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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
4 Minutes - Baritone B.C.
Non classifié
52
Piano & claviers
Piano seul
16
Piano, Voix
5
Instruments en Do
3
1 Piano, 4 mains
2
Piano Facile
1
Orgue
1
+ 1 instrumentations
Retracter
Guitares
Voix
Voix Tenor, Piano
3
Voix Soprano, Piano
3
Voix Alto, Piano
2
Chorale SATB
2
Voix moyenne, Piano
2
Vents
Ensemble de Flûtes
5
Quatuor de Clarinettes: 4 clarinettes
3
Flûte traversière et Piano
3
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3
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2
Clarinette, Tuba
1
Flûte, Clarinette (duo)
1
2 Clarinettes (duo)
1
Clarinette, Trombone (duo)
1
Ensemble de Clarinettes
1
Quatuor de Flûtes : 4 flûtes
1
Clarinette, Contrebasse (duo)
1
Flûte traversière
1
Quatuor de Saxophones: 4 saxophones
1
Quintette de Clarinettes: 5 clarinettes
1
+ 10 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
6
Trompette
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Trompette (partie séparée)
1
Euphonium, Piano (duo)
1
Tuba et Piano
1
Trompette, Piano
1
Trompette, Cor (duo)
1
Cor et Piano
1
+ 4 instrumentations
Retracter
Cordes
Violon
3
Quatuor à cordes: 2 violons, alto, violoncelle
3
Alto, Piano
2
Harpe
1
Violon, Violoncelle (duo)
1
Violoncelle, Orchestre
1
Violoncelle, Piano
1
Violon et Piano
1
+ 3 instrumentations
Retracter
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Ensemble de cuivres
10
Orchestre
9
Orchestre d'harmonie
7
Cloches
2
Orchestre de chambre
1
Ensemble de Percussions
1
+ 1 instrumentations
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CONTREBASSE
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COR ANGLAIS
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DOBRO - GUI…
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EUPHONIUM
FANFARE - B…
FLUTE
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FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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OUD
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PAS DE PART…
PERCU. ORCH…
PERCUSSION
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SAXOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Crtitères actifs :
4 Minutes - Baritone B.C.
Violoncelle, Orchestre
Partitions à imprimer
1 partition trouvée
Cello Concerto
#
Violoncelle, Orchestre
#
Gavin Bryars
#
Cello Concerto
#
Schott Music - Digital
#
SheetMusicPlus
2 (2:picc.) · 1 · c.a. · 2 (2: b.cl.) · 2 (2: cbsn.) - 2 · 0 · 0 · 0 - perc. (timp., b.d., tam-tam, sus. cym., vibra., glock., tub. bells, ...
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2 (2:picc.) · 1 · c.a. · 2 (2: b.cl.) · 2 (2: cbsn.) - 2 · 0 · 0 · 0 - perc. (timp., b.d., tam-tam, sus. cym., vibra., glock., tub. bells, marimba) (2 players) - hp - str. (6 · 6 · 4 · 4 · 2 minimum) cello and orchestra - SKU: S9.Q3688 Farewell to philosophy. Composed by Gavin Bryars. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 35 minutes. Schott Music - Digital #Q3688. Published by Schott Music - Digital (S9.Q3688). I have a great fondness for the lower string instruments: I am a bass player, my mother is a cellist, as are both my daughters; my own ensemble includes two violas, a cello and a bass, and for the instrumentation of my opera Medea I omit the entire violin section from the orchestra. As I have written a number of works for solo instrument or voice with orchestra I welcomed the opportunity to write a concerto for cello and orchestra and especially one which focuses particularly on the instrument’s lyrical qualities. Although the piece is in one continuous movement, and the soloist is playing almost without a break, it nevertheless falls into distinct sections which are recognisable by a shift of tempo as well as by a change in the music’s character. One of the early ideas Julian Lloyd Webber and I discussed was that it might form a companion piece to one of the Haydn concertos. Given my friendship with some members of the English Chamber Orchestra and my awareness of their repertoire, this suggested a number of particular musical references. The subtitle to the work, for example, combines the subtitles of two idiosyncratic Haydn symphonies and I allude to them in different ways but chiefly through orchestration: for The Philosopher by including a section in the concerto where the orchestration resembles that of the symphony’s first movement (pairs of English and French horns, muted violins and unmuted lower strings); for The Farewell, by the progressive reduction in the orchestration towards the end. Indeed, apart from the orchestral tutti in the last few bars, the last pages of the score are virtually for string quartet. The subtitle also refers to my own background as a philosophy graduate... The piece was commissioned by Philips Classics for Julian Lloyd Webber and is dedicated to him. The first performance was given by Julian Lloyd Webber and the English Chamber Orchestra conducted by James Judd, 21 November 1995, Barbican Hall, London. Gavin Bryars.
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