre à Cordes
11
Ensemble Jazz
8
Orchestre de chambre
6
Ensemble de cuivres
6
Ensemble de Percussions
2
+ 4 instrumentations
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ACCORDEON
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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Crtitères actifs :
In Dee - Viola and Piano
Clarinette Basse
Partitions à imprimer
1 partition trouvée
Saint-Saëns: The Swan for Bass Clarinet & Piano
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Clarinette Basse
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Instrumental Solo - Level 3 - SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,...
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Bass Clarinet,Instrumental Solo - Level 3 - SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Wedding. Individual part. 11 pages. Jmsgu3 #903006. Published by jmsgu3 (A0.1314265). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
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In Dee - Viola and Piano
