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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Violin by Sam
Non classifié
1 625
Piano & claviers
Piano Trio: piano, violon, violoncelle
85
Piano seul
81
Piano Quatuor: piano, violon, alto, violoncelle
68
Accompagnement Piano
41
Piano, Voix
23
Instruments en Do
19
Piano, Voix et Guitare
19
Piano Facile
17
Piano Quintette: piano, 2 violons, alto, violoncelle
12
Piano Quatuor: piano, 2 violons, violoncelle
4
Orgue, Piano (duo)
2
Orgue
2
1 Piano, 4 mains
2
Accordéon et Orchestre
1
2 Pianos, 4 mains
1
+ 10 instrumentations
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Guitares
Guitare
6
Ligne De Mélodie, (Paroles) et Accords
4
Guitare, Violon, Violoncelle (trio)
4
Guitare notes et tablatures
3
Mandoline
3
Piano, Guitare (duo)
3
Guitare, Orchestre
1
2 Guitares (duo)
1
+ 3 instrumentations
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Voix
Chorale SATB
54
Chorale 3 parties
11
Chorale 2 parties
9
Pack Instrumental pour Chorale
7
Chorale TTBB
3
Chorale Unison
3
Chorale SSAA
2
Voix duo, Piano
1
Voix seule
1
Voix duo
1
+ 5 instrumentations
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Vents
Clarinette, Violon (duo)
141
Flûte, Violon
93
Flûte, Violon, Piano
54
Flûte traversière et Piano
51
Clarinette et Piano
33
Saxophone Alto et Piano
27
Flûte, Violon et Violoncelle
26
Hautbois, Piano (duo)
24
Saxophone Soprano et Piano
21
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
14
Ensemble de saxophones
10
Flûte et Guitare
10
Clarinette
9
Saxophone Tenor et Piano
9
Flûte traversière
7
2 Flûtes traversières (duo)
7
2 Saxophones (duo)
6
Clarinette, Guitare (duo)
6
Quintette de Saxophone: 5 saxophones
5
Cor anglais, Piano
5
Flûte, Clarinette, Violon (trio)
5
Flûte, Clarinette (duo)
5
Ensemble de Clarinettes
4
Hautbois
4
Trio de Flûtes: 3 flûtes
4
Flûte, Hautbois, Clarinette, Basson
4
Flute, harpe et violon
4
Hautbois, violon (duo)
4
Flûte, Hautbois, Violon
4
Ensemble de Flûtes
3
3 Saxophones (trio)
3
2 Flûte à bec (duo)
3
Saxophone Baryton, Piano
3
Cor anglais, Guitare (duo)
3
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
3
2 Clarinettes (duo)
2
Flûte, Clarinette et Basson
2
Flûte et Trio à cordes
2
Saxophone Alto
2
Clarinette Basse, Piano
2
Quatuor de Clarinettes: 4 clarinettes
2
Saxophone et Guitare
2
Quatuor de Flûtes : 4 flûtes
2
Hautbois (partie séparée)
2
Clarinette Basse
1
Flûte, Hautbois, Clarinette (trio)
1
3 Flûtes à bec (trio)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Clarinette, Harpe (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Clarinette et Alto
1
Hautbois, Harpe
1
Harmonica, Piano
1
Piccolo
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Clarinette, Basson (duo)
1
Quatuor de Saxophones: 4 saxophones
1
Quintette de Flûte : 5 flûtes
1
+ 53 instrumentations
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Cuivres
Trompette, Piano
27
Trompette
15
Trombone et Piano
12
Cor et Piano
12
Quatuor de Cuivres : 2 trompettes, trombone, tuba
12
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
11
Tuba et Piano
7
Cor
6
Trombone
5
Cor anglais, Piano
5
Tuba
4
Ensemble de Trombones
4
Euphonium, Piano (duo)
3
Cor anglais, Guitare (duo)
3
Ensemble de Trompettes
2
Ensemble de Cors
2
Trompette, Cor (duo)
1
2 Trombones (duo)
1
3 Tubas (trio)
1
2 Trompettes (duo)
1
3 Cors (trio)
1
3 Trombones (trio)
1
2 Cors (duo)
1
Quatuor de cuivres: 4 trombones
1
Quatuor de cuivres: 4 trompettes
1
Trompette, Trombone (duo)
1
+ 21 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 216
Violon
784
Violon et Piano
611
Violon, Violoncelle (duo)
385
Trio à Cordes: violon, alto, violoncelle
282
2 Violons (duo)
231
Violon, Alto (duo)
165
Violon (partie séparée)
97
Quintette à cordes: 2 violons, alto, violoncelle, basse
91
Trio à Cordes: 2 violons, violoncelle
66
Trio à cordes: 3 violins
47
Alto, Piano
42
Violoncelle, Piano
39
Violon, Guitare (duo)
28
Alto seul
19
Piano Trio: Violon, Alto, Piano
18
Quatuor à cordes: 4 violons
14
Violoncelle
12
Harpe, Violon (duo)
12
Trio à Cordes: 2 violons, alto
12
2 Violoncelles (duo)
10
2 Altos (duo)
9
Contre Basse
8
2 Violons, Piano
6
Contrebasse, Piano (duo)
6
Violoncelle (partie séparée)
5
4 Violoncelles
5
Alto, Violoncelle (duo)
5
Alto, Guitare (duo)
4
Violoncelle, Contrebasse (duo)
4
Alto (partie séparée)
4
Violon, Basson (duo)
4
Harpe
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Ensemble de Violons
3
Trio à cordes
2
Violoncelle , Guitare (duo)
2
Harpe, Flûte (duo)
2
Ensemble d'Altos
2
Harpe, Violon, Violoncelle
1
Violon, Orgue
1
Quatuor à cordes : 4 altos
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Trio à Cordes: 3 violoncelles
1
Violon, Clarinette, Piano (trio)
1
2 Violoncelles, Piano
1
+ 41 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
271
Orchestre
99
Orchestre d'harmonie
50
Orchestre de chambre
34
Vibraphone
18
Marimba
15
Ensemble Jazz
10
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
7
Ensemble de cuivres
5
Ensemble de Percussions
3
Xylophone
2
Xylophone, Piano
1
Jazz combo
1
Piano et Orchestre
1
Cloches
1
Ensemble d'École
1
+ 11 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
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Violin by Sam
Clarinette Basse
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Saint-Saëns: The Swan for Bass Clarinet & Piano
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Clarinette Basse
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Instrumental Solo - Level 3 - SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,...
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Bass Clarinet,Instrumental Solo - Level 3 - SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Wedding. Individual part. 11 pages. Jmsgu3 #903006. Published by jmsgu3 (A0.1314265). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
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